SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Diary of Joseph Farington"/1) | (@(roleclean,performerclean) "Diary of Joseph Farington")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1393 matches on Event Comments, 950 matches on Author, 216 matches on Performance Comments, 25 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: Neville MS Diary: Shuter is a comical dog, a disturbance arising among the gods, he was obliged to stop and looking up to the Gallery asked, Well, are all affairs settled above?" During the noise Filch went off after singing--the gods encored the song. Shuter said You have frightened him so that he has lost his voice" but beckoning to Weston to return and sing. Weston steals Doll Trapes scarf in a new manner; he makes her drop it, etc. and pretending to do something about his knee, till she is out of sight, takes it up, saying I take it with all my spirit. When Macheath went to trial, Shuter cried, "Clear the way there--knock down that old woman with the apples.

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The School Boy

Dance: FFingalian-; New Hornpipe, as17670805

Event Comment: [G$Genest, V, 140, notes that Bannister's name does not appear in the playbill; the Public Advertiser bill, which does not specify any parts, includes Bannister as well as Strange, Loveman, Keen, and Smith, for which there is no support in the 1767 edition.] Before six went into the Pit to see the new tragedy of The Countess of Salisbury performed for the first time. One cannot judge perfectly of a Play without reading it, but it was received with vast applause. The author being an Irishman, Weston spoke a Prologue in the character of an Hibernian (Neville MS Diary)

Performances

Mainpiece Title: The Countess Of Salisbury

Afterpiece Title: Lethe

Dance: End: Dance-Miss Froment

Event Comment: NNeville MS Diary: He [Foote] does Paragraph, Strap and Slaughter. In the first he took off Faulkner, the printer of the Dublin Journal; am uncertain who in the last two. In the Counsellor, who examines the witness in the affair of El Can...he takes of Willes, son of the late Chief Justice. That examination and other anecdotes are not in the printed copy of the Orators...Mrs Jeffereys could scarce do her part for laughing at Foote

Performances

Mainpiece Title: The Orators

Afterpiece Title: The Taylors

Dance: Miss Froment

Event Comment: The Author's Night. N.B. As the time limited by Mr Foote's Patent is now expiring the Company will perform every night of the week, (Saturday excepted). Mondays, Wednesdays and Fridays Barry and Mrs Dancer. Tuesdays and Thursdays Mr Foote (Public Advertiser). Set down as much as I can remember of the additions to the Orators. In the evening finished a copy for the Printer of the General Evening Post of an answer to a flattering letter which appeared in that paper some time ago. It is in praise of the Duke of York and other wretches, who not knowing how to spend enough of the Nation's money have fitted up a Theatre in St James Street on which to exhibit their own folly and profusion (Neville MS Diary). [Neville's piece appeared in the Post 8 Sept.

Performances

Mainpiece Title: Countess Of Salisbury

Afterpiece Title: Miss in Her Teens

Dance: Miss Froment

Event Comment: NNeville MS Diary: At Davies read the Countess of S. At 7 went into the Pit....a foolish Epilogue is spoken by Mrs Dancer, which tends to lessen the impression made by the excellent moral of the Play

Performances

Mainpiece Title: The Countess Of Salisbury

Afterpiece Title: The Lying Valet

Dance: End: Miss Froment

Event Comment: The Fifth Day. Neville MS Diary: Going into the first Gallery to hear the Prologue...was obliged to stay and see the Play. When the Epilogue was called for, Barry appeared and said, Mrs Dancer is so ill, she hopes you will excuse her." The gods were so brutish as to continue hissing and crying Off Off" All the while little Froment danced, who stood it very well. At last Mrs Dancer came on the stage and said I have been very ill all night. Otherwise I would not have requested this indulgence. The "Nos" and Clappers prevailing, at last she got off without speaking the Epilogue. The Farce was...purged of a little of its obscenity

Performances

Mainpiece Title: The Countess Of Salisbury

Afterpiece Title: The School Boy

Dance: End: Miss Froment

Event Comment: NNeville MS Diary: The last three he [Foote] has not done for some time. I like Woodward better in young Philpot. Both add some crochets of their own. I don't think he took off Mr Whitefield well. Cole, Shift and Smirk he does inimitably. He has a great command of features in the ludicrous way, not such as that of Garrick

Performances

Mainpiece Title: The Minor

Afterpiece Title: The Citizen

Dance: II: New Serious Dance-; End: New Comic Dance, The Gallant Peasant-Miss Froment

Event Comment: NNeville MS Diary: Her confusion was so great, that seeing her gave me pain. On this occasion Foote gave us a stroke of humour; When the Blackamoor Lady had retired, he asked Snarl what character he thought she should play first. Snarl said in Imoinda. Foote replied "Don't you think Callista would do better? for it would have a good effect in the Bills--The Fair Penitent by a Black Lady.

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Mayor of Garratt

Dance: SSerious Dance-; The Gallant Peasant, as17670904

Entertainment: By Desire, Occasional Prologue on opening the Theatre-Mr Foote; in which will be introduced Through the Wood Laddie-the real Blackamoor Lady (Neville)

Event Comment: NNeville MS Diary: Where we went into several curious scenes of vulgar entertainment. [Neville returned in time for a seven o'clock performance at the Haymarket that night.

Performances

Event Comment: Mainpiece: Not acted these 12 years. [See 24 Jan. 1758.] Prologue written by Paul Whitehead. Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. Places for the Boxes to be taken of Mr Sarjant (only) at the Stage-Door. No persons can be admitted behind scenes, nor any Money returned after curtain is drawn up. To begin exactly at 6 o'clock. [Customary note in succeeding bills.] Receipps: #190 14s. (Account Book). @The New Occasional Prologue@As when the merchant to increase his store@For Dubious seas, advent'rous quits the shore;@Still anxious for his freight, he trembling sees@Rocks in each buoy, and tempest in each breeze@The curling wave to mountain billow swells,@And every cloud a fancied storm fortells:@Thus rashly launch'd on this Theatric main,@Our All on board, each phantom gives Us pain;@The Aatcall's note seems thunder in our ears,@And every Hiss a hurricane appears;@In Journal Squibs we lightning's blast espy,@And meteors blaze in every Critic's eye.@Spite of these terrors, still come hopes we view,@Hopes, ne'er can fail us--since they're plac'd--in you.@Your breath the gale, our voyage is secure,@And safe the venture which your smiles insure;@Though weak his skill, th' adventurer must succeed,@Where Candour takes th' endeavor for the deed.@For Brentford's state, two kings could once suffice;@In ours, behold! four kings of Brentford rise;@All smelling to one nosegay's od'rous savor@The balmy nosegay of--the Public favor.@From hence alone, our royal funds we draw,@Your pleasure our support, your will our law.@While such our government, we hope you'll own us;@But should we ever Tyrant prove--dethrone us.@Like Brother Monarchs, who, to coax the nation@Began their reign, with some fair proclamation,@We too should talk at least--of reformation;@Declare that during our imperial sway,@No bard shall mourn his long-neglected Play;@But then the play must have some wit, some spirit,@And We allow'd sole umpires of its merit.@For those deep sages of the judging Pit,@Whose taste is too refin'd for modern wit,@From Rome's great Theatre we'll cull the piece,@And plant on Britain's stage the flow'rs of Greece.@If some there are, our British Bards can please,@Who taste the ancient wit of ancient days,@Be our's to save, from Time's devouring womb,@Their works, and snatch their laurels from the tomb.@For you, ye Fair, who sprightlier scenes may chuse,@Where Music decks in all her airs the Muse,@Gay Opera shall all its charms dispense,@Yet boast no tuneful triumph over sense;@The nobler Bard shall still assert his right,@Nor Handel rob a Shakespear of his night,@To greet the mortal brethren of our skies [upper galleries]@Here all the Gods of Pantomime shall rise:@Yet midst the pomp and magic of machines,@Some plot may mark the meaning of our scenes;@Scenes which were held, in good King Rich's days,@By sages, no bad epilogues to plays.@If terms like these your suffrage can engage,@To fix our mimic empire of the stage;@Confirm our title in your fair opinions,@And crowd each night to people our dominions.@--(Poems and Miscelaneous Compositions, Ed. Capt. Edward Thompson, 1777) Covent Garden opened with the Rehearsal with alterations. I was in the Pit. Powell, from Drury Lane, one of the new managers who have bought the patent from Rich's heirs, spoke an occasional Prologue. Shuter did Bayes pretty much to my liking, adding many crochets of his own.... Entertainment The Mock Doctor,...Young Jasper pretty well by one Massey, being his first appearance on that stage (Neville MS Diary)

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: The Mock Doctor

Event Comment: By Permission. Benefit for Thomas Barry. Neville MS Diary: Mr Barry having obtained permission to play 3 nights after the time at which Foote by his patent is obliged to shut his house

Performances

Mainpiece Title: The Orphan; Or, The Unhappy Marriage

Afterpiece Title: The Lyar

Dance: End: The Fingalian-Miss Froment; End I Farce: Hornpipe-Miss Froment

Event Comment: Dined at Dolly's, Saw Every Man in His Humour...I see as well with my glass in the 1st Gallery, as in the Pit without it, particularly when only one or two principal characters appear at a time (Neville MS Diary). Receipts: #111 7s. (Account Book)

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: The Upholsterer

Dance: End: Serious Dance, as17670916

Event Comment: By Permission. Benefit Barry. Tickets for the 10th instant will be taken. Being positively the last time of performing. Afterpiece: Taken from the Mistake. Neville MS Diary: Barry's expression of the savageness of the Moor, particularly with his eyes, is very great. Mrs Dancer does not suit herself in the character of Desdemona. We had two dances by Miss Froment with a foolish Farce in two acts

Performances

Mainpiece Title: Othello

Afterpiece Title: Like Master Like Man

Dance: IV: Serious Dance-; End: Comic Dance-Miss Froment

Event Comment: The Characters in the Mainpiece New Dress'd. Neville MS Diary: At 6, went into the Pit...House not very full. King John was performed with new Dresses and Decorations. Powell and Smith are good in York and the Bastard, and Mrs Bellamy in Constance....The entertainment was the procession of the Coronation, with the ceremony of the Champion. Every truly free soul, on seeing a representation of such extravagant pageantry, must abhor that form of Government, of the superfluous trappings of which it is but a small specimen. Receipts: #91s. (Account Book)

Performances

Mainpiece Title: King John

Afterpiece Title: The Coronation

Event Comment: MMrs Jeffries made her first appearance on this stage in Belinda.--not perfect.--was pretty well received.--is a little smart figure (Hopkins MS Notes). At 15 minutes past 4, took my place in the Pit at Drury Lane to see the Provok'd Wife. Mr Garrick is inimitable as Sir John Brute, Palmer does Heartfree, and Mrs Abington Lady Fanciful (with a song not printed in the play) very well. Constant by Cautherly, whose figure and manner I do not like, Vernon in Col. Bully sings a song (Neville MS Diary)

Performances

Mainpiece Title: The Provoked Wife

Afterpiece Title: The Devil to Pay

Event Comment: [Afterpiece: With alterations and additions. News arrived of the death in Monaco of His Royal Highness Edward Augustus, Duke of York, next brother to His Majesty. Hopkins MS Notes: About eleven o'clock orders came from the Lord Chamberlain that the House must be stopt performing on account of the death of the Duke of York. --Fresh bills were printed and posted about the House that there would be no play that night. Neville MS Diary: Procured No. 5289 of the General Evening Post which contains my letter concerning the St. James' Company of Comedians. Glad to hear that the Lothario of that Company, the Infamous York, is called to that Tribunal where there is no respect of persons. Canceled

Performances

Mainpiece Title: The English Merchant

Afterpiece Title: NNone

Event Comment: Mainpiece: Never acted there. Neville MS Diary: Both theatres opened again with The English Merchant. Went into the Pit of cg. Shuter did Freeport pretty well, but had not that appearance of blunt honesty which Yates has in that character....I like Miss Pope better in Molly than Mrs Mattocks. Mrs Goodman by Mrs Ward, who is a very different figure now from what she was some years ago. Her daughter did Amelia pretty well, but has a stiffiness and an indifferent voice. End Act III, The Irish Lilt-The celebrated dancer Aldridge, Sga Manesiere. Entertainment Harlequin Dr Faustus. I hope this emulation between the 2 Houses will cause exertion. Receipts: #146 8s. 6d. (Account Book)

Performances

Mainpiece Title: The English Merchant

Afterpiece Title: Harlequin Dr Faustus

Dance: III: The Irish Lilt, as17670921

Event Comment: Read the two last acts of the Merchant of Venice, which I had not time to read last night (Neville MS Diary). Receipts: #108 4s. 6d. (Account Book)

Performances

Mainpiece Title: The English Merchant

Afterpiece Title: Harlequin Dr Faustus

Event Comment: At Half Past 5 went into the Pit to see Macklin do Shylock a second time...Woodward is inimitable as Squire Groom [in the afterpiece] Oblig'd to stand all night (Neville MS Diary). Receipts: #227 2s. 6d. (Account Book)

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Love a-la-Mode

Dance: III: Tambourine-Master Blurton as17670427; IV: The Merry Sailors, as17671009

Event Comment: SSigismunda by Mrs Dancer, being her first appearance on this stage, --was well received and great applause, --She is a good figure, and has a great deal of merit, --and is an acquisition to the theatre (Hopkins MS Notes). Mainpiece: Not acted these 2 years. [See 21 Nov. 1765.] Got with difficulty into the Pit before the play began. Holland played Tancred pretty well but can never divest himself of a certain stiffness...Mrs Dancer was affecting in Sigismunda...Lovel [in the afterpiece] by King, much better than by Cautherly. Saw the Duchess of Ancaster at the Play, who tho upwards of 40, is still remarkably handsome (Neville MS Diary)

Performances

Mainpiece Title: Tancred And Sigismunda

Afterpiece Title: High Life below Stairs

Dance: End: The Irish Hay@makers, as17670919

Event Comment: Ranger Mr Garrick--Very fine (Hopkins MS Diary)

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: Daphne and Amintor

Event Comment: At 5 went into the Pit to see Mrs Yates' first appearance on that stage....Hastings for the first time by Powell, but I like Barry better in that character....Mrs Bellamy always excelled in the character of Alicia. Jane Shore by Mrs Yates who far surpasses Mrs Dancer in that character...Woodward is the best Fine Gentleman [in the farce] I ever saw. Drunken man very well by Dunstall (Neville MS Diary). Receipts: #189 12s. 6d. (Account Book)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: Lethe

Dance: IV: The Merry Sailors, as17671009; End: A New Pantomime Dance-Fishar, Sga Manesiere

Event Comment: Dined at the Ship, and went at 5 into the Pit to see Mrs Yates do Jane Shore a second time. Her powers are certainly amazingly great, the expression in her eyes in the last scene is particularly affecting. The entertainment was the foolish Pantomime called Harlequin Skeleton (Neville MS Diary). Receipts: #189 14s. (Account Book)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Royal Chace; or, Harlequin Skeleton

Event Comment: Went into the Pit to see Garrick do Abel Drugger. Read three acts of the play. Subtle, Face and Dapper are well played by Burton, Palmer and Dodd. Love and Mrs Pritchard excellent as usual. Mrs Love did Tag in Miss in her Teens (Neville MS Diary)

Performances

Mainpiece Title: The Alchemist

Afterpiece Title: Miss in Her Teens

Event Comment: At 5 went into the Pit to see Barry do Lear, being his first appearance on that stage these 10 years (Neville MS Diary)

Performances

Mainpiece Title: King Lear

Afterpiece Title: High Life below Stairs

Dance: End: The Irish Hay@makers, as17670919