SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Diary of Isaac Reed"/1) | (@(roleclean,performerclean) "Diary of Isaac Reed")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 1378 matches on Event Comments, 1333 matches on Author, 116 matches on Performance Comments, 4 matches on Performance Title, and 1 matches on Roles/Actors.
Event Comment: FFoote read part of his The Minor on 9 Nov. 1759 in a course of Comic Lectures and left for Dublin on 10 Nov. (Theatrical Duplicity or, A Genuine Narrative of the Conduct of David Garrick, Esq. to Joseph Reed on his Tragedy of Dido. MS in Harvard Theatre Collection)

Performances

Mainpiece Title: Comic Lectures

Performances

Mainpiece Title: Agis

Performance Comment: Actors only: Garrick, Holland, Havard, Davies, Packer, Mrs Pritchard, Mrs Davies, Mrs Cibber; Vocal Parts by Lowe, Champnes, Fawcett, Miss Young, Miss Reed. Lysander-Garrick; Rhesus-Holland; Euxus-Davies; Agesistrata-Mrs Pritchard; Euanthe-Mrs Cibber; Sandane-Mrs Davies; Agis-Packer; Amphares-Havard (Winston MS 9).

Afterpiece Title: Polly Honeycombe

Event Comment: Benefit for Scrase, Fawcett and Miss Reed. No Building on Stage. Tickets sold at the Doors not admitted

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Contrivances

Song: II: A New Song, set by Dr Arne,-Fawcett; End: If o'er the Cruel Tyrant Love, from Artaxerxes,-Fawcett

Performances

Mainpiece Title: The Citizen

Performance Comment: Old Philpot-Weston; Young Wilding-Davis; Beaufort-Death; Sir Jasper-Johnson; Dapper-Quin; Quildrive-Sommers; Corinna-Miss Platt; Maria-a young Gentlewoman [Miss Reed]; Young Philpot-Foote.

Afterpiece Title: The Mayor of Garratt

Dance: As17630704

Event Comment: [I$Isaac Reed, with two friends, attended this performance and named the dancers (Gerhardi, Clinton, Miss Street, Miss Valois).

Performances

Mainpiece Title: The Patron

Afterpiece Title: The Mayor of Garratt

Dance: As17640626, but order reversed%

Event Comment: Full Prices. Hopkins MS Memorandum Book: By the Manager's order I ask'd Mr Joseph? Reed what he had a benefit for the next night. His answer was The Managers give it him for his withdrawing Dido and on account of The Register Office and to clear them from all demands he had upon them whatever

Performances

Mainpiece Title: False Delicacy

Afterpiece Title: The Elopement

Event Comment: Benefit for Rose, Sherrard and others. Tickets deliver'd by Robson, Dixon, Wooley, Roberts, Fransdorf, Doe, Reed, Ellis and Pilfold will be taken. @Tickets Box Pit Gallery Value 1!2 Value@Rose 20 31 25 #12 3s. #6 1s. 6d.@Sharratt 6 6 11 #3 10s. #1 15s.@Robson 1 49 52 #12 16s. #6 8s.@Dixon 4 39 33 #10 3s. #5 1s. 6d.@Wooley 3 38 64 #12 17s. #6 8s. 6d.@Roberts 13 53 42 #15 8s. #7 14s.@Fransdorf 33 33 #8 5s. #4 2s. 6d.@Doe 1 13 49 #7 2s. #3 11s.@Reed 10 13 37 #8 3s. #4 1s. 6d.@Ellis 6 33 #4 4s. #2 2s@Pilfold 25 128 17 #27 3s. #13 11s. 6d.@Total #121 14s. #60 17s. (Account Book).@ [See note to 27 May.]@ Rec'd of Gardner for his deficiency 6th inst. #13 3s. 6d.@ Rec'd of Miss Besford her deficiency 25th inst. #7 2s. 10 1!2d.@ Rec'd of Holtom for his deficiency 25th inst. #7 2s. 10 1!2d.@ Rec'd of Mrs Trott her 1!2 value of tickets 27th #2 16s.@ Rec'd of Miss Maddan her 1!2 value of tickets 27th #5 19s.@ Rec'd of Arnd Fishar his 1!2 value of tickets 27th #1 9s.@ Rec'd of Parsons his 1!2 value of tickets 27th #19.@ Rec'd of Morris his deficiency the 3rd inst. #2 10s. 9d. (Account Book).@ Receipts: #35 3s. 6d. (Account Book)

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: Harlequin Dr Faustus

Dance: II: Comic Dance, as17680527

Event Comment: Benefit for Mr Sarjant and Son (book and box-keeper). Tickets deliver'd for the 16th will be taken. Charges #81 15s. 6d. Deficit to Sarjant #57 4s. covered by #167 2s. from tickets (Box 450; Pit 272; Gallery 138) (Account Book). Rec'd the 1!2 value of tickets for 28th inst. from Doe, Reed, Robson, Rose, Pilfold, Roberts, Dixon, and Wooley (Account Book). Receipts: #57 4s. (Account Book)

Performances

Mainpiece Title: The Provokd Husband

Afterpiece Title: Orpheus and Eurydice

Dance: II: The Highland Reel, as17680307

Event Comment: Benefit for Miss Macklin. Part of Pit will be laid into Boxes. Send servants by 4 o'clock. Afterpiece: For the only time this season. Charges #64 5s. Balance to Miss Macklin #77 7s. 6d. plus #115 15s. from tickets (Box 463). Paid Mr Reed for the balance of his 3 nights for Tom Jones #297 3s. Receipts: #141 12s. 6d. (Account Book)

Performances

Mainpiece Title: The Refusal Or The Ladys Philosophy

Afterpiece Title: Love a la Mode

Dance: End: The Irish Lilt, as17680930

Event Comment: [The Account Book indicates the following Paid up their half value for tickets: Whatley, Dixon, Reed, Bushell, Wooley.] Receipts: #53 9s. 6d. (Account Book)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: Midas

Event Comment: Benefit for Thompson, Wilkinson &c. Tickets deliver'd for the Inconstant, by Whatley, and others will be taken. @ Thompson .. 7 45 #5 11s. #2 15s. 6d.@ Wilkinson 37 18 22 #14 3s. #7 1s. 6d.@ Whatley .. 6 25 #3 8s. #1 14s.@ Mrs Griffith .. 23 25 #5 19s. #2 19s. 6d.@ Flight .. 9 45 #5 17s. #2 18s. 6d.@ Ellis .. 2 38 #4 2s. #2 1s.@ Reed .. 4 16 33 #6 15s. #3 7s.@ Roberts .. 3 104 49 #21 15s. #10 12s. 6d.@ Dixon .. 5 51 22 #11 2s. #5 11s.@ Robson .. 5 117 78 #26 12s. #13 6s.@ Norbury 8 43 54 #13 17s. #6 18s. 6d.@ Bassan 14 36 41 #13 #6 18s. 6d.@ Bushell .. 6 16 #2 10s. #1 5s.@ Fransdorf 4 39 33 #10 3s. #5 1s. 6d.@ Stephenson 20 106 106 #31 10s. #15 15s.@ Miller 5 44 59 #13 15s. #6 17s. 6d.@ Walker .. 14 47 #6 16s. #3 8s.@ Shuter .. 14 4 #2 10s. #1 5s.@ Total 105 655 742 #198 14s. #99 7s.@ [No charges. The House took half value of tickets.] Receipts: #32 1s. 6d. (Account Book)

Performances

Mainpiece Title: The Twin Rivals

Afterpiece Title: Thomasand Sally

Dance: III: The Dutch Dance, as17691111

Event Comment: Benefit for Condell, Potter, Hussey. Tickets sold at the Doors will not be admitted. Charges #81 10s. Deficit to the beneficiaries #18 1s. 10d. apiece. Covered by income from Tickets: Condell #71 12s. (Box 186; Pit 122; Gallery 68); Potter #48 14s. (Box 116; Pit 74; Gallery 86); Hussey #64 4s. (Box 118; Pit 152; Gallery 119); Walters, Dixon, Reed, and Wooley paid up half values of tickets (Account Book). Receipts: #24 4s. 6d

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Thomasand Sally

Dance: I: A Hornpipe-Dyer (Scholar to Fishar); III: The Irish Lilt, as17700402 End: A Minuet-Hussey, Miss Twist

Event Comment: Mainpiece: Never Acted Here. [Reed attended this performance.]

Performances

Mainpiece Title: King John

Afterpiece Title: Damon and Phillida

Dance: I: As17700808

Event Comment: Benefit for Flight, Furkins, Wooley, Sherratt. Tickets deliver'd by Mrs Paddick, Doe, Claridge, Reed, Ellis, Dickson, Robson, Walker, Longley, Whatley and Singleton will be taken

Performances

Mainpiece Title: George Barnwell

Afterpiece Title: Harlequin Dr Faustus

Event Comment: Afterpiece: By the Author of the Register Office [Reed]. By Permission and Particular Desire. The tragedy was originally written in Italian by Sg Fonidoso Dellarundo, of Civita Vecchia, and bequeathed by him, at his Decease, to an English Gentleman, with whom he had contracted an intimate Acquaintance. It was translated into English by the celebrated Mr Rone, and (considering the difference of the idiom between the two languages) it is thought equal at last, if not superior to the original (Public Advertiser)

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: Madrigal and Trulletta

Entertainment: IV: Imitations Rhetorical and Vocal-Bannister; Scrub's Trip to the Jubilee-Weston

Event Comment: Benefit for Mrs Hartle, Mas. Blurton, Walters, Symonds, Francis, and Furkins. Tickets deliver'd by Flight, Longley, Singleton, Shuter, Norbury, Roberts, Frensdorff, Miller, Stevenson, Reed, Robson, and Walker, will be taken. On Monday next (the thirteenth Night) the last New Comedy She Stoops to Conquor...with Harlequin Sorcerer. [No charges. House took half-value of tickets, plus ready-money receipts of #19 2s. 6d. (Account Book).] @Tickets Box Pit Gallery Value Half Value@Mrs Hartle .. .. .. .. ..@Mas. Blurton 5 11 36 #6 10s. #3 5s.@Walters 5 78 92 #22 3s. #11 1s. 6d.@Symonds 9 68 51 #17 11s. #8 15s. 6d.@Francis 3 33 38 #9 10s. #4 15s.@Furkins 18 45 30 #14 5s. #7 2s. 6d.@Flight .. 41 65 #12 13s. #6 6s. 6d.@Longley 9 156 57 #31 7s. #15 13s. 6d.@Singleton .. 6 14 #2 6s. #1 3s.@Shuter .. 55 16 #9 17s. #4 18s. 6d.@Norbury 10 12 19 #26 4s. #3 2s.@Roberts 6 134 48 #26 8s. #13 4s.@Frensdorf 3 44 19 #9 5s. #4 12s. 6d.@Miller 7 87 84 #18 14s. #9 7s.@Stephenson 12 74 71 #21 4s. #10 12s.@Mrs Read 5 16 37 #7 7s. #3 13s. 6d.@Robson 3 88 35 #17 9s. #8 14s. 6d.@Walker .. 34 61 #11 4s. #5 12s.@Total 95 882 773 #243 17s. #121 18s. 6d.

Performances

Mainpiece Title: George Barnwell

Afterpiece Title: The Contrivances

Dance: III: Hornpipe-Mas. Blurton; End: The Cumberland Corn@thrashers, as17730424

Event Comment: [Mrs Wheatley is identified in Reed, 117.]

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: Harlequin Teague

Dance: As17820817, but added: Miss Francis

Event Comment: Benefit for Jewell, Treasurer. Reed, 139: "The Deserter, Burlesque Dance."

Performances

Mainpiece Title: Two To One

Afterpiece Title: The Guardian

Dance: End of mainpiece The Deserter. The Deserter-Mme Dageville; Skirmish-Miss Simonet; Louisa-Mr Delpini; and with Byrne and Miss L. Simonet

Event Comment: Mainpiece: Not acted these 7 years [not acted since 18 Sept. 1778. Mrs Brooks is identified in Reed, p. 145]. "Miss George spins around every fifteen seconds like a top, and then runs to the back of the stage. She too is very apt to stay at the back of the stage. She knows when it is her turn to speak, joins the party, speaks, spins, and away again! Pray, Miss George, sometimes do your friends the favour to stay amongst them, and attend to what is going forward" (Morning Chronicle, 24 July)

Performances

Mainpiece Title: The Provokd Husband

Afterpiece Title: The Quaker

Event Comment: [A detailed account of all three pieces appears in Sophie v. la Roche, Sophie in London, 1933, pp. 93-95. The theatre is described as seeming "exceptionally small, but it is very prettily painted in blue and white; the boxes, as in Paris, are open and everything is well lit." In 3rd piece "A twelve-year-old girl dressed as a poor boy who walks around with a bundle of rushes, straw and reeds to patch up old chairs, then really sits down to work on one, sang and played unusually well; indeed, was obliged to give two encores; the third time, however, announced with dignity and candour that it would not be possible, and that she feared she might be unable to take her part the next day; which would grieve her excessively, as she liked having her modest talents appreciated and applauded. Everyone clapped and praised her aloud. She is beuatiful, and deserves to be the nation's darling, and will certainly become a great actress, competent to keep her voice, gesture and features in complete control, never using her talents wrongly or producing exaggerated effects."]

Performances

Mainpiece Title: Nature Will Prevail

Afterpiece Title: Tit for Tat

Afterpiece Title: Harlequin Teague

Dance: As17860904

Event Comment: According to Robert Withington (English Pageantry, An Historical Outline, Cambridge, Mass., 1918, I, 242n), the expense of the entertainment came to #7888 2s. 6d. (See also Pepys, Diary, and other accounts.) The Diurnal of Thomas Rugg, ed. Sachse, pp. 98-99: A lane [was] made in the Citty, made by the livery men of several companyes; and many pageants in the streets...Att Cheap sid his Majesty beheld a famous pagien, and staid there for som littl space, where were speeches made by the lady paganetts. Evelyn, Diary: I saw his Majestie go with as much pompe & splendor as any Earthly prince could do to the greate Citty feast...but the exceeding raine which fell all that day, much eclips'd its luster:...the streets adorn'd with Pageants &c: at immense cost

Performances

Mainpiece Title: Londons Glory Represented By Time Truth And Fame

Event Comment: Edition of 1660: The Royal Oake, with Other various and delightfull Scenes presented on the Water and the Land, Celebrated in Honour of the deservedly Honoured Sir Richard Brown, Bar. Lord Mayor of the City of London, The 29th day of October...and performed at the Costs and Charges of the Right Worshipfull Company of Merchant-Taylors. [Tatham refers to Dyamond, a Lightfoot, Paynter; Thomas Whitein, Joyner; and Richard Cleere, Carver.] Pepys, Diary: And I...at the Key in Cheapside; where there was a company of fine ladies, and we were very civilly treated, and had a very good place to see the pageants, which were many, and I believe good, for such kind of things, but in themselves but poor and absurd. Evelyn, Diary: My Lord Majors shew stop'd me in cheape-side: one of the Pageants represented a greate Wood, with the royal Oake, & historie of his Majesties miraculous escape at Bosco-bell &c

Performances

Mainpiece Title: The Royal Oake

Event Comment: The King's Company. Pepys, Diary: We [Pepys and his wife] went to the Theatre, but coming late, and sitting in an ill place, I never had so little pleasure in a play in my life, yet it was the first time that ever I saw it, Victoria Corombona. Methinks a very poor play. Pepys, Diary, 3 Oct.. I...calling at Sir W. Batten's, where his son and his wife were, who had yesterday been at the play where we were, and it was good sport to hear how she talked of it with admiration like a fool

Performances

Mainpiece Title: Vittoria Corombona

Event Comment: Edition of 1661: By the Worshipful Company of Grocers. Evelyn, Diary: I saw the Lord Major passe in his Water Triumph to Westminster being the first solemnity of this nature after 20 years. Pepys, Diary: I was (after office was done) ready to go to my Lord Mayor's feast, as we are all invited; but the Sir Williams were both loth to go, because of the crowd, and so none of us went....This Lord Mayor, it seems, brings up again the custom of Lord Mayors going the day of their instalment to Paul's, and walking round about the Cross, and offering something at the altar

Performances

Mainpiece Title: Londons Triumphs

Event Comment: [The edition of 1662 suggests that this was a ballet, the text offering description or synopses of the entries. Edition of 1662: Being part of that Magnificent Entertainment by the Noble Prince, DelaGrange, Lord Lieutenant of Lincolns Inn. Presented to the High and Mighty Charles II, Monarch of Great Britain, France and Ireland. On Friday 3 of January 1662. Evelyn, Diary: After Prayers I went to Lond: invited to the solemn foolerie of the Prince de la Grange at Lincolne Inn: where came also the King, Duke, &c.: beginning with a grand Masquev and a formal Pleading before the mock-princes (Grandes), Nobles & Knights of the Sunn: He had his L. Chancelor, Chamberlaine, Treasurer, & other royal officers gloriously clad & attended, which ended in a magnificent Banquet: one Mr John? Lort, being the young spark, who maintained the Pageantrie. Pepys, Diary: While I was there, comes by the King's life-guard, he being gone to Lincoln's Inn this afternoon to see the Revells there; there being, according to an old custom, a prince and all his nobles and other matters of sport and charge. John Ward (notebooks, 6 Jan.): I saw a Leopard and the same day as strange a sight which was the mock prince of Lincolnes' Inne his Nobels his Knights of the Garter and his other officers (Shakespeare Quarterly, XI [1960], 494)

Performances

Mainpiece Title: Greek Words Universal Motion