SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Dennis Delane Esq"/1) | (@(roleclean,performerclean) "Dennis Delane Esq")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 594 matches on Performance Comments, 345 matches on Event Comments, 30 matches on Author, 9 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Parracide; Or, Innocence In Distress

Performance Comment: Parts-Ryan, Delane, Rosco, Hale, Mrs Horton, Mrs Hallam, Mrs James; but edition of 1739 lists: Felix-Rosco; Albert-Hale; Godrick-Delane; Castor-Ryan; Servant-Hill; Harroana-Mrs James; Ariana-Mrs Horton; Eliza-Mrs Hallam; Matilda-Miss Horsington; Prologue-Ryan; Epilogue-Mrs Horton.
Event Comment: Benefit Delane. Mainpiece: Written by the late Sir Richard Steele. Receipts: money #78 12s.; seals #81 10s. (Account Book); #162 (Rylands MS.). [According to the Account Book, Delane received a Free Benefit.

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The King and the Miller of Mansfield

Dance: I: Wooden Shoe Dance-Mechel; III: Kilkenny-Glover, Mlle Roland; V: Italian Peasants-Desnoyer, Signora Barberini

Song: In II: Roberts

Performances

Mainpiece Title: Love The Cause And Cure Of Grief; Or, The Innocent Murderer

Performance Comment: Prologue-Delane; Epilogue-Mrs Giffard; Weldon-Delane; Briar-Giffard; Young Freeman-Havard; Freeman-Bridges; Judge-Winstone; Servant-Woodburn; Charlotte-Mrs Giffard; Mrs Freeman-Mrs Roberts; Mrs Briar-Mrs Bennet [1st edition, but listed in order of actors given in London Daily Post and General Advertiser].1st edition, but listed in order of actors given in London Daily Post and General Advertiser].

Afterpiece Title: The Lying Valet

Event Comment: Benefit for Mr Delane. He did not publish a Bill 'till after Mr Barry's Day [see 10 March] (Cross). Tickets and places to be had of Delane, in Broad Court, the upper end of Bow St., Covent Garden, and of Hobson, at the stage Door. On Thursday next, by Particular Desire, the last new comedy call'd The Foundling. Receipts: #156 (Cross); house charges, #60 (Powel); cash, #91 14s.; tickets, #62 15s. (Clay MS)

Performances

Mainpiece Title: The Distress'd Mother

Afterpiece Title: Miss in Her Teens

Performances

Mainpiece Title: Coriolanus

Performance Comment: Principal parts-Quin, Ryan, Delane, Sparks, Ridout, Bridgwater, Anderson, Miss Bellamy, Mrs Woffington. [Coriolanus-Quin; Attius Tullus-Ryan; Galesus-Delane; Volqsius-Sparks; Titus-Ridout; Minucius-Bridgwater; Cominius-Anderson; Volumnia-Miss Bellamy; Veturia-Mrs Woffington; Prologue-Quin; Epilogue-Mrs Woffington (Edition of 1749).]
Related Works
Related Work: The Invader of His Country: or, The Fatal Resentment Author(s): John Dennis
Event Comment: See Herbert, Dramatic Records, p. 116. The King's Company. According to John Dennis, in the Dedication to The Comical Gallant (1702), when this play was revived in the times of Charles II, Wintershall acted Slender

Performances

Mainpiece Title: The Merry Wives Of Windsor

Related Works
Related Work: The Comical Gallant: or, The Amours of Sir John Falstaffe Author(s): John Dennis
Event Comment: The Duke's Company. Pepys, Diary: To the Opera, where there was a new play (Cutter of Coleman Street), made in the year 1658, with reflections much upon the late times; and it being the first time, the pay was doubled, and so to save money, my wife and I went up into the gallery, and there sat and saw very well; and a very good play it is. It seems of Cowly's making. Downes (Roscius Anglicanus, p. 25): This Comedy being Acted so perfectly Well and Exact, it was perform'd a whole Week with a full Audience. John Dennis, Dedication to The Comical Gallant, 1702: The only Play that ever Mr Cowley writ, was barbarously treated the first night, as the late Mr Dryden has more than once informed me, who has told me that he went to see it with the famous Mr Sprat, now Bishop of Rochester, and that after the Play was done, they both made a visit to Mr Cowley. Langbaine (English Dramatick Poets, p. 81): This Play met with some Opposition, at its Representation under this new Name, from some who envyed the Authors unshaken Loyalty to the Prince, and the Royal Cause, in the worst of Times. BM Add. Mss. 34217, fol. 31b, in Hotson (Commonwealth and Restoration Stage, p. 247): @The Cutter of Coleman street had more fame@Before the Author chang'd its name@And shewd himselfe an Englishman right@By mending of things to spoyle them quite@And bee's more to blame because he can tell@(No better) to make new strings soe well.

Performances

Mainpiece Title: The Cutter Of Coleman Street

Event Comment: The United Company. Newdigate newsletters, 20 Jan. 1682@3: Yesterday was acted at the Theatre Royall the first of a new play Entituled the City Politiques the novelty of wch drew a Confluence of Spectators under both Qualifications of Whigg and Tory to hear and behold a Ld Mayor Sheriffs & some Aldermen with their wives in yr usuall formalityes buffoond & Reviled a great Lawyer with his young Lady Jeared and Intreagued Dr Oates pfectly represented berogued & beslaved the papist plott Egregiously Rediculed the Irish Testemonyes Contradictiorily disproved & befoold the Whiggs totally vanquished & undon Law & property men oreruld & there wanted nothing of Artifice in behaviour and discourse to render all those obnoxious & dispised in fine such a medly of occurences intervened that twas a question whether more of Loyalty designe or Rhetorique prvailed but there were mighty clappings among the poeple of both partyes in Expressing either their sattisfaction or displeasure (Wilson, Theatre Notes from the Newdigate Newsletters, p. 81). The Prologue and Epilogue, separately Printed, have 20 Jan. 1682@3 as Luttrell's date of acquisition (Huntington Library) and are reprinted in Wiley's Rare Prologues and Epilogues, pp. 166-69. John Dennis, To Mr --- In which are some Passages of the Life of Mr John Crown, Author of Sir Courtly Nice, June 23, 1719: About that time he writ The City Politicks, on purpose to Satyrize and expose the Whigs; a Comedy so agreeable, that it deserv'd to be writ in a much better Cause: But after he had writ he met with very great Difficulties in the getting it acted. Bennet Lord Arlington, who was then Lord Chamberlain of the King's Houshold, and who had secretly espous'd the Whigs, who were at that time powerful in Parliament, in order to support himself against the Favour and Power of the Lord Treasurer Danby, who was his declared Enemy, us'd all his Authority to suppress it. One While it was prohibited on the account of its being Dangerous, another while it was laid aside on the pretence of its being Falt and Insipid; till Mr Crown at last was forc'd to have Recourse to the king himself, and to engage him to give his absolute Command to the Lord Chamberlain for the acting of it; which Command the King was Pleas'd to give in his own Person (I, 49-50). Morrice Entry Book, Vol.1 1682@3: Mr Crowne [was cudgled on Wednesday last in St Martin's Lane and] hee that beat him said hee did it at the suite of the Earle of Rochester some time since deceased who greatly abused in the play for his penetency &c. (p. 353. I owe this note to the courtesy of Professor David M. Vieth of the University of Kansas and Professor G. H. Jones of Kansas State University)

Performances

Mainpiece Title: The City Politiques

Event Comment: John Dryden to Mrs Steward, 26 Nov. 1699: If you come up next Week, you will be entertaind with a New Tragedy; which the Author of it, one Mr Dennis, cryes up at an Excessive rate, & Colonel Codrington, who has seen it, prepares the world to give it loud Applauses. Tis calld Iphigenia, & Imitated from Eurypides, an old Greek poet. This is to be Acted at Betterton's House, & another play of the same name, is very shortly to come on the stage in Drury Lane (The Letters of John Dryden, p. 129)

Performances

Event Comment: [By John Dennis. Date of premiere unknown. Published 19 May.] Dedication: Falstaffe 's part...was by no means acted to the satisfaction of the Audience, upon which several fell from disliking the Action to disapproving the Play

Performances

Mainpiece Title: The Comical Gallant; Or, The Amours Of Sir John Falstaffe

Related Works
Related Work: The Comical Gallant: or, The Amours of Sir John Falstaffe Author(s): John Dennis
Event Comment: Not Acted these Twelve Years [but see 2 May 1709]. Written by the late Mr Dryden. All the Habits being entirely new. With Decorations proper to the Play. Steele wrote a Prologue for this play, possibly for this run; it was not used but appeared in The Theatre, 2 Feb. 1720. See also The Works of John Dennis, Hooker, ed., II, 162-65. Cibber states that #600 was expended on the habits, scenes, and decorations

Performances

Mainpiece Title: All For Love; Or, The World Well Lost

Event Comment: For a discussion of this play, The Masquerade, Chit Chat, see Dennis, II, 165-67

Performances

Mainpiece Title: Busiris, King Of Egypt

Event Comment: [By Sir Richard Steele.] With new Scenes, and all the Characters new drest. Daily Journal, 8 Nov.: Where a greater Concourse of People was never known to be assembled. [See also Cibber, Apology, II, 206; Dennis, Remarks on a Play call'd The Conscious Lovers; and British Journal, 10 Nov. and 8 Dec.

Performances

Mainpiece Title: The Conscious Lovers

Event Comment: Benefit Dennis. Receipts: money #43 19s. 6d.; tickets #36 3s

Performances

Mainpiece Title: The Old Batchelor

Dance: Nivelon, Lally, Mrs Legar, Mrs Wall; Clown-Nivelon; Running Footman-Nivelon

Event Comment: Benefit Dennis. Written by Ben Johnson. Receipts: money #42 18s.; tickets #23 6s

Performances

Mainpiece Title: Volpone

Dance: TTwo Pierrots-Poitier, Nivelon; Numidian-Glover, Miss LaTour; Fingalian-Newhouse, Mrs Ogden; Tambourine-Mlle Salle

Event Comment: Benefit John Dennis. Daily Advertiser, 19 Dec: There was an exceeding crowded Audience of Persons of Distinction ... at Mr Dennis's Benefit, and his Royal Highness the Prince of Wales was pleased to send twenty Guineas as a present to that Gentleman

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: The Festival

Event Comment: Mainpiece: Not acted these 5 years. [See 21 March 1768.] Paid Mr Davies's note to Dennis #6 6s.; ditto to Lacy, #3 6s. 3d.; Rec'd Mr Condill for Fruit Office (1st payment) #20. (Treasurer's Book). Receipts: #197 5s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: All For Love; Or, The World Well Lost

Afterpiece Title: The Elopement

Performances

Mainpiece Title: The Fair Refugee; Or, The Rival Jews

Performance Comment: Principal Characters by Jackson, Cartwright, Holland, Osborne, Frederic, Mitchell, Edwards, Porter, Henley, Connell (with a new Irish sons in character); A Young Lady (1st appearance [unidentified]), Mrs Bolton, Mrs Cartwright, Mrs Ponsonby, Mrs Henley, A Lady (2nd appearance [unidentified]). [Larpent MS lists the parts: Sir Gregory Granby, Sir ThomasLoveby, George Granby, Frank Bentley, Solomons, Levi, Waddle, Scandal, Dennis, Robert, Waiter; Eliza Wentworth, Mrs Dornbush, Miss Harcourt, Charlotte Harcourt, Lady Loveby, Susan, Miss Nancy, Miss Kitty, Maid.] hathi.

Afterpiece Title: A Musical Interlude

Afterpiece Title: The Author

Song: End of Act I of 3rd piece How sweet's the love that meets return by Mrs Henley

Performances

Mainpiece Title: The Disappointment; Or, The Mother In Fashion

Performance Comment: Edition of 1684: Alphonso-Betterton; Lorenzo-Smith; Alberto-Wilshire; Lesbino-Carlisle; Rogero-Leigh; Erminia-Mrs Cook; Juliana-Mrs Percival; Angelline-Mrs Knight; Her Supposed Mother-Mrs Corey; Clara-Mrs Leigh; The Prologue by Mr John Dryden-Mr Betterton; The Epilogue by the Honourable John Stafford, Esq</a>-.

Performances

Mainpiece Title: Achilles; Or, Iphigenia In Aulis

Performance Comment: Edition of 1700: Prologue by Tho. Cheek Esq</a>-Mr Powell; Epilogue by Mr Motteux-Mr Norris; Eriphile-Mrs Wilkins.
Event Comment: At the Desire of several Ladies of Quality. Mainpiece: Written by the late N. Rowe, Esq. Afterpiece: Written by the late Barton Booth, Esq; Set to Musick by Mr Arne

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: Dido and Aneas

Afterpiece Title: The Burgomaster Trick'd

Dance: As17340112

Performances

Mainpiece Title: Hamlet, Prince Of Denmark

Performance Comment: Hamlet-Giffard; King-W. Giffard; Polonius-Lyon; Laertes-Richardson; Ostrick-Woodward; Horatio-Havard; Guildenstern-Hamilton; Bernardo-Dove; Queen-Mrs Haughton; Ophelia-Mrs Hamilton; Ghost-Rosco; Gravediggers-Penkethman, Ray. After which will be introduced, The Ceremony of Hamlet's Lying in State, after the Manner of his Grace, the late Duke of Buckingham. With new Musick proper to the Occasion, set by Mr Carey. The Words by Henry Saville, Esq. [but see17351205] .but see17351205] .

Performances

Mainpiece Title: The Committee

Afterpiece Title: The Devil to Pay

Performance Comment: As17380421 With a Prologue to the Farce, written by Aaron Hill, Esq-Miss Wright; in Boy's Cloaths. and an Epilogue to the Farce-Miss Wright, as Captain of the Lilliputians, at the Head of her Company.

Dance: I: Saraband-Miss Wright, Miss Morrison; II: French Peasant-Master Ferg, Miss Wright, Scholars to Leviez; AII: La Pieraite-Leviez, Mrs Thompson; IV: Grand Ballet in Comic Characters-the Lilliputians; V: Minuet-Leviez, Mrs Walter

Song: II: Beard

Event Comment: Paid to Sun Fire Office Insurance #15; Paid for a poker and shovel 5s. (Treasurer's Book). [This policy was doubltless similar to No 109085 dated 29 July 1747 issued to James Lacy and David Garrick Esq. Patentees of His Majesties Company of Comedians of the Theatre Royal Drury Lane, for #4,000: "On the Goods and Furniture, Wardrobe Apparel, Machines and Scenes, not valued as pictures, in the House, Dressing Rooms, Wardrobe, and Scene Rooms, of the said Theatre Royal, adjoining togethe r and situate in Drury Lane aforesaid and not elsewhere, not exceeding #4,000...Note: Except such Loss and Damage as may happen by any Fire occasioned by means of any representation in any Play or Farce or in any Rehearsal of the same." (From copy of original policy, by courtesy J. A. Miller, Esq. General Manager, Sun Insurance Office Ltd., sent me in ltr. dated 5 July 1951.)] Receipts: #110 (Cross). #104 5s. (Treasurer's Book)

Performances

Mainpiece Title: The Rehearsal

Dance: As17491220

Song: III: Master Mattocks