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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "David Garrick Esq"/1) | (@(roleclean,performerclean) "David Garrick Esq")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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4345 results for: Keyword - David Garrick, Esq.
We found 2885 matches on Author, 905 matches on Event Comments, 895 matches on Performance Comments, 58 matches on Performance Title, and 28 matches on Roles/Actors.

3376
23 September 1776 @

Event Comment: Benefit for Miss Taylor. Mainpiece: Written by Hugh Kelly Esq</a>. Tickets to be had of Miss Taylor at Sergeant's, Paradise-street. Boxes 3s. Pit 2s. Gallery 1s. The Doors to be opened at 5:00. To begin precisely at 6:00

Performances

Mainpiece Title: The School For Wives

Afterpiece Title: Midas

Song: End: Moderation and Alteration; or a Touch on the Times-Massey

Entertainment: Monologue. Preceding: the celebrated Satyric Lecture on Hearts and Dissertation on Noses, illustrated by Hearts of different colours and Noses of various sizes,-Comerford; End III: Imitations-Master Russell

3377
09 October 1776 @ China Hall, Lower Road, Rotherhithe

Event Comment: Benefit for Master Russell. Tickets to be had of Master Russell at the Swan, Elephant stairs. Afterpiece: Written by Henry Fielding, Esq. In Act I the Triumphal Entry of Tom Thumbv, attended with Giants, Giantess's, Dwarfs, Pigmies, Drums, Trumpets, &c

Performances

Mainpiece Title: The Minor

Afterpiece Title: The Life and Death of Tom Thumb the Great

Entertainment: Monologues.Preceding: Prologue to Barbarossa in the character of a Country Boy, containing an account of his Journey to London, his different Services there, first in the City, next with a Lord, then with a Lady, and last of all with a starved Poet-Master Russell; End I: a Scene from Lethe: Fine Gentleman-Master Russell; End II: an Harangue in a Tubafter the manner of the celebrated George Alexander Stevens-Master Russell; End: The Drunken Buck-Raymond

3378
29 November 1776 @ Drury Lane Theatre

Event Comment: Mainpiece: Not acted these 5 years. Written by Congreve. [For Prologue see 19 Nov.] Love for Love was revived with alterations by R. B. Sheridan Esq. (Note by J. P. Kemble on Hopkins Diary). Receipts: #150 0s. 6d

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Elopement

3379
13 May 1777 @ Covent Garden

Event Comment: Benefit for Whitefield and Wewitzer. Mainpiece: Written by the late Hugh Kelly, Esq., Never acted there. Public Advertiser, 26 Apr.: Tickets to be had of Whitefield, Crown-court, Bow-street; of Wewitzer. Great Hart-street, Covent Garden. Receipts: #137 4s. 6d. (55.14.6; tickets: 81.10.0) (charge: #85 12s. 6d.)

Performances

Mainpiece Title: A Word To The Wise

Afterpiece Title: True-Blue

Afterpiece Title: Three Weeks after Marriage

Dance: End III: As17761123; In interlude: Langrish

Song: End I: a favourite air (composed by Dr Arne)-Mrs Farrell

3380
13 October 1777 @ Haymarket Theatre

Event Comment: By Authority of the Lord Chamberlain. Benefit for Stewart and Walker. Mainpiece [1st time; PAST 5]: Done into English, from the Original of Allan Ramsay, by Cornelius Vanderstop, Esq. As it has long been the Desire of the Nobility and Gentry to have this celebrated Piece performed in English, the Gentleman who has undertaken this ardent Task hopes it will give Satisfaction to the Public in general. [Text 1st published For the Author, 1777.] Afterpiece [1st time; F 2, by James Stewart. Authors of Prologues unknown.]. The Doors to be opened at 5:00. To begin at 6:00. No Persons whatever to be admitted behind the Scenes, nor any Money returned after the Curtain is drawn up. Ladies are desired to send their Servants by Five to keep Places. Tickets to be had at the Edinburgh Coffee-house and Jamaica Coffee-house, Cornhill; the St. Andrew, Wapping; and of Walker, No. 4, New Round Court, Strand

Performances

Mainpiece Title: The Gentle Shepherd

Afterpiece Title: The Students; or The Humours of St

3381
14 March 1778 @ Covent Garden

Event Comment: Mainpiece: Written by Colley Cibber, Esq. Receipts: #171 8s. (169.9; 1.19)

Performances

Mainpiece Title: The Lady's Last Stake; Or, The Wife's Resentment

Afterpiece Title: Poor Vulcan

Dance: End IV: as17780309

3382
28 December 1778 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain, Mainpiece: Altered from the Original [Woman is a Riddle, by Christopher Bullock. Not in Larpent MS; not published]. 2nd piece [1st time; M. INT I, author unknown. MS not in Larpent; not published]. 3rd piece: Written by Henry Fielding, Esq. The Doors to be opened at 5:30. To begin at 6:30. Tickets delivered by Davis, Wright, Mrs Lefevre will be admitted. Constant fires will be kept on the stage, Pit, Boxes and Galleries to air the house

Performances

Mainpiece Title: The Macaroni Adventurer; Or, Woman's A Riddle

Afterpiece Title: Fashionable Love; or, The Happy British Tar

Afterpiece Title: The Covent Garden Tragedy

Dance: Entertainments ofDancing-

Entertainment: Monologue.End III: Imitations [Vocal and Rhetorical, never attempted, a Trumpet-a Choice Spirit [who will (to his vocal performances) accompany himself with the Symphonies (his 1st appearance on the stage [unidentified])

3383
13 August 1779 @ Haymarket Theatre

Event Comment: Benefit for Jewell, treasurer. Tickets to be had of Jewell, in Suffolk-street. Mainpiece: Written by the late $S. Foote, Esq.

Performances

Mainpiece Title: The Devil Upon Two Sticks

Afterpiece Title: The Flitch of Bacon

Dance: As17790610

3384
03 January 1780 @ Haymarket Theatre

Event Comment: By Permission [of the Lord Chamberlain]. Benefit for a Gentlewoman. Mainpiece: Not acted these 7 years. [Author of Prologue unknown.] Afterpiece: Written by Thomas King, Esq. The Doors to be opened at 5:00. To begin at 6:30. The Public may be assured that the principal Performers in the above play and farce are Persons accustomed to the Stage, and that the utmost Attention will be paid to the credit of Performance. Tickets delivered by Mrs Lefevre and Blackburn will be admitted

Performances

Mainpiece Title: The Modish Wife

Afterpiece Title: Wit's Last Stake

Dance: End II: Miller

Entertainment: End: Variety of Rhetorical Imitations-a Gentleman (1st appearance [unidentified])

3385
22 April 1780 @ Covent Garden

Performances

Mainpiece Title: Buxom Joan

Afterpiece Title: Much Ado about Nothing

Afterpiece Title: The Flitch of Bacon

Performance Comment: As17800107, but Prologue written by Samuel Foote, Esq.,-Master Edwin (1st appearance on that stage).

Song: End: Moderation and Alteration-Edwin

3386
30 April 1781 @ Covent Garden

Performances

Mainpiece Title: The Spanish Fryar

Afterpiece Title: A Fete

Cast
Role: A Burlesque Italian Medley Actor: Reinhold

Afterpiece Title: The Son-in-Law

Entertainment: Monologue.End 1st piece: a Prologue written by S. Foote, Esq.,-Master Edwin

Performance Comment: End 1st piece: a Prologue written by S. Foote, Esq.,-Master Edwin.

3387
08 May 1781 @ Drury Lane Theatre

Event Comment: Benefit for Bannister Jun. 1st piece: Never Acted Here. 2nd piece: Written by G. Colman Esq., with Alterations [from his Occasional Prelude]. 3rd piece: Not acted these 10 years [not acted since 17 May 1763]. Receipts: #207 18s. 6d. (89.5.0; 29.19.0; 1.13.6; tickets: 87.1.0) (charge: #106 13s. 8d.)

Performances

Mainpiece Title: The Chapter Of Accidents

Afterpiece Title: The Young Actor

Afterpiece Title: The Englishman in Paris

Dance: End 2nd piece: The Butterfly, as17800921; In 3rd piece: The Minuet de la Cour-Henry, Miss Collett

3388
12 November 1781 @ Haymarket Theatre

Event Comment: By Permission of the Right Hon. the Lord Chamberlain. Mainpiece [1st time; C 5, based on Le Dissipateur, by Philippe Nericault, dit Destouches. Authors of Prologue and Epilogue, and speaker of Epilogue, unknown]: Written by the late Samuel Foote Esq. [The attribution to Foote is dubious.] Afterpiece [1st time in London; MF-2. See CG, 28 Mar. 1778]: Now acting in Dublin with applause; written by [i.e. altered from, by T. A. Lloyd] the author of Love in a Village, &c. &c

Performances

Mainpiece Title: The Spendthrift; Or, The Female Conspiracy

Afterpiece Title: The Romp

Song: End of Acts II and in of mainpiece two favourite airs by Mrs Cox (1st appearance.)

Monologue: 1781 11 12 End of Act IV of mainpiece Shuter's Post Haste Observations on his Journey to Paris by Dutton

3389
30 December 1782 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. Benefit for Gardner. Afterpiece: From The Devil upon Two Sticks, written by the late Samuel Foote, Esq. [Mrs Mills is identified in Morning Chronicle, 1 Jan. 1783. For remarks on this night's performance, including references to Dunstan by Charles Lamb, see Theatre Notebook, VIII, 5.] Gardner having unavoidably been obliged to postpone his night from the 26th to the 30th, he thinks it his duty to inform his friends that tickets delivered for the 26th will be taken

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: The Fourth Act of The Merchant of Venice

Afterpiece Title: Dr Lasts's Examination BEFORE THE COLLEGE OF PHYSICIANS

3390
26 April 1784 @ Covent Garden

Event Comment: Benefit for Edwin. Public Advertiser, 9 Apr.: Tickets to be had of Edwin, No. 19, Piazza, Covent Garden. Mainpiece: Written by Ben Jonson, and altered by George Colman, Esq. Receipts: #349 15s. 6d. (250/15/6; tickets: 99/0/0) (charge: #105)

Performances

Mainpiece Title: Epicoene; Or, The Silent Woman

Afterpiece Title: M id as

Song: End of Act II of mainpiece A Description of the Curiosities of the Tower of London; End of mainpiece Four and Twenty Fiddlers all on a Row, both by Edwin

3391
07 May 1784 @ Covent Garden

Event Comment: Benefit for Whitfield. 2nd piece: Written by George Colman, Esq. Not acted these 10 years [acted 20 Dec. 1777]. After which, a Grand Procession of the principal Characters of Shakespeare, as exhibited at the Jubilee at Stratford upon Avon [in Sept. 1769]. Public Advertiser, 5 May: Tickets to be had of Whitfield at his house, Leicester Court, Castle Street, Leicester Fields. Receipts: #114 4s. (45/18; tickets: 68/6) (charge: #105)

Performances

Mainpiece Title: The Wives Revenged

Afterpiece Title: Man and Wife

Afterpiece Title: Poor Vulcan

Dance: End of 2nd piece The Poney Races, as17840504

Song: Procession to conclude with a new Theatrical Glee, composed by Shield, by Reinhold, Brett, Johnstone

3392
31 January 1786 @ Covent Garden

Event Comment: Mainpiece: Not acted these 3 years [acted 19 Feb. 1784]. Afterpiece: Written by the late Henry Fielding, Esq. [The playbill lists Edwin as Coupee, but "Brown, in consequence of the sudden illness of Edwin . . . [undertook] the part of Coupee" (Morning Chronicle, 1 Feb.). He was from the Norwich theatre.] Receipts: #291 10s. (286/14/6; 4/15/6)

Performances

Mainpiece Title: The Distress'd Mother

Afterpiece Title: The Virgin Unmask'd

3393
14 October 1786 @ Drury Lane Theatre

Event Comment: Paid Supernumeraries #9 13s. 6d.; Carpenters #15 12s. 1d. Afterpiece: Written by the late Henry Fielding, Esq. Receipts: #225 12s. (181.3; 43.18; 0.11)

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: The Virgin Unmask'd

3394
08 January 1787 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. Benefit for Harwood, late prompter of the Theatre-Royal, Drury-Lane. Harwood's respectful compliments to his Friends in particular, and the publick in general, and assures them every effort in his power shall be exerted to render the Evening's Entertainment agreeable, and humbly hopes for their well-known candour and protection on the above occasion. Tickets and Places to be had of Harwood, next door to Drury-Lane Theatre, Little Russel-street, Covent Garden. [Harwood was prompter at dl from 1780 to 1786. Hooke was from cg.] Afterpiece: Written by the late Samuel Foote, Esq</a>

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Devil upon Two Sticks

Entertainment: End: a variety of Theatrical and Senatorial Imitations-Kean

3395
25 April 1787 @ Covent Garden

Event Comment: Benefit for Farren. Mainpiece: Written by Richard Cumberland, Esq. Not acted these 10 years [acted 15 Jan. 1778]. Public Advertiser, 11 Apr.: Tickets to be had of Farren at his House in Great Queen-street, Lincoln's-inn-fields. Receipts: #303 7s. (90.8.6; 5.14.6; tickets: 207.4.0)

Performances

Mainpiece Title: The Brothers

Afterpiece Title: The Poor Soldier

Dance: End: Leap Year-[see17861006]

3396
26 March 1788 @ Covent Garden

Event Comment: Benefit for Edwin. Mainpiece: By Permission of George Colman, Esq. [the holder of the copyright]. Public Advertiser, 24 Mar.: Tickets to be had of Edwin, No. 19, Piazza, Covent-garden. Receipts: #386 7s., as follows: money taken at the doors was #256.0.6, on which he paid charge of #100.11.6, leaving a balance due him of #155.9.0, which he was paid on 7 Apr.; after money, #4.8.6, was retained by the theatre; he sold 411 box tickets, 83 pit tickets, 107 gallery tickets for #125.18.0, free of charge; his total profit therefore was #281.7.0

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: The Apprentice

Song: II: a new comic song (1st time), Four@and@twenty Periwigs all on a Row-Edwin

Entertainment: Monologue. End: The Kensington Stage; or, The Fatigues of a Long Journey (a Comical, Poetical Description)-Edwin

3397
21 April 1788 @ Drury Lane Theatre

Event Comment: Benefit for Bannister Jun. [Author of Prologue to 1st piece unknown. 2nd piece: By permission of G. Colman, Esq. [owner of the copyright]. 3rd piece [1st time; F 2 (?)]: Altered from Woman's a Riddle [by Christopher Bullock; alterer unknown. Not in Larpent MS; not published]. Public Advertiser, 2 Apr.: Tickets to be had of Bannister Jun., No. 2, Frith-street, Soho. Receipts: #286 11s. (145.16; 14.5; 1.12; tickets: 124.18) (charge: #106 1s. 5d.)

Performances

Mainpiece Title: Transformation; Or, The Manager An Actor In Spite Of Himself

Afterpiece Title: The Spanish Barber

Afterpiece Title: The Invisible Mistress

Entertainment: Monologue. End 2nd piece: A Touch of the Times; or, A Ramble through London-Bannister Jun

3398
07 May 1788 @ Drury Lane Theatre

Event Comment: Benefit for R. Palmer. 1st, 2nd and 3rd pieces: Never performed there. By Permission of G. Colman, Esq. [owner of the copyrights]. Public Advertiser, 30 Apr.: Tickets to be had of R. Palmer, No. 14, East Place, Lambeth. Receipts: #144 17s. (43.5; 18.13; 0.14; tickets: 82.5) (charge: #105 9s. 8d.)

Performances

Mainpiece Title: Seeing Is Believing

Afterpiece Title: Tit for Tat

Afterpiece Title: Nature Will Prevail

Afterpiece Title: The Lyar

3399
18 August 1788 @ Haymarket Theatre

Event Comment: Afterpiece [1st time; F 2, ascribed variously to John O'Keeffe and to James Foord; adapted from La Gageure Imprevue, by Michel Jean Sedaine. Text prints a Prologue "Supposed to be written by G. Colman, Esq., and intended to be spoken by Bannister Jun.," but "it arrived, by accident, too late at the theatre to be studied and recited" (London Chronicle, 25 Aug.)]. "A new afterpiece was...attempted to be represented, [but] it was not heard out" (Public Advertiser, 19 Aug.). Public Advertiser, 8 Oct. 1788: This Day is published A Key to the Lock (1s.)

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: A Key to the Lock

3400
30 April 1789 @ Drury Lane Theatre

Event Comment: Benefit for Bannister Jun. Public Advertiser, 11 Apr.: Tickets to be had of Bannister Jun., No. 2, Frith-street, Soho. Afterpiece: By Permission of G. Colman, Esq., taken from The Genius of Nonsense. Receipts: #266 3s. 6d. (137.1.0; 15.3.0; 0.13.6; tickets: 113.6.0) (charge: #116 5s. 2d.)

Performances

Mainpiece Title: She Wou'd And She Wou'd Not

Afterpiece Title: The Blade-Bone; or, Harlequin's Frolic

Afterpiece Title: The Virgin Unmask'd

Entertainment: Monologue Preceding: British Loyalty[; or, A Squeeze for St. Paul's by George Colman ynger]-Bannister Jun