SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "David Garrick Esq"/1) | (@(roleclean,performerclean) "David Garrick Esq")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2954 matches on Author, 905 matches on Event Comments, 895 matches on Performance Comments, 58 matches on Performance Title, and 28 matches on Roles/Actors.
Event Comment: By Permission of the Lord Chamberlain. [Both Prologues by David Garrick.] To begin at 7:00

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: The Apprentice

Song: End of Act I of afterpiece Four-and-Twenty Fiddlers all on a Row by a Gentleman [unidentified]; End of afterpiece a Mad Song in character by Lyons. imitations. End of mainpiece George Saville Carey has voluntarily offered to go through the following Imitations: The Examination of a Stage Candidate (in the manner of the immortal Garrick), Juno in her Cups, Etiquette, No Flower that blows, Widow Lovett, The Roundelay (in the manner of a late much-lamented Syren [probably Mrs Cargill, who, on her return from India, was drowned on 26 Feb. 1784], The Serenade in The Jubilee (after the manner of Vernon, Bannister and Kear.) To conclude with his celebrated Dialogue, in the manner of Foote and Weston. After the Imitations the Prologue to Barbarossa by Kippling, in the character of a Country Boy, in which he will introduce a Yorkshire Jig in Wooden Shoes

Performance Comment: imitations. End of mainpiece George Saville Carey has voluntarily offered to go through the following Imitations: The Examination of a Stage Candidate (in the manner of the immortal Garrick), Juno in her Cups, Etiquette, No Flower that blows, Widow Lovett, The Roundelay (in the manner of a late much-lamented Syren [probably Mrs Cargill, who, on her return from India, was drowned on 26 Feb. 1784], The Serenade in The Jubilee (after the manner of Vernon, Bannister and Kear.) To conclude with his celebrated Dialogue, in the manner of Foote and Weston. After the Imitations the Prologue to Barbarossa by Kippling, in the character of a Country Boy, in which he will introduce a Yorkshire Jig in Wooden Shoes .probably Mrs Cargill, who, on her return from India, was drowned on 26 Feb. 1784], The Serenade in The Jubilee (after the manner of Vernon, Bannister and Kear.) To conclude with his celebrated Dialogue, in the manner of Foote and Weston. After the Imitations the Prologue to Barbarossa by Kippling, in the character of a Country Boy, in which he will introduce a Yorkshire Jig in Wooden Shoes .

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: The Apprentice

Dance: After 2nd song: A Pas Seul-Mons Symone

Song: End IV: Tippy Bob-C. Stanley; End: Poor Jack in character-Mrs Kennedy

Entertainment: Monologue After Dancing: The Monody on the Death of the late D. Garrick Esq. (Written by R. B. Sheridan, Esq.)-the Lady who performs Zara

Performance Comment: Garrick Esq. (Written by R. B. Sheridan, Esq.)-the Lady who performs Zara.

Performances

Mainpiece Title: The Constant Couple Or A Trip To The Jubilee

Afterpiece Title: Barataria or Sancho Turnd Governor

Dance: As17841201

Monologue: 1785 03 29 Preceding the mainpiece Mother Shipton's Review of the Audience (Written by the late D. Garrick, Esq.) [speaker not listed, but probably Quick]

Performance Comment: Garrick, Esq.) [speaker not listed, but probably Quick] .

Performances

Mainpiece Title: The School For Wives

Afterpiece Title: Annette and Lubin

Afterpiece Title: The Stage Coach or Inn in an Uproar

Entertainment: Monologue Before: Mother Shipton's Review of the Audience (Written By D. Garrick, Esq., with Alterations and Additions) (for that night only)-Quick

Performance Comment: Garrick, Esq.=, with Alterations and Additions) (for that night only)-Quick.
Event Comment: This comedy was wrote by Mr Moor, & except ye part of Faddle meet with Universal Applause (ye Author's first play) (Cross). New Scenes and Cloaths (General Advertiser). This C. was written by Moore--it is a good play--it was acted 11 times successively--Garrick's peculiar qualifications and happy use of them, added amazing spirit to the piece, and gave more consequence to Young Belmont than can well be imagined--Macklin, who never had in voice, figure or features much capacity for the fop cast, yet struck out some things in Faddle, that have not been since equalled, particularly in marking the obsequious knave throughout--Barry in the fourth act supported his character with emphatic dignity and in the last with melting tenderness--the part of Rosetta was undoubtedly conceived for Mrs Woffington, and she did it particular justice--the elegance, the notions of love, and the vanity of admiration, which are united in Rosetta, were natural to Mrs Woffington, so that she had the advantage of looking and speaking in her own character--the softness and pathos, which distinguished Fidelia sat with much ease on Mrs Cibber (Dramatic Censor, II, 206). [For contemporary account of plot and discussion of the play, see Gentleman's Magazine Feb. 1748, pp. 51-54; March 1748, pp. 114-17; May 1748, pp. 207-9; June 1748, pp. 257-59. See also G. Stayley, An Answer to an unjust criticism on the Foundling, listed in Register of Books, Gentleman's Magazine, May 1748, p. 240; A Criticism of the Foundling, in a letter to the author, listed in Register of Books, Gentleman's Magazine, March 1748, p. 144. The Larpent MS indicates many revisions. The substitution of Rake for Whoremaster, &c. Some Suggestive passages marked for excision. "The Disapprobation, which the Character of Faddle met with the first Night, made it necessary for me to shorten it in almost every Scene" (Dedication to 1st Edition).] Receipts: #200 (Cross); #200 5s. (Powel)

Performances

Mainpiece Title: The Foundling

Performance Comment: Garrick, Barry, Macklin, Havard, Yates, Sparks, Mrs Woffington, Mrs Cibber. Young Belmont-Garrick; Sir Charles Raymond-Barry; Faddle-Macklin; Col. Raymond-Havard; Sir Roger Belmont-Yates; Villiard-Sparks; Rosetta-Mrs Woffington; Fidelia-Mrs Cibber; Prologue [by Mr Brooke-Mrs Pritchard; Epilogue [by Garrick-Mrs Cibber [(edition of 1748, but listed in the order in which the actors' names appear in General Advertiser; General Advertiser omits notice of Prologue and Epilogue).](edition of 1748, but listed in the order in which the actors' names appear in General Advertiser; General Advertiser omits notice of Prologue and Epilogue).]
Cast
Role: Young Belmont Actor: Garrick
Role: Garrick Actor: Mrs Cibber
Event Comment: Garrick. Lady Brute 1st time Miss Younge--very well (Hopkins). Paid Half a year's paving, Lighting & Cleaning to Mich. Last--#14 (Treasurer's Book). Receipts: #254 11s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Provokd Wife

Performance Comment: Sir John Brute-Garrick; Constant-Cautherly; Heartfree-Aickin; Col. Bully (with song)-Vernon; Razor-Baddeley; Lord Rake-Ackman; Justice-Bransby; Lady Fanciful-Mrs Abington; Belinda-Miss Ambrose; Mademoiselle-Mrs Egerton; Lady Brute-Miss Young, 1st time.
Cast
Role: Sir John Brute Actor: Garrick

Afterpiece Title: A Trip to Scotland

Event Comment: Garrick? (Hopkins Diary). Paid one year's insurance to Xmas 1772, #15. Receipts: #271 2s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Wonder

Performance Comment: Don Felix-Garrick; Col. Briton-Jefferson; Lissardo-King; Don Lopez-Baddeley; Don Pedro-Burton; Frederick-Packer; Violante-Mrs Barry; Flora-Miss Pope; Inis-Mrs Bradshaw; Gibby-Johnson; Isabella-Miss Ambrose.
Cast
Role: Don Felix Actor: Garrick

Afterpiece Title: The Mayor of Garratt

Event Comment: Benefit for Henderson. Ode: With the Songs, Chorusses, &c. The Music by Dr Arne. "When I recited Mr Garrick's Ode in a private room, I felt what I said, and I believe gave it some effect. Very different was it upon the stage. My feelings were weakened and confounded by the band, my voice lost its scale, and was overpowered by the music in the orchestra" (Ireland, p. 47). Public Advertiser, 26 Feb.: Tickets to be had of Henderson at his house, Great Buckingham-street, York Buildings. [His 1st appearance as Sir John Brute was at Bath, 1 Jan. 1774.] Receipts: #234 13s. 6d. (charge:#105). Account-Book notes that Henderson sold 319 tickets for the boxes and 85 for the pit, together worth #92 10s., and that tickets sold at the doors were worth #142 3s. 6d

Performances

Mainpiece Title: The Provokd Wife

Afterpiece Title: An Ode by Garrick

Dance: As17790922

Performances

Mainpiece Title: Courtship A La Mode

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Afterpiece Title: The Lovers Opera

Song: Signora Meriggi's Favourite Song in Porus-Miss Raftor

Dance: TTambourin Dance-Miss Robinson; English Maggot-Rainton, Mrs Walter