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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "David Crauford"/1) | (@(roleclean,performerclean) "David Crauford")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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3207 results for: Keyword - David Crauford
We found 2954 matches on Author, 160 matches on Performance Comments, 100 matches on Event Comments, 40 matches on Performance Title, and 0 matches on Roles/Actors.

3151
26 December 1776 @ Drury Lane Theatre

Event Comment: [Afterpiece: Prologue by David Garrick.] Receipts: #208 16s. 6d. (197.5.0; 10.18.6; 0.13.0)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: A ChristmasTale

Song: As17761125, but Gaudry, Mrs J _Smith, Mrs +Smith

3152
22 February 1777 @ Covent Garden

Event Comment: Mainpiece [1st time; C 5, by Arthur Murphy, based on L'Irresolu, by Philippe Nericault, dit Destouches. Prologue by the author. Epilogue by David Garrick (see text)]: A new Scene and New Dresses. Public Advertiser, 2 May 1778: This Day is published Know Your Own Mind (1s 6d.). Receipts: #246 7s. 6d. (245.7.0; 1.0.6)

Performances

Mainpiece Title: Know Your Own Mind

Afterpiece Title: The Mock Doctor

Dance: As17761123

3153
24 February 1777 @ Drury Lane Theatre

Event Comment: Mainpiece: Altered from [The Relapse, by] Sir John Vanbrugh [1st time; C 5, by Richard Brinsley Sheridan. Prologue by David Garrick (see edition of 1781)]. The Characters new dressed. Receipts: #229 7s. 6d. (217.13.0; 10.8.0; 1.6.6)

Performances

Mainpiece Title: A Trip To Scarborough

Afterpiece Title: The Waterman

Dance: End III: The Triumph of Love, as17761107:

3154
03 March 1777 @ Covent Garden

Event Comment: [This was Mrs Barry's 1st appearance since the death of her husband on 10 Jan. See also 28 Nov. 1776. Address by David Garrick (Poetical Works, II, 333).] Receipts: #270 17s. 6d. (267.16.6; 3.1.0)

Performances

Mainpiece Title: Douglas

Afterpiece Title: The Jovial Crew

Dance: As17770218

3155
07 April 1777 @ Drury Lane Theatre

Event Comment: Benefit for Miss P. Hopkins, Miss E. Hopkins. Afterpiece [1st time; F 2, by Isaac Jackman. Prologue by David Garrick (Poetical Works, II, 334)]. Public Advertiser, 15 Mar.: Tickets to be had of the Miss Hopkins', No. 7, Little Russel-street. Receipts: #237 11s. 6d. (88.5.0; 23.15.6; 1.15.0; tickets: 123.16.0) (charge: #65 2s. 6d.)

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: All the Worlds a Stage

Dance: End V: The Triumph of Love, as17761107

3156
08 May 1777 @ Drury Lane Theatre

Event Comment: Mainpiece [1st time; C 5, by Richard Brinsley Sheridan. Prologue by David Garrick. Epilogue by George Colman elder (London Chronicle, 9 May). Text 1st published (unauthorized), Dublin, 1780]: With New Scenes and Dresses. "No modern theatrical piece ever met with a fuller success, nor deserved it more... The performers deserve every sort of commendation for their spirited exertion in supporting the respective characters, especially Smith, King and the incomparable Mrs Abington" (Gazetteer, 9 May). "To my great astonishment there were more parts performed admirably in The School for Scandal than I almost ever saw in any play. Mrs Abington was equal to the first of her profession, Yates (the husband), Parsons, Miss Pope, and Palmer, all shone. It seemed a marvellous resurrection of the stage. Indeed, the play had as much merit as the actors. I have seen no comedy that comes near it since The Provoked Husband" (Walpole [13 July 1777], X, 82). Receipts: #224 10s. (215.12.0; 8.14.6; 0.3.6)

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: The Mayor of Garratt

3157
30 August 1777 @ Haymarket Theatre

Event Comment: Mainpiece [1st time; CO 3, by George Colman elder, based on Le Barbier de Seville; ou, La Precaution Inutile, by Pierre Augustin Caron de Beaumarchais; music by Samuel Arnold and, by attribution, Pierre Alexandre Monsigny. Prologue by the author (Collection...of English Prologues and Epilogues, II, 209). Epilogue by David Garrick (Garrick's Poetical Works, II, 340). Larpent MS 436; not published; synopsis of plot in London Magazine, Sept. 1777, pp. 467-69]: With New Dresses and Scenes

Performances

Mainpiece Title: The Spanish Barber Or The Fruitless Precaution

Afterpiece Title: Thomasand Sally

Dance: End: Dance-. [This was included in all subsequent performances.

3158
30 September 1777 @ Drury Lane Theatre

Event Comment: Mainpiece: With Alterations [by David Garrick]. [Henderson was from the hay.] 'The style of Henderson did not assimilate with the tone of the [dl] company. They declaimed in a higher key, and more upon the level. The frequent under-tones the former hardly struck the ear at any considerable distance' (Boaden, Siddons, I, 170). Receipts: #225 8s. (204.2; 20.14; 0.12)

Performances

Mainpiece Title: Hamlet

Related Works
Related Work: Hamlet Author(s): David Garrick

Afterpiece Title: All the Worlds a Stage

3159
10 December 1777 @ Covent Garden

Event Comment: Mainpiece [1st time; t 5, by Hannah More, based partly on Gabrielle de Vergy, by Pierre Laurent Buirette de Belloy. Prologue and Epilogue by David Garrick (see text)]: With New Scenes, Dresses, &c. Public Advertiser, 19 Dec. 1777: This Day at Noon is published Percy (1s. 6d.). Receipts: #215 (212.12.6; 2.7.6)

Performances

Mainpiece Title: Percy

Afterpiece Title: St

Dance: After Epilogue: As17770924

3160
21 January 1778 @ Covent Garden

Event Comment: Mainpiece [1st time; T 5, by John Home. Prologue by the author (London Chronicle, 16 Feb.). Epilogue by David Garrick (ibid.)]: New Scenes, Dresses, &c. Account-Book, 26 Jan.: Paid Wild for [obtaining] license for Alfred #2 2s. Public Advertiser, 14 Feb. 1778: This Day is published Alfred (1s. 6d.). Receipts: #246 (241.17.6; 4.2.6)

Performances

Mainpiece Title: Alfred

Related Works
Related Work: Alfred the Great, King of England Author(s): David Mallet
Related Work: Alfred, a Masque Author(s): David Mallet

Afterpiece Title: The Padlock

Dance: End: The Villagers-Aldridge, Langrish, Master Jackson, Miss Valois

3161
23 April 1778 @ Drury Lane Theatre

Event Comment: Benefit for Palmer. Mainpiece: Not acted these 2 years. [In afterpiece Prologue by David Garrick.] Public Advertiser, 7 Apr.: Tickets to be had of Palmer at his house in Bow-street, Bloomsbury. Receipts: #132 16s. 6d. (55.15.0; 26.3.6; 0.8.0; tickets: 50.10.0) (charge: #75 0s. 6d.)

Performances

Mainpiece Title: All For Love Or The World Well Lost

Afterpiece Title: A ChristmasTale

Dance: As17780422

3162
11 June 1778 @ Haymarket Theatre

Event Comment: Mainpiece: 8th time [i.e. in continuation of the reckoning for the previous season. Prologue by George Colman elder. Epilogue by David Garrick (see 30 Aug. 1777)]. Books of the Songs to be had at the Theatre

Performances

Mainpiece Title: The Spanish Barber Or The Fruitless Precaution

Afterpiece Title: The Waterman or The First of August

Dance: End I: The Merry Lasses, as17780518; End: Provencalle Dance, as17780518

Song: Mainpiece: some additional songs-

Music: Mainpiece: With a new Fandango Overture-

3163
30 July 1778 @ Haymarket Theatre

Event Comment: Mainpiece: Not acted these 150 years [acted 31 Jan. 1723]. Written by Beaumont and Fletcher [with alterations by George Colman elder. Prologue by David Garrick (Poetical Works, II, 354)]. The Musick by Purcell. New Scenes, Dresses and Decorations. Public Advertiser, 30 July 1778: This Afternoon at five is published Bonduca (1s.)

Performances

Mainpiece Title: Bonduca

Afterpiece Title: The Portrait

3164
27 August 1778 @ Haymarket Theatre

Event Comment: Benefit for Bannister. [Afterpiece: Prologue by David Garrick.] Public Advertiser, 25 Aug.: Tickets to be had of Bannister at Starzaker's, Upper End of Bow-street, Covent Garden

Performances

Mainpiece Title: The Devil Upon Two Sticks

Afterpiece Title: The Apprentice

Dance: As17780615

3165
26 March 1779 @ Drury Lane Theatre

Event Comment: Paid Norris #105; Mrs Kennedy #115; Webster #80 17s.; Boy's Choir #52 10s.; David Richards #40; Parke #20; Advertisements in Public Advertiser #9 5s.; Band #354 9s. 6d.; Chorus Singers #174 19s. 6d.; Cramer, Cervetto, Crosdill #5 5s. a performance. Received from Stanley for Oratorio rent of theatre #308. Receipts: #206 3s. (204.10; 1.13)

Performances

Mainpiece Title: The Messiah Judas Maccabaeus

Music: As17790303

3166
05 April 1779 @ Drury Lane Theatre

Performances

Mainpiece Title: The Spanish Fryar

Afterpiece Title: The Contract or The Female Captain

Performance Comment: Principal Characters-Palmer, Farren, Waldron, Burton, Parsons, Miss Walpole, Miss Pope; [Larpent MS 476 lists the parts: Dorimant, Sir David Dupe, Gregory, Skip, Gypsey, Lady D'Orville, Lydia Freeland.] Prologue-Palmer.

3167
31 May 1779 @ Haymarket Theatre

Performances

Mainpiece Title: Bonduca

Performance Comment: Principal Parts by Digges, Aickin, Bensley, Lamash, R. Palmer, Parsons, Usher, Massey, Webb, Davis, Egan, Master Edwin, Palmer, Miss Sherry, Mrs Cuyler, Mrs Massey; [Cast adjusted from text (T. Cadell, 1778) and from playbill of 10 July 1780: Caratach-Digges; Penius-Aickin; Suetonius-Bensley; Junius-Lamash; Demetrius-R. Palmer; Judas-Parsons; Nennius-Usher; Macer-Massey; Regulus-Webb; Decius-Davis; Curius-Egan; Hengo-Master Edwin; Petillius-Palmer; Bonduca-Miss Sherry; 2nd Daughter-Mrs Cuyler; Eldest Daughter-Mrs Massey; [The original Prologue[, written by the late David Garrick,-Palmer. [This was spoken, as here assigned, at all subsequent performances.]This was spoken, as here assigned, at all subsequent performances.]

Afterpiece Title: Nature Will Prevail

Dance: End: The Provencale-Master and Miss Byrn

3168
18 September 1779 @ Drury Lane Theatre

Event Comment: Mainpiece: With alterations [by David Garrick]. "The managers, to our astonishment, continue to play with Garrick's alterations. [The original play] is materially injured by those which Garrick adopted in compliance to the French criticks" (Morning Chronicle, 20 Sept.). [For a summary of these alterations see my Shakespeare in the Theatre, II, 188-89.] Boxes 5s. Pit 3s. Ist Gallery 2s. Upper Gallery 1s. Places for the Boxes to be had of Fosbrook, at the Stage-door. No Money to be taken at the Stage-Door, nor any Money returned after the Curtain is drawn up. The Doors to be opened at 5:30. To begin at 6:30 [see 30 Oct.]. Receipts: #174 6s. 6d. (135.1.0; 38.17.6; 0.8.0)

Performances

Mainpiece Title: Hamlet

Related Works
Related Work: Hamlet Author(s): David Garrick

Afterpiece Title: Comus

3169
28 February 1780 @ Drury Lane Theatre

Event Comment: Mainpiece: Not acted these 3 years. [Epilogue by David Garrick.] Receipts: #244 15s. 6d. (230.7.0; 13.8.0; 1.0.6)

Performances

Mainpiece Title: The Maid Of The Oaks

Afterpiece Title: The Critic

Dance: II: New Pastoral Dance-Delpini, Henry, Miss Armstrong, Sga Crespi; V: Grand New Dance-Sg and Sga Zuchelli, Miss Simonet, Delpini, Henry, Miss Armstrong, Sga Crespi

Song: In: Fete Champetre. The vocal parts-Davies, Fawcett, Miss Abrams, Miss Collett, Miss Kirby, Mrs Wrighten

3170
06 June 1780 @ Haymarket Theatre

Event Comment: 3rd piece: Prologue by David Garrick

Performances

Mainpiece Title: The Manager In Distress

Afterpiece Title: The Suicide

Afterpiece Title: The Apprentice

3171
27 April 1782 @ Covent Garden

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: Tom Thumb

Dance: End of Act II of mainpiece The Gala. A new Minuet, Rigadoon and Allemande (composed by Aldridge) by Aldridge and Miss Besford. The Quadrilles and Cotillons by Langrish, Holloway, Ratchford, Cranfield, Mrs Ratchford, Mrs Invill, Mrs Davenett, Miss Francis. To conclude with a Grand Figure by all the characters; End of Act III a new Comic Dance, Frisk and Fun; or, The Whimsical Triumvirate, by Aldridge, Miss Matthews, Miss Besford; End of mainpiece St. David's Day, as17811213, the Airs accompanied on the harp by Edwards

Performance Comment: A new Minuet, Rigadoon and Allemande (composed by Aldridge) by Aldridge and Miss Besford. The Quadrilles and Cotillons by Langrish, Holloway, Ratchford, Cranfield, Mrs Ratchford, Mrs Invill, Mrs Davenett, Miss Francis. To conclude with a Grand Figure by all the characters; End of Act III a new Comic Dance, Frisk and Fun; or, The Whimsical Triumvirate, by Aldridge, Miss Matthews, Miss Besford; End of mainpiece St. David's Day, as17811213, the Airs accompanied on the harp by Edwards .

Song: End of Act I of afterpiece Tally-Ho by Miss Langrish

3172
03 May 1782 @ Drury Lane Theatre

Event Comment: Benefit for Suett and Wright. Morning Herald, 3 May: Tickets to be had of Suett at his house, No. 20, Gloucester-street, Queen's-square, Bloomsbury; of Wright at his house, No. 21, Bennett-street, Westminster. [Afterpiece: Prologue by David Garrick.] Receipts: #232 10s. (67/13/0; 30/16/6; 0/12/6; tickets: 133/8/0) (charge: #115 10s.)

Performances

Mainpiece Title: The Runaway

Afterpiece Title: Harlequins Invasion

Dance: As17820318athi

3173
17 May 1784 @ Covent Garden

Event Comment: Benefit for Wild. Mainpiece: Not acted these 25 years [acted 15 Apr. 1760]. With a Grand Procession and Triumphal Entry of Dioclesian, the Dance of Tapestry Figures, the Monument of Aurelia, and the Dance of Chairs. Afterpiece [1st time; M. INT I, by David Henry Urquhart; composer of music unknown]: To conclude with an exact Representation of the Chairing of the Member. Receipts: #115 13s. (58/1; tickets: 57/12) (charge: #105)

Performances

Mainpiece Title: The Prophetess

Afterpiece Title: A Jubilee in Commemoration of Handel and Shakespeare

Afterpiece Title: The Election

Related Works
Related Work: The Election Author(s): David Henry Irquhart

3174
17 September 1784 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. [Both Prologues by David Garrick.] To begin at 7:00

Performances

Mainpiece Title: King Richard The Third

Afterpiece Title: The Apprentice

Song: End of Act I of afterpiece Four-and-Twenty Fiddlers all on a Row by a Gentleman [unidentified]; End of afterpiece a Mad Song in character by Lyons. imitations. End of mainpiece George Saville Carey has voluntarily offered to go through the following Imitations: The Examination of a Stage Candidate (in the manner of the immortal Garrick), Juno in her Cups, Etiquette, No Flower that blows, Widow Lovett, The Roundelay (in the manner of a late much-lamented Syren [probably Mrs Cargill, who, on her return from India, was drowned on 26 Feb. 1784], The Serenade in The Jubilee (after the manner of Vernon, Bannister and Kear.) To conclude with his celebrated Dialogue, in the manner of Foote and Weston. After the Imitations the Prologue to Barbarossa by Kippling, in the character of a Country Boy, in which he will introduce a Yorkshire Jig in Wooden Shoes

3175
12 May 1785 @ Covent Garden

Event Comment: Mainpiece [1st time in London; co 3, 1st acted at Smock Alley Theatre, Dublin, 30 Jan. 1784. MS: Larpent 703, not published]: Written by [Robert] Jephson [with lyrics by Sir Nathaniel Barry (Larpent MS). In 1787 abridged by John O'Keeffe as Love and War]. With new Scenes and Decorations. A new Overture by the celebrated Haydn. The Airs by David Rizzio, [J. C] Bach, Paisiello, Duni, Carolan, Shield and Tenducci [i.e. "The Music partly compiled by Tenducci; the new Airs composed by Shield" (notice on playbill of 11 May)]. Books of the Songs to be had at the Theatre. [Afterpiece in place of The Lying Valet, announced on playbill of 11 May.]

Performances

Mainpiece Title: The Campaign Or Love In The East Indies

Afterpiece Title: Retaliation

Dance: As17841116