Event Comment: Mr Lacy appear'd for the 1st time in Oroonoko very tolerable he met with applause (Hopkins Diary). Rec'd of Mr Reddish on Acct #100. Receipts: #164 13s. (Treasurer's Book)

Event Comment: Mr Garrick's last time of performing Hamlet . Benefit towards encreasing a Fund, for the relief of those who from their infirmities shall be oblig'd to retire from the stage. Pit and Boxes are laid together, and no admittance into the Pit or Boxes without Tickets. Ladies and Gentlemen urged to come early. Servants must be at the theatre by 5 o'clock to keep places. Doors will be opened at half past Five. Play to begin at half past Six. On Saturday Mr Garrick will perform a principal part in a Comedy. Pit and Boxes put together, most of the tickets were sold for a Guinea a piece, very few under half a Guinea and the whole quantity Sold in about Two hours (Hopkins Diary). [Kemble's note briefer.] Receipts: #85 8s. 6d. Charges: #23 4s. 1d. [See 10 June.] (Treasurer's Book)

Event Comment: Epilogue by David Garrick. Second Ballet: with New Scenes [by deLoutherbourg] and Dresses [by Lupini]. Two new Grand Ballets, composed by Gallet, were introduced in this Piece (The Maid of the Oaks) in which Gallet and Mlle Dupre made their first Appearance upon the Eng. Stage--the first Dance, which was to be in the 2nd Act, was obliged to be deferred till the end of the 3rd Act, as Lupini, who made the Dancers Dresses, had not brought them to the House--this put us all into great Confusion, and Dodd made an Apology to the Audience, that an unforseen Accident had prevented the Dance being done in the proper Place. At the beginning of the 3rd Act most of the Dresses were brought, but not all, and some of the Dancers were obliged to put on what Dresses could be got for them--They were all very much confused--the Music also was not perfect. Gallet went on, and spoke in French to the Audience, and told the Band that he wished they had any Heads. In the first Dance Mlle Dupre fell down, and a little after Gallet fell down, but (they) did not hurt themselves, and the Dance went on--and even with all these Disadvantages was much applauded (Hopkins Diary). Receipts: #181 19s. 6d

Event Comment: Ladies and Gentlemen who have taken Places are desired to send their Servants to the Door in Suffolk-Street by Five o'Clock

Event Comment: [Mainpiece in place of A Trip to Scarborough, announced on playbill of 9 Mar.] 2nd piece [1st time; M. INT I, by Richard Brinsley Sheridan]: With a new Scene invented and designed by DeLoutherbourg for the occasion. [Music composed by Thomas Linley Sen. Miss Wright is identified on playbill of 24 May; and see 19 Feb.] Public Advertiser, 27 Mar. 1779: This Afternoon at Four is published A Monody (1s. 6d.). Afterpiece: Not acted these 3 years. Receipts: #213 10s. 6d. (180.18.0; 32.6.0; 0.6.6). "Some of the verses [of the Monody] were responded [to] by the principal vocalists, accompanied by the band, who occupied an orchestra built on the stage, as at the oratorios. The whole of the performers [were] requested to appear in black clothes" (Parke, I, 17)

Event Comment: Benefit for the Author [of mainpiece]. The Stratagem and The Critic [both announced on playbill of 8 Dec.] are unavoidably obliged to be deferred till to-morrow. Receipts: #106 15s. 6d. (75.11.0; 30.6.6; 0.18.0; tickets: none listed) (charge: #105)

Event Comment: [Du-Bellamy was from the hay.] Receipts: #159 13s. (124.18; 34.13; 0.2)

Event Comment: The School for Fathers [announced in Public Advertiser, 14 Sept.] is unavoidably obliged to be deferred. Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. Places for the Boxes to be taken of Fosbrook at the stage-door. No Money to be taken at the stage-door, nor any Money returned after the Curtain is drawn up. The Doors to be opened at 5:30. To begin at 6:30 [see 9 Oct.]. Receipts: #100 7s. (75/1; 25/6; 0/0)

Event Comment: Places for the Boxes to be taken of Fosbrook at the Stage-door. No Money to be taken at the Stage-door, nor any Money returned after the Curtain is drawn up. The Doors will be opened at 5:30. To begin at 6:30 [see 4 Nov.]. [No playbill this season lists the various prices of admission; they were probably, as usual: Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s.] Monologue [1st time, probably by Thomas King. MS: Larpent 602; synopsis in London Magazine, Sept. 1782, 437]. Receipts: #200 4s. (170/14/0; 29/7/6; 0/2/6)

Event Comment: Benefit for Aickin. Mainpiece: Not acted these 5 years. Afterpiece [1st time; c 2]: By the Author of Retaliation [Leonard Macnally, with incidental music by Michael Arne. Prologue by Chalmers (see text, S. Bladon, 1783)]. The Persons represented to be dressed from the Caricatures of Hogarth. Receipts: #191 15s. 6d. (140/1/6; tickets: 51/14/0) (charge: #64 5s.)

Event Comment: Places for the Boxes to be taken of Brandon at the Stage-door. Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. The Doors will open at 5:30. To begin at 6:30 [see 13 Oct.]. Receipts: #203 10s. 6d. (202/12/0; 0/18/6)

Event Comment: Afterpiece: Not acted these 4 years

Event Comment: Mainpiece: Never acted here. [The playbill lists R. Palmer as Rodolpho in mainpiece, and as Young Clackit in afterpiece, but he "was prevented appearing either in the tragedy or entertainment, having had the misfortune to break his arm" Chondon Magazine, July 1784, p. 75). For Egan and Riley as his substitutes see 14 July. Miss Woollery is identified on playbill of 24 July. Prologue by George Colman, the elder (Colman, Prose, III, 254). Miss Kemble was from DL.]

Event Comment: Benefit for Sga Sestini [who had 1st acted Phebe at CG on 13 Mar. and 10 May 1784]. Mainpiece: Not acted these 4 years. Afterpiece: Never perform'd here