SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Daughter of the late Mr Farquhar"/1) | (@(roleclean,performerclean) "Daughter of the late Mr Farquhar")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 5195 matches on Event Comments, 1330 matches on Performance Comments, 1076 matches on Author, 924 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: The Ninth Night, For the Author of the mainpiece. Rec'd from Mr Condell second payment [for Fruit Office] #20. Receipts: #240 3s. 6d.; Charges: #73 10s.; Profit to author: #166 3s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Runaway

Dance: the Dance call'd The Jealous Harlequin, as17760117

Afterpiece Title: The Rival Candidates

Event Comment: Benefit for Mrs Yates. Mainpiece: By Particular Desire. Part of pit laid into boxes. Send servants at 4 o'clock. Tickets delivered for Cyrus (for this night) will be taken. [The Epilogue is Larpent MS 408. N.B. The Treasurer's Account Book for this year differs from those of the preceding five in not recording the income from tickets delivered out for benefit nights. See Comment, 23 Sept. 1775. The box receipts for benefit performances during this season, therefore, are not an accurate reflection of the popularity of a play.] Paid Mr Stainer for Music #2 4s. 9d. Receipts: #147 19s. 6d. Charges: #68 10s. Profits to Mrs Yates: #79 9s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Medea

Performance Comment: Jason-Smith; Creon-Bensley; Aeson-Palmer; First Colchian-Packer; Lycander-Farren; Hecate-Bransby; Children-Mrs Blanchard, Mas. Pulley; Theano-Mrs Hopkins; Medea-Mrs Yates; With the song of Azure God-Mrs Smith (By Desire); Epilogue-Mrs Yates.

Afterpiece Title: The Deserter

Dance: End: The Grand Garland Dance-, as17760302 but Sga _Pacini

Event Comment: Benefit for Smith. Mr Lacy play'd Cyrus. Spoke too Low and wanted Spirit. Was receiv'd with Applause (Hopkins Diary). [MacMillan's note from Kemble differs slightly.] Tickets delivered for Siege of Damascus, for that night, will be taken. The Bill For establishing a Fund for Decayed Actors of dl Theatre has passed the House of Lords (Winston MS 11). Receipts: #134 19s. Charges: #67 7s. 6d. Profits to Smith: #67 11s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Cyrus

Afterpiece Title: A Peep behind the Curtain

Performance Comment: Glib-King; Sir Macaroni Virtue-Dodd; Wilson-Palmer; Mervin-Lamash; Sir Toby Fuz-Bransby; Carpenter-Moody; Orpheus-Vernon; Rhodope-Mrs Wrighten; Miss Fuz-Mrs Davies; Lady Fuz-Mrs Hopkins; Others-Packer, Norris, Wright, Cubitt, Legg, Fawcett, Kear, Griffiths, Carpenter, Blanchard, Mrs Love, Mrs Bradshaw.

Entertainment: End: (for the last time) Comic Paraphrase on Shakespeare's Seven Ages-King

Dance: End Entertainment: The Irish Fair, as17751003

Event Comment: [Identical program except a Solo on the Pedal Harp in place of Concerto on German Flute. Mr Jones was the harpist.] This program By Particular Desire

Performances

Mainpiece Title: Concerto Spirituale

Event Comment: Benefit for Bensley. Tickets deliver'd for The Siege of Damascus (for that night) will be taken. Mainpiece: By Particular Desire. Paid 8 extra trumpets #3; Mr Cook's singing boys, 17 nights #25 10s. Receipts: #187 15s. 6d. Charges: #78 16s. 6d. Profits to Bensley: #99 19s. (Treasurer's Book)

Performances

Mainpiece Title: Alexander The Great; Or, The Rival Queens

Performance Comment: Alexander-Smith; Clytus-Bensley; Perdiccas-Whitfield; Eumenes-Farren; Aristander-Wrighten; Cassander-Palmer; Thessalus-Wright; Lysimachus-Brereton; Hephestion-Davies; Polyperchon-Bransby; Roxana-Miss Younge; Statira-Mrs Yates; Parisatis-Miss Hopkins; Sysigambis-Mrs Johnston; Slave-Griffiths; With the Grand Triumphal Entry-.
Cast
Role: Thessalus Actor: Wright
Role: With the Grand Triumphal Entry Actor: .

Afterpiece Title: The Man of Quality

Dance: End: The Grand Garland Dance, as17760311

Event Comment: House Pacini's Night Bought by the Managers (Hopkins Diary). The last time of performing till Easter. Paid salary #416 4s. 4d.; Mr Smith for Abrams [sic] the Jew #21; Miss Abrahams [sic] #10 10s. Receipts: #262 8s. 6d

Performances

Mainpiece Title: The Runaway

Afterpiece Title: The Jubilee

Related Works
Related Work: The Constant Couple; or, A Trip to the Jubilee Author(s): George Farquhar
Related Work: London's Great Jubilee Author(s): Matthew Taubman
Related Work: Sir Harry Wildair: Being the Sequel of the Trip to the Jubilee Author(s): George Farquhar
Event Comment: At the Foundling Hospital. Under the Direction of Mr Stanley. At Noon. Tickets Half a Guinea. There will be no Collection

Performances

Mainpiece Title: The Messiah

Music: First Violin, Concerto-Linley Jr

Event Comment: House (Hopkins Diary). The new Comedy of The Runaway is unavoidably oblig'd to be deferred till Saturday. Rec'd Mr Stanley's Oratorio Account, 11 nights, #327 5s. Paid Lawrence (paper hanger) #13 7s.; Renters (for 11 Oratorio nights) #88; Cubit (tinman) #7 14s. 6d.; Gardner (shoemaker) #25; Chettle (timber merchant) #22 14s. 6d.; Mist andCo. (brazier) #10 8s.; Thomson (smith) #5 16s. 6d. Barrow andCo. (oil) #106 5s.; Tallow Chandler's 8th Bill #26 12s.; Palmer's Bill of Bath for Spermacetti Candles #162 10s. (Treasurer's Book). [MacMillan quotes from Kemble's note on the playbill, a Garrick interpolation in Drugger 's last speech (IV, vii): "Abel: Did you never see me play the Fool? Face: Yes. Abel: But the wise ones say I have played the Fool long enough; So I am going to leave it off and grow melancholy." [This note does not appear in the Hopkins Diary in the Folger Library.] Receipts: #265 17s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Alchymist

Performance Comment: As17751125, but Abel Drugger-Garrick, for the last time of performing it.

Afterpiece Title: The Spleen

Related Works
Related Work: The Spleen; or, Islington Spa Author(s): George Colman, the elder

Dance: V: The Irish Fair, as17751003

Event Comment: House (Mr Parsons) Bought by the Managers (Hopkins Diary). N.B. On 6 May treasurer paid Parsons in Lieu of a Benefit #105 (Treasurer's Book). Paid salary list #621 16s. 6d. Receipts: #153 9s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Runaway

Afterpiece Title: The Spleen

Related Works
Related Work: The Spleen; or, Islington Spa Author(s): George Colman, the elder

Dance: In: The Savage Hunters, as17751118

Event Comment: Benefit for Mr and Mrs Hopkins. Receipts: #57 4s. 6d. Charges: #66 3s. Deficit to the Hopkins: #8 18s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The School For Wives

Afterpiece Title: Bon Ton

Dance: In: The Savage Hunters, as17751118

Performances

Mainpiece Title: Every Man In His Humour

Cast
Role: Mathew Actor: Burton

Afterpiece Title: The Waterman

Dance: V: The Irish Fair, as17751003

Event Comment: Benefit Mr and Mrs Vallouy. The new Dances entirely composed by Vallouy

Performances

Mainpiece Title: Il Bacio

Dance: I: La Fete du Village, as17760224; II: New Serious Ballet, with Chaconne and Minuet de la Cour-Vallouy, Mme Vallouy; End Opera: New Grand Comic Ballet, Les Maissoneurs Distresse-Helm, Mlle Sophie, Sga Tinti, Vallouy, Mrs Vallouy

Performances

Mainpiece Title: The School For Rakes

Afterpiece Title: The Waterman

Dance: End: The Savage Hunters, as17751118

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: The Theatrical Candidates

Afterpiece Title: The Rival Candidates

Dance: III: The Sailors Revels, as17751220

Event Comment: Benefit for Bransby and Burton. Paid Miss Abrahams #50; Ditto to Mr Bate for the Music of the Blackamoor #50; Paid for convicting a pickpocket 10s. Receipts: #54 17s. Charges: #64 16s. 6d. Deficit to Bransby and Burton: #9 19s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: The Irish Widow

Dance: V: A Comic Dance, as17760415

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: Bon Ton

Dance: End Opera: a Favourite Dance call'd The Gardeners, as17760116

Event Comment: Benefit for DuBellamy. The Constant attendance Mr DuBellamy has, and is still oblig'd to pay to the business of the theatre, he humbly hopes will be admitted as a sufficient excuse for his not making a personal appliaction to his friends. Doors open half past 5. To begin half past 6 o'clock

Performances

Mainpiece Title: As You Like It

Afterpiece Title: Midas

Dance: I: Rural Merriment, as17751220

Song: IV: At the Request of many Friends, Kate of Aberdeen-DuBellamy

Performances

Mainpiece Title: Measure For Measure

Afterpiece Title: The Rival Candidates

Dance: V: The Sailors Revels, as17751220

Event Comment: Benefit for Mrs West. Tickets to be had of West, at the Ship, near the Seven Houses, Rotherhithe. Mainpiece: In Act II the triumphal entry of Alexander into Babylonv; In Act IV the grand Banquet where Alexander kills his faithful soldier, old Clytus. [The playbill contains a lengthy synopsis of the plot of the mainpiece; it concludes by noting that "the many flowery passages with which this tragedy abounds does honour to the pen of its author, N. Lee, Esqr., and we may justly say with Mr Pope, 'Such plays alone shou'd please a British ear, as Cato's self had not disdain'd to hear.'"]

Performances

Mainpiece Title: Alexander The Great; Or, The Rival Queens

Performance Comment: Alexander-West; Hephestion-Russell; Lysimachus-Smith; Cassander-Comerford; Polyperchon-Jones; Perdiccas-Johnson; Thessalus-Dancer; Aristander-Thomas; Eumenes-Brown; Clytus-Lewis; Roxana-Mrs Wilks; Sysigambis-Mrs Ross; Parisatis-Miss Taylor; Satira-A Gentlewoman [unidentified].unidentified].
Cast
Role: Thessalus Actor: Dancer

Afterpiece Title: Marriage a la Mode [i

Song: II: the grand chorus, See the conquering Hero comes-; Between Acts: Singing, as17760925

Entertainment: Monologue.The Painter's Art-[from Taste, by Samuel Foote]; Lady Pentweazle-Master Russell

Performance Comment: The Painter's Art-[from Taste, by Samuel Foote]; Lady Pentweazle-Master Russell.
Event Comment: By Command of Their Majesties. Mrs Davies Miss Tittup--La! La! King sent a letter to $Sheridan desiring to be off his Engagement--all made up at night. Mattocks came and told me that Lacy had sold Half his Share of the Patent to Mr Langford (The Auctioneer) and Captain Thomson (Authour of the Syrens &c.). I acquainted Sheridan of it--he had not heard it before (Hopkins Diary). Receipts: #267 6s

Performances

Mainpiece Title: New Brooms

Afterpiece Title: As You Like It

Afterpiece Title: Bon Ton; or, High Life above Stairs

Dance: End I: The Grand Garland Dance-Giorgi, Sga Crespi, Slingsby

Song: In V: a song-Mrs Scott

Event Comment: Alexander the Great? [announced on playbill of 4 Nov.] is obliged to be deferred. [The playbill lists Mrs Yates as Lady Townly, but see following note. Miss Younge's name appears in all subsequent playbills, except on 19 Dec.] Alexander was advertised for this Night, but Lacy being hoarse, who was to have played Alexander, it was obliged to be deferred, and this Play substituted. It was between eleven and twelve o'clock at (Night) before we got it settled. Mr. Sheridan ordered me not to send to Mrs. Yates about (it) till the Morning. About eight o'clock I sent her Notice that the Provoked Husband was to be performed at Night. A little after nine, she sent Word by her Niece that she was never so ill treated in her life, that she was never before asked to play on the fifth of November [which day was traditionally set aside for the acting of Tamerlane], that she would not play Lady Townly that Night, nor would she play any more; and if she had an Inclination to play, she had no Cloaths ready to play it in; and sent back the Part of Semiramis in a new Tragedy that was preparing [see 16 Nov., 14 Dec.]. I got Miss Younge to do Lady Townly, and an Apology was made by Packer that Mrs Yates having refused this Morning to do Lady Townly, Miss Younge at a Minutes' Notice undertook to do it. Miss Younge was much applauded and Yates had a few hisses (Hopkins Diary). Receipts: #179 11s. 6d

Performances

Mainpiece Title: The Provok'd Husband

Performance Comment: Lord Townly-Smith; Sir Francis Wronghead-Yates; Manly-Packer; John Moody-Moody; Squire Richard-Burton; Count Basset-Dodd; Lady Grace-Miss Sherry; Lady Wronghead-Mrs Hopkins; Miss Jenny-Mrs Davies; Mrs Motherly-Mrs Cross; Trusty-Mrs Johnston; Myrtilla-Miss Platt; Lady Townly-Miss Younge.
Cast
Role: Mrs Motherly Actor: Mrs Cross
Event Comment: Mainpiece: Not acted these 16 years [not acted since 27 Oct. 1758]. With Alterations [by Richard Brinsley Sheridan. Prologue by David Garrick]. The Characters new dressed. This Play is revived with Alterations (by R. B. Sheridan Esq) and a new occasional Prologue written by Mr Garrick? and spoken by Dodd, both well received. Miss Essex made her first Appearance upon this stage in Silvia, a small mean Figure and shocking Actress, so bad that she is to do the Part no more. Reddish was very imperfect in Vainlove from the Beginning, but was so very much so in the last Act, that the Audience hissed very much, and cryed out, 'Off, Reddish, Off!" He went forward, and addressed them as follows, 'Ladies and Gentlemen, I have been honoured with your Favour and Protection for these ten years past, and I am very sorry to give any cause for your Displeasure now; but having undertaken the Part at a very short Warning, in order to strengthen the Bill, and having had but two Rehearsals for it, puts it out of my Power to do Justice to the Part, or myself.' The Play then went on. So great a Lye was never delivered to an Audience by any Actor or Actress before. He had the Part at least six weeks in his Possession, and repeated Notice to be ready in it, and six Rehearsals was called for it,--indeed, he attended but three. Vernon undertook to study the Part at eleven o'clock to-night, and to perform it to-morrow (Hopkins Diary). [Miss Essex was from the hay.] Receipts: #209 6s

Performances

Mainpiece Title: The Old Batchelor

Performance Comment: Bellmour-Smith; Heartwell-Bensley; Fondlewife-Yates; Vainlove-Reddish; Captain Bluff-Moody; Sharper-Farren; Setter-Baddeley; Sir Joseph Wittol-King; Belinda-Miss Younge; Araminta-Mrs Baddeley; Silvia-Miss Essex (1st appearance upon that stage); Lucy-Miss Pope; Laetitia-Mrs Abington; New occasional Prologue (in the Character of a modern fine gentleman)-Dodd. [This was spoken, as here assigned, at the first 4 performances only (see17761207).]This was spoken, as here assigned, at the first 4 performances only (see17761207).]

Dance: As17761115

Event Comment: Before the Play began, Reddish went on, and addressed the Audience as follows, which was drawn up by Mr Sheridan, "Ladies and Gentlemen, having in my Address to the Publick on Tuesday Night last accounted for my Omission in the Part of Vainlove in a manner which appeared to reflect highly on the Managers, I now beg Permission to ascribe it to the Confusion I was in from the Displeasure of the Audience, and, as the Managers are satisfied with my Assurance that this was the Case, I humbly hope for the Indulgence of the Publick, whom I never meant to offend, and whom I will ever study to please" (Hopkins Diary). Raceipts: #119 17s. 6d

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: The Hotel

Event Comment: The Characters will be dressed in the Habits of the Times. The Musick of Macbeth had a proper Attention paid to it in the getting up by Mr Linley (who composed the Additional Accompaniments) and went off with great Applause. Mrs Melmoth, who came out at Covent Garden [on 26 Feb. 1774], made her first Appearance upon this Stage in Lady Macbeth, was very wild in the Part, met with some Applause. The Play was dressed in the Habits of the Times. [Note added by J. P. Kemble: I have seen some of these Habits, and very paltry and very improper they were] (Hopkins Diary). [Mrs Melmoth was from the Edinburgh theatre.] Receipts: #191 1s. 6d

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Hotel

Dance: IV: a Dance of Furies-. [This was included in all subsequent performances.

Song: original Music by Mattew Locke , with full Chorusses and Additional Accompaniments by ThomasLinley Sen.-Bannister, Legg, Kear, Fawcett, Brown, Follett, Chaplin, Carpenter, Mrs Scott, Miss Abrams, Mrs Greville, Mrs Davies, Miss Jarratt, Miss Collett, Mrs Love, Mrs Booth, Mrs Pitt, Mrs J. Smith, Mrs Wrighten; Account-Book adds: Reynoldson, Webbe, Michan, Gaudry, Danby, J. Danby, Short, Miss Boyd

Event Comment: Mainpiece [1st time in London; DR. POEM 5, by William Mason, 1st acted at Crow Street Theatre, Dublin, 30 Mar. 1764]: Written on the Model of the ancient Greek Tragedy. The Overture and all the Music composed New by Dr Arne. With a New Scene designed and executed by Dahl [recte Dall]. The Dresses, Decorations, &c. all entirely New. Books of the Lyrical Part of the Drama to be had at the Theatre. 'But I had rather talk of Caractacus; I agree that he will not suffer by not being sputtered by Barry, who has lost all his teeth. Covent Garden is rather above Drury Lane in actors, but both sets are exceedingly bad, so bad-that I almost wish Caractacus was not to appear. Very seldom do I go to the play, for there is no bearing such strollers" (Walpole [to the author, 8 Oct. 1776], IX, 419-20). "I attended Caractacus last winter, and was greatly interested, both from my friendship for Mr Mason and from the excellence of the poetry. I was out of all patience; for though a young Lewis played a subordinate part very well, and Mrs Hartley looked her part charmingly, the Druids were so massacred, and Caractacus so much worse, that I never saw a more barbarous exhibition" (Walpole [13 July 1777], X, 81-82). Public Advertiser, 7 Dec. 1776: This Day is published the Lyrical Part of Caractacus (6d.). [The publisher, J. Wilkie, states that he also has the "whole Drama, as altered by the Author, 18d." Ibid., 9 Dec., contains an advertisement from Mason stating that this version is unauthorized.] Ibid., 12 Dec.: This Day is published [by A. Ward of York] a new Edition of Caractacus, now altered for Representation at the Theatre-Royal in Covent Garden (1s. 6d.). Receipts: #163 10s. (163.6; 0.4)

Performances

Mainpiece Title: Caractacus

Performance Comment: Characters by Clarke, Lewis, Wroughton, Ward, Whitefield, Mrs Hartley. Druids and Bards-Aickin, Hull, L'Estrange, Fearon, others; Principal Vocal Parts-Leoni, Reinhold, Mrs Farrell; [Cast from text (York: A. Ward, 1777 [i.e. 1776]): Caractacus-Clarke; Arviragus-Lewis; Elidurus-Wroughton; Vellinus-Ward; Aulus Didius-Whitefield; Evelina-Mrs Hartley; Modred-Aickin; Mador-Hull.

Afterpiece Title: Polly Honeycombe

Related Works
Related Work: Polly Honeycomb Author(s): George Colman, the elder