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8378 results for: Keyword - Daughter of the late Mr Farquhar
We found 5195 matches on Event Comments, 1656 matches on Author, 1330 matches on Performance Comments, 924 matches on Performance Title, and 0 matches on Roles/Actors.

551
28 May 1698 @ York Buildings

Event Comment: Post Boy, No. 477, 24-26 May 1698: On Saturday next, being the [28th] of May, will be perform'd in York-Buildings, an Entertainment of Vocal and Instrumental Musick, Set by the late Mr Hen. Purcell, and perform'd by Mr Pate, and Mr Bowen, for Mr Leveridge his Benefit

Performances

Mainpiece Title: Concert

552
19 February 1736 @ Covent Garden

Event Comment: Written by the late Mr Dryden. Set to Musick by Mr Handel. Pit and Boxes half a Guinea. Galleries 4s. and 2s. 6d. London Daily Post and General Advertiser, 20 Feb.: Last Night his Royal Highness the Duke, and her Royal Highness the Princess Amelia were at. . . Mr Dryden's Ode, set to Musick by Mr Handel. Never was upon the like Occasion so numerous and splendid an Audience at any Theatre in London, there being at least 1300 Persons present; and it is judg'd that the Receipt of the House could not amount to less than 450l. It met with general Applause, tho attended with the Inconvenience of having the Performers placed at too great a distance from the Audience, which we hear will be rectified the next Time of Performance. [Egmont also present.]

Performances

Mainpiece Title: The Feast Of Alexander

553
28 September 1736 @ Lincoln's Inn Fields

Event Comment: By the Company of Comedians from Goodman's Fields. Written by Mr Dryden. With new Scenes, Machines, and other Decorations, particularly an exact Representation of Merlin's Cave, as in the Royal Gardens, Richmond. Boxes 5s. Pit 3s, Middle Gallery 2s. Upper Gallery 1s. At 6 p.m.[The Prologue was printed in London Daily Post and General Advertiser, 1 Oct.

Performances

Mainpiece Title: King Arthur Or Merlin The British Enchanter

Performance Comment: Arthur-Johnson; Merlin-Hewitt; Oswald-Giffard; Conon-Havard; Osmond-W. Giffard; Aurelius-Richardson; Albanact-Woodward; Guillamar-Hamilton; Grimbald-Lyon; Emmeline-Mrs Giffard; Philidel-Mrs Hamilton; Matilda-Miss Tollett; In which will be performed the Original Musick (composed by the late ingenious Mr Henry Purcell)-Corf, Hussy, Kelly, Touchbury, Nicholls, Kellnar, Mrs Chambers, Mrs Carter, Mrs Jones, Miss Gerrard; Venus-Miss Wilson; Cupid-Master Hamilton; being the first time of his appearing on this stage. Dancing-Haughton, Mlle Roland; Who never appeared on this stage before. With a New Prologue to the Town-Mr Giffard.
Cast
Role: In which will be performed the Original Musick Actor: Corf, Hussy, Kelly, Touchbury, Nicholls, Kellnar, Mrs Chambers, Mrs Carter, Mrs Jones, Miss Gerrard
Role: With a New Prologue to the Town Actor: Mr Giffard.

554
19 March 1762 @ Covent Garden

Event Comment: This day publish'd Semele set to Music by Mr Handel. Price 1s. As it is performed this evening at the Theatre Royal in Covent Garden. Printed for J & R. Tonson in the Strand

Performances

Mainpiece Title: Semele

Performance Comment: Jupiter-; Cadmus- (King of Thebes); Athamas- (Prince of Boeotia, in love with Semele); Somnus-; Apollo-; Cupid-; Juno-; Iris-; Semele- (Daughter of Cadmus); Ino-; Chorus of Priests and Augurs-; Chorus of Loves and Zephyrs-; Chorus of Nymphs and Swains-; Attendants- (Larpent MS 43).

Music: As17620226

555
August 1685 @ Drury Lane Theatre

Event Comment: The United Company. The date of the first performance is not precisely known, but a broadside copy of the Epilogue, in the Bodleian Library, has a licensing date of 20 Aug. 1685, a MS date of 24 Aug. 1685. The play was licensed on 11 Sept. 1685. These dates suggest a premiere in mid-to late-August 1685. For Anne Bracegirdle as Clita and speaker of the Epilogue, see Lucyle Hook, Anne Bracegirdle's First Appearance, Theatre Notebook, XIII (1959), 135. The Prologue and Epilogue, separately printed, are reprinted in Wiley, Rare Prologues and Epilogues, pp. 239-41. The broadside Prologue has a more detailed heading than that in the edition of 1686: Prologue To A Commonwealth of Women, Spoke by Mr Haynes, Habited like a Whig, Captain of the Scyth-men in the West, a Scythe in his Hand. Two songs, set by Samuel Ackroyde, are in The Theater of Musick, The Third Book, 1686

Performances

Mainpiece Title: A Commonwealth Of Women

Performance Comment: Edition of 1686: Captain Marine-Williams; Du Pier-Griffin; Boldsprite-Percival; Franvil-Jevan; Frugal-Leigh; Hazard-Hains; Surgeon-Saunders; Don Sebastian-Gillow; Nicusa-Bowman; La Mure-Norris; Bourcher-Harris; Boatswain-Low; Chaplain-Farr; Roselia-Mrs Cory; Clarinda-Lady Slingsby; Aminta-Mrs Cook; Menalippe-Mrs Twiford; Julietta-Mrs Percival; Hippolita-Mrs Price; Ariadne-Mrs Osborn; Aglaura-Mrs Knight; Clita-Miss Nanny [Anne Bracegirdle?]; Prologue-Mr Hains [with a Western Scythe in his Hand; Epilogue-.

556
April 1688 @ Dorset Garden Theatre

Event Comment: The United Company. The date of the premiere is not known, but as the play was licensed to be published, 21 May 1688, it was probably first acted early in April 1688, perhaps in late March. In 1688, also was separately printed New Songs Sung in The Fool's Preferment: In I, I sigh'd and pin'd and There's nothing so fatal as Woman, the music composed by Henry Purcell. In III, Fled is my love, the music composed by Henry Purcell, and sung by Mountfort. 'Tis death alone and I'le mount to yon blue coelum, the music composed by Henry Purcell. In IV, I'le sail upon the Dog-star, and A Dialogue by Jockey and Jenny, Jenny, gin you can love, the composer not stated. In V, If thou wilt give me back my love, composed by Henry Purcell and sung by Mountfort. See also Purcell's Works, The Purcell Society, XX (1916), iv-vi. When this play was revived at Drury Lane on 16 July 1703, the bill was headed: Not Acted these Fifteen Years

Performances

Mainpiece Title: A Fools Preferment Or The Three Dukes Of Dunstable

557
January 1690 @ Drury Lane Theatre

Event Comment: The United Company. The date of the first performance is not known. The play was entered in the Stationers' Register, 13 Feb. 1689@90, and advertised in the London Gazette, 20-24 Feb. 1689@90; hence, it was probably first given in January 1690, certainly no later than early February 1690. Preface, Edition of 1690: The time was, upon the uniting of the two Theatres, that the reviveing of the old stock of Plays, so ingrost the study of the House, that the Poets lay dorment; and a New Play cou'd hardly get admittance, amongst the more precious pieces of Antiquity, that then waited to walk the Stage; and since the World runs all upon Extremes, as you had such a Scarcity of new ones then; 'tis justice you shou'd have as great a glut of them now; for this reason, this little Prig makes bold to thrust in with the Crowd

Performances

Mainpiece Title: The Treacherous Brothers

Performance Comment: Edition of 1690: King of Cyprus-Powell; Meleander-Allexander [Verbruggen]; Ithocles-Williams; Menaphon-Mountfort; Orgillus-Hodgson; Semanthe-Mrs Bowtell; Marcelia-Mrs Bracegirdle; Statilia-Mrs Butler; Armena-Mrs Jourden; Prologue [by Mr Mountfort-Mrs Knight; Epilogue [by Mr Mountfort-Mrs Butler [in Mans apparel.in Mans apparel.
Cast
Role: Semanthe Actor: Mrs Bowtell

558
September 1695 @ Lincoln's Inn Fields

Event Comment: Betterton's Company. The date of the first production is not known, but the play was probably not acted later than September 1695, as it was advertised in the London Gazette, No. 3122, 10-14 Oct. 1695. Preface, Edition of 1696: It was the first I ever made Publick by appearing on the Stage, which (with the Advantage it met with, of admirable Acting) is all the Recommendations I have for exposing it...Ariadne. A song, Restless, in thought disturbed, set by John Eccles and sung by Mrs Hodgson, is in A Collection of Songs, 1696

Performances

Mainpiece Title: She Ventures And He Wins

559
December 1695 @ Drury Lane Theatre

Event Comment: Rich's Company. The date of the premiere is not known, but the fact that the play was advertised in the London Gazette, No. 3153, 27-30 Jan. 1695@6, suggests that it was first given in December 1695, certainly no later than early January 1696

Performances

Mainpiece Title: Agnes De Castro

Performance Comment: Edition of 1696: Prologue by Mr Wycherley at the Author's Request, Design'd to be spoke-; Prologue-Mr Powell; Epilogue-Mrs Verbruggen in Men's Cloaths; King-Sympson; Prince-Powell; Alvaro-Verbruggen; Lorenzo-Cibber; Diego-Hill; Pedro-Mills; Princess-Mrs Temple; Agnes de Castro-Mrs Rogers; Elvira-Mrs Knight; Bianca-Mrs Kent.
Related Works
Related Work: Agnes de Castro Author(s): Catherine Trotter

560
December 1695 @ Lincoln's Inn Fields

Event Comment: Betterton's Company. The date of the first performance is not known, but the fact that it was advertised in the Post Boy, 27-29 Feb. 1695@6 and entered in the Term Catalogues, February 1695@6, suggests that it was probably acted not later than January 1695@6. It may have appeared around the turn of the year. One song, While Phillis does drink, set by John Eccles and sung by Coper; and another, So well Corinna likes the joy, the composer not named but sung by Young Laroch, a Boy of seven, are in Deliciae Musicae, The First Book of the Second Volume, 1696. Downes, Roscius Anglicanus, p. 45: A Comedy, wrote by Mr George Greenvil, when he was very Young; Extraordinary Witty, and well Acted; but offending the Ears of some Ladies who set up for Chastity, it made its Exit. A Comparison Between the Two Stages (1702), p. 20: And a good Comedy, tho it had the Misfortune to be ill receiv'd

Performances

Mainpiece Title: The She gallants

Performance Comment: Edition of 1696: Prologue to the She@Gallant-Mr Betterton; Epilogue-Mrs Bracegirdle; Bellamour-Betterton; Philabel-Hodgson; Frederick-Thurman; Sir Toby Cusifle-Underhill; Sir John Aery-Bowen; Vaunter-Dogget; Courtall-Bailie; Lady Dorimen-Mrs Barry; Angelica-Mrs Bracegirdle; Constantia-Mrs Bootell; Lucinda-Mrs Bowman; Plackett-Mrs Lee.
Cast
Role: Prologue to the She@Gallant Actor: Mr Betterton

561
April 1696 @ Drury Lane Theatre

Event Comment: Rich's Company. The date of the first performance is not known, but the fact that the play was advertised in the Post Boy, 9-12 May 1696, suggests that it was first acted not later than April 1696. It may, however, have been first performed sometime earlier, for two songs for it were set by Henry Purcell, who had died in November 1695. See Purcell's Works, Purcell Society, XXI (1917), vi-vii. A Comparison Between the Two Stages (1702), p. 18: Pausanias, or Lover of his Country, Damn'd, tho writ by a person of Quality, and protected by Southern. One song, My dearest, my fairest, is a dialogue between Mr Cooke and Mrs Hodgson

Performances

Mainpiece Title: Pausanius The Betrayer Of His Country

Performance Comment: Edition of 1696: Prologue-Mr Horden; Epilogue-Mrs Verbruggen; Pausanius-Verbruggen; Aquilius-Powell; Artabazus-Cibber; Polaemon-Pinkeman; Lysander-Horden; Anchilthea-Mrs Rogers; Pandora-Mrs Knight; Demetria-Mrs Verbruggen; Maukine-Mrs Lucas.
Cast
Role: Anchilthea Actor: Mrs Rogers

562
June 1696 @ Dorset Garden Theatre

Event Comment: Rich's Company. The date of the first performance is not known, but the fact that the play was advertised in the Post Boy, 25-27 Aug. 1696, suggests that it was first acted not later than July 1696 and possibly in June 1696. In the edition of 1696 are two dialogues, set by Clarke, the words by Haynes, and sung by Bowen and Mrs Cross. A Comparison Between the Two Stages (1702), p. 18: Cornish Comedy: No matter whose, 'twas Damn'd

Performances

Mainpiece Title: The Cornish Comedy

563
July 1696 @ Drury Lane Theatre

Event Comment: Rich's Company. There is no certainty as to the date of the first performance, and the play has been sometimes assigned to mid-summer 1697 because the Preface refers to a summer production and the play was printed in 1697. Nevertheless, the presence of Verbruggen in the cast suggests that the summer of 1696 is more likely, as Verbruggen left Drury Lane on 1 Jan. 1696@7 and thereafter appeared at Lincoln's Inn Fields. Preface, Edition of 1697: Amongst a number of New Plays that of late have crowded the Stage.... As it is, it may bear up in the Winter, notwithstanding the little Encouragement it met with at its first Appearance from a thin Town, and the Scarcity of Money. A Comparison Between the Two Stages (1702): Sullen: Unhappy Kindness, the same Author's [as of Mock Marriage], but very word stole. Ramble: The success? Sullen: Damn'd

Performances

Mainpiece Title: The Unhappy Kindness Or A Fruitless Revenge

Performance Comment: Edition of 1697: Prologue-Mr Verbruggen; The Epilogue written and-Mr Haynes in the Habit of a Horse Officer, mounted on an Ass; Alphonso, King of Naples-Verbruggen; Frederick-Harland; Valerio-Williams; Sorano-Disney; Pisano-Mills; Petruchio-Hill; Pedro-Newth; Evanthe-Mrs Rogers; Queen Mother-Mrs Powel.
Cast
Role: The Epilogue written and Actor: Mr Haynes in the Habit of a Horse Officer, mounted on an Ass
Role: Evanthe Actor: Mrs Rogers
Role: Queen Mother Actor: Mrs Powel.

564
March 1698 @ Drury Lane Theatre

Event Comment: Rich's Company. The date of the premiere is not known, but the fact that the play was advertised in the Post Boy, 28-30 April 1698, suggests a first performance in late March. The Songs, published separately, include: Come all ye shepherds, set by Daniel Purcell and sung by Freeman. Let every shepherd bring his lass, set by Daniel Purcell and sung by Magnus. Life is but a little span, set by Daniel Purcell and sung by Young Bowin and Mrs Campion. Fond shepherd, set by Daniel Purcell and sung by Pate. To pensive years resign your pining, set by Daniel Purcell and sung by Young Bowen. Look down, set by Daniel Purcell and sung by Pate. Dedication, edition of 1698: I have no Reason to complain of the Success it had on the Stage. A Comparison Between the Two Stages (1702), p. 20: Damn'd

Performances

Mainpiece Title: Phaeton Or The Fatal Divorce

Performance Comment: Edition of 1698: The Prologue-Mr Powel, Mrs Cross [including Miss Chock]; Merops-Mills; Phaeton-Powel; Epaphus-Williams; Clymene-Mrs Powel; Alithea-Mrs Knight; Cassiope-Mrs Temple; Merope-Mrs Kent; The Epilogue by a Friend-Mr Mills.
Cast
Role: The Prologue Actor: Mr Powel, Mrs Cross
Role: Alithea Actor: Mrs Knight
Role: The Epilogue by a Friend Actor: Mr Mills.

565
30 May 1698 @ Pepys's residence

Event Comment: Evelyn, Diary: I dined at Mr Pepys 's, where I heard that rare Voice, Mr Pate, who was lately come from Italy, reputed the most excellent singer, ever England had: he sang indeede many rare Italian Recitatives, &c.: & severall compositions of the late Mr Pursal, esteemed the best composer of any Englishman hitherto

Performances

Mainpiece Title: Concert

566
April 1699 @ Drury Lane Theatre

Event Comment: Rich's Company. The date of the first production is not known, but the fact that the play was advertised in the Post Boy, 2-4 May 1699, suggests that the premiere occurred not later than early April

Performances

Mainpiece Title: Love Without Interest Or The Man Too Hard For The Master

567
06 July 1700 @ Drury Lane Theatre

Event Comment: Rich's Company. Post Boy, No. 818, 4-6 July 1700: For the Benefit of Mrs Oldfield. This day at the Theatre Royal in Drury-Lane, will be presented, a Comedy call'd, The Pilgrim. Revis'd with Large Alterations, and a Secular Masque. With the Dialogue between the 2 mad Lovers. Being Acted this time at the desire of several Persons of Quality. And Entertainments of Singing and Dancing between the Acts and in particular, a new Entry Compos'd by the late Mr Eaglesfield, and perform'd by Mr Weaver, Mr Cottin, and Miss Campion. A Scotch Song with the Dancing of the Bonny Highlander; never done but once before on the English Stage

Performances

Mainpiece Title: The Pilgrim

568
05 March 1722 @ Lincoln's Inn Fields

Event Comment: Benefit Ryan. At the Desire of several Ladies of Quality. Receipts: money #93 17s. 6d.; tickets #57 16s

Performances

Mainpiece Title: The Committee

Performance Comment: Careless-Ryan; Bookseller-Egleton; Blunt-Quin; Day-Spiller; Abel-Bullock Sr; Obadiah-Morgan; Ruth-Mrs Bullock; Arabella-Mrs Seymour; Mrs Day-Mrs Egleton; Teague-Aston; after the Manner of the late Mr Estcourt. With a New Epilogue-Mr Aston , in the Character of Teague riding on an Ass.
Cast
Role: With a New Epilogue Actor: Mr Aston , in the Character of Teague riding on an Ass.

Afterpiece Title: The Magician

Song: As17220210

569
04 February 1732 @ Goodman's Fields

Event Comment: Mainpiece: Written by the late Mr Addison. Note, Mr Giffard thinks it proper to inform the Gentleman who sent to him to have the Spanish Fryar play'd for next Monday, that he had not recollected a Pre-engagement of that Day to several Persons of Quality, but if the Gentleman will be pleas'd to let Mr Giffard know where he may wait on him, he wou'd be very much oblig'd to him to fix any other Day he thinks fit

Performances

Mainpiece Title: The Drummer

Afterpiece Title: Father Girard the Sorcerer

Cast
Role: Father Girard Actor: Rosco
Role: Father Burn Actor: Miller
Role: Father to Miss Cadiere Actor: Colett
Role: Mother to Miss Cadiere Actor: Mrs Tollet

570
31 October 1732 @ Drury Lane Theatre

Event Comment: Mainpiece: Written by the late Mr Congreve. St. James's Evening Post, 31 Oct.: We are informed, that John Ellys Esq: the eminent painter, succeeds Mr Wilks in the management of Drurylane Play-House; and that Mr Cibber Jr succeeds his father, who has resign'd to him

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Contrivances

Performance Comment: Rovewell-Stoppelaer; Arethusa-Miss Raftor; Argus-Griffin; Robin-R. Wetherilt.
Cast
Role: Robin Actor: R. Wetherilt.

Dance: Mrs Booth

571
10 February 1733 @ Covent Garden

Event Comment: A new Opera. Written by the late Mr Gay. With New Habits and Scenes. Receipts: #207 11s. 6d. Daily Courant, 12 Feb.: Mr Pultney and Mr Pope were in the Pit....They were in the House before any body else was admitted. Sir William Windham was also present at this Performance; but notwithstanding the Countenance given to it, there was so much Obscenity and Scurrility in it, that it raised a general Abhorrence in the Audience. [See also The Bee, 17 Feb., for a puff concerning this performance and the play in general.

Performances

Mainpiece Title: Achilles

Performance Comment: Edition of 1733 lists; Lycomedes-Quin; Diphilus-Aston; Achilles-Salway; Ulysses-Chapman; Diomedes-Laguerre; Ajax-Hall; Periphas-Walker; Agyrtes-Leveridge; Thetis-Mrs Buchanan; Theaspe-Mrs Cantrell; Deidamia-Miss Norsa; Lesbia-Miss Binks; Philoe-Miss Oates; Artemona-Mrs Egleton; Prologue by Gay-Quin.
Cast
Role: Thetis Actor: Mrs Buchanan
Role: Theaspe Actor: Mrs Cantrell
Related Works
Related Work: Achilles in Petticoats Author(s): George Colman, the elder

572
14 May 1736 @ Drury Lane Theatre

Event Comment: Benefit Mrs Walter and Mrs Pelling. Mainpiece: Written by the late Mr Congreve. [Tickets of Mrs Walter at Mr Hook's, Carpenter, in Stanhope Street; of Mrs Pelling at Mr Dagley's, Silversmith, near Castle Tavern, DL.]

Performances

Mainpiece Title: The Double Dealer

Performance Comment: As17351011, with the Original Song in Character (Lady Froth) by Mrs Clive .

Afterpiece Title: Colombine Courtezan

Performance Comment: As17360513, with the Ridotto al Fresco .

Dance: I: Minuet in Modern Habits by Rector and Mrs Anderson. II: Tambourine by Mlle Roland. III: Grand Ballet by Essex, Mrs Walter, &c. IV: The Amorous Clowns; or, The Courtezan: Clowns-Pelling, Davenport; Wives-Miss Mann, Miss Brett; Courtezan-Mrs Pelling. V: Rover by Essex, Mrs Walter, Mrs Pelling, Miss Mann, &c

Performance Comment: II: Tambourine by Mlle Roland. III: Grand Ballet by Essex, Mrs Walter, &c. IV: The Amorous Clowns; or, The Courtezan: Clowns-Pelling, Davenport; Wives-Miss Mann, Miss Brett; Courtezan-Mrs Pelling. V: Rover by Essex, Mrs Walter, Mrs Pelling, Miss Mann, &c .

573
08 March 1740 @ Drury Lane Theatre

Event Comment: Mainpiece: Alter'd from Beaumont and Fletcher, by Sir John Vanbrugh and Mr Dryden. Afterpiece: An English Opera, written by the late Mr Addison, and new set to Musick by Mr Arne, reserving two or three Favourite Songs, out of his former Opera

Performances

Mainpiece Title: The Pilgrim

Afterpiece Title: Rosamond

Dance: I: Drunken Peasant-Master Ferg; II: L'Allamande-Mlle Chateauneuf; IV: Punches-Master Ferg, Miss Wright

574
12 January 1741 @ Covent Garden

Event Comment: For the Relief of Mr Chetwood, late Prompter at the Theatre-Royal in Drury-Lane, and now a Prisoner in the King's Bench. Receipts: money #219; seals #15 (Account Book); #250 Rylands MS.). [William Shenstone saw Cibber act on 12, 13, or 14 Jan. See Letters of William Shenstone, pp. 14-15.

Performances

Mainpiece Title: The Old Batchelor

Dance: Mechel, Mlle Mechel

575
12 July 1759 @ Drury Lane Theatre

Event Comment: For one night only. Never acted before. By particular desire. An Historical Play, taken from Holinshead's Chronicles, and written by the late Mr Lillo, Author of George Barnwell. Tickets for Boxes and Pit to be had of Mr Cross, at his House in Crown Court, Russel St., Covent Garden; and of Mr Varney at the Stage Door. 7 P.M

Performances

Mainpiece Title: Arden Of Feversham

Dance: II: A New Dutch Dance, as17590515; End: The Threshers-Master Settree, Master Blagdon, Miss Twist; with a Prologue-; Epilogue-