SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Daughter of the late Mr Farquhar"/1) | (@(roleclean,performerclean) "Daughter of the late Mr Farquhar")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 5195 matches on Event Comments, 1330 matches on Performance Comments, 1076 matches on Author, 924 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: House (Mr Aickin's Night Bought by Managers) (Hopkins Diary). N.B. On 25 April the treasurer paid Mr Aickin in lieu of Benefit #60. Receipts: #269 6s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Spleen

Related Works
Related Work: The Spleen; or, Islington Spa Author(s): George Colman, the elder
Event Comment: House (Hopkins Diary). Afterpiece: For the last time this season. [Public Advertiser, 20 April: The following Accident happened at Drury Lane on Thursday in the Entertainment of the Jubilee. As Mr Hurst and Mr Palmer were representing the characters of Posthumus and Iachimo in the Fighting Scene where they were engag'd with extreme violence, the former narrowly escaped losing his eye from a severe wound in the temple."] Paid Richard Barnard for detecting a pickpocket 10s. 3 extra trumpets #1 2s. 6d. Receipts: #121 5s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Runaway

Performance Comment: As17760413but without the Dance in the course of the play.

Afterpiece Title: The Jubilee

Related Works
Related Work: The Constant Couple; or, A Trip to the Jubilee Author(s): George Farquhar
Related Work: London's Great Jubilee Author(s): Matthew Taubman
Related Work: Sir Harry Wildair: Being the Sequel of the Trip to the Jubilee Author(s): George Farquhar
Event Comment: By Desire. Benefit for Miss Abrams (who perform'd the Little Gipsey). Tickets deliver'd for The Maid of the Mill, and by Mr Norris and Mrs Veal will be taken. Rec'd Stopages #11 9s. 6d. Paid salary list #621 16s. 6d.; Mr Gardner (By Order) one night #5 5s. Receipts: #78 16s. Charges: #70 5s. 6d. Profits to Miss Abrahams: #8 10s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Maid Of The Oaks

Performance Comment: As17760409 but Hurry-Waldron, first time; Architect-Norris; Maria-Miss P. Hopkins; Shepherdess, with songs incident to the piece-Miss Abrams; Vocal Parts-Mrs Smith, Mrs _Scott.

Afterpiece Title: The Waterman

Song: V: (By Desire) The Soldier Tir'd-Miss Abrams

Event Comment: House Mr Baddeley's Night Bought by Managers (Hopkins Diary). Treasurer paid Mr Baddeley in lieu of Benefit #60. Rec'd Baddeley on acct #20. Paid salary list #621 16s. 6d. (Treasurer's Book). On Monday Cymbeline. Before the Play the Musical Prelude call'd The Theatrical Candidates; to which will be added The Rival Candidates. Receipts: #297 6s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: May Day

Event Comment: Benefit for Mrs Jackson. Mainpiece [a tragedy by John Jackson]: Never perform'd there. Doors open half past 5. To begin at half past 6 o'clock

Performances

Mainpiece Title: Eldred; Or, The British Freeholder

Performance Comment: Eldred-Jackson; Elidure-Lewis; Brennus-Aickin; Locrine-Hull; Eliud-Young; Morgan-Thompson; Eliza-Miss Ambrose; Edwena-Mrs Jackson; the Original Prologue, Epilogue-Mr and Mrs Jackson.

Afterpiece Title: The Two Misers

Dance: End: Mirth and Jollity, as17760102

Event Comment: Benefit for Mrs Abington. Mainpiece: By Particular Desire. Garrick's last time of performing Archer . Pit and Boxes will be laid together. Ladies and Gentlemen most earnestly requested to come early (playbill). Mrs Abington having wrote to Mr Garrick that she intended to quit the Stage at the End of the Season never to return to it again, he very kindly play'd for her Benefit (Hopkins Diary). Tickets deliver'd for Much Ado will be taken. Attempted to get into Drury Lane Theatre to see Mr Garrick in the character of Archer, but the crowd was so great that after suffering thumps, squeezes and almost suffocation for two hours, I was oblig'd to retire without effecting it (Hampden, Journal). Receipts: #129 19s. 6d. Charges: #65 7s. 6d. Profits to Mrs Abington: #64 12s. (Treasurer's Book)

Performances

Mainpiece Title: The Stratagem

Related Works
Related Work: The Stratagem Author(s): George Farquhar

Afterpiece Title: The Man of Quality

Dance: IV: The Irish Fair, as17751003

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Waterman

Performance Comment: As17760425 but Robin-Fawcett; to conclude not only with The Regatta-; but with the Original Song-Kear.

Dance: I: The Sailors Revels, as17751220

Event Comment: The People flock'd about the doors by Two o'clock. there never was a greater Overflow-Mr G. was never happier in Lear -the Applause was beyond description 3 or 4 loud Claps Succeeding one another at all his exits and many Cry'd out Garrick for Ever &c., &c. House (Hopkins Diary). [Kemble's note differs slightly.] Paid Mr Short, Chorus Singer #1 10s. (Treasurer's Book). Hannah More wrote to Mrs Gwatkin: The eagerness of the people to see Garrick is beyond anything you can have an idea of. You will see half a dozen duchesses and countesses a night in the upper boxes: for the fear of not seeing him at all, has humbled those who used to go, not for the purpose of seeing but being seen; and they now courtsy to the ground for the worst places in the house" (Hampden, Journal). [Letter to David Garrick, Esq on his appearance in Lear last night 13 May: The correspondent who signs himself Stock Fish and who claims to have been one of the survivors of the Black Hole of Calcutta, and who took a young lady from the country to see Garrick's last performance, blames him for endangering the lives of his majesties subjects for not providing proper bars, lanes, and queue lines to handle the crowds: "I went with intention to get into the Pit as the most eligible Part of the House (for your Boxes are always engag'd) and we got to the Door in Vinegaryard about five o'clock. Here the Passage to the first Door was too full for me to entertain any Hopes of getting in that Way, we therefore made for Catharine-street but the Multitudes of People waiting for the Opening of the Gallery-doors, rendered it impossible for us to get along through the Court; we therefore made a Circuit, and at length arrived opposite the Door in Catharine-street, where it was with Difficulty we could keep our Stands on a Foot Pavement....You will be absolutely inexcusable, if after this Warning you neglect to adopt some Method for the Security of the Lives of his Majesties Subjects on similar Occasions.--What think you of the following Scheme, viz. To keep the outer Doors next the Street shut, till the inner ones are opened ; and then, by a Proper bar, to prevent more than one at a Time entering, who shall there pay Entrance-money, and receive the Tickets of Admission through the inner Doors' (Public Advertiser 18 May).] Receipts: #308 1s. (Treasurer's Book)

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Spleen

Related Works
Related Work: The Spleen; or, Islington Spa Author(s): George Colman, the elder

Performances

Mainpiece Title: The Tempest

Performance Comment: Sebastian-Farren; Boatswain-Carpenter; Prospero-Packer; Caliban-Wright; Gonzalo-Aickin; Stephano-Moody; Trincalo-Baddeley; Francisco-Norris; Ariel (with songs)-Mrs Scott; Hymen-Fawcett; Ceres-Mrs Wrighten; Miranda (with Song)-Mrs Smith; Alonzo-Bransby; Antonio-Hurst; Sebastian-Farren; Master of Ship-Wrighten; Ferdinand (with songs)-Vernon; With a Grand Dance of Fantastic Spirits-; The other Dances-Como, Giorgi, Sga Crespi.

Afterpiece Title: The Irish Widow

Dance: I: The Irish Fair, as17751003

Event Comment: Mrs Abington's First appearance in Clarinda . She was very easy and like the Character. Mr G. as Usual play'd finely (Hopkins Diary). Rec'd of Mr Parker in full of note #30. Receipts: #279 16s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Suspicious Husband

Performance Comment: Ranger-Garrick, first time these 2 years; Strictland-Jefferson; Frankly-Palmer; Bellamy-Packer; Jack Meggot-Dodd; Ranger's Servant-Everard; Tester-Burton; Jacintha-Miss Younge; Mrs Strictland-Mrs Siddons; Lucetta-Mrs Davies; Milliner-Miss Jarratt; Landlady-Mrs Bradshaw; Clarinda-Mrs Abington , first time; to conclude with a Country Dance-the characters of the Piece.

Afterpiece Title: The Deserter

Dance: I: The Gardeners, as17760116

Event Comment: Ladies send servants by 5 to keep Places and prevent Confusion. Doors will be opened at half after five o'clock. To begin at half after 6 o'clock (playbill). Mr G. Voice and Spirits was never finer he never wanted Spirit or Voice thro' the whole part and Convinced the Audience that those Amazing powers he has always possess'd are now as brilliant as ever. Never was a part play'd with greater Propriety nor an Audience more lavish of their Applause (Hopkins Diary). [MacMillan's note from Kemble differs slightly.] [A full column letter for the Morning Chronicle this date from Theatricus to Garrick protested the fact that his announced benefit for the Theatrical Fund on the 30th of May would be all sold out to the highest bidders for tickets; that a nobleman offering ten Guineas for four box seats would get them in preference to the tradesmen who offered only a pound, the stated price of the tickets. Since charity was the cause this writer suggested that Garrick give a second benefit night to the Fund, with the hopes (1) that the Fund would be thereby vastly increased, and (2) that opportunity might be given for twice as many People to see a Garrick final performance. It was, perhaps, in response to this public request that Garrick gave a second Benefit night for the Fund on 10 June. The Morning Post, 29 May, noted: "The concourse of servants assembled yesterday morning at seven o'clock, at Drury Lane Stage Door, to take places for the approaching benefit, in which it is said Mr Garrick will again play Richard III , was astonishing, amounting to many hundreds, three fourths of which were not able to Succeed in their embassies' (Hampden, Journal).] Receipts: #307 3s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Devil to Pay

Related Works
Related Work: The Devil to Pay; or, The Wives Metamorphos'd Author(s): Theophilus Cibber
Event Comment: House (Hopkins Diary). Last time of Garrick's performing Richard . Ladies desired to send their Servants a little after Five to keep places, to prevent Confuson. It is Vanity to endeavor to describe Mr G. Merits they beggar all Descripiton, suffice it to Say he was what he represented (Hopkins Diary). [MacMillan's note from Kemble conservatively toned down.] Paid Sg Como and Crispi in full #3 8s. 3d. Mr Hurd ditto 7s. 6d. Receipts: #284 10s. (Treasurer's Book)

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Anatomist; or, The Sham Doctor

Event Comment: Benefit for Master Russell. Tickets to be had of Master Russell at the Swan, Elephant stairs. Afterpiece: Written by Henry Fielding, Esq. In Act I the Triumphal Entry of Tom Thumbv, attended with Giants, Giantess's, Dwarfs, Pigmies, Drums, Trumpets, &c

Performances

Mainpiece Title: The Minor

Performance Comment: The Minor-Raymond; Sir William Wealthy-Lloyd; Mr Richard Wealthy-Lewis; Loader-Comerford; Dick-Master Russell; Transfer-Marson; Smirk, Shift, Mrs Cole-Russell; Lucy-Miss Taylor.
Cast
Role: The Minor Actor: Raymond

Afterpiece Title: The Life and Death of Tom Thumb the Great

Performance Comment: Tom Thumb-Master Russell; King Arthur-Comerford; Lord Grizzle-Massey; Noodle-Russell; Doodle-Johnson; Bailiff-Dancer; Follower-Thomas; Glumdalca (Queen of the Giants)-Mr Smith; Queen Dollalolla-Mrs Ross; Princess Huncamunca-Mrs Wilks; Mustacha (a Maid of Honour)-Miss Taylor; Cleora-Mrs West.

Entertainment: Monologues.Preceding: Prologue to Barbarossa in the character of a Country Boy, containing an account of his Journey to London, his different Services there, first in the City, next with a Lord, then with a Lady, and last of all with a starved Poet-Master Russell; End I: a Scene from Lethe: Fine Gentleman-Master Russell; End II: an Harangue in a Tubafter the manner of the celebrated George Alexander Stevens-Master Russell; End: The Drunken Buck-Raymond

Performance Comment: Preceding: Prologue to Barbarossa in the character of a Country Boy, containing an account of his Journey to London, his different Services there, first in the City, next with a Lord, then with a Lady, and last of all with a starved Poet-Master Russell; End I: a Scene from Lethe: Fine Gentleman-Master Russell; End II: an Harangue in a Tubafter the manner of the celebrated George Alexander Stevens-Master Russell; End: The Drunken Buck-Raymond.
Cast
Role: The Drunken Buck Actor: Raymond.
Event Comment: Paid Lampmen #3 18s.; Tailors #11 2s. 10d.; Mantua Makers #3 14s. 6d.; Carpenters #16 15s. 6d.; Printer [of playbills] #19 5s. 6d. The Hypocrite and Christmas Tale in three Acts was advertised for to-morrow. This Morning at Rehearsal Lacy came and told Sheridan that he could not be off from his Agreement with Mr Langford and Captain Thomson. Sheridan told him, if he did agree, that he would withdraw himself from the Management of the Theatre--accordingly at eight this Evening he sent me with a Letter to Lacy confirming what he told him, and ordered me to receive my orders from Mr L and that he withdrew the Christmas Tale, as he had altered, for a Farce, it was his Property. This put us all into confusion--Sent to Mrs Abington to know if she would play in the Hypocrite, as it was advertised--Her answer was, that she had made her Agreement with Sheridan only, and would play under no other Manager. About twelve at night we got Richard the third settled, and sent Bills accordingly (Hopkins Diary). [For further remarks concerning this situation see 15 Oct.] Receipts: #173 6s

Performances

Mainpiece Title: New Brooms

Afterpiece Title: Braganza

Afterpiece Title: The Rival Candidates

Event Comment: By Command of Their Majesties. [For Fanny Burney's pen and ink sketch of the royal box and her written description o it, as it appeared on this evening, see List of illustrations these volumes. Receipts: #261 14s. 6d. (260.14.0; 1.0.6)

Performances

Mainpiece Title: All In The Wrong

Afterpiece Title: Cross Purposes

Cast
Role: Mat o' the Mint Actor: Fox

Dance: As17761015

Event Comment: Paid the Duke of Bedford 1!4 Yrs Rent #78 11s. 6d. Receipts: #120 13s. 6d

Performances

Mainpiece Title: The Conscious Lovers

Song: II: Mrs Scott

Event Comment: [Mainpiece in place of The Orphan, announced on playbill of 31 Dec. 1776. Public Advertiser assigns the Ghost to Farren.] Afterpiece: With Additions and Alterations, New Music, Scenes [by Greenwood, Leroy and French Jun. (Morning Post, 4 Jan.)], Dresses, and Decorations. Receipts: #175 1s. 6d. (137.1.0; 34.17.0; 3.3.6)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Harlequin's Invasion

Performances

Mainpiece Title: Love For Love

Afterpiece Title: Harlequin's Invasion

Event Comment: Mainpiece: Not acted these 2 years. Receipts: #221 13s. 6d. (200.3.0; 20.17.0; 0.13.6)

Performances

Mainpiece Title: The Funeral; Or, Grief A-la-mode

Performance Comment: Lord Hardy-Lacy; Campley-Palmer (Their first appearance in those characters); Lord Brumpton-Hurst; Sable-Moody; Puzzle-Baddeley; Trusty-Packer; Tom-Waldron; Cabinet-Norris; Trim-King; Lady Brumpton-Mrs Hopkins; Lady Harriet-Mrs Baddeley (1st appearance in that character); Mademoiselle-Mrs Booth; Farthingale-Mrs Bradshaw; Tattleaid-Mrs Love; Lady Charlotte-Miss Younge; [Edition of 1777 (W. Strahan et al]) adds: Kate Matchlock-Mr Griffiths.

Afterpiece Title: The Jubilee

Related Works
Related Work: The Constant Couple; or, A Trip to the Jubilee Author(s): George Farquhar
Related Work: London's Great Jubilee Author(s): Matthew Taubman
Related Work: Sir Harry Wildair: Being the Sequel of the Trip to the Jubilee Author(s): George Farquhar

Dance: As17770215

Event Comment: [Mainpiece in place of The Funeral, announced on playbill of 18 Mar.] Afterpiece [1st time; CO 2, by Isaac Jackman]: The Music composed by Carter. Receipts: #233 11s. (190.1.0; 40.16.6; 2.13.6)

Performances

Mainpiece Title: The Provok'd Husband

Performance Comment: As17761105, but Lord Townly-Lacy (1st appearance in that character); Manly-Palmer; Mrs Motherly-Mrs Bradshaw.
Cast
Role: Mrs Motherly Actor: Mrs Bradshaw.

Afterpiece Title: The Milesian

Event Comment: Benefit for Mrs Lessingham. Mainpiece: Not acted these 2 years. The Characters dressed in the Habits of the Country. Afterpiece [1st time; C 2, ascribed to Charles Stuart. Author of Address unknown]. Public Advertiser, 24 Mar.: Tickets to be had of Mrs Lessingham at her House, the corner of Percy-street, Rathbone Place. Receipts: #224 1s. 6d. (151.19.6; tickets: 72.2.0) (charge: #65 13s. 6d.)

Performances

Mainpiece Title: Othello

Performance Comment: Othello-Peile (the Gentleman who appeared in the character of Dorilas[on 17 Jan.]); Roderigo-Lee Lewes; Cassio-Lewis; Brabantio-Hull; Lodovico-Whitefield; Montano-Davis; Duke-L'Estrange; Gratiano-Fearon; Iago-Macklin; Emilia-Mrs Mattocks; Desdemona-Mrs Lessingham.
Cast
Role: Othello Actor: Peile

Afterpiece Title: The Experiment

Performance Comment: Characters-Wroughton, Lee Lewes, Robson, Fearon, Wewitzer, Booth, Mrs Whitefield, Mrs Lessingham; [Larpent MS 429 lists the parts: Mr Warren, Sir James Middleton, The Hon. Capt. Turner, Mr Green, Robert, Thomas, Miss Warren, Miss Louisa Warren.] Address to the Public-Mrs Lessingham.

Dance: End: Hunting Dance, as17770218; End I afterpiece: The Villagers, as17770122

Performances

Mainpiece Title: The Runaway

Afterpiece Title: Bon Ton

Dance: As17761128

Performances

Mainpiece Title: The Committee

Afterpiece Title: The Deserter

Dance: End I: The Corn Thrashers, as17770419; End II: a Hornpipe-Master Staples (scholar of Blurton)

Ballet: End: The Wapping Landlady. Jack in Distress-Blurton; Wapping Landlady-Mr Griffiths; Orange Woman-Mrs Sutton

Performances

Mainpiece Title: The Minor

Performance Comment: Smirk, Mrs Cole-Foote; The Minor-Aickin; Shift-Bannister; Sir William Wealthy-Egan; Mr Richard Wealthy-Fearon; Loader-T. Davis; Transfer-Jackson; Dick-Stevens; Lucy-Mrs Jewell.
Cast
Role: The Minor Actor: Aickin

Afterpiece Title: The Author

Dance: End: The Merry Lasses, as17770611

Event Comment: Mainpiece: The Characters dressed in Spanish Habits. [Henderson's 1st recorded appearance as Leon was at Bath, 4 Feb. 1777.

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: The Waterman

Dance: As17770707