SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Daughter of the late Mr Farquhar"/1) | (@(roleclean,performerclean) "Daughter of the late Mr Farquhar")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 5195 matches on Event Comments, 1330 matches on Performance Comments, 1076 matches on Author, 924 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: Last till after the holidays. Led by Mr Holland's excellence I went to see him in Romeo, and assure you I never saw Garrick himself in that part with more pleasure. He was admirable through-out the whole play, but moreso in the last Act, where he receives the news of Juliet's death. The sudden surprise and strong passions of grief were worked up with the utmost propriety in his face--Mr Palmer and Mrs Palmer too did justice to their characters (G. F. Theatricus to the Public Advertiser, 6 Jan. 1766)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Harlequin's Invasion

Performance Comment: As17651212, but Others-Parsons, _Watkins.

Performances

Mainpiece Title: The Double Mistake

Performance Comment: Parts-Ross, Shuter, Dunstall, Cushing, Weller, Miss Wilford, Mrs Walker, Smith, Dyer, Hull, Holtom, Murden, Miss Macklin, Mrs Mattocks; Prologue-Smith; Epilogue-Miss Wilford according to the Gazetteer and New Daily Advertiser; Lord Belmont-Ross; Sir Charles Somerville-Smith; Mr Belmont-Shuter; Elder Freeman-Hull; Southerne-Dunstall; Young Freeman-Dyer; Emily-Mrs Mattocks; Lady Mary-Miss Macklin; Lady Louisa-Miss Wilford; Lady Bridget-Mrs Walker (Genest, V, 106); Parts-Cushing, Weller, Holtom, Murden.

Dance: III: The Village Romps, as17651019

Performances

Mainpiece Title: All In The Wrong

Afterpiece Title: The Hermit

Event Comment: For the benefit of Mr Love and Mr Sanderson for the pantomime (Hopkins Dairy). Characters in Mainpiece dress'd in the habits of the times. Not acted these two years. [See 4 Jan. 1764.

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: The Hermit

Performance Comment: As17660122, but Others-Mas. Burton replaced $Dodd.
Event Comment: [D$DuBellamy, as would appear from a letter to the Printer of the Public Advertiser, 20 Sept. "Being at the Opera House last week to see the Conscious Lovers and As You Like It, not to mention the various and allowed excellencies of each performer, I was most agreeably surprized at the songs, in the bills said to be sung by a Gentleman, which indeed his genteel figure and polite address, at first sight well authenticated; but for the songs, viz. If Love's a Sweet Passion,--Blow, Blow Thou Winter's Wind,--with some others I must confess I never heard the like; his voice was finely masculine, strong, sweet, clear and articulate; his manner not servilely confined to the pedantic stiffness of some, or the affectation of others; in a word he sung like a Gentleman; and the sound, as Milton elegantly expresses it, 'Floated the Wings of silence.' This is not intended (by doing justice to Mr D. B@@y) to depreciate any....I am told he has applied to Mr Beard, with what success I know not, [hopes he will be one of the new singers at Covent Garden] signed T. S."]

Performances

Mainpiece Title: As You Like It

Performance Comment: Orlando-Davis; Duke-Aickin; Frederick-Palmer; Jacques-Lee; Oliver-Johnston; Le Beu-M'George; Amiens-the Gentleman who sung in the Conscious Lovers; Charles-Keen; Corin-Castle; Adam-Hurst; Denis-Mahon; William-Hamilton; Silvius-Quick; Touchstone-Shuter; Celia-Mrs M'George; Phebe-Miss Madden; Audrey-Mrs Worley; Rosalind-Mrs Dancer.

Afterpiece Title: Lethe

Event Comment: [This sort of non-theatrical entertainment continued to 14 Jan. 1767.

Performances

Mainpiece Title: A Variety Show

Performance Comment: Singing-; slack rope-. Sg Placido's Company will exhibit. Singing by Keen, Mrs Lampe, vaulting on slack rope by Sg Spinacuta. Dancing by Miss Ferci, and Miss Casaia. Tumbling by Sg Placido, Mr Williams, Sturpesi and Pedro. Dancing on the tight rope by Miss Ferci, Mas Placido, Spinacuta, Sga Placido, Sg Ferci, and Placido. Ferci will jump backwards and forwards over a cane, and put on and take off his hat. With several feats of activity never seen in England before. And Variety of Exhibitions. The most surprising and diverting performance on the tight rope by the Monkey. He walks and dances on the tight rope with a pole; he walks, and balances various equilibres on the wire, with and without the pole; he vaults and turns the Catharine wheel on the slack rope with admiration. This animal is the most astonishing of the kind ever beheld, and has given general satisfaction wherever has he exhibited. The whole to conclude with a hornpipe by Miss Casaia. he walks, and balances various equilibres on the wire, with and without the pole; he vaults and turns the Catharine wheel on the slack rope with admiration. This animal is the most astonishing of the kind ever beheld, and has given general satisfaction wherever has he exhibited. The whole to conclude with a hornpipe by Miss Casaia.
Event Comment: Paid half year's rent to the Marquis of Tavistock, due Michelmas last #150 4s. 7d.; Paid George Garrick for use of the managers #21; Paid Mr Barry on his note #30 Mr (Fauxhall acct) #1 1s. Rec'd stopages #3 7s. (Treasurer's Book). Receipts: #259 13s. (Treasurer's Book)

Performances

Mainpiece Title: The Alchemist

Afterpiece Title: A Fairy Tale

Related Works
Related Work: The Fairy Tale Author(s): George Colman, the elder

Performances

Mainpiece Title: Tamerlane

Performance Comment: Tamerlane-Havard; Moneses-Powell; Axalla-Packer; Bajazet-Holland; Dervise-Bransby; Omar-Hurst; Zama-Fox; Mirvan-Keen; Stratocles-Aickin; Hali-Strange; Prince of Tanais-Ackman; Arpasia-Mrs Yates; Selima-Mrs Palmer; With the usual Prologue-Bensley; In Act IV the Original Song of O! Gentle Sleep-Miss Young.

Afterpiece Title: Queen Mab

Event Comment: Return'd by two persons who came in the 4th inst. with an Order wrote by Mr Sarjant for Mr Barber, and went out and took the money for it at the Pitt door-6s. (Account Book). Receipts: #188 6s. 6d. (Account Book)

Performances

Mainpiece Title: The Maid Of The Mill

Cast
Role: Theodosia Actor: Mrs Baker
Role: incidental to the Opera Actor: Fishar

Afterpiece Title: The Apprentice

Dance: II: The Garland, as17661023

Event Comment: Mainpiece: By Particular Desire. Mr Beard's night. Paid chorus singers 4 nights in Faustus #3 15s. 10d. (Account Book) [This was a clear' benefit as indicated by an item in the Account Book for 15 Dec.: Paid Mr Beard the total amount of the house on the 1st inst. as per agreement #234 14s. 6d.'] Receipts: #234 14s. 6d. (Account Book)

Performances

Mainpiece Title: The Maid Of The Mill

Performance Comment: As17661010, but Theodosia-Mrs Mattocks; Patty-Mrs Pinto.

Afterpiece Title: The Citizen

Dance: II: Rural Love, as17661120

Event Comment: Mainpiece: Not acted this season. Benefit for the Increase of a Fund Establish'd by the Performers at the Theatre Royal Covent Garden, for the support of such actors, and their families, who from age or infirmities shall be incapable of their business. Such of the Nobility, Gentry, &c., who are pleased to favour this undertaking, are desir'd to send for places, Box or Pit tickets to Mr Sarjant at the Stage-Door. Charges #65. Profits to the Fund #13617s., plus #22 6s. from tickets (Box 82, Pit 12). Paid Mr Weller as per bills for property and machinery in Faustus #14 13s. (Account Book). Receipts: #201 17s. (Account Book)

Performances

Mainpiece Title: The Beggar's Opera

Performance Comment: Macheath-Beard; Peachum-Shuter; Lockit-Dunstall; Filch-Holtom; Mat@o@Mint-Baker; Player-Anderson; Beggar-Bennet; Lucy-Mrs Baker; Mrs Peachum-Mrs Stephens; Diana Trapes-Mrs Copin; Mrs Slammekin-Mrs Green; Polly-Mrs Pinto; Hornpipe-Miss Pitt; A Country Dance-the characters of the opera.

Afterpiece Title: The Englishman in Paris

Dance: II: The Village Romps, as17661008

Entertainment: OOccasional Prologue-Ross; The London Cries-Shuter

Event Comment: For the Author. Mr Tom's second night, charges #72 16s. 6d. Balance to Mr Toms #59 3s. 6d. (Account Book). Receipts: #132 (Account Book)

Performances

Mainpiece Title: The Accomplish'd Maid

Dance: As17661215The Peasants-_

Performances

Mainpiece Title: Romeo And Juliet

Cast
Role: Romeo Actor: Cautherly, 1st time
Role: Apothecary Actor: Castle

Afterpiece Title: Queen Mab

Event Comment: Paid the balance of 3rd, 5th, 9th, nights of Cymon to Mr Evans for the authors #360 14s. 6d. Gave Princess Dowager's Footmen a Christmas box, #2 2s. Paid 2 Printer's bills #18 13s.; Paid Mr Burney 15 days, not on the list, #6 5s.; Chorus 2 nights #4 11s. (Treasurer's Book). [On this date a receipt signed by Michael Arne for #119 17s. 10d. as compensation for the music for Cymon appears in the Folger Library. (See 2 Jan. 1767.)]Receipts: #148 15s. 6d. (Treasurer's Book)

Performances

Event Comment: The Ninth Day. For the Author. Charges #71 17s., plus a super charge for the addition of a farce, omitted by mistake when the account was given in, #21; Total #92 17s. Balance to Mr Toms #38 10s. 6d. (Account Book). [This balance was paid Mr Toms on 3 Feb.] Receipts: #131 7s. 6d. (Account Book)

Performances

Mainpiece Title: The Accomplish'd Maid

Afterpiece Title: The Apprentice

Dance: TThe Happy Villagers-; The Female Archer, as17670109

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: Queen Mab

Event Comment: Both pieces By Command of their Majesties. Afterpiece: Not acted these 7 years. [See 27 Nov. 1760.] Present their Majesties, Dukes of Gloster and Cumberland, Princess of Brunswick and Lady Louisa. Gave Yeomen of the guard #2 2s.; Paid Mr Cousins for hair dressing in the Fairy Favour #1 4s. and Mr Thompson for the same #1 12s. Paid Ellis (scourer) a bill for the Men's Wardrobe, #1 4s. 6d. Paid for the license of Love in the City #2 2s. (Account Book). Receipts: #231 16s. (Account Book)

Performances

Mainpiece Title: The Perplexities

Afterpiece Title: The Lottery

Dance: II: The Gallant Peasants, as17670113; End: The Female Archer, as17661215

Music: End: By Command, Violin Solo-Linley

Event Comment: By Command of their Majesties. With the latest improvement by Mr Handel. Pit and boxes to be put together. Tickets will be deliver'd that day, at the Office in the theatre at Half a Guinea each. First Gallery 5s. Second Gallery 3s. 6d. Galleries to be opened at Half an Hour past Four. Pit and Boxes at Five. To Begin at Half an Hour after Six (Public Advertiser, 4 March). [N.B. This is an Advance notice. No notice occurs on this day, but the following: This Day publish'd Esther: An Oratorio, with the last improvements by Mr Handel. To be performed, by Their Majesties Command at the Theatre Royal in Covent Garden. Price 1s.] Went into the First Gallery at Covent Garden to hear the Oraortio, Esther, composed by Handel. The Stage was formed into an orchestra, like one side of an amphitheatre divided by an organ, atop of which was a head of Handel in a radiated frame. In the front sat the vocal performers, Champney, Vernon, Mrs Arne, Mrs Pinto, Miss Young, and Mrs Frasi. Stanley played on the Organ but retired after the 1st or 2nd act. The house was not much crowded, tho the King and Queen, those idols of fools, were there (Neville MS Diary). Charges: #35 (Account Book)

Performances

Mainpiece Title: Esther

Performance Comment: Parts were: Habdonah-; Haman-; Officer-; Chorus of Israelites-; 1st Israelite-; 2nd Israelite-; Esther-; Ahasuerus-.
Cast
Role: Esther Actor:

Music: CConcerto on Organ-Stanley

Event Comment: Benefit for Smith. Tickets sold at the doors will not be admitted. Tickets and Places to be taken of Mr Smith at his house in Beaufort Buildings, Strand; and of Mr Sarjant at the stage-door of the Theatre. Charges: #70 19s. 6d. [Profit to Smith #79 10s. 6d. plus #136 16s. from tickets (Box 388; Pit 198; Gallery 101).] Receipts: #150 10s. (Account Book)

Performances

Mainpiece Title: The Rival Queens; Or, The Death Of Alexander The Great

Performance Comment: Alexander-Smith, 1st time; Hephestion-Dyer; Lysimachus-Hull; Cassander-Clarke; Polyperchon-Perry; Perdiccas-Davis; Clytus-Gibson; Statira-Mrs Mattocks, 1st time; Sysigambis-Mrs Vincent; Parisatis-Miss Vincent; Roxana (with Epilogue in Character 1st time)-Mrs Bellamy; In Act II, The Triumphal Entry of Alexander into Babylon-.

Afterpiece Title: The Citizen

Dance: III: The Village Romps, as17661008; End: The Female Archer, as17661215

Event Comment: Benefit for Shuter. Tickets to be had of Shuter at Number 2, in Martlet Court, Bow St. Covent Garden; and of Mr Sarjant, Book-Keeper. Charges: #65 2s. [Profits to Shuter #150 6d., plus #70 11s. from tickets (Box 233; Pit 82).] Paid Miss Elliott the balance of her two nights Jan. 13 and Feb. 18, #90 13s. 6d. and gave her as a present from the managers by deducting the charge of the Farce for her 2nd night, Feb. 18th, #21 (Account Book). Receipts: #215 2s. 6d. (Account Book). About 5 with great difficulty got into the Pit at Covent Garden to see...the benefit for Mr Shuter. Stood all night at the bottom of the Pit in a most disagreeable situation, though I saw very well and heard too, unless when prevented by the noise on occasion of which Shuter very smartly applied the Passage, But if we all speak together, how shall we hear one another," and again when a great noise was made about someone in the Gallery, he cried 'Give him a knock o' the head and make him quiet,' and another bawling Silence," he cried Silence, Silence why don't you be quiet.'At the end of Act II, the Cries of London', with additions by Shuter. In going off he shook his head on hearing it encored, but was oblig'd to comply by repeating the greater part. End of Opera Shuter entertained us with his Serious, Comic Post-Haste Observations in his Journey to Paris, to hear which was a principal reason of my not dining at Holliss's. The Barber in the Upholsterer inimitably played by Woodward (Neville MS Diary)

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Upholsterer

Performance Comment: As17661015, but Harriet-Miss Vincent (playbill) [but she remains Mrs Baker in The Public Advertiser].but she remains Mrs Baker in The Public Advertiser].

Dance: TThe Female Archer, as17661215

Event Comment: Benefit for Shuter. Mainpiece: By Particular Desire. Afterpiece: By Particular Desire of several persons of Distinction, to be added for that night only. Neville MS Diary: Covent Garden Theatre after being shut up for the season was open'd tonight as a high favour to Shuter...Before [the farce] the Gods having call'd for the Music to play Roast Beef, would not suffer the play to begin till their request was complied with. They pelted Davies and Hull, who appeared first, with orange skins, crying Off, Off'...Glad Shuter had a good house. He is an excellent comedian and is said to have a good heart. [The income for this night not listed in the Account Books. On 10 June however, the treasurer received from Shuter #10 'for the renters for the night of his benefit," and #1 13s. 9d. for oyl that night. On 20 July the treasurer received from Shuter #43 15s. for tickets for his first benefit, and #1 4s. 1 1!2d. in money, along with #20 for his second benefit." On July 22, the treasurer paid "to sundry Creditors of Mr Shuter as per Receipt Books #245 4s. 1 1!2d., and to Mr Wilford by order of Shuter #60, and to Beard #26 16s." N.B. On Wednesday 1 July The sum of #60,000 was this day paid down for the purchase of the Theatre Royal in Covent Garden, pursuant to agreement. The patentees are Messieurs Colman, Harris, Rutherford and Powell"--Gentleman's Magazine, p. 379.

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Love a-la-Mode

Performance Comment: As17670406 but Mordecai-Quick; The Whole to conclude with the Cries of London-.
Event Comment: The Author's Night. N.B. As the time limited by Mr Foote's Patent is now expiring the Company will perform every night of the week, (Saturday excepted). Mondays, Wednesdays and Fridays Barry and Mrs Dancer. Tuesdays and Thursdays Mr Foote (Public Advertiser). Set down as much as I can remember of the additions to the Orators. In the evening finished a copy for the Printer of the General Evening Post of an answer to a flattering letter which appeared in that paper some time ago. It is in praise of the Duke of York and other wretches, who not knowing how to spend enough of the Nation's money have fitted up a Theatre in St James Street on which to exhibit their own folly and profusion (Neville MS Diary). [Neville's piece appeared in the Post 8 Sept.

Performances

Mainpiece Title: Countess Of Salisbury

Afterpiece Title: Miss in Her Teens

Dance: Miss Froment

Event Comment: At 5 went into the Pit at Covent Garden to see Mrs Yates do Lady Townly. Yates is an excellent Sir Francis, but Powell does not shine in Lord Townly....The Entertainment was the new comedy in two acts called the Oxonian in Town, with a prologue by Woodward in the character of a student....It being suspected that a number of sharpers whose characters and practices are laid open in this piece, would attempt to damn it tonight (the 3rd of its being Performed) under pretence of its casting odium on the Irish, bills were dispersed in the House during the play vindicating it from any such intention. Woodward was allowed to speak the prologue, but as soon as the curtain drew up catcalls began. When the performers retired, Powell spoke several times, but was not heard. I was told that the author (Mr Colman) desires to know whom he has offended. The Pros were a very great majority, and at last after a contest of better than 1!2 an hour, the victory was over and the piece was performed. I think it contains many good sentiments, and excellent instruction to young men and is not unworthy of Mr Colman. If vice must not be exposed to hatred and contempt, the usefulness of our theatres is at an end. Only I think the Covent Garden pleasures are represented in too favourable a light. When all was over Powell came on the stage and thanked the audience for their generous protection (Neville MS Diary). Receipts: #212 12s. (Account Book)

Performances

Mainpiece Title: The Provok'd Husband; Or, A Journey To London

Performance Comment: Lord Townly-Powell; Manly-Clarke; Richard-Dibdin; Moody-Dunstall; Basset-Dyer; Sir Francis-Yates; Poundage-Bates; Servant-Holtom; Constable-Wignell; James-R. Smith; Lady Grace-Mrs Dyer; Lady Wronghead-Mrs Pitt; Mrs Motherly-Mrs Ferguson; Myrtilla-Miss Pearce; Trusty-Miss Mills; Miss Jenny-Mrs Mattocks, 1st time; Lady Townly-Mrs Yates.
Cast
Role: Mrs Motherly Actor: Mrs Ferguson

Afterpiece Title: The Oxonian in Town

Dance: II: New Comic Dance, as17671106; End: The Merry Sailors, as17671009

Event Comment: Being the Last time of performing till the Holidays. Paid Mr Stamford the Balance due to the Lock Hospital the 22nd Inst. #11 3s. Paid Mr Wright balance due Middlesex Hospital 18th Inst. #49 19s. (Account Book). Receipts: #137 19s. 6d. (Account Book)

Performances

Mainpiece Title: The Royal Merchant

Afterpiece Title: The Oxonian in Town

Dance: End of Opera: The Garland, as17671214