SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Daughter of the late Mr Farquhar"/1) | (@(roleclean,performerclean) "Daughter of the late Mr Farquhar")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 5195 matches on Event Comments, 1330 matches on Performance Comments, 1076 matches on Author, 924 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: The Duke's Company. The date of the first performance is not known. Luttrell, however, dated the copy he purchased 6 July 1680 (VanLennep, Two Restoration Comedies, pp. 57-58) and attributed it to Mrs Aphra Behn. If copies were available in early July, the play was most probably performed in June 1680. Langbaine (English Dramatick Poets, p. 547) had heard that Mrs Behn was the author, but A Comparison between the Two Stages (p. 11) attributed it to Thomas Betterton. For a discussion of the authorship, see also Ten English Farces, ed. Leo Hughes and A. H. Scouten (Austin, Texas, 1948), pp. 203-4

Performances

Mainpiece Title: The Revenge; Or, A Match In Newgate

Related Works
Related Work: The Comical Revenge; or, Love in a Tub Author(s): Sir George Etherege
Event Comment: The King's Company. The date of the first performance is not known. Wilson (Six Restoration Play-Dates, pp. 222-23) argues from a number of references (principally in the Epilogue) to events of early 1681 which point to a premiere near May 1681: to the dissolution of Parliament, 28 March 1681; to the comet which appeared in November 1680 and disappeared in January 1680@1; to the Hatfield Maid; to William Lilly, the astrologer, who is referred to as though alive, thus suggesting a premiere before his death, 9 June 1681. It is possible that the premiere may have been earlier than this. In 1681 was published Poeta de Tristibus; or, The Poet's Complaint, whose author had obviously read the Prologue and Epilogue to The Unhappy Favourite. He represents himself as a disappointed dramatist whose tragedy has been rejected by both houses because "their Summer-store@Will all this Winter last." With the work entered in the Term Catalogues in 1682 and a copy purchased by Narcissus Luttrell with his note "4d 1681 12 Nov" (see A Bibliography of John Dryden, ed. Macdonald, pp. 235-36), his quotations from the Epilogue to The Unhappy Favourite and references to the Prologue would offer no difficulties if it were not that the "Author's Epistle" in which the references are made is dated "at Dover the Tenth day of January 1680@1," thus suggesting that he had seen the Prologue and Epilogue before that date. Nevertheless, some of the references in the Epilogue (to Heraclitus Ridens, beginning on 1 Feb. 1680@1, and Democritus Ridens, beginning on 14 March 1680@1) preclude a January premiere for the Prologue and Epilogue. Possibly the dating of the "Author's Epistle" is in error

Performances

Mainpiece Title: The Unhappy Favourite; Or, The Earl Of Essex

Performance Comment: Edition of 1682: The Earl of Essex-Clarke; Earl of Southampton-Gryffin; Burleigh-Major Mohun; Sir Walter Rawleigh-Disney; Queen Elizabeth-Mrs Quyn; Countess of Rutland-Mrs Cook; Countess of Nottingham-Mrs Corbett; Prologue-Major Mohun the first Four Dayes; Prologue to the King and Queen at their coming to the House, and Written on Purpose by Mr Dryden-; Epilogue by Mr Dryden-; Prologue Intended to be spoken, by the Author-.
Event Comment: The Duke's Company. The Prologue and Epilogue, printed separately, bear Luttrell's MS notations: At ye Dukes theater at Venice Preserv'd &c. Acted 31 May. 1682 (Huntington Library, with Luttrell's date of purchase, 1 June 1682). The Prologue and Epilogue are reprinted in Wiley, Rare Prologues and Epilogues, pp. 108-10. The Newdigate newsletters disagree as to the play acted: 1 June 1682: Yesterday the D. of Y. came to town & went wth his Dutchess to ye play called the Royallist (Wilson, Theatre Notes from the Newdigate Newsletters, p. 80)

Performances

Mainpiece Title: Venice Preserved

Performance Comment: See16820209, but Prologue to The Dutchess On Her Return from Scotland, by Mr Dryden-; Epilogue to Her Royal Highness On Her Return from Scotland, by $Mr Otway-.
Event Comment: The United Company. The date of the first performance is not certain, but Luttrell acquired his copy of the separately-printed Prologue and Epilogue on 18 Aug. 1684. (Bindley Collection, William Andrews Clark@Jr@Library), and the play was probably first performed on that day or in the preceding week. The Prologue and Epilogue are reprinted in Wiley, Rare Prologues and Epilogues, pp. 221-23. In the broadside the speaker of the Prologue is identified as Jevon. A sofg, Ah poor Oliver never boast, the verse by a Lady, and the music by R. King, is in A Collection of Twenty-Four Songs, 1685. Another, Damon if you wilt believe me, the verse by a Person of Quality and the music by Alexander Damascene, is in The Banquet of Musick, The Fifth Book, 1691. Two songs, Tell me no more I am deceived, the verse by Sir George Etherege and the music by J. B. Draghi, and Who can resist my Celia's charms, the music by J. B. Drahgi, and the verse by A Person of Quality, are in the printed play. This cast contains the last new role certainly assigned to John Wiltshire, who, according to (Cibber, Apology, ed. Lowe, I, 84-85), entered the army and was killed in action

Performances

Mainpiece Title: A Duke And No Duke

Performance Comment: Edition of 1685: Prologue by a Friend of the Authors-Mr Jevon; Lavinio-Wilshire; Brunetto-Carlisle; Barberino-Gillo; Alberto-Williams; Trappolin-Lee; Mago-Percivall; Captain-Sanders; Isabella-Mrs Currer; Prudentia-Mrs Percevall; Flametta-Mrs Twiford; The Epilogue-Mr Haines.
Event Comment: The United Company. Newdigate newsletters, 4 March 1685@6: This day a new play called The Devil of a Wife was Acted with great Applause at that formerly called the Ds Playhouse (Wilson, Theatre Notes from the Newdigate Newsletters, p. 82). See also 6 March 1685@6

Performances

Mainpiece Title: The Devil Of A Wife; Or, A Comical Transformation

Performance Comment: Edition of 1686: Sir Richard Lovemore-Gryffin; Rowland-Bowman; Longmore-Peryn; Butler-Saunders; Cook-Percyval; Footman-Low; The Ladies Father-Norris; Noddy-Powel; Jobson-Jevon; Doctor-Freeman; Lady Lovemore-Mrs Cook; Jane-Mrs Price; Lettice-Mrs Twyford; Nell-Mrs Percyval; Prologue-Mr Jevon; Epilogue-Mr Jevon, Mrs Percyval.
Cast
Role: The Ladies Father Actor: Norris
Event Comment: The United Company. The date of the first performance is not known. The edition of 1687 states on the title page: This may be printed, April 23. 1686. It was entered in the Stationers' Register, 8 May 1686, under the title: The Disappointed Marriage; or, Ye Generous Mistris. It was probably first given before mid-April 1686, with the publication delayed, a delay accounting for the fact that Mrs Percival, who did not marry Mountfort until 2 July 1686, appears in the cast as Mrs Mountford. A song, O love that stronger art than wine, the music by John Blow, the verse by Ousley, and sung by John Bowman, is in The Theater of Music, The Fourth Book, 1687

Performances

Mainpiece Title: The Luckey Chance; Or, An Alderman's Bargain

Event Comment: London Gazette, 25-29 Nov. 1686: Whereas Mr Thomas Otway some time before his death made Four Acts of a Play, whoever can give Notice in whose Hands the Copy lies, either to Mr Thomas Betterton, or Mr William Smith, at the Theatre Royal, shall be well Rewarded for his pains

Performances

Event Comment: The United Company. The date of the first performance is not known, but the play was licensed 6 April 1687 in the Stationers' Register, 24 May 1687. The play was probably given first in March, as the Prologue refers to the speaking head, which was mentioned in the Newdigate newsletters (Folger Shakespeare Library), 26 March 1687: A Country man haveing invented a head & soe contrived it that whatever language or tune you speak in the Mouth of it it Repeated distinctly and Audibly. [I owe this reference to Professor John Harold Wilson]

Performances

Mainpiece Title: The Emperour Of The Moon

Event Comment: The United Company. The date of the first performance is not known, but Luttrell's date of acquistion of the separately-printed Prologue and Epilogue is 6 Feb. 1687@8 (see A. S. Borgman, The Life and Death of William Mountford [Cambridge, Mass., 1935], p. 26n). Very probably the play had its premiere early in February. The Prologue and Epilogue are reprinted in Wiley, Rare Prologues and Epilogues, pp. 256-58. A song, Lucinda close or veil those eyes, with music by J. B. Draghi, is in The Banquet of Musick, The Second Book, 1688. Charles Gildon, The Lives and Characters of the English Dramatick Poets (London, 1698 (?), p. 102: [It] did not succeed as the Author wish'd

Performances

Mainpiece Title: The Injured Lovers; Or, The Ambitious Father

Performance Comment: Edition of 1688. Prologue to the Injur'd Lovers-Mr Mountfort; King of Sicily-Williams; Rheusanes-Betterton; Ghinotto-Griffin; Dorenalus-Mountfort; Old Colonel-Sanford; Soldiers-Lee, Jevon, Underhill; Princess Oryala-Mrs Barry; Antelina-Mrs Bracegirdle; Epilogue-Mr Jevon.
Event Comment: The United Company. This performance is on the L. C. list, 5@149, p. 368: The Queene a Box & a Box for the Maids of Honor at ye Massacre of Paris. See also Nicoll, Restoration Drama, p. 352. The date of the first performance is not knwon, but as it was entered in the Term Catalogues, November 1689, it was probably first acted in early November or in October 1689. A song, Thy Genius lo!, composed by Henry Purcell, is in Orpheus Britannicus, 1698. Possibly it was sung by Bowman. See also The Works of Henry Purcell, Purcell Society, XX (1916), xviii-xix

Performances

Mainpiece Title: The Massacre Of Paris

Performance Comment: Edition of 1690: Prologue-Mr Mountfort; King Charles IX-Mountfort; Duke of Guise-Williams; Cardinal of Lorrain-Kynaston; Duke of Anjou-Pruet; Alberto Gondi-Harris; Lignoroles-Bowen; Admiral of France-Betterton; Cavagnes-Freeman; Langoiran-Alexander [Verbruggen (?)]; Queen Mother-Mrs Betterton; Marguerite-Mrs Barry; Queen of Navarre-Mrs Knight; Antramont-Mrs Jorden; Genius-Bowman; Epilogue-Mr Powell.
Cast
Role: Queen Mother Actor: Mrs Betterton
Event Comment: The United Company. The date of the first performance is stated in Luttrell, A Brief Relation, II, 435, 28 April 1692: On Monday will be acted a new opera, call the Fairy Queen: exceeds former playes: the clothes, scenes, and musick cost 3000#. [According to Some Select Songs As they are Sung in the Fairy Queen (1692) tne singers were Mrs Ayliff, Mrs Dyer, Freeman, Mrs Butler, and Pate. See Purcell's Works, Purcell Society, XII (1903), ii; E. W. White, Early Performances of Purcell's Operas, Theatre Notebook, XIII (1958-59 ), 45; and R. E. Moore, Henry Purcell and the Restoration Theatre, Chapter IV.] Downes, Roscius Anglicanus, pp. 42-43: The Fairy Queen, made into an Opera, from a Comedy of Mr Shakespeare s: This in Ornaments was Superior to the other Two [King Arthur and The Prophetess]; especially in Cloaths, for all the Singers and Dancers, Scenes, Machines and Decorations, all most profusely set off; and excellently perform'd, chiedly the Instrumental and Vocal part Compos'd by the said Mr Purcel, and Dances by Mr Priest. The Court and Town were wonderfully satisfy'd with it; but the Expences in setting it out being so great, the Company got very little by it. Gentleman's Journal, May 1692: The Opera of which I have spoke to you in my former hath at last appear'd, and continues to be represented daily: it is call'd, The Fairy Queen. The Drama is originally Shakespears, the Music and Decorations are extraordinary. I have heard the Dances commended, and without doubt the whole is very entertaining. [As the May issue of the Gentleman's Journal was licensed on 14 May, the statement that The Fairy Queen continued to be acted daily may indicate consecutive performances from 2 May to at le ast 14 May 1692.

Performances

Mainpiece Title: The Fairy Queen

Event Comment: The United Company. The date of the first performance is not certain, but the play was acted soon after Shadwell's death in November 1692. Gentleman's Journal, November 1692: We have lately lost Thomas Shadwell Esquire....The Comedy which, as I told you, he design'd for the Stage, was acted since his decease: 'Tis call'd the Volunteers; and though that Orphan wanted its Parent to support it, yet it came off with reasonable success. [When this play was revived at Drury Lane 27 July 1711, the bill bore the heading: Not acted these Twenty Years.

Performances

Mainpiece Title: The Volunteers; Or, The Stock-jobbers

Performance Comment: Edition of 1693: A Prologue [by Mr Shadwell and designed to be Spoken, but was lost when the Play was Acted-; The Prologue [by Mr Durfey-Mrs Bracegirdle; The Epilogue-one in deep Mourning; Major General Blunt-Lee; Coll. Hackwell Sr-Dogget; Coll. Hackwell Jr-Powell; Welford-Hodgson; Sir NicholasDainty-Bowman; Sir Timothy Kastril-Bowen; Nickum-Alexander [Verbruggen]; Ding@boy-Freeman; Teresia-Mrs Knight; Eugenia-Mrs Mountford; Winifred-Mrs Rogers; Clara-Mrs Bracegirdle; Mrs Hackwell-Mrs Lee; Stitchum-Penkethman.
Event Comment: Gentleman's Journal, December 1692 (appearing not earlier than January 1693): We are like to be without new Plays this month and the next; the death of Mr Mountfort, and that of Mr Leigh soon after him being partly the cause of this delay. The first that is promised us is a Comedy by Mr Southern, whose Plays are written with too much Politeness and Wit, not to be read by you with uncommon pleasure

Performances

Event Comment: London Gazette, No 2878, 8-12 June 1693: Next Saturday being the 17th of June will be perform'd in Villers-street in York-Building, for that time only, Mr Franks Consort, which will consist of English Dialogues and Songs (the Words by Mr Motteux) with Instrumental Musick proper to them, beginning exactly at 7 at Night. The Gentleman's Journal, May 1693 (issued in June 1693): We have had lately a Consort of Music, which as it hath pleased the most nice and judicious Lovers of that Art; would doubtless have had your Approbation; I only speak of the Notes which were by Mr Franck; As for the words I [Motteux] made them in haste (p. 148)

Performances

Mainpiece Title: Concert

Event Comment: Rich's Company. The date of the first performance is not known, but the fact that the play was advertised in the Post Man, 7-9 July 1698, suggests a premiere in June 1698. In addition, the Preface replies to Jeremy Collier, whose Short View had a second edition appear in mid-May, and the presence of some younger actors--Fairbank and Bullock, for example--in the cast suggests a summer performance. The music for the songs was composed by Daniel Purcell. A Comparison Between the Two Stages (1702), p. 20: Damn'd

Performances

Mainpiece Title: The Campaigners; Or, The Pleasant Adventures At Brussels

Performance Comment: Edition of 1698: Prince Landevile-Evans; Don Leon-Sympson; The Sieur Bondevelt-Johnson; Col. Darange-Mills; Kinglove-Thomas; Min Heer Tomas-Penkethman; Marqui Bertran-Cibber; Van Scopen-Fairbank; Mascarillo-Bullock; Angellica-Mrs Knight; Madam la Marquise-Mrs Verbruggen; Anniky-Mrs Powel; Gusset-Mrs Kent; Fardell-Mrs Lynsey; Prologue-Mr Pinkethman in a Cloak, with a Poetical Wreath on; Epilogue-Mr Cibber (Acting the Fr. Marquis).
Cast
Role: The Sieur Bondevelt Actor: Johnson
Event Comment: London Gazette, No 3457, 26-29 Dec. 1698: On Wednesday next, will be performed at York Buildings Mr Daniel Purcell's Musick made for last St Cecilia's Feast, for the Benefit of Mr Howel and Mr Shore, with an Addition of new Vocal and Instrumental Musick. [London Gazette, 29 Dec. 1698-2 Jan. 1698@9, adds: beginning at 7 at night.] See also 22 Nov. 1698

Performances

Mainpiece Title: Concert

Event Comment: The Prize Musick, Compos'd by Mr Weldon, the Profits of the Galleries being for the Benefit of Mr Dogget and Mr Wilks, they having Farm'd 'em of the Performers. [See 21 March.

Performances

Mainpiece Title: The Judgment Of Paris

Related Works
Related Work: The Harlot's Progress; or, The Ridotto Al' Fresco: With a Grand Masque call'd, The Judgment of Paris; or, The Triumph of Beauty Author(s): Theophilus Cibber

Performances

Mainpiece Title: Love's Last Shift; Or, The Fool In Fashion

Music: Entertainment of flute music-Bannister, Bannister's son; A new instrumental piece-the best hands

Dance: The Highland, The Whip of Dunboyne-Claxton

Entertainment: Imitations. The Famous Mr Clynch will for this once, at the desire of several Persons of Quality, perform his Imitation of an Organ with 3 Voices, the Double Curtel, the Bells, the Huntsman with his Horn and Pack of Dogs-Mr Clynch; All which he performs with his Mouth on the open Stage, being what no Man besides himself could ever yet attain to

Performance Comment: The Famous Mr Clynch will for this once, at the desire of several Persons of Quality, perform his Imitation of an Organ with 3 Voices, the Double Curtel, the Bells, the Huntsman with his Horn and Pack of Dogs-Mr Clynch; All which he performs with his Mouth on the open Stage, being what no Man besides himself could ever yet attain to. All which he performs with his Mouth on the open Stage, being what no Man besides himself could ever yet attain to.
Event Comment: [Text by N. F. Haym. Music by G. F. Handel.] Colman's Opera Register: Mr O. Swiny ye Manager of ye Theatre was now setting out a New Opera, Heroick. all ye Habits new & richer than ye former with 4 New Scenes, & other Decorations & Machines. Ye Tragick Opera was called Theseus. Ye Musick composed by Mr Handel....ye Opera being thus prepared Mr Swiny would have got a Subscription for Six times, but could not.--he then did give out Tickets at half a Guinea each, for two Nights ye Boxes lay'd open to ye Pit, ye House was very full these two Nights

Performances

Mainpiece Title: Theseus

Performance Comment: Deutsch (p. 52) conjectures the cast: Teseo-Valeriano; Aailea-Signora del'Epine; Medea-Signora Pilotti; Egeo-Valentini; Clizia-Signora Gallia; Arcane-Mrs Barbier; Fedra-Signora Manina; Minerva-Leveridge.
Event Comment: At the Desire of several Persons of Quality. At 6 p.m. Post Boy, 28 Sept.: We hear that last Week Mr Rich made an Assignment of the New Theatre in Lincoln's-Inn-Fields, and his Patent granted by King Charles II to Mr Keene and Mr Bullock jun. and that they open on Saturday next, with a celebrated Play of Shakespear's call'd, Cimbiline, which will be entirely new dress'd

Performances

Mainpiece Title: Hamlet, Prince Of Denmark

Performances

Mainpiece Title: Concert

Music: Several choiceConcertos-the Youth [J. Clegg][, never perform'd in Publick; [particularly, Concert of Vivaldi's called La Temista di Mare-; Solo-Mr Kitch; Solo Song [out of the Opera of Julius Caesar. Song Part-Mr Kitch; Violin-the Youth; [as done by Sig Castrucci in the Opera, Solo [of Sig Germiniani's-the Youth

Performance Comment: Clegg=][, never perform'd in Publick; [particularly, Concert of Vivaldi's called La Temista di Mare-; Solo-Mr Kitch; Solo Song [out of the Opera of Julius Caesar. Song Part-Mr Kitch; Violin-the Youth; [as done by Sig Castrucci in the Opera, Solo [of Sig Germiniani's-the Youth.
Cast
Role: Violin Actor: the Youth
Role: 's Actor: the Youth.
Event Comment: Written Originally by Shakespear. [By Lewis Theobald.] Theophilus Cibber: [Booth's] Illness...returned soon after his playing King Henry VIII. He was then studying the Part of Julio in the Double Falsehood; he rehearsed it several times,-when the Play begin ready for acting, he was prevented appearing in it, by a Relapse into his former Indisposition.-The Part was supplied a few Nights by Mr Charles Williams (a promising Player, who died young) to whom Mr Booth had given the Part to study, as doubting the Certainty of his being able to appear in it himself: But, at Mr Theobald's Entreaty (backed by many Gentlemen and Ladies) he good-naturedly (but fatally) disregarded his Indisposition, which was then an intermitting Fever, and acted that Part from the fifth to the twelfth Night; which was alas! the last time of his Appearance on tle Stage.-Lives and Characters, pp. 82-83

Performances

Mainpiece Title: Double Falshood; Or, The Distrest Lovers

Related Works
Related Work: Double Falsehood; or, The Distrest Lovers Author(s): Lewis Theobald
Event Comment: Not Acted these Seven Years. Written by Ben Johnson. Daily Advertiser, 1 Nov.: On Saturday Night a great Number of Wax Candles were lighted in the Windows of Mr Cibber's, Mr Booth's, and Mr Wilks's Houses...on account of his Majesty's Birthday

Performances

Mainpiece Title: Bartholomew Fair

Performance Comment: Cokes-Cibber Jr; Waspe-Johnson; Busy-Griffin; Overdo-Shepard; Quarlous-W. Mills; Winwife-Watson; Littlewit-Oates; Edgeworth-A. Hallam; Jordan-R. Wetherilt; Nightingale-Stoppelaer; Goody Trash-Wright; Mrs Grace-Mrs Butler; Mrs Overdo-Mrs Shireburn; Mrs Littlewit-Miss Raftor; Purecraft-Mrs Wetherilt; Ursula-Harper.
Cast
Role: Jordan Actor: R. Wetherilt
Role: Purecraft Actor: Mrs Wetherilt

Afterpiece Title: Cephalus and Procris

Performances

Mainpiece Title: The Tragedy Of Tragedies

Performance Comment: Arthur-Mullart; Dolallola-Mrs Mullart who performed them originally; Grizzle-Cibber Jr; Queen of Giants-Bridgwater; Huncamunca-Harper; Ghost-W. Mills; Tom Thumb-Miss Robinson; With a new Introduction by the Author of Tom Thumb: The Speaker, Lord Monkeytail-A. Hallam; Mr Critick-Watson; Mr Heroick Diction-Wetherilt Jr; Miss Monkeytail-A. Raftor; Mrs Witwou'd-Mrs Shireburn.

Afterpiece Title: The Devil to Pay

Related Works
Related Work: The Devil to Pay; or, The Wives Metamorphos'd Author(s): Theophilus Cibber

Music: new Overture with Kettle Drums and Trumpets by Seedo-; I: The 5th Concerto of Vivaldi, upon the Stage-; II: The 8th Concerto of Michael Angelo Corelli-; III: Handel's Water Musick with French Horns-; Preamble on the Kettle Drums-Ben. Baker

Song: I: Rosy Bowers-Miss Raftor; End Afterpiece: Ellis Roberts

Dance: II: Harlequins-Lally Jr, Miss Brett; In III: A new Grand Heroic Comic Dance, proper to the Play-; End Afterpiece: The Masqueraders-Essex, Thurmond, Houghton, Tench, Mrs Walter, Mrs D'Lorme, Miss Mears, Miss Williams

Performances

Mainpiece Title: The Decoy; Or, The Harlot's Progress

Related Works
Related Work: The Harlot's Progress; or, The Ridotto Al' Fresco: With a Grand Masque call'd, The Judgment of Paris; or, The Triumph of Beauty Author(s): Theophilus Cibber