SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Daughter of the late Mr Farquhar"/1) | (@(roleclean,performerclean) "Daughter of the late Mr Farquhar")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 5195 matches on Event Comments, 1330 matches on Performance Comments, 1076 matches on Author, 924 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: At the Desire of several Ladies of Quality. Mainpiece: Written by the late Sir John Vanbrugh. Afterpiece: Set to Musick by Mr T. Arne Jr

Performances

Mainpiece Title: The Relapse

Afterpiece Title: The Opera of Operas

Dance: As17331031

Event Comment: At the particular Desire of several Persons of Quality. Mainpiece: Written by the late N. Rowe, Poet-Laureat. With New Habits. Afterpiece: Set to Musick by Mr T. Arne Jr. [See Daily Post, 6 Nov., and London Evening Post, 6 Nov., for prosecution of actors at HAY by officials of DL, CG, and GF.]

Performances

Mainpiece Title: Tamerlane

Performance Comment: Tamerlane-Milward; Bajazet-Mills; Moneses-A. Hallam; Axalla-Cibber; Arpasia-Mrs Heron; Selima-Mrs Grace. With the usual Prologue .

Afterpiece Title: The Opera of Operas

Dance: As17331031

Event Comment: At the particular Desire of several Persons of Quality. Mainpiece: Written by the late N. Rowe, Esq; Poet Laureat. Afterpiece: Set to Musick by Mr T. Arne Jr

Performances

Mainpiece Title: Tamerlane

Performance Comment: As17331105 With the usual Prologue .

Afterpiece Title: The Opera of Operas

Dance: As17331031

Event Comment: At the Desire of several Persons of Quality. Mainpiece: Written by the late Sir Richard Steele. Afterpiece: Set to Musick by Mr T. Arne Jr

Performances

Mainpiece Title: The Tender Husband

Afterpiece Title: The Opera of Operas

Dance: Les Bergeries by Essex, Miss Robinson, Holt, F. Tench, Miss Mann, Miss Brett

Event Comment: At the Desire of several Ladies of Quality. Second Piece: Written by the late Barton Booth, Esq; Set to Musick by Mr Arne. The Scenes, Machines and Habits all new

Performances

Mainpiece Title: The Albion Queens; Or, The Death Of Mary Queen Of Scotland

Afterpiece Title: Dido and Aeneas

Performance Comment: Dido-Miss Arne; Aeneas-Miss Jones; Cupid-Master Arne; Mercury-Kelly. Also The Burgomaster Trick'd. Harlequin-Francisque; Colombine-Miss Mann; Burgomaster-Nivelon; Servant-Cibber; Scaramouch-Janno; Peasants-F. Tench, H. Tench, Janno. Peasant Women-Mrs Pritchard, Miss Dancey, Miss Oates .

Dance: Les ombres des Amants Fideles by Essex, Miss Robinson, F. Tench, Holt, Miss Mann, Miss Brett

Event Comment: Mainpiece: Taken from the French of Moliere. Second Piece: Written by the late Barton Booth, Esq; Set to Musick by Mr Arne

Performances

Mainpiece Title: The Mother-in-law

Afterpiece Title: Dido and Aeneas

Afterpiece Title: The Burgomaster Trick'd

Related Works
Related Work: Apollo and Daphne; or, The Burgomaster Trick'd Author(s): Lewis Theobald

Dance: As17340129

Event Comment: Benefit Houghton and Harrington. N.B. Mr Quin's late Indisposition having render'd him incapable of performing the Part of Falstaff, without a manifest Hazard of his Health, we are oblig'd to alter the Play

Performances

Mainpiece Title: The Provok'd Wife

Afterpiece Title: The Mock Lawyer

Dance: Tambourine, as17340504. Scotch Dance, as17331004

Song: A Chancon a Boire by Leveridge and Laguerre, proper to the Play. By Salway

Event Comment: By particular Desire. London Daily Post and General Advertiser, 4 Jan.: The kind Reception which Mr Poitier met with in his Performance on Wednesday last . . . lays him under the greatest Obligation to the Publick; and if he has lost the good Opinion of anyone, by the late unhappy Disturbance [see 7 Dec. 1734], he hopes his future constant Endeavours to oblige, will both be accepted, and regain their Favour

Performances

Mainpiece Title: The Mother-in-law

Afterpiece Title: Colombine Courtezan

Event Comment: Mainpiece: Written by the late Sir Richard Steele. Mrs Pendarves to Mrs Ann Granville, 8 Jan.: I was this morning regaled with Mr Handel's new opera called Arminius, it was rehearsed at Covent Garden.--Delany, Autobiography, I, 587

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Rape of Proserpine

Related Works
Related Work: The Rape of Proserpine: With The Birth and Adventures of Harlequin Author(s): Lewis Theobald
Event Comment: First Piece: A Dramatic Satire on the Times. Third Piece: A Farce of two Acts. N.B. As Mr Green could not possibly be sure of the House till Monday Night late, he hopes the Shortness of Time will plead his Excuse for not waiting on his Friends, and that they will favour him with their Company notwithstanding

Performances

Mainpiece Title: The Mirrour

Afterpiece Title: The Defeat of Apollo

Afterpiece Title: The Mob in Despair

Performances

Mainpiece Title: Love Makes A Man

Afterpiece Title: The What D'ye Call It

Performance Comment: As17360918, but Timothy-attempted (after the manner of the late facetious Mr Penkethman) Hyde.

Dance: II: Black Joak-Philips, Miss Mann; V: English Maggot-Villeneuve, Mrs Walter

Event Comment: Benefit Chetwood. Tickets for Mr and Mrs Marshall taken. Mainpiece: Written by the late Sir John Vanbrugh

Performances

Mainpiece Title: The Relapse

Afterpiece Title: Harlequin Restor'd

Music: Second Music-; The first Concerto-of Corelli; I: Song for the Bassoon-; II: Concerto for German Flutes-composed by Festin; III: Concerto of Geminiani's for the Hautbois-; IV: The March in Zara-; The Overture to the Entertainment: Handel's Water Musick-; with the Preamble on the Kettle Drums-Benj. Baker

Dance: I: Drunken Peasant-Philips; II: Wooden Shoe Dance-Livier, Villeneuve; III: Harlequin-Denoyer's@Prentice; IV: Minuet-Rector, Mrs Anderson; V: English Maggot-Villeneuve, Mrs Walter

Event Comment: LLord Wentworth to the Earl of Strafford, 19 Jan.: We was at Covent Garden Play House last night, my mother was so good as to treat us with it, and the Dragon of Wantcliff was the farce. I like it vastly and the musick is excessive pretty, and tho it is a burlesque on the operas yet Mr Handel owns he thinks the tunes very well composed....and it has been acted 36 times already and they are always pretty full. The poor operas I doubt go on but badly, for tho every body praises both Cafferielli and the opera yet it has never been full, and if it is not now at first it will be very empty towards the latter end of the winter.--Wentworth Papers, p. 539

Performances

Mainpiece Title: The Northern Lass

Performance Comment: London Daily Post and General Advertiser missing, but Genest, III, 549, lists: Sir Philip-Ryan; Sir Paul-Hippisley; Tridewell-Hale; Anvil-Bridgwater; Widgin-Chapman; Bulfinch-Rosco; Pade-Arthur; Howdye-Neale; Widow Fitchow-Mrs Horton; Northern Lass-Mrs Vincent.
Cast
Role: Northern Lass Actor: Mrs Vincent.

Afterpiece Title: The Dragon of Wantley

Event Comment: LLondon Daily Post and General Advertiser, 11 July: Speedily will be sold by Auction, a Large Quantity of Theatrical Goods, viz. Cloaths, Scenes. (Late the Property of Mr Henry Giffard.

Performances

Event Comment: LLondon Daily Post and General Advertiser, 16 Sept.: To be Sold. The Lease (having upwards of 50 Years to come) of the late Theatre in Goodman's-Fields. Enquire of Mr Edward Shepherd, at his House in Audley-street, Grosvenor-Square

Performances

Event Comment: By Authority. By the French Company of Comedians. Boxes 5s. Pit 3s. Gallery 2s. Victor, History of the Theatres, I, 54-60: People went early to the Theatre, as a crouded House was certain. I was there, in the Centre of the Pit; where I soon perceived that we were visited by two Westminster Justices, Deveil and Manning. The Leaders, that had the Conduct of the Opposition, were known to be there; one of whom called aloud for the Song in Praise of English Roast Beef, which was accordingly sung in the Gallery by a Person prepared for that Purpose; and the whole House besides joining in the Chorus, saluted the Close with three Huzzas! This, Justice Deveil was pleased to say, was a Riot; upon which Disputes commenced directly, which were carried on with some Degree of Decency on both Sides. The Justice at first informed us, 'That he was come there as a Magistrate to maintain the King's Authority; that Colonel Pulteney, with a full Company of the Guards, were without, to support him in the Execution of his Office; that it was the King's Command the Play should be acted; and that the obstructing it was opposing the King's Authority; and if that was done, he must read the Proclamation; after which all Offenders would be secured directly by the Guards in waiting.' To all these most arbitrary Threatnings, this Abuse of his Majesty's Name, the Reply was to the following Effect:-'That the Audience had a legal Right to shew their Dislike to any Play or Actor; that the common Laws of the Land were nothing but common Custom, and the antient Usuage of the People; that the Judicature of the Pit had been acknowledged and acquiesced to, Time immemorial; and as the present Set of Actors were to take their Fate from the Public, they were free to receive them as they Pleased.' By this Time the Hour of Six drew near; and the French and Spanish Embassadors, with their Ladies; the late Lord and Lady Gage, and Sir T@R@, a Commissioner of the Excise, all appeared in the Stage Boxes together! At that Instant the Curtain drew up, and discovered the Actors standing between two Files of Grenadiers, with their Bayonets fixed, and resting on their Firelocks. There was a Sight! enough to animate the coldest Briton. At this the whole Pit rose, and unanimously turned to the Justices, who sat in the Middle of it, to demand the Reason of such arbitary Proceedings? The Justices either knew nothing of the Soldiers being placed there, or thought it safest to declare so. At that Declaratinn, they demanded of Justice Deveil (who had owned himself the commanding Officer in the Affair) to order them off the Stage. He did so immediately, and they disappeared. Then began the Serenade; not only Catcalls, but all the various portable Instruments, that could make a disagreeable Noise, were brought up on this Occasion, which were continually tuning in all Parts of the House; and as an Attempt to speaking was ridiculous, the Actors retired, and they opened with a grand Dance of twelve Men and twelve Woman; but even that was prepared for; and they were directly saluted with a Bushel or two of Peas, which made their Capering very unsafe. After this they attempted to open the Comedy; but had the Actor the voice of Thunder, it would have been lost in the confused Sounds from a thousand Various Instruments. Here, at the waving Deviel's Hand, all was silent, and (standing up on his Seat) he made a Proposal to the House to this Effect:-'That if they persisted in the Opposition, he must read the Proclamation; that if they would permit the Play to go on, and to be acted through that Night, he would promise, (on his Honour) to lay their Dislikes, and Resentment to the Actors, before the King, and he doubted not but a speedy End would be put to their acting.' The Answer to this Proposal was very short, and very expressive. 'No Treaties, No Treaties!' At this the Justice called for Candles to read the Proclamation, and ordered the Guards to be in Readiness; but a Gentleman seizing Mr Deveil's Hand, stretched out for the Candle, begged of him to consider what he was going to do, for his own Sake, for ours, for the King's! that he saw the unanimous Resolution of the House; and that the Appearance of Soldiers in the Pit would throw us all into a Tumult, which must end with the Lives of many. This earnest Remostrance made the Justice turn pale and passive. At this Pause the Actors made a second Attempt to go on, and the Uproar revived; which continuing some Time, the Embassadors and their Ladies left their Box, which occasioned a universal. Huzza from the whole House! and after calling out some Time for the Falling of the Curtain, down it fell. [For other accounts of this evening, see Daily Advertiser, 9 and 10 Oct.; London Evening Post, 12 Oct.; Gentleman's Magazine, VIII (1938), 545; Historical Register, XXIII, 278-87.

Performances

Mainpiece Title: Lembaras Des Richesses

Afterpiece Title: Arlequin Poli Par L'Amour

Dance: Paquorel, Mlle Chateauneuf, LeFevre, Madem LeFevre

Event Comment: Benefit Mr Tho. Parry, formerly a Wine-Merchant in Crutched-Fryars. At the Desire of several Persons of Quality. Mainpiece: Written by the late Sir Richard Steele

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Honest Yorkshireman

Dance: A new dance-Richardson, Miss Cantrel; A Comic Dance-Villeneuve, Miss Oates; A Serious Dance-Mlle Roland

Event Comment: Ever studious for Public Amusement, I...strayed last Week, to a place near the Haymarket in Westminster, and Temple Bar in Middlesex, call'd James's St., where at the New Theatre, a Play called the Miser, with an Entertainment called the Old Man Bit, or Harlequin Skeleton, I saw rehears'd. J. W. Gray's Inn 12 Oct.-Theatrical Clippings, Folger Library. Benefit Julian Late of Goodman's Fields Theatre. At the New Theatre in James St., near Haymarket...a Concert. Boxes 2s. 6d. Pit 1s. 6d. Gallery 1s. 6 p.m. Note, Mr Julian taken this Opportunity to acquaint his Friends, that these Performances will be done with the utmost Regularity and Decoration, most of the Performers having belong'd to the Theatres. [This customary notice about the concert, time and prices will not be included unless changed.

Performances

Mainpiece Title: The Miser

Afterpiece Title: Mock Doctor

Event Comment: The New Tragedy entitled Love's the Cause and Cure of Grief intended to have been acted this night is deferr'd till Monday Next. Daily Advertiser: The Fable of the Iron and the Earthen Pot. To Mr Macklin. Vers'd thou art in every Wile Thy conduct who can Reconcile? Who'll think thee knowing in Intrigue With Garrick e'er to join in League? Was not the Maxim to thee known That Leaguers. 'Twixt Equals suit alone? We grant thee Merit; yet how far Does Sol outshine the brightest Star? Thy strength hads't thou by duly weigh'd No Feuds had then to ills betray'd. Still if thou well or ill deserve Pity, methinks, to let thee starve Pity that thou shoulds't find too late Sage Aesop's Earthen Pot thy fate

Performances

Mainpiece Title: The Constant Couple

Related Works
Related Work: The Constant Couple; or, A Trip to the Jubilee Author(s): George Farquhar

Afterpiece Title: The Lawyer's Feast

Song: II: Song-Morland

Dance: V: New Dance, as17431123

Event Comment: Benefit Mr Dove and Mrs Dove. Boxes 3s., Pit 2s., First Gallery 1s. 6d. Upper Gallery 1s. [Theatre designated as the Late Wells in advance notices; as the New Wells on the day of performance.

Performances

Mainpiece Title: The Provoked Husband

Afterpiece Title: The Devil to Pay

Related Works
Related Work: The Devil to Pay; or, The Wives Metamorphos'd Author(s): Theophilus Cibber
Event Comment: MMiddleton's Great Theatrical Booth. Mainpiece: The late facetious Mr. Penkethman's diverting Droll, not acted these thirty years. Note, this is no Puff. [Repeated 13 May. From a news item of 13 May, this piece was probably acted the rest of this week.

Performances

Mainpiece Title: Argalus And Parthenia

Afterpiece Title: Harlequin's Whim; or, A True Touch of the Times

Event Comment: [Full column in Daily Advertiser describing Barry's and Mrs Macklin's acting techniques.] Barry from the Theatre in Dublin, perform'd the part of Othello, at Drury Lane, before a numerous and polite audience; and met with as great Applause as could be express'd.--General Advertiser, 6 Oct. Thomas Gray to Horace Walpole: You have probably been there since I left you, and consequently have seen the Mr Barry you desired some account of; yet as I am not certain of this and should be glad to know whether we agree about him, I will nevertheless tell you what he is, and the impression he made upon me. He is upwards of six feet in height; wdll and prortionably made, treads well and knows what to do with his limbs; in short a noble graceful figure. I can say nothing of his face but that it was all black, with a wide mough and good eyes. His voice is of a clear and pleasing tone, something like Delane's, but not so deep-mouthed, not so like a passing bell. When high strain'd it is apt to crack a little and be hoarse, but in its common pitch, and when it sinks into any softer passion, particularly expressive and touching. In the first scene, especially when he recounts to the Senate the progress of his love and the means he used to win Desdemona, he was quite mistaken, and I took a pique against him; instead of a cool narration he flew into a rant of voice and action, as though he were relating the circumstance of a battle that was fought yesterday. I expected nothing more from him, but was deceiv'd: in the scenes of rage and jealousy he was seldom inferior to Quin in the parts of tenderness and sorrow far above him. These latter seem to be his peculiarly; his action is not very various, but rarely improper, or without dignity, and some of his attitudes are really fine. He is not perfect to be sure, but I think may make a better player than any now on the stage in a little while. However, to see a man in one character, and but once, is not sufficient, so I rather ask your opinion by this, than give you mine.--Horace Walpole's Correspondence with Thomas Gray, II, 6-7

Performances

Mainpiece Title: Othello, Moor Of Venice

Performance Comment: Othello-Barry from Dublin, 1st appearance on English Stage; Iago-Macklin; Brabantio-Berry; Cassio-Mills; Roderigo-Yates; Duke-Winstone; Lodovico-Blakes; Montano-Mozeen; Gratiano-Goodfellow; Emilia-Mrs Macklin; Desdemona-Mrs Ridout.

Afterpiece Title: The Devil to Pay

Related Works
Related Work: The Devil to Pay; or, The Wives Metamorphos'd Author(s): Theophilus Cibber

Song: Between the acts: Lowe, Mrs Mozeen

Event Comment: Mainpiece: At the Desire of Several Persons of Quality. Benefit John Hippisley. [Receipts: #72 17s. 6d. plus #93 1s. from tickets without Stage (Account Books, Egerton 2268)]. Receipts: #165 18s. 6d. We hear Mr Hippisley is so far recover'd from his late illness, that, tho' considerably alter'd in his physiognomy, and lower'd in spirits, he persuades himself a crowded house on Thursday next, at the Stratagem for his benefit, will create a smile on his countenance, raise his spirits, and make him appear as much a Scrub as ever

Performances

Mainpiece Title: The Stratagem

Related Works
Related Work: The Stratagem Author(s): George Farquhar

Afterpiece Title: Miss in Her Teens

Event Comment: AA Letter to Mr Garrick on his having purchased a Patent for Drury Lane Play-House published. [Written by one who subscribed himself the Plain Dealer, it pointed out the troubles in store for the young manager from grievances from subordinates, arrogance from other actors (all individualists, no unity) failure from joint managership, grievances from public, and extraordinary expense from costume. He suggests the reasons for Garrick's jumping from actor to manager are vanity and avarice. He indicates Garrick's challenge and sums up the late troubled years of management under Fleetwood and Highmore.

Performances

Event Comment: CCross: (Pam: publish'd). Play dislik'd. Hiss'd much. [The pamphlet referred to was "Mr Garrick's Conduct as Manager of TRDL considered in a Letter Addressed to him," by E. F. 18 Oct.: As a manager, Sir, it is your business not only to prepare the Evening's Entertainment, but to prepare it in the best manner you are able; and the manager who does otherwise uses his customers ill." The burden of the author's complaints was: (1) the theatre has been operating for a month yet Garrick has appeared in only one character; (2) that he should buy himself off with speaking a prologue only, then sell that to the public at 6d. shows vanity, avarice, and lack of managerial responsibility; (3) that plays such as Albumazar (simple and poorly cast) and Scornful Lady, (with irreligious and atheistical parts) should not have been passed off on the public, whose expectations were raised high at the thought of Garrick's management. Macklin even had to apologize to the audience as he played the part of Sir Roger in the latter play. E. F. closed by urging: "Get up the best of our English Tragedies and Comedies; encourage the rising Wits and be under no apprehesion of the want of success." If you use common sense in casting your actors, as your former managers did (with all their other faults) in casting you, you will not yourself have to play every night. Above all remember your responsibility to the public.] Receipts: #100 (Cross); #127 4s. 6d. (Powel)

Performances

Mainpiece Title: The Scornful Lady

Afterpiece Title: The Double Disappointment

Dance: II: Dance-Cooke