SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Daniel Malthus Esq"/1) | (@(roleclean,performerclean) "Daniel Malthus Esq")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 390 matches on Performance Comments, 334 matches on Event Comments, 87 matches on Author, 8 matches on Performance Title, and 0 matches on Roles/Actors.
Event Comment: Benefit the author, Mrs Charke. 3s., 2s., 1s. 6 p.m. [On 1, 3, 5, 7, & 9 Feb. Mrs Charke had been advertising this puppet show of hers; however she names Daniel, Fawkes, Jones, Scott, and James in the cast and on the 9th says author of the play. Afterpiece possibly not a puppet show.

Performances

Mainpiece Title: Tit For Tat

Afterpiece Title: The Honest Yorkshireman

Event Comment: [Prices 3s., 2s., 1s. in Daily Advertiser; no bill in General Advertiser. Possibly not acted; see 22 Jan.] Benefit a Gentleman and his Family Under great distress. Tickets may be had of Daniel Findon, Union Coffee House, Cornhill

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Mock Doctor

Event Comment: Benefit a Gentleman and his Family under great Distress. Prices. 3s., 2s., 1s. Tickets of Daniel Findon, Union Coffee House, Cornhill. [Blakey was down for Filch in the advance notice of 21 Jan.

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Mock Doctor

Song: Brett

Dance: As17460114

Event Comment: At the Tiled Booth, Bowling Green, Southwark. Benefit for Yeates, Jun will be perform'd a Comedy. Prices: #2s., 1s. 6d., 1s., 6d. Tickets delivered out by Daniel and Sturgess will be taken. This is the last Time of performing there this Season. [No concert formula.

Performances

Mainpiece Title: The Jew Of Venice

Afterpiece Title: The Lying Valet

Event Comment: At the Old Theatre, Bowling Green, Southwark. A concert, etc. Benefit for Adams and Daniel. Prices: 2s. 6d., 1s. 6d., 1s., 6d

Performances

Mainpiece Title: The Country Lasses; Or, Custom Of The Manor

Afterpiece Title: Columbine Courtezan

Event Comment: At the Desire of the Loyal Regiment of Hungarian Volunteers, For the Benefit of a Brother Volunteer, M'Kenna, and Daniel. A concert, etc. Prices: 3s., 2s., 1s. (General Advertiser, 25 March)

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: The King and Miller of Mansfield

Performances

Mainpiece Title: Belshazzar

Performance Comment: Parts were Belshazzar, Daniel, Cyrus, Gobryas (An Assyrian Noble revolted to Cyrus), Nitocris (Mother to Belshazzar), Arioch (Babylonian Lord), Chorus of Babylonians, Jews, Medes, Persians (Larpent MS).

Afterpiece Title: Concerto on Organ

Performances

Mainpiece Title: Rosina

Afterpiece Title: The Heir at Law

Performance Comment: [Characters by Suett, Palmer, Fawcett, C. Kemble, Aickin, Munden, Johnstone, Abbot, Chippendale, Waldron Jun., Mrs Davenport, Miss DeCamp, Mrs Gibbs. Cast from text (Longman [et al], 1808): Daniel Dowlas[, alias Baron Duberly-Suett; Dick Dowlas-Palmer; Doctor Pangloss-Fawcett; Henry Morland-C. Kemble; Stedfast-Aickin; Zekiel Homespun-Munden; Kenrick-Johnstone; John-Abbot; Waiter (at the Hotel)-Chippendale; Waiter (at the Blur Boar)-Waldron Jun.; Deborah Dowlas[, alias Lady Duberly-Mrs Davenport; Caroline Dormer-Miss DeCamp; Cicely Homespun-Mrs Gibbs; Prologue-C. Kemble; Epilogue-the Dramatis Personae.

Performances

Mainpiece Title: The Rivals

Afterpiece Title: Blue-Beard

Dance: Two Pas Seulsincidental to the Ballet-Mlle Favre Guiardele (for that night only); In afterpiece: a new Pas Seul-Mlle Parisot

Ballet: End II: a New Ballet (for that night only), Kitty and Jemmy. Jemmy-Mlle Parisot; Kitty-Sga Bossi DelCaro; the Other Characters-Fialon (for that night only), Master Menage, Miss Menage, Roffey, Whitmell, Wells, Male, Garman, W. Banks, Ms Brooker, Ms Daniels, Ms Brigg, Ms Haskey, Ms Illingham, Ms Byrne, Ms Willis, Ms Vining

Performance Comment: Jemmy-Mlle Parisot; Kitty-Sga Bossi DelCaro; the Other Characters-Fialon (for that night only), Master Menage, Miss Menage, Roffey, Whitmell, Wells, Male, Garman, W. Banks, Ms Brooker, Ms Daniels, Ms Brigg, Ms Haskey, Ms Illingham, Ms Byrne, Ms Willis, Ms Vining.

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: The Captive of Spilburg

Dance: In afterpiece: a Dance-Roffey, Whitmell, Wells, Male, Garman, W. Banks, Goodman, Gauron, Ms Brooker, Ms Daniels, Ms Brigg, Ms Byrne, Ms Vining, Ms Luciet, Ms Drake, Ms Riches; New Hornpipe-Sga Bossi DelCaro

Performance Comment: Banks, Goodman, Gauron, Ms Brooker, Ms Daniels, Ms Brigg, Ms Byrne, Ms Vining, Ms Luciet, Ms Drake, Ms Riches; New Hornpipe-Sga Bossi DelCaro.

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Tars of Old England; or, Humours of Greenwich Fair

Afterpiece Title: The Adopted Child

Dance: End 1st piece: The Highland Lovers, as17990423; Del Caro's Hornpipe-Miss Brugier

Song: 1st piece: Vocal Parts, as17981215, but Miss Waters, Mrs +Atkins, _Gray, Miss _Leserve, Miss _Gray; In 3rd piece: +The Tower Song-Mrs Atkins

Entertainment: Monologue. After the Dancing: The Satyrist The Groom and the Cook; or, Daniel and Dishclout's Law Suit-Betterton

Performance Comment: After the Dancing: The Satyrist The Groom and the Cook; or, Daniel and Dishclout's Law Suit-Betterton.
Event Comment: The King's Company. It is difficult to determine the run of the play, as all the known performances fall on Mondays, Wednesdays, and Fridays, but, except for 30 January, a Fast Day, it may well have been performed daily. L. C. 5@138, f. 15: A Warrant to the Master of the Great Wardrobe to prouide and deliuer to Thomas Killigrew Esq. to the value of forty pounds in silkes for to cloath the Musick for the play called the Indian Queen to be acted before their Maties Jan. 25th 1663 (Nicoll, Restoration Drama, p. 354)

Performances

Mainpiece Title: The Indian Queen

Event Comment: Henry Muddiman, 29 Nov. 1666: The Players have upon great proffers of disposing a large share to charitable uses prevailed to have liberty to act at Both Houses, which they begin this day (CSPD, Charles II, clxxcii, 6, in Hotson, Commonwealth and Restoration Stage, p. 250). A manuscript prologue for the opening of the theatre in Bridges Street is in J. Payne Collier's MS Restoration Stage History, Part I, p. 106, in the Houghton Library, Harvard. The Diary of John Milward, Esq., ed. Caroline Robbins (Cambridge, 1938), p. 49: This day at my coming to the House [of Commons] it moved that plays might be tolerated and acted in the common theatres, and whether any members of the House of Commons should be admitted to go to acts of the playhouses, but it was not resolved

Performances

Event Comment: During February and March 1678@9 two plays, titles unknown, were acted before the King. See an order: To Edward Griffin, Esq. Treasurer of the Chamber, to be paid over to John Lacy, assigne of Charles Killigrew, Mastr of the revells, for two plays acted before his said Majestie in Feb'ry and March 1678@9 (Moneys Received and Paid for Secret Services, ed. J. Y. Akerman, Camden Society, LII 1851, 34)

Performances

Event Comment: The United Company. This performance is on the L. C. list, 5@147, p. 68: The King and Queene & a Box for ye Maydes of Honor at the Opera. See also Nicoll, Restoration Drama, p. 350, and 1 Jan. 1684@5. The opera was certainly given on 3 June, probably on 10 June, and probably on 13 June, the day that the news of the Duke of Monmouth's landing reached London; as Downes states that it was acted six times, there were three additional performances between 3 and 13 June 1685. Downes (Roscius Anglicanus, p. 40): In Anno 1685. The Opera of Albion and Albanius was perform'd; wrote by Mr Dryden, and Compos'd by Monsieur Grabue: This being perform'd on a very Unlucky Day, being the Day the Duke of Monmouth, Landed in the West: The Nation being in a great Consternation, it was perform'd but Six times, which not Answering half the Charge they were at, Involv'd the Company very much in Debt. Roger North: The first full opera that was made and prepared for the stage, was the Albanio of Mr Grabue, in English, but of a French genius. It is printed in full score, but proved the ruin of the poor man, for the King's death supplanted all his hopes, and so it dyed (Roger North on Music, ed. John Wilson [London, 1959], p. 311). The Prologue and Epilogue, published separately, are reprinted in Wiley, Rare Prologues and Epilogues, pp. 244-46. The score and the libretto were published in 1687 (licensing date of 15 March 1686@7): Albion and Albanius; An Opera; Or, Representation in Musick. Set by Lewis Grabu, Esq; Master of His late Majesty's Musick

Performances

Mainpiece Title: Albion And Albanius

Event Comment: The United Company. This performance is on the L. C. list, 5@147, p. 68. See also Nicoll, Restoration Drama, p. 350. This play was also reprinted in 1686. Memoirs of the Life of William Wycherley, Esq; With a Character of his Writings [by George, Lord Lansdowne, but part possibly by Charles Gildon (1718)], pp. 7-8: [After the death of Wycherley's wife, he was committed to Newgate for debt.] From hence he remov'd himself by a Habeas Corpus to the Fleet, where he continued seven Years in a close Imprisonment, almost forgot by his old Friends, till in the Reign of King James the Second, some of them bespeaking the Plain-Dealer, got the King to the Play, who declaring his Approbation of the Poet's Performance, they improv'd his liking so far as to get him to deliver him from his long Confinement. But here the Modesty of the Man did him a considerable Prejudice, for instead of giving in a full List of his Debts, he only mention'd those, the discharge of which wou'd set him at Liberty, which was done with this additional Bounty, that the same King allow'd him Two hundred Pounds a Years as long as he Reign'd; and this was the reason that made Mr Wycherley always a Jacobite

Performances

Mainpiece Title: The Plain Dealer

Event Comment: The United Company. The date of the first production is not known, but the Gentleman's Journal, February 1692@3 (issued in March) makes clear that it followed Congreve's play: We have had since a Comedy, call'd, The Wary Widow, or Sir Noisy Parrot, by Henry Higden Esq; I send by here the Prologue to it by Sir Charles Sedley, and you are too great an Admirer of Shakespeare, not to assent to the Praises given to the Fruits of his rare Genius (p. 61). The play was announced in the London Gazette, No. 2875, 29 May-June 1693. The music for one song, All hands up aloft, was by Berenclow, and the song appears in D'Urfey, Wit and Mirth, 1699. Dedication, edition of 1693: But now it is forced to beg for your Protection from the malice and severe usage it received from some of my Ill natured Friends, who with a Justice peculiar to themselves, passed sentence upon it unseen or heard and at the representation made it their business to persecute it with a barbarous variety of Noise and Tumult. Gildon, The Life of Mr Thomas Betterton (p. 20): The actors were completely drunk before the end of the third act, and being therefore unable to proceed with this "Pleasant Comedy," they very properly dismissed the audience

Performances

Mainpiece Title: The Wary Widow; Or, Sir Noisy Parrat

Event Comment: Written by the most Ingenious William Wycherly Esq. And for the Reputation of the most Judicious Author, care is taken to have each part performed to the best advantage

Performances

Mainpiece Title: The Country Wife

Event Comment: For the Entertainment of the Lords Spiritual & Temporal, And the Honourable House of Commons. Undertaken by $Cavendish Weedon, Esq.

Performances

Mainpiece Title: Concert

Music: The First Anthem, Compos'd by Dr William Turner-; The Second Anthem Compos'd by Dr John Blow-; The Third Anthem, Compos'd by Dr William Turner-

Entertainment: The Introductory Poem Upon Musick, Written by Mr Tate, Poet-Laureat to her Majesty-; The Oration-; The Second Poem, Written by Mr Tate-

Event Comment: For the Entertainment of the Lords Spiritual and Temporal, And the Honourable House of Commons. Undertaken by $Cavendish Weedon, Esq.

Performances

Mainpiece Title: Concert

Entertainment: The Oration-; The Anthem, Compos'd by Dr Blow: Te Deum Laudamus-; A Poem Upon God's Omnipresence- , By Dr Braddy; Domine Probasti-; Psal. CXXXIX-; Psalm CVI-; Jubilitat Deo-

Event Comment: At the Desire of Isaac Bickerstaffe, Esq.; for the Benefit of his cousin John Bickerstaffe

Performances

Mainpiece Title: Don Quixote, Part Ii

Dance: Harlequin-Layfield, Miss Santlow; With other comical Dances originally in the play-

Entertainment: As17100202

Event Comment: Written by the late famous Poet Laureat John Dryden, Esq. Note, The Subscribers' Tickets Pass every Night there is Acting at Greenwich, tho' it be on a Benefit Night

Performances

Mainpiece Title: Aurengzebe

Song:

Dance:

Event Comment: [By Nicholas Rowe.] Never Acted before. The Medley, 22 April: Whereas Nicodemus Somebody, Esq; alias The Merry Mr Pack, belonging to the Play-house in Lincolns-Inn-Fields, was on Wednesday Night last very noisy and troublesome in the first Gallery of Theatre-Royal in Drury-lane, he's desir'd hereby, when out of his own House, to behave himself with a little more Manners and Discretion, and not distinguish himself again by his ill-natur'd Gestures and frequent Hissings

Performances

Mainpiece Title: Lady Jane Gray

Music: In: a cantata, The Meditation by Pepusch-Mrs del'Epine, Mrs Barbier

Event Comment: Written by Mr Rowe, Esq. Receipts: #50 15s. 6d

Performances

Mainpiece Title: Tamerlane

Song: As17150513

Dance: Spanish Entry, Scaramouch-Thurmond, lately arriv'd from Ireland

Event Comment: Weekly Journal or Saturday's Post, 18 Nov.: We hear that the Theatre in the Hay-Market, where lately the French Strollers us'd to perform, will be opened in a little time, for the Diversion of the City and Liberty of Westminster. The Actors, as well as the Plays, they say, will be entirely new, and the whole to be under the Management and Direction of that noted Projector, $Aaron Hill, Esq.

Performances