SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Dance "/1) | (@(roleclean,performerclean) "Dance ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4004 matches on Performance Title, 3242 matches on Roles/Actors, 1418 matches on Performance Comments, 470 matches on Event Comments, and 0 matches on Author.
Event Comment: By Command of Their Majesties. "George? Dance, @R. A., was at Covent Garden on Wednesday evening when his musical Composition of One and All [for a band] was performed before his Majesty, with much applause" (Joseph Farington,@Diary [26 Cct.], 1922, I, 243). Receipts: #628 8s. 6d. (620.17.6; 7.11.0)

Performances

Mainpiece Title: Lover's Vows

Afterpiece Title: The Spoil'd Child

Event Comment: In II Masquerade. "The Dance mangled. No Glee, the Singers not thinking proper to come this bad weather" (Kemble Mem.). Receipts: #156 15s. (97.10.6; 58.9.6; 0.15.0)

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: Feudal Times

Event Comment: 2nd ballet: With entire new Scenes, Dresses and Decorations, the Scenes designed by Marinari, and executed by himself and others under his direction; the Dresses by Sestini; the Stage Decorations by Johnston of the Theatre-Royal, Drury-lane. "Telemaque is the same as that produced by Dauberval at Bordeaux, as to the management of the story the story on the stage; but the Dances are the composition of Degville. The music is [compiled by D'Egville and Bossi] from Haydn, Pleyel, Sacchini, Gluck, Schulz, Moreau" (Morning Chronicle, 27 Mar.). [Synopsis of action in London Chronicle, 27 Mar.

Performances

Mainpiece Title: La Frascatana

Dance: End I: A New Divertissement-

Ballet: End Opera: Telemaque (As composed by D'Auberval; under the direction of J. D'Egville; 1st time in London). Telemaque-Didelot; Mentor-D'Egville; Cupid-Master Menage; Calypso-Mme Rose Didelot; Eucharis-Mme Hilligsberg; Venus-Mme Laborie; Elise-Mlle J. Hilligsberg; Zelie-Mme D'Egville

Event Comment: [St.Pierre had danced at dl on 9 May 1798.] Receipts: #470 (440.5; 29.2; 0.13)

Performances

Mainpiece Title: Pizarro

Afterpiece Title: Katharine and Petruchio

Song: Mainpiece: Vocal Parts-Kelly, Sedgwick, Dignum, Danby, Mrs Crouch, Miss DeCamp, Miss Stephens, Miss Leak, Miss Dufour

Ballet: End: The Scotch Ghost. As17981206, but Jamie-St.Pierre (1st appearance on this stage); Saundy-_; Donald-_; Villagers-_

Event Comment: Mainpiece: Not acted these 4 years. Afterpiece [1st time; P 2 (?). Not published; Songs: Larpent MS 1272]: Invented by T. Dibdin, & produced under the Direction of Farley. To conclude with an Allegorical Procession of the Seasons, Months and Hours, to the Temple of Domestic Happiness. With entire new Music, Scenery, Machinery, Machinery, Dresses and Decorations. The Overture and Music composed by Moorehead. The Dances by Bologna Jun. The Scenery by Phillips, Lupino, Hollogan, Wilkins, Bromley, the two Whitmores, Powell. The Machinery by Cresswell, Sloper, Goostree, C. Dibdin Jun., &c. The Dresses by Dick and Mrs Egan. Books of the Songs [J. Barker, 1799] to be had in the Theatre. "The opening scene of the new pantomime is highly interesting. The representation of the Volcanov, and the fight in the air between Floridel and Cratero, may with justice claim the epithet of grand and magnificent" (Dramatic Censor, I, 13). Account-Book, 6 Feb, 1800: Paid Moorehead for music in Volcano #25. Receipts: #366 7s. (344.17; 21.10)

Performances

Mainpiece Title: The Earl Of Essex; Or, The Unhappy Favorite

Afterpiece Title: The Volcano; or, The Rival Harlequins

Event Comment: p Comic Opera; the music by Paisiello. 2nd ballet: Originally composed by D'Auberval, and brought out with new Episodes and Dances by D'Egville [with music by Bossi], The Doors to be opened at 6:15. To begin at 7:15 [same throughout opera season]. Single tickets for the night, for pit or gallery, to be had at the office of the Theatre. [Sga Bolla was from the opera, Milan. Sga Clara's name is not in the playbill, but "The second comic opera singer, Sga Clara, was also new...There is much sweetness and delicacy in her voice, and perhaps it may be owing to her evident timidity that it did not seem to possess strength and compass in proportion" (Monthly Visitor, Jan. 1800, p. 71). Deshayes was from the Opera, Madrid.

Performances

Mainpiece Title: I Zingari In Fiera

Dance: End I: A New Divertisement (composed by D'Egville)-Didelot, Mme Rose Didelot, Mr Laborie, Mme Laborie, Mme Hilligsberg, Deshayes (1st appearance in this country), Mlle Parisot (1st appearance at this theatre these 2 years); End Opera: a new Anacreontic Ballet, in 2 parts, Les Jeux d'Egle-Deshayes, Laborie, D'Egville, Didelot, Mme Hilligsberg, Mlle Parisot, Mme Laborie, Mlle J. Hilligsberg, Mrs D'Egville, Mme Rose Didelot

Event Comment: "At a little before nine went to the Opera. Sat in Duchess of Gordon's box. My motive in going having been to join her in hissing a dance, if it had been such as it was before" (Windham, 421)

Performances

Mainpiece Title: I Due Fratelli Rivali

Dance: End I: A New Divertisement, as18000204; End Opera: Hyppomene et Atalante, as18000304

Performances

Mainpiece Title: The Heir At Law

Afterpiece Title: The Social Songsters

Performance Comment: Naval History (1st time)-Fawcett; My Dolly was the fairest Thing-Incledon; A Bundle of Proverbs-Munden; The Red Cross Knight-Incledon, Linton, Denman; This Life is like a Country Dance-Fawcett; The Death of Admiral Benbow-Incledon; Sing Old Rose and burn the Bellows-Incledon, Fawcett, Hill, Linton.

Afterpiece Title: The Castle of Sorrento