SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Dance "/1) | (@(roleclean,performerclean) "Dance ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4004 matches on Performance Title, 3242 matches on Roles/Actors, 1418 matches on Performance Comments, 470 matches on Event Comments, and 0 matches on Author.

Performances

Mainpiece Title: Speculation

Afterpiece Title: Lord Mayors Day

Performance Comment: Act I. Scene I. A View in Laplandv; The Death and Renovation of the Elk-; Harlequin-Farley; Whalebone-Follett; Ulan Shmolinski Czernsdorff [, the Gynosophist-Thompson; Columbine-Mlle St.Amand; Aerial Spirit-Mrs Martyr; [Scene II. Cornhillv-Mr Deputy Gobble's Housev; The False Step-O'Flanagan's Blunders-The Desponding Maiden-The Sailor's Return-Gobble's Disaster-with a Triumphal Procession of English Amazonians. Captain O'Flanagan-Johnstone; Sailor-Townsend; Polly-Mrs Mountain (with the Duetto, Oh! welcome home, my dearest Jack, composed by Shield); English Amazonians-Mrs Platt, Miss Logan, Miss Walcup, Mrs Blurton, Mrs Crowe, Mrs Cranfield, Miss Kirton, Miss Cox, Miss Coombs, Mrs Norton, Mrs Rowson; [Scene III. Inside of Gobble's Housev. The Widow Bewitched-How to restore a Deputy Common Council-Man. Scene IV. Outside of Dancing, Shaving and Hair-dressing Academyv; Scene V. Inside of Dancing Academyv; In which The Long Minuet-(Taken from the Caricature Print [see17951109]); Principal Dancers-Cranfield, King, Bayzand, Jackson, Coombs, Price, Rayner, Noble, Mrs Watts, Mrs Follett, Miss Ives, Mrs Castelle, Mrs Masters, Miss Webb, Miss Smith, Mrs Bayzand; Dancing Master-Simmons; [Scene VI. Inside of Hair-dressing Academyv; Shaving made easy to the meanest Capacity. Master of the Academy-Wilde; Irish Song-Johnstone; [To conclude with a Dance of Block Heads-; [Act II. Scene I. Cornhillv; Lord Mayor's Coach returning to Guildhall. I sup with Gobble, My names's O'Flanagan-Johnstone?; [Scene II. A Streetv; A Balcony on each side of the Stage. The Lover's Leap-Harlequin's Flight across the Theatre. Scene III. Inside of Gobble's Housev; The Power of Harmony. Music hath Charms-O'Flanagan's performance on the Violin-Water parted from the Sea-The Lads of the Village-Come sing round my favorite Tree-and Stoney Batter, all the same to O'Flanagan. Scene IV. A Tavernv; A Meeting of the Council-Men. Most Learned Debates!!-The Magical Nosegay-with the Crying, Laughing, Sneezing, Yawning, Dancing and Whistling Glee, by Shield-Carriage for the Company-Running without Horses-and on one Wheel only. Common Council@men-Davenport, Rees, Williamson, Wilde, Thompson, Abbot; [Scene the Last. A View of Londonv; taken from the Surrey Shorev, with an exact Representation of the Lord Mayor's Show on the Water. To conclude with a Dance-; a Finale-[composed by Shield.composed by Shield.
Event Comment: Mainpiece: Divided into Two Parts. Afterpiece [1st time; CANT 1. Larpent MS 1156; not published. The playbill omits Apollo; added in MS]: With Chorusses and Dances. The Music composed new for occasion by Bianchi. The Dances also new, by Gallet. Poetry by DaPonte. In honour of the Glorious Victory of His Majesty's Navy [off Cape St. Vincent] on the 14th of last Month

Performances

Mainpiece Title: Il Consiglio Imprudente

Afterpiece Title: Le Nozze del Tamigi e Bellona

Dance: End I: Peggy's Love-, as17961220

Ballet: Ballet succeeding to and analogous to the Cantata. Doris-Mme Rose; Nerid-Didelot; Ocean-Gentili; Amphitrite-Mlle Parisot; Thetis-Mme Hilligsberg

Event Comment: "Opera, for first time. Dance of 'Bacchus and Ariadne.' We have advanced to the point of seeing people dance naked" (Windham Diary (9 Dec. 1797), p. 383)

Performances

Mainpiece Title: Nina

Dance: As17971202

Ballet: Ariadne et Bacchus. As17971202

Performances

Mainpiece Title: Wives As They Were And Maids As They Are

Afterpiece Title: Love in a Camp or Patrick in Prussia

Entertainment: Monologue. End: An Exordium-Quick[, descriptive of the Rise, Progress, and Perfection of that Species of the Antient Drama: The Roman Puppet Show. After which will be given a Specimen of the Characters: Chrononhotonthologos, Aldiborontiphoscophornio, Rigdum@Funidos, Bombardinian, Cook, Doctor, Tatlanthe, Fadladinida, Punch and Joan, who will conclude the Piece with a Modern Dance. [Most of these characters are from Chrononhotonthologos.

Performance Comment: End: An Exordium-Quick[, descriptive of the Rise, Progress, and Perfection of that Species of the Antient Drama: The Roman Puppet Show. After which will be given a Specimen of the Characters: Chrononhotonthologos, Aldiborontiphoscophornio, Rigdum@Funidos, Bombardinian, Cook, Doctor, Tatlanthe, Fadladinida, Punch and Joan, who will conclude the Piece with a Modern Dance. [Most of these characters are from Chrononhotonthologos.], descriptive of the Rise, Progress, and Perfection of that Species of the Antient Drama: The Roman Puppet Show. After which will be given a Specimen of the Characters: Chrononhotonthologos, Aldiborontiphoscophornio, Rigdum@Funidos, Bombardinian, Cook, Doctor, Tatlanthe, Fadladinida, Punch and Joan, who will conclude the Piece with a Modern Dance. [Most of these characters are from Chrononhotonthologos.]
Event Comment: Pepys, Diary: At noon comes Luellin to me, and he and I to the tavern and after that to Bartholomew fair, and there upon his motion to a pitiful alehouse, where we had a dirty slut or two come up that were whores, but my very heart went against them, so that I took no pleasure but a great deal of trouble in being there and getting from thence in fear of being seen. From hence he and I walked towards Ludgate and parted. I back to the fair all alone , and there met with the ladies Jemimah and Paulina, with Mr Pickering and Madamoiselle, at seeing the monkeys dance, which was much to see, when they could be brought to do so, but it troubled me to sit among such nasty company

Performances

Mainpiece Title: Entertainments

Event Comment: The Duke's Company. Pepys, Diary: So resolved to take my wife to a play at court to-night, and the rather because it is my birthday....While my wife dressed herself, Creed and I walked out to see what play was acted to-day, and we find it The Slighted Mayde. But, Lord! to see that though I did know myself to be out of danger, yet I durst not go through the street, but round by the garden into Tower Street. By and by took coach, and to the Duke's house, where we saw it well acted, thought the play hath little good in it, being most pleased to see the little girl [Moll Davis] dance in boy's apparel, she having very fine legs, only bends in the hams, as I perceive all women do

Performances

Mainpiece Title: The Slighted Maid

Event Comment: Pepys, Diary: And there took up my wife and Ashwell to the Theatre Royall, being the second day of its being opened. The house is made with extraordinary good contrivance, and yet hath some faults, as the narrowness of the passages in and out of the pitt, and the distance from the stage to the boxes, which I am confident cannot hear; but for all other things it is well, only, above all, the musique being below, and most of it sounding under the very stage, there is no hearing of the bases at all, nor very well of the trebles, which sure must be mended. The play was The Humerous Lieutenant, a play that hath little good in it, nor much in the very part which, by the King's command, Lacy now acts instead of Clun. In the dance, the tall devil's actions was very pretty....I am resolved to deny myself the liberty of two plays at court, which are in arreare to me for the months of March and April, which will more than countervail this excess, so that this month of May is the first that I must claim a liberty of going to a Court play according to my oath

Performances

Mainpiece Title: The Humorous Lieutenant

Event Comment: The Duke's Company. Pepys, Diary: After dinner by water to the Royall Theatre [Bridges St]; but that was so full they told us we could have no room. And so to the Duke's House; and there saw Hamlett done, giving us fresh reason never to think enough of Betterton. Who should come upon the stage but Gosnell, my wife's maid? but neither spoke, danced, nor sung; which I was sorry for. But she becomes the stage very well

Performances

Mainpiece Title: Hamlet

Performances

Mainpiece Title: Pompey The Great

Performance Comment: Edition of 1664: wo actors' names. Prologue At the House-; Epilogue at the House-; Epilogue to the King at Saint James's-; Epilogue To the Dutchess at Saint James's-; [One Epilogue was written by Sir Edward Deering.] [At the end: After which a grand Masque [is Danc'd before Caesar and Cleopatra[, made (as well as the other Dances and the Tunes to them) by Mr John Ogilby-.
Event Comment: Evelyn, Diary: Saw a fine Mask at court perform'd by 6 Gent: & 6 Ladys surprizing his Majestie, it being Candlemas day. Pepys, Diary, 3 Feb.: Then Mrs Pickering...did, at my Lady's command, tell me the manner of a masquerade before the King and Court the other day. Where six women (my Lady Castlemayne and Duchesse of Monmouth being two of them) and six men (the Duke of Monmouth and Lord Arran and Monsieur Blanfort, being three of them) in vizards, but most rich and antique dresses, did dance admirably and most gloriously. God give us cause to continue the mirthe!

Performances

Mainpiece Title: A Masque

Event Comment: The King's Company. Pepys, Diary: To the King's house, where I did give 18d., and saw the two last acts of The Goblins, a play I could not make any thing of by these two acts, but here Knipp spied me out of the tiring-room, and come to the pit door, and I out to her, and kissed her, she only coming to see me, being in a country-dress, she and others having, it seemed, had a country-dance in the play, but she no other part; so we parted, and I into the pit again till it was done. The house full

Performances

Mainpiece Title: The Goblins

Event Comment: The King's Company. Pepys, Diary: My wife and I and Sir W. Pen to the King's playhouse, where the house extraordinary full; and there was the King and Duke of York to see the new play, Queen Elizabeth's Troubles, and the History of Eighty Eight. I confess I have sucked in so much of the sad story of Queen Elizabeth, for my cradle, that I was ready to weep for her sometimes; but the play is the most ridiculous that sure ever come upon the stage; and, indeed, is merely a shew, only shews the true garbe of the Queen in those days, just as we see Queen Mary and Queen Elizabeth painted; but the play is merely a puppet play, acted by living puppets. Neither the design nor language better; and one stands by and tells us the meaning of things: only I was pleased to see Knipp dance among the milkmaids, and to hear her sing a song to Queen Elizabeth; and too see her come out in her night-gowne with no lockes on, but her bare face and hair only tied up in a knot behind; which is the comeliest dress that ever I saw her in to her advantage

Performances

Mainpiece Title: Queen Elizabeths Troubles And The History Of Eighty Eight

Event Comment: The King's Company. Pepys, Diary: My wife and Mercer and I away to the King's play-house, to see the Scornfull Lady; but it being now three o'clock there was not one soul in the pit; whereupon, for shame, we would not go in....[After attending lif] to the King's house, upon a wager of mine with my wife, that there would be no acting there to-day, there being no company: so I went in and found a pretty good company there, and saw their dance at the end of the play

Performances

Mainpiece Title: The Scornful Lady

Event Comment: The King's Company. Pepys, Diary: To the King's playhouse, my eyes being so bad since last night's straining of them, that I am hardly able to see, besides the pain which I have in them. The play was a new play; and infinitely full: the King and all the Court almost there. It is The Storme, a play of Fletcher's; which is but so-so, methinks; only there is a most admirable dance at the end, of the ladies, in a military manner, which indeed did please me mightily....And there comes my wife home from the Duke of York's playhouse. Two songs, printed somewhat later in Choice Songs and Ayres, The First Book, 1673, may have been prepared for this revival: Hark the storm grows, set by Robert Smith; and Cheer up my mates, set by Pelham Humphrey

Performances

Mainpiece Title: The Storm

Event Comment: The King's Company. Pepys, Diary: With my wife abroad to the King's playhouse, to shew her yesterday's new play, which I like as I did yesterday, the principal thing extraordinary being the dance, which is very good

Performances

Mainpiece Title: The Sea Voyage

Event Comment: The King's Company. Pepys, Diary: Being full of my desire of seeing my Lord Orrery's new play this afternoon at the King's house, The Black Prince, the first time it is acted; where though we come by two o'clock, yet there was no room in the pit, but we were forced to go into one of the upper boxes, at 4s. a piece, which is the first time I ever sat in a box in my life. And in the same box come, by and by, behind me, my Lord Barkeley and his lady; but I did not turn my face to them to be known, so that I was excused from giving them my seat; and this pleasure I had, that from this place the scenes do appear very fine indeed, and much better than in the pit. The house infinite full, and the King and Duke of York was there. By and by the play begun, and in it nothing Particular but a very fine dance for variety of figures, but a little too long. But, as to the contrivance, and all that was witty (which, indeed, was much, and very witty), was almost the same that had been in his two former plays of Henry the 5th and Mustapha, and the same points and turns of wit in both, and in this very same play often repeated, but in excellent language, and were so excellent that the whole house was mightily pleased with it all along till towards the end he comes to discover the chief of the plot of the play by the reading of a long letter, which was so long and some things (the people being set already to think too long) so unnecessary that they frequently begun to laugh, and to hiss twenty times, that, had it not been for the King's being there, they had certainly hissed it off the stage. But I must confess that, as my Lord Barkeley says behind me, the having of that long letter was a thing so absurd, that he could not imagine how a man of his parts could possibly fall into it; or, if he did, if he had but let any friend read it, the friend would have told him of it; and, I must confess, it is one of the most remarkable instances that ever I did or expect to meet with in my life of a wise man's not being wise at all times, and in all things, for nothing could be more ridiculous than this, though the letter of itself at another time would be thought an excellent letter, and indeed an excellent Romance, but at the end of the play, when every body was weary of sitting, and were already possessed with the effect of the whole letter, to trouble them with a letter a quarter of an hour long was a most absurd thing. After the play done, and nothing pleasing them from the time of the letter to the end of the play, people being put into a bad humour of disliking (which is another thing worth the noting), I home by coach, and could not forbear laughing almost all the way home, and all the evening to my going to bed, at the ridiculousness of the letter, and the more because my wife was angry with me, and the world, for laughing, because the King was there, though she cannot defend the length of the letter

Performances

Mainpiece Title: The Black Prince

Event Comment: The Duke's Company. Pepys, Diary: To the Duke of York's house, to the play, The Tempest, which we have often seen, but yet I was pleased again, and shall be again to see it, it is so full of variety, and particularly this day I took pleasure to learn the tune of the seaman's dance, which I have much desired to be perfect in, and have made myself so

Performances

Mainpiece Title: The Tempest

Event Comment: The King's Company. Pepys, Diary: To the King's playhouse, and there saw The Spanish Gypsys, the second time of acting, and the first that I saw it. A very silly play, only great variety of dances, and those most excellently done, especially one part by one Hanes [Jo. Haynes], only lately come thither from the Nursery, an understanding fellow, but yet, they say, hath spent #1,000 a-year before he come thither

Performances

Mainpiece Title: The Spanish Gypsies

Event Comment: The King's Company. Pepys, Diary: All alone to the King's house, and there sat in an upper box, to hide myself, and saw The Black Prince, a very good play; but only the fancy, most of it, the same as in the rest of my Lord Orrery's plays; but the dance very stately; but it was pretty to see how coming after dinner and with no company with me to talk to, and at a play that I had seen, and went to now not for curiosity but only idleness, I did fall asleep the former part of the play, but afterward did mind it and like it very well

Performances

Mainpiece Title: The Black Prince

Event Comment: The Duke's Company. Although Downes refers to the play's being acted "12 Days together" [see below], these were not consecutive, as Pepys saw another play at lif on 7 May. Pepys, Diary: To the Duke of York's playhouse, at a little past twelve, to get a good place in the pit, against the new play, and there setting a poor man to keep my Place, I out...and so back again, where I find the house quite full. But I had my place, and by and by the King comes and the Duke of York; and then the play begins, called The Sullen Lovers; or, The Impertinents, having many good humours in it, but the play tedious, and no design at all in it. But a little boy, for a farce, do dance Polichinelli, the best that ever anything was done in the world, by all men's report: most pleased with that, beyond anything in the world, and much beyond all the play. Thence to the King's house to see Knepp, but the play done. Downes (p. 29): This Comedy being Admirably Acted:...This Play had wonderful Success, being Acted 12 Days together

Performances

Mainpiece Title: The Sullen Lovers Or The Impertinents

Event Comment: The Duke's Company. This play is on the L. C. list, 5@139, p. 125. See also Nicoll, Restoration Drama, p. 347. Pepys, Diary, 31 May: At the play at court the other night, Mrs Davis was there; and when she was to come to dance her jigg, the Queene would not stay to see it, which people do think it was out of displeasure at her being the King's whore, that she could not bear it

Performances

Mainpiece Title: She Would If She Could

Event Comment: The King's Company. Pepys, Diary: With my wife to the King's playhouse, and there saw The Joviall Crew; but ill acted to what it was heretofore, in Clun's time, and when Lacy could dance

Performances

Mainpiece Title: The Jovial Crew

Event Comment: The King's Company. This play is on the L. C. list, 5@12, p. 17: The King here. See also Nicoll, Restoration Drama, p. 344. Mrs John Evelyn to Mr Terryll, 10 Feb. 1668@9: Horace, with a farce and dances between every act, composed by Lacy and played by him and Nell, which takes (John Evelyn, Diary and Correspondence, ed. William Bray, IV, 14). See 19 Jan. 1668@9

Performances

Mainpiece Title: Horace

Event Comment: Mrs John Evelyn to Mr Terryll: The censure of our plays comes to ee at the second hand. There has not been any new lately revived and reformed, as Catiline, well set out with clothes and scenes; Horace, with a farce and dances between every act composed by Lacy and played by him and Nell, which takes; one of my Lord of Newcastle's, for which printed apologies are scattered in the assembly by Briden's order, either for himself who had some hand in it, or for the author most; I think both had right to them (The Diary and Correspondence of John Evelyn, ed. Bray, IV, 14)

Performances

Event Comment: The King's Company. For the identification of this play and details of its performance, see W. J. Lawrence, "Foreign Singers and Musicians at the Court of Charles II," Musical Quarterly, IX (1923), 217-25, and James G. McManaway, "Entertainment for the Grand Duke of Tuscany," Theatre Notebook, XVI (1961), 20-21. The Travels of Cosmo the Third [Monday 3 June 1669 NS; Monday 24 May 1669 OS]: In the afternoon his highness left home earlier than usual to make his visits, that he might be at the King's Theatre in time for the comedy, and a ballet set on foot and got up in honor of his highness by my Lord Stafford, uncle of the Duke of Norfolk. On arriving at the theatre, which was sufficiently lighted on the stage and on the walls to enable the spectators to see the scenes and the performances, his highness seated himself in a front box, where, besides enjoying the pleasure of the spectacle, he passed the evening in conversation with the Venetian ambassador, the Duke of Norfolk, Lord Stafford, and other noblemen. To the story of Psyche, the daughter of Apollo, which abounded with beautiful incidents, all of them adapted to the performers and calculated to express the force of love, was joined a well-arranged ballet, regulated by the sound of various instruments, with new and fanciful dances after the English manner, in which different actions were counterfeited, the performers passing gracefully from one to another, so as to render intelligible, by their movements, the acts they were representing. This spectacle was highly agreeable to his highness from its novelty and ingenuity; and all parts of it were likewise equally praised by the ladies and gentlemen, who crouded in great numbers to the theatre, to fill the boxes, with which it is entirely surrounded, and the pit, and to enjoy the performance, which was protracted to a late hour of the night (pp. 347-48). In BM Add. Mss. 10117, folio 230, Rugge's Diurnall states that towards the end of May 1669 Cosmo, Prince of Tuscany had several plays acted for him

Performances

Mainpiece Title: Psyche Or Loves Mistress