SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Dan Williams"/1) | (@(roleclean,performerclean) "Dan Williams")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 11030 matches on Author, 1671 matches on Performance Comments, 443 matches on Event Comments, 66 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Deuce Is in Him

Dance: End: The Frolick, as17760217

Performances

Mainpiece Title: The Runaway

Afterpiece Title: The Deserter

Event Comment: Benefit for Thomas? Sheridan. Mainpiece: Written by Congreve and now carefully revised, and corrected, by expunging the exceptionable passages, not acted these twenty years. [See 25 May 1758.

Performances

Mainpiece Title: The Double Dealer

Performance Comment: Maskwell-Sheridan; Sir Paul Plyant-Quick; Careless-Lewis; Mellefont-Wroughton; Brisk-Lee Lewes; Lord Touchwood-Clarke; Lord Froth-Booth; Lady Plyant-Mrs Mattocks; Lady Froth-Mrs Green; Cynthia-Mrs Jackson; Lady Touchwood-A Gentlewoman (first appearance on the stage).
Cast
Role: Maskwell Actor: Sheridan

Afterpiece Title: The Syrens

Cast
Role: Lieutenant Pendant Actor: Lee Lewes

Dance: End: The Italian Gamesters-the Zuchellis. [Query: Gardeners or the dance called simply The Gamesters? See17751011.

Performance Comment: [Query: Gardeners or the dance called simply The Gamesters? See17751011.]

Performances

Mainpiece Title: The Duenna

Related Works
Related Work: The Duenna; or, The Double Elopement Author(s): Richard B. Sheridan

Afterpiece Title: Cross Purposes

Dance: End Opera: The Pilgrim, as17750927

Performances

Mainpiece Title: Medea

Afterpiece Title: The Deserter

Dance: End: The Grand Garland Dance-, as17760302 but Sga _Pacini

Performances

Mainpiece Title: The Duenna

Related Works
Related Work: The Duenna; or, The Double Elopement Author(s): Richard B. Sheridan

Afterpiece Title: Catherine and Petruchio

Dance: End Opera: The Merry Sailors-Aldridge. [See17741020.

Performances

Mainpiece Title: All For Love

Afterpiece Title: High Life below Stairs

Dance: End: The Grand Garland Dance, as17760311

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Imposters or A Cure for Credulity

Dance: I: A New Hornpipe-Miss Besford; End Comedy: Mirth and Jollity, as17760102

Performances

Mainpiece Title: The Orphan Or The Unhappy Marriage

Afterpiece Title: Valentines Day

Dance: II: The Grand Garland Dance, as17760311

Performances

Mainpiece Title: King Lear

Afterpiece Title: Catherine and Petruchio

Dance: End: The Italian Gamesters, as17760305

Performances

Mainpiece Title: Twelfth Night

Afterpiece Title: The Man of Quality

Dance: End: The Grand Garland Dance, as17760311 but Sga Pacini

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Love a la Mode

Dance: II: A Minuet-Dagueville, Miss Macklin; III: The Pilgrim-Harris, Miss Mathews, as17750927; IV: Rural Merriment, as17751220

Performances

Mainpiece Title: Matilda

Afterpiece Title: The Theatrical Candidates

Afterpiece Title: Loves Metamorphoses

Dance: End: A Comic Dance-the two Miss Stagledoirs, scholars to M. LaRiviere

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Spleen

Performances

Mainpiece Title: Love Makes A Man Or The Fops Fortune

Afterpiece Title: Catherine and Petruchio

Entertainment: Interlude.End: True Blue, as17760409 but Mrs _Willems; The Dance, as17760409

Performance Comment: End: True Blue, as17760409 but Mrs _Willems; The Dance, as17760409.

Performances

Mainpiece Title: Isabella Or The Fatal Marriage

Afterpiece Title: Catherine and Petruchio

Performances

Mainpiece Title: The Jealous Wife

Afterpiece Title: The Elopement

Related Works
Related Work: The Duenna; or, The Double Elopement Author(s): Richard B. Sheridan

Dance: II: (By Particular Desire) the Louvre, Minuet-Froment, Mrs Sutton, his scholar; V: The Grand Provencalle-Slingsby, Mrs Sutton

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Irish Widow

Monologue: Interlude. Taken from The Register Office. End of Play, By Particular Desire and for that night only. The New Character-Mrs Gardener , her first appearance here these 2 years; Melpomene-Miss Francis

Entertainment: After Interlude: Epilogue-Lee Lewes in the character of Harlequin (Written by late Dr Goldsmith) which will conclude with an escape thro' the Tub, as in the Pantomime of Mother Shipton

Dance: End Epilogue: The Merry Sailors, as17760314

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: The Theatrical Candidates

Afterpiece Title: The Rival Candidates

Dance: III: The Sailors Revels, as17751220

Performances

Mainpiece Title: The Plain Dealer

Performance Comment: As17751211, but in Act II, a New Dance called The Berger Galans-.

Afterpiece Title: A Peep behind the Curtain

Dance: V: A Grand Chaconne-Como, Sga Crespi

Event Comment: Benefit for DuBellamy. The Constant attendance Mr DuBellamy has, and is still oblig'd to pay to the business of the theatre, he humbly hopes will be admitted as a sufficient excuse for his not making a personal appliaction to his friends. Doors open half past 5. To begin half past 6 o'clock

Performances

Mainpiece Title: As You Like It

Afterpiece Title: Midas

Dance: I: Rural Merriment, as17751220

Song: IV: At the Request of many Friends, Kate of Aberdeen-DuBellamy

Performances

Mainpiece Title: The Constant Couple Or A Trip To The Jubilee

Afterpiece Title: The Deserter

Dance: V: Comic Dance, as17760415

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Rival Candidates

Dance: II: The Grand Garland Dance, as17760410

Event Comment: The People flock'd about the doors by Two o'clock. there never was a greater Overflow-Mr G. was never happier in Lear -the Applause was beyond description 3 or 4 loud Claps Succeeding one another at all his exits and many Cry'd out Garrick for Ever &c., &c. House (Hopkins Diary). [Kemble's note differs slightly.] Paid Mr Short, Chorus Singer #1 10s. (Treasurer's Book). Hannah More wrote to Mrs Gwatkin: The eagerness of the people to see Garrick is beyond anything you can have an idea of. You will see half a dozen duchesses and countesses a night in the upper boxes: for the fear of not seeing him at all, has humbled those who used to go, not for the purpose of seeing but being seen; and they now courtsy to the ground for the worst places in the house" (Hampden, Journal). [Letter to David Garrick, Esq on his appearance in Lear last night 13 May: The correspondent who signs himself Stock Fish and who claims to have been one of the survivors of the Black Hole of Calcutta, and who took a young lady from the country to see Garrick's last performance, blames him for endangering the lives of his majesties subjects for not providing proper bars, lanes, and queue lines to handle the crowds: "I went with intention to get into the Pit as the most eligible Part of the House (for your Boxes are always engag'd) and we got to the Door in Vinegaryard about five o'clock. Here the Passage to the first Door was too full for me to entertain any Hopes of getting in that Way, we therefore made for Catharine-street but the Multitudes of People waiting for the Opening of the Gallery-doors, rendered it impossible for us to get along through the Court; we therefore made a Circuit, and at length arrived opposite the Door in Catharine-street, where it was with Difficulty we could keep our Stands on a Foot Pavement....You will be absolutely inexcusable, if after this Warning you neglect to adopt some Method for the Security of the Lives of his Majesties Subjects on similar Occasions.--What think you of the following Scheme, viz. To keep the outer Doors next the Street shut, till the inner ones are opened ; and then, by a Proper bar, to prevent more than one at a Time entering, who shall there pay Entrance-money, and receive the Tickets of Admission through the inner Doors' (Public Advertiser 18 May).] Receipts: #308 1s. (Treasurer's Book)

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Spleen

Performances

Mainpiece Title: Measure For Measure

Afterpiece Title: The Rival Candidates

Dance: V: The Sailors Revels, as17751220