SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Dan Williams"/1) | (@(roleclean,performerclean) "Dan Williams")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 11030 matches on Author, 1671 matches on Performance Comments, 443 matches on Event Comments, 66 matches on Performance Title, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: The Country Madcap

Dance: III: A New Dance-Langrish, Miss Besford, as17730426 IV: Hornpipe-Miss Stede, as17730522

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Wedding Ring

Dance: V: The Irish Fair, as17721023

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: The Register Office

Performance Comment: As17730416 but Williams-Griffith.
Cast
Role: Williams Actor: Griffith.

Dance: III: A Dance, as17730506

Entertainment: End: Bucks Have at Ye All-Mas. Palmer

Performances

Mainpiece Title: Cymbeline

Performance Comment: Posthumus-Reddish; Iachimo-Palmer; Cymbeline-Hurst; Cloten-Dodd; Belarius-J. Aickin; Pisanio-Packer; Guiderius-Cautherly; Arviragus-Brereton; Philario-Wright; Claudio-Ackman; Lucius-Bransby; Frenchman-Fawcett; Queen-Mrs Hopkins; Imogen-Miss Younge; In Act II a Masquerade Scene, with Dancing-Giorgi, Atkins, Sga Giorgi; Singing-Mrs Scott.

Afterpiece Title: The Elopement

Related Works
Related Work: The Duenna; or, The Double Elopement Author(s): Richard B. Sheridan

Dance: III: The Irish Fair, as17730918

Performances

Mainpiece Title: King Henry VIII

Performance Comment: King Henry-Moody (from Drury Lane); Wolsey-Bensley; Norfolk-Davis; Suffolk-Owenson; Surrey-Dyer; Lord Chamberlain-Lewes; Campeius-DuBellamy; Sands-Kniveton; Buckingham-Wroughton; Cranmer-Gardner; Cromwell-Hull; Gardiner-Shuter; Anne Bullen-Mrs Baker; Patience (with a Song)-Miss Twist; Queen Catherine-Mrs Hartley; In Act I, The Banquet with dancing-Fishar, Miss Twist; Act IV, the Procession from the Abbey at the Coronation of Anne Bullen-; With the New Occasional Prologue (spoken but once)-Woodward.

Afterpiece Title: The Musical Lady

Performances

Mainpiece Title: The West Indian

Afterpiece Title: The Elopement

Related Works
Related Work: The Duenna; or, The Double Elopement Author(s): Richard B. Sheridan

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: The Elopement

Related Works
Related Work: The Duenna; or, The Double Elopement Author(s): Richard B. Sheridan

Dance: I: The Sailors Revels-Atkins

Performances

Mainpiece Title: King Richard III

Afterpiece Title: Midas

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Love a-la-Mode

Dance: III: Fingalian Dance, as17730929; Double Hornpipe, as17730929; IV: The Irish Lilt-Aldridge, Miss Twist. [See17721028.

Performances

Mainpiece Title: The West Indian

Afterpiece Title: The Elopement

Related Works
Related Work: The Duenna; or, The Double Elopement Author(s): Richard B. Sheridan

Dance: I: The Mountaineers, as17730930

Performances

Mainpiece Title: King Henry VIII

Afterpiece Title: Cross Purposes

Performances

Mainpiece Title: Alfred

Afterpiece Title: Catharine and Petruchio

Performances

Mainpiece Title: Alfred

Afterpiece Title: A Trip to Scotland

Performance Comment: Griskin-Parsons; Jemmy-Brereton; Cupid (in which will be introduced a song)-Master Blanchard, first appearance; Sotherton-Keen; Chamberlain-W. Palmer; Filagree-Mrs Bradshaw; Landlady-Mrs Love; Miss Flack-Mrs Davies; Chambermaid-Miss Platt; Miss Griskin-Miss Pope; Postillion Dance incidental to the Piece-Giorgi, Atkins; To conclude with a Country Dance-.

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: Cross Purposes

Dance: II: The Irish Lilt, as17731005; End Opera: The Corsican Sailors [Punch House]-Fishar, Miss Twist. [See17720930.

Performances

Mainpiece Title: The Alchymist

Afterpiece Title: The Elopement

Related Works
Related Work: The Duenna; or, The Double Elopement Author(s): Richard B. Sheridan

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Love a-la-Mode

Dance: III: The Fingalian Dance, as17730929; Double Hornpipe, as17730929; IV: A Dance-Aldridge, Miss Capon

Performances

Mainpiece Title: The Suspicious Husband

Performance Comment: Ranger-Garrick; Strictland-Jefferson, first time; Mrs Strictland-Mrs Jefferson, first time; Frankly-Aickin; Bellamy-Packer; Jack Meggot-Dodd; Landlady-Mrs Bradshaw; Jacintha-Miss Younge; Clarinda-Miss Pope; Tester-Burton; Lucetta-Mrs Love; Milliner-Mrs Davies; Ranger's Servant-Ackman; To conclude with a Country Dance-.

Afterpiece Title: The Elopement

Related Works
Related Work: The Duenna; or, The Double Elopement Author(s): Richard B. Sheridan
Event Comment: Receipts: #200 7s. 6d. (Account Book). Mainpiece: With New Dresses and Decorations. [The first of a series of five performances (the last, Merchant of Venice, 18 Nov.) which got Macklin dismissed from the theatre until 1775, when his lawsuit against six persons whom he claimed formed a conspiracy to hiss him from the stage and ruin his livlihood was concluded favorably for him. His performance of Macbeth was favorably treated but with certain misgivings in the Morning Chronicle (25 Oct.), but he was mercilessly criticized in the London Evening Post and St James Chronicle: "In Act II, Sc. i, Shakespeare has made Macbeth murder Duncan; Now Mr Macklin, being determined to copy from no man, reversed this incident, and in the very first act, scene the second, murdered Macbeth." The favorable review (Morning Chronicle) thought he did well in first and last acts, but gave way to stage rant and "vehemence of energetic expression" wanting any variation in tone in between. It also pointed out a certain faulty memory of his lines. His novel stage effects came in for a paragraph of comment: The alterations in the jeux de theatre respecting the representation of this tragedy do Mr Macklin great credit. His change of the scenery is peculiarly characteristical. The Quadrangle of Macbeth's castle, and the door which is supposed to lead to Duncan's apartment (both of which are entirely new) are additions of consequence to the exhibition of the play. The door also through which Macbeth comes to the Weird Sisters, in the 4th act, is a better and more probable entrance than through the common stage portal. The dresses are new, elegant, and of a sort hitherto unknown to a London audience, but exceedingly proper. The Banquet was superbly set out, and it must be confessed that the managers seem to have spared neither cost nor assiduity to ornament and add to the effect of the representation." A favorable letter from a correspondent to the London Evening Post adds: "I must observe, Mr Printer, that from the graceful and characteristic manner in which Macbeth was introduced by the martial music and military procession, from the manner of M. Macklin's acting, from his judicious alteration of the dresses, the disposition of the scene where the King is killed, the cave of the witches in the 4th act, from the improvement of Mrs Hartley's thinking in Lady Macbeth and from her manner of speaking, which seemed plainly to be the effects of some intelligence she had received from Mr Macklin...I thought Mr Macklin deserv'd great praise." See the newspaper comments all gathered and reprinted in an Apology for the Conduct of Charles Macklin, (London, 1773). See also note to 30 Oct. See also London Chronicle, Oct. 23-26 (cf. Odell, I, 453). The Westminster Magazine suggests the performance was pitiable. "Macklin knew what he ought to do, but could not do it." The Scenemen's pay this week was about double the normal cost. (Account Book).] Verse Squibs from St James Chronicle (Oct. 1773) against Macklin: @Macbeth@"Eight Kings appear and pass over in order, and Banquo the last"@Old Quin, ere Fate suppressed his lab'ring breath@In studied accents grumbled out Macbeth:--@Next Garrick came, whose utt'rance truth impressed,@While ev'ry look the tyrant's guilt confess'd:--@Then the cold Sheridan half froze the part,@Yet what he lost by nature sav'd by art.@Tall Barry now advanc'd toward Birnam Woodv@Nor ill performed the scenes--he understood--@Grave Mossop next to Foris shaped his march@His words were minute guns, his action starch.@Rough Holland too--but pass his errors o'er@Nor blame the actor when the man's no more.@Then heavy Ross, assay'd the tragic frown,@But beef and pudding kept all meaning down:--@Next careless Smith, try'd on the Murd'rer's mask,@While o'er his tongue light tripp'd the hurried task:--@Hard Macklin, late, guilt's feelings strove to speak,@While sweats infernal drench'd his iron cheek;@Like Fielding's Kings [in Tom Thumb] his fancy'd triumphs past,@And all be boasts is, that he falls the last.@ Also from St James Chronicle:@The Witches, while living deluded Macbeth@And the Devil laid hold of his soul after death;@But to punish the Tyrant this would not content him,@So Macklin he sent on the stage to present him.

Performances

Mainpiece Title: Macbeth

Afterpiece Title: Thomasand Sally

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Midas

Performances

Mainpiece Title: Much Ado About Nothing

Performance Comment: Benedict-Garrick; Verges-Jones; Hero-Miss Hopkins, first time; Friar-Wright; Leonato-Aickin; Don Pedro-Packer; Claudio-Cautherly; Borachio-Ackman; Don John-J. Aickin; Dogberry-Parsons; Beatrice-Miss Pope; Town Clerk-Baddeley; Antonio-Hurst; Balthazar (with a Song)-Vernon; Margaret-Mrs Bradshaw; Ursula-Mrs Millidge; In II, a Masquerade Dance-proper to the play.; To conclude with a Country Dance-.

Afterpiece Title: The Padlock

Performances

Mainpiece Title: The Grecian Daughter

Afterpiece Title: The Elopement

Related Works
Related Work: The Duenna; or, The Double Elopement Author(s): Richard B. Sheridan

Performances

Mainpiece Title: The Provok'd Wife

Afterpiece Title: A Trip to Scotland

Performances

Mainpiece Title: Macbeth

Performance Comment: As17731023, but A Dance of the Furies-Fishar. [See dl 27 Nov. 1764.]See dl 27 Nov. 1764.]

Afterpiece Title: The Upholsterer

Performances

Mainpiece Title: Tamerlane

Afterpiece Title: The Deserter

Performances

Mainpiece Title: Tamerlane

Afterpiece Title: The Deserter