SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Crow Street Theatre Dublin"/1) | (@(roleclean,performerclean) "Crow Street Theatre Dublin")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 3709 matches on Event Comments, 590 matches on Performance Comments, 152 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: [In mainpiece the playbill assigns Ferdinand to Johnstone, but "The sudden illness of Johnstone gave much dissatisfaction, though Cubitt did all in his power to supply his place" (Town and Country Magazine, Sept. 1785, p. 451). William Palmer was from the Norwich theatre; Meadows from the HAY.] The Doors to be opened at 5:30. To begin at 6:30 [see 14 Nov.]. Places for the Boxes to be taken of Brandon, at the Stage-Door. [No playbill this season lists the various prices of admission; they were probably, as usual: Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s.] The Alterations and Improvements in the Theatre this Season are made by Richards, and executed under his Superintendance by Catton and others. [Public Advertiser, 22 Sept., notes that these improvements consisted of the enlargement of the boxes, in which "the seats are formed into recesses which communicate with the other boxes"; all the pillars, "even those of iron in the back boxes [being] capped, cased, fluted and gilt"; the front of the boxes and galleries being newly painted a "warm lilac"; the back of the boxes being wainscotted and painted crimson.] Paid Charewomen for cleaning Theatre #13 0s. 6d. Receipts: #214 2s. 6d. (210/10/0; 3/12/6)

Performances

Mainpiece Title: The Duenna

Performance Comment: Ferdinand-Cubitt; Isaac-Quick; Jerome-Wilson; Antonio-Palmer (1st appearance at this theatre); Lopez-Wewitzer; Father Paul-Booth; Carlos-Meadows (1st appearance on this stage); The Duenna-Mrs Webb; Louisa-Mrs Martyr; Clara-Mrs Bannister .

Afterpiece Title: St

Dance: End of mainpiece The Merry Sailors by Byrn, &c

Event Comment: Gentlemen are particularly entreated to observe that in consequence of the displeasure expressed by the Subscribers, as well as the Public, at the frequent interruption of the business of the Representation, by the pressure of people on the Stage, the Company will hereafter be admitted behind the Scenes, before and after the Opera, and during the intervals between the Opera and Ballets only; but while the Curtain is up, Gentlemen are earnestly entreated to withdraw from the Stage; otherwise the request of the Nobility and Gentry, in conformity also to the public opinion, of shutting entirely the doors between the audience part of the Theatre and the Stage, must at last be compiled with. Those persons entitled to Admissions previous to the year 1789, who may not have an opportunity of sending their Securities to be registered before the opening of the Theatre, are requested to produce them at the Door, as they pass. The Public are entreated to observe that Ladies dressed in Bonnets, and Gentlemen in Boots, cannot be admitted into the Pit of the Opera. Pit 10s. 6d. Gallery 5s. No Money to be returned. The Doors to be opened at 6:30. To begin at 7:30 [same throughout opera season]. The Nobility are entreated to give direction to their Servants to set down and take up at the Theatre with the Horse's head toward Pall Mall. On account of the abuses practised in the names of the Subscribers, it is become necessary to require the production of the Subscription Ticket at the Doors and the Boxes. At the Chair-door in Market-Lane, Subscribers only will be admitted. "Braham sustained his part so well that we trust he will give us an example that shall induce us to chace from an English stage the degrading and distusting form of a Castrato" (Morning Chronicle, 28 Nov.). [The playbill omits Rovedino, but his performance is reviewed in True Briton, 28 Nov. The only other male part in the opera is that of Sandro. And see 14 Feb. 1797.

Performances

Mainpiece Title: Zemire Et Azor

Performance Comment: Azor-Braham (1st appearance at this Theatre); Sandro-Rovedino; Ali-Morelli; Zemire-Mme Banti.

Dance: With Dances [(composed by Didelot) incidental to the Opera,-Didelot, Mlle Parisot, Mme Hilligsberg, Mme Rose; End Opera: Flore et Zephire- (originally composed by Didelot and now obligingly revived by him, in the absence of the Ballet-Master [Gallet], who is not yet arrived)

Event Comment: By Authority of the Lord Chamberlain. Benefit for Lacy, formerly of the Theatre Royal, Drury-Lane. Tickets to be had of Fosbrook, at the Box Office of the Drury Lane Theatre, and Rice, at the Box Office of the Theatre-Royal, Haymarket, where Places for the Boxes may be taken. [Address by John Taylor (Monthly Mirror, Dec. 1798, p. 370). On this night the following appeared both at dl and at the hay: Hollingsworth, Caulfield, Bannister Jun., Suett, Miss Pope, Mrs Bland.

Performances

Mainpiece Title: The Jealous Wife

Performance Comment: Oakly-Lacy; Major Oakly-Wilmot Wells; Charles-Macready; Mrs Oakly-Mrs Abington; And, with Permission of the Proprietors of the Theatre Royal, Drury-Lane: Russet-Hollingsworth; Sir Harry Beagle-R. Palmer; Lord Trinket-Russell; Captain O'Cutter-Caulfield; Paris-Wewitzer; William-Ryder; John-Surmont; Tom-Webb; Lady Freelove-Mrs Sparks; Harriet-Miss Heard; Toilet-Mrs Cuyler.

Afterpiece Title: Between II and III of the above,Sylvester Daggerwood

Afterpiece Title: High Life below Stairs

Dance: In II 3rd piece: A Mock Minuet-R. Palmer, Miss Pope

Song: End I 1st piece: Little Taffline-Mrs Bland

Entertainment: MonologuePrevious 1st piece: Occasional Address-Lacy

Event Comment: Benefit for Mrs Pope. Mainpiece: Not acted these 4 years. [2nd piece 1st acted at cg, 3 May 1793, as To Arms; or, The British Recruit.] Morning Chronicle, 26 Feb.: Tickets to be had of Mrs Pope at her house, Half-moon-street, Piccadilly. Account-Book, 21 Apr.: Paid Mrs Pope for Dresses as per Bill #32 19s. 6d. Receipts: #293 18s. (138.5; 9.7; tickets: 146.6)

Performances

Mainpiece Title: The Count Of Narbonne

Afterpiece Title: The British Recruit; or, Who's Afraid

Performance Comment: Vocal Parts-Incledon, Munden, Fawcett, Bowden, Townsend, Haymes, Gray, Street, Miss Kirton, Mrs Martyr. [Partial cast adjusted from playbill of 3 May 1793; Serjeant of Grenadiers-Incledon; Robin Redhead-Munden; Capias-Fawcett; Lieutenant-Bowden; Serjeant of Marines-Gray; Susan-Mrs Martyr.]

Afterpiece Title: Catharine and Petruchio

Song: In course 2nd piece: The Mid Watch-Incledon; 2nd piece to conclude: with a new Loyal Duet (composed by Shield) Tho' Hurricanes rattle tho' Tempest appear-Incledon, Bowden

Event Comment: Benefit for Holman. Mainpiece: Never [previously] acted here. In Act V the Funeral Procession of a Roman Commanderv. Morning Chronicle, 11 Apr.: Tickets to be had of Holman, No. 14, John-street, Adelphi. Receipts: #263 3s. (130.16; 22.17; tickets: 109.10)

Performances

Mainpiece Title: Bonduca, Queen Of The Britons

Afterpiece Title: He Wou'd be a Soldier

Entertainment: Monologues and Singing. III: [in the Temple of the Druids Britons Strike Home- [by Purcell for this Play; Vocal Parts-Incledon, Bowden, Linton, Street, Williamson, Sawyer, Tett, Kenrick, Little, Miss Stuart, Mrs Watts, Miss Leserve, Mrs Lloyd, Mrs Bayzand; End: [Recitation and Music, selected from the Performances at Free-Masons Hall. Sally in our Alley-Incledon; [Dryden's Ode of Alexander's Feast [monologue]-Holman; My mother had a maid called Barbara (words from Shakespeare [Othello, IV, iii], composed by Shield)-Incledon, Townsend, Linton, Mrs Clendining; The Equivalent (composed by Reeve)-Fawcett; Black@ey'd Susan-Incledon; [Collins's Ode on the Passions [monologue]-Pope; The Waiter (composed by Reeve)-Fawcett; Old Towler-Incledon

Performance Comment: III: [in the Temple of the Druids Britons Strike Home- [by Purcell for this Play; Vocal Parts-Incledon, Bowden, Linton, Street, Williamson, Sawyer, Tett, Kenrick, Little, Miss Stuart, Mrs Watts, Miss Leserve, Mrs Lloyd, Mrs Bayzand; End: [Recitation and Music, selected from the Performances at Free-Masons Hall. Sally in our Alley-Incledon; [Dryden's Ode of Alexander's Feast [monologue]-Holman; My mother had a maid called Barbara (words from Shakespeare [Othello, IV, iii], composed by Shield)-Incledon, Townsend, Linton, Mrs Clendining; The Equivalent (composed by Reeve)-Fawcett; Black@ey'd Susan-Incledon; [Collins's Ode on the Passions [monologue]-Pope; The Waiter (composed by Reeve)-Fawcett; Old Towler-Incledon.
Event Comment: Benefit for Bowden. Morning Chronicle, 2 May: Tickets to be had of Bowden, No. 9, Lower Brook-street, Grosvenor-square. Receipts: #270 6s. (141.11.6; 10.13.0; tickets: 118.1.6)

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: England's Glory; or, The British Tars at Spithead

Performance Comment: Scene I. The Deck of a Ship. How shall we mortals spend our hours-Incledon, Street, Bowden; O bring me wine-Bowden; There was an Irish lad (composed by Shield)-Johnstone; The Storm-Incledon; Ye Gentlemen of England-Incledon, Townsend, Linton As17950428; Scene II. A Seascape. My name's Tippy Bob-Munden; Scene III. A View of the British Fleet. Dance-Byrn, Mlle St.Amand, Mme Rossi; Sea Song-Townsend; To conclude with a Representation of the burning of the Boyne at Spithead, and Tho' Hurricanes rattle tho' Tempests appear-Incledon, Bowden.

Afterpiece Title: The Irishman in London

Song: End II: Sally in our Alley-Incledon; End: Black Ey'd Susan-Incledon

Event Comment: Benefit for Lewis. 1st piece: In 3 Acts. 2nd piece: Not acted these 12 years [acted 13 Dec. 1788]. 3rd piece: With all original Scenery, Machinery, Dresses and Decorations. New Music composed, and ancient Scots Music selected and adapted, by Shield. The Overture by Reeve. With Harp Accompaniment by Weippert. True Briton, 27 Mar.: Tickets to be had of Lewis, Bow-street. Receipts: #519 1s. 6d. (386.10.0; 6.0.0; tickets: 126.11.6)

Performances

Mainpiece Title: The Double Gallant; Or, A Sick Lady's Cure

Afterpiece Title: Duke and No Duke; or, Trapolin's Vagaries

Afterpiece Title: Oscar and Malvina

Performance Comment: Principal Pantomimic Characters-Farley, Follett, Simpson, Cranfield, Blurton, Hawtin, Abbot, Curties, Mrs Watts, Mrs Follett, Miss Burnett, Mlle St.Amand; Principal Musical Characters-Townsend, Linton, Street, Gray, Mrs Mountain, Mrs Castelle, Mrs Norton, Miss Leserve, Mrs Gilbert, Mrs Henley, Mrs Martyr. [For assignment of parts see17970322 .For assignment of parts see17970322 .
Event Comment: Benefit for Quick. 2nd piece: In one Act. A Tragi-Comic, Pastoral, Operatical, Farcical Drama, written by the Author of The Beggar's Opera [John Gay]. True Briton, 3 Apr.: Tickets to be had of Quick, No. 30, Little Queen-street, Lincoln's Inn-Fields. Receipts: #352 0s. 6d. (140.15.6; 5.9.0; tickets: 205.16.0)

Performances

Mainpiece Title: The Way To Get Married

Cast
Role: Undertaker Actor: Street

Afterpiece Title: What d'ye Call It

Performance Comment: JonasDock, alias Timothy Peascod-Munden; Sir Roger-Davenport; Sir Humphrey-Thompson; Justice Statue-Street; Steward-Powel; Peter Nettle-Farley; Constable-Abbot; Countryman-Follett; Unborn Ghost-Master Standen; Smut, the Farrier's Ghost-Simmons; Squire Thomas, alias ThomasFilbert-Knight; Mother's Ghost-Mrs Henley; Grandmother-Mrs Gilbert; Dorcas-Mrs Watts; Aunt-Mrs Platt; Ghost of Bees-Mrs Norton; Kitty Carrots (with the original song, 'Twas when the seas were roaring)-Mrs Martyr.
Cast
Role: Justice Statue Actor: Street

Afterpiece Title: Tom Thumb

Event Comment: Benefit for Mrs Mattocks. 1st piece: In 3 Acts. [In 1st piece the playbill assigns Welford to Holman, and in 3rd piece Don Carlos to the same. But "An uncle of Holman expired suddenly on Saturday morning. An apology was made for Holman in the evening, and Macready took the Parts he was to have performed in the Play and Farce" (True Briton, 8 May). In 1st piece Cheaterly is assigned to Macready; who took his place is not stated.] True Briton, 22 Apr.: Tickets to be had of Mrs Mattocks, No. 8, Great Russell-street, Covent-Garden. Receipts: #223 12s. 6d. (118.10.0; 4.2.0; tickets: 101.0.6)

Performances

Mainpiece Title: Fashionable Levities

Afterpiece Title: Lock and Key

Cast
Role: Servants and Sailors Actor: Gray, Lee, Street

Afterpiece Title: Lovers' Quarrels

Afterpiece Title: Bantry Bay

Performance Comment: As17970218, but Claremont_; Principal Characters-Gray, Linton, Street_; Irish Peasants-Miss _Logan.
Event Comment: Benefit for Mrs Martyr. 2nd piece [1st time; ENT 1, by John Cartwright Cross (see Monthly Mirror, June 1797, p. 370). Larpent MS 1166; not published]; With a striking Representation of the Conflagration of the Spanish Fleet in the Gulph of Pariav, the Island's Capitulation and the Departure of its Garrison, Prisoner of War [on 18 Feb. 1797]. True Briton, 1 May: Tickets to be had of Mrs Martyr at her house, No. 16, Martlett Court, Bow-street, Covent-Garden. Receipts: #359 14s. (185.5; 8.2; tickets: 166.7)

Performances

Mainpiece Title: Abroad And At Home

Afterpiece Title: The Surrender of Trinidad; or, Safe Moor'd at Last

Performance Comment: William-Incledon; Venture-Munden; Jack Rattling-Fawcett; Gasper (the Jailor)-Bowden; Capt. Clueline-Claremont; Midshipman-Linton; Gunner-Street; Lieutenant O'Liffey-Johnstone; Cymbalo (a Negro Boy)-Mrs Martyr; Susan-Mrs Clendining.
Cast
Role: Gunner Actor: Street

Afterpiece Title: The Irishman in London

Song: End I: The Storm-Incledon; In course 2nd piece: Black@Ey'd Susan-Incledon; Beauty at her Levee-Munden; Jack at the Windlass-Fawcett; The Wolf-Bowden; Oh why to be happy-Incledon; The Row-Johnstone; Bravura Song-Mrs Clendining; a new Negro Song (composed by Shield)-Mrs Martyr; Rule Britannia-

Event Comment: Benefit for Haymes. The Last Night of the Company's performing this Season. Account-Book, 28 June: Received for his Majesty's Box 13 nights #130; for the Princess's Box #65; 1 Aug.: Paid half a year's Land, Commutations, Window & House Taxes #193 19s. True Briton 1 June: Tickets to be had of Haymes, No. 8, Duke-street, St. James's. Receipts: #228 18s. 6d. (109.19.0; after-money not listed; tickets: 118.19.6)

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Devil to Pay

Performance Comment: Sir J. Loverule (with a favorite Hunting Song)-Incledon; Butler-Townsend; Cook-Abbot; Coachman-Street; Jobson (1st time)-Munden; Lady Loverule-Mrs Fawcett; Lettice-Mrs Norton; Lucy-Miss Leserve; Nell-Mrs Jordan.
Cast
Role: Coachman Actor: Street

Song: End II piece: The Storm-Incledon; End: The Beggar-Townsend

Event Comment: No Money to be returned. Boxes 6s. Second Price 3s. Pit 3s. 6d. Second Price 2s. Gallery 2s. Second Price 1s. Upper Gallery 1s. Places for the Boxes to be had of Brandon (only) at the office in Hart-street. The Doors to be opened at 5:30. To begin at 6:30 [see 27 Nov.]. Receipts: #270 18s. (267.8; 3.10)

Performances

Mainpiece Title: King Henry The Fourth, First Part

Performance Comment: Sir John Falstaff-Fawcett; King Henry-Murray; Prince of Wales-Lewis; Sir Richard Vernon-Waddy; Worcester-Hull; Poins-Claremont; Francis-Knight; Sir Walter Blount-Toms; Bardolph-Thompson; Douglas-Farley; Northumberland-Davenport; Westmorland-Clarke; Sheriff-Abbot; Peto-Street; Gadshill-Wilde; Prince John of Lancaster-Curties; Messenger-Dyke; Carriers-Munden, Rees; Hotspur-Holman; Hostess-Mrs Davenport; Lady Percy-Miss Chapman.
Cast
Role: Peto Actor: Street
Related Works
Related Work: Henry the Sixth: The First Part, With The Murder of Humphrey Duke of Glocester Author(s): John Crowne

Afterpiece Title: The Farm House

Event Comment: Benefit for Incledon. 1st piece: The Airs (with the exception of When sable Night) new composed for the Occasion. 3rd piece [1st time; M. INT 1]. Morning Herald, 11 Apr.: Tickets to be had of Incledon, No. 15, Charlotte-street, Bloomsbury. Receipts: #528 10s. 6d. (275.9.6; 5.10.0; tickets: 247.11.0)

Performances

Mainpiece Title: The Duenna

Afterpiece Title: Catherine and Petruchio

Afterpiece Title: Forecastle Fun; or, Saturday Night at Sea

Performance Comment: The Songs, Duets, Glees and Chorusses-Johnstone, Fawcett, Incledon, Townsend, Linton, Gray, Street, Smith, Abbot, Blurton, Curties, Lee.

Song: End 1st piece: All I wish in her obtaining-Mme Mara, Incledon; In the course of the Evening: Black Ey'd Susan, Old Towler, Young William, The Storm-Incledon

Event Comment: Benefit for Miss Betterton, 2nd piece [1st time; ENT 1]. Times, 26 Apr.: Tickets to be had of Miss Betterton, No. 47, Great Queen-street, Lincoln's Inn Fields. Receipts: #184 8s. 6d. (87.0.0; 8.17.6; tickets: 88.11.0)

Performances

Mainpiece Title: The Deserted Daughter

Afterpiece Title: Britons Roused

Performance Comment: ; or, Citizen Soldiers. In which Songs-; Duets-; SCENE I. A View of a Camp. Officers-Incledon, Townsend, Betterton; SCENE II. The Advance of the Army, Slow Time. They form a half moon, and go through the Manual Excercise. SCENE III. A Sham Battle. They divide; when the mode of attack and defence in street-firing, so necessary to be practised and known at this critical period, will be exactly represented. To conclude with God save the King-.

Afterpiece Title: The Follies of a Day

Dance: End 2nd piece: a Minuet-Mr and Miss Betterton

Event Comment: Benefit for Incledon. 3rd piece [1st time; M. INT 1]. Morning Chronicle, 21 Mar.: Tickets to be had of Incledon, No. 15, Charlotte-street, Bloomsbury. Receipts: #619 1s. (304.19; 2.7; tickets: 311.15)

Performances

Mainpiece Title: Abroad And At Home

Afterpiece Title: The Prisoner at Large

Afterpiece Title: Fun and Frolic; or, Sailors' Revels

Performance Comment: Vocal Parts-Johnstone, Munden, Fawcett, Incledon, Townsend, Linton, Street; With a jolly full bottle- [see17990528]; Boxing the Compass-Fawcett; Young William-, the melody by Incledon [and see17990606; Four and Twenty Fidlers-Munden; Brave Betty was a maiden Queen-Johnstone; Song-Townsend; The New Mariners-Chorus.

Song: In course Evening: The Storm-Incledon; Black Ey'd Susan-Incledon; Mad Tom of Bedlam (in character)-Incledon; Together let us range (composed by Boyce)-Incledon, Miss Poole

Event Comment: Benefit for Holman. Mainpiece: Acted but once [28 Mar. 1795] these 5 years. In IV a Grand Banquet. Morning Chronicle, 1 Apr.: Tickets to he had of Holman, No. 73, New-street, Hanover-square. Account-Book: Paid George? Papendick for [unspecified] Manuscript Plays of Kotzebue #200. Receipts: #350 2s. (257.6; 6.1; tickets: 86.15)

Performances

Mainpiece Title: Alexander The Great

Afterpiece Title: Lock and Key

Song: II: the Grand Truimphal Entry of Alexander into Babylon. Vocal Parts-Johnstone, Incledon, Townsend, Hill, Linton, Street, Lee, Little, Sawyer, Tett, Miss Waters, Mrs Atkins, Mrs Chapman, Miss Mitchell, Miss Wheatley, Mrs Iliff, Miss Sims, Mrs Whitmore, Mrs Watts, Mrs Follet, Miss Leserve, Mrs Castelle, Mrs Martyr; End: Black Ey'd Susan-Incledon; End I afterpiece: The Death of Admiral Benbow-Incledon

Performance Comment: Vocal Parts-Johnstone, Incledon, Townsend, Hill, Linton, Street, Lee, Little, Sawyer, Tett, Miss Waters, Mrs Atkins, Mrs Chapman, Miss Mitchell, Miss Wheatley, Mrs Iliff, Miss Sims, Mrs Whitmore, Mrs Watts, Mrs Follet, Miss Leserve, Mrs Castelle, Mrs Martyr; End: Black Ey'd Susan-Incledon; End I afterpiece: The Death of Admiral Benbow-Incledon.
Event Comment: Benefit for Mrs Martyr. 2nd piece [1st time; M. INT 1]. 3rd piece: Not acted these 2 years. Morning Chronicle, 17 Apr.: Tickets to be had of Mrs Martyr, No. 16, Martlet-court, Bow-street, Covent Garden. Receipts: #482 10s. (214.5.6; 8.9.0; tickets: 259.15.6)

Performances

Mainpiece Title: Abroad And At Home

Afterpiece Title: The Vanguard; or, British Tars Regaling after Battle

Afterpiece Title: Tom Thumb

Performance Comment: Tom Thumb (with The Little Farthing Rushlight)-Master Standen; Grizzle (1st time)-Emery; Ghost-Street; Noodle-Simmons; Doodle-Clarke; Merlin-Thompson; Arthur-Munden; Huncamunca (1st time)-Mrs Atkins; Glumdalca-Mrs Gilbert; Dollalolla-Mrs Martyr.
Cast
Role: Ghost Actor: Street

Song: In course Evening: Lovely Nan (By permission of Dibdin), Black Ey'd Susan-Incledon; A Bundle of Proverbs-Munden; In the Dead of the Night-Miss Poole; Together let us range-Incledon, Miss Poole

Event Comment: Benefit for Hill, Rees and Miss Sims. Morning Chronicle, 6 June: Tickets to be had of Hill, No. 24, Bow-street, opposite the Pit Door. [Others not listed.] 2nd piece [1st time: M. INT 1]. Receipts: #287 7s. (50.17.6; 4.0.6; tickets: 232.9.0)

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: The Brilliants

Performance Comment: Imitations-Rees; When the seaman quits the shore-Hill; The Tight Little Islands-Townsend; Flow thou regal purple stream-Burrows (1st appearance); A new Hunting Song-Hill; a Debating Catch-Simmons, Linton, Street.

Afterpiece Title: Comus

Performance Comment: Comus-Holman; Principal Bacchanal-Hill; Bacchanals-Townsend, Linton, Street, Thomas, Oddwell; 1st Spirit-Thompson; Brothers-Farley, Claremont; 2nd Spirit (with a song)-Miss Sims; The Lady-Miss Chapman; Principal Bacchant-Mrs Chapman; Bacchants-Ms Wheatley, Ms Follett, Ms Castelle, Ms Leserve, Ms Norton; Sabrina=-Mrs Atkins; Pastoral Nymph-Mrs Atkins; Sweet Echo-Mrs Atkins; accompanied on the oboe-W. Parke; Euphrosyne-Mrs Martyr.

Dance: In II 3rd piece: a Dance-Naiads

Song: In: Maria; or, The Beggar Girl-Mrs Atkins; Young William-Incledon; a new song, The Negro Boy (written by Rees, and composed by Attwood)-Miss Sims (in character)

Event Comment: Benefit for Lewis. 3rd piece [1st time; M. INT 1, by Thomas John Dibdin. Larpent MS 1288; not published]: Founded on a late Glorious Naval Achievement [the recapture by Capt. Edward Hamilton, on 25 Oct. 1799, of the British frigate Hermione, from the Spaniards]. The Music selected and composed by Attwood. Morning Chronicle, 1 Apr.: Tickets to be had of Lewis, No. 52, Great Queen-street, Lincoln's Inn Fields. Receipts: #361 17s. (263.2.0; 33.5.6; tickets: 65.9.6)

Performances

Mainpiece Title: How To Grow Rich

Afterpiece Title: A Peep behind the Curtain; or, An Opera Rehearsal

Performance Comment: Glib, the Author-Lewis; Manager-Davenport; Sir Toby Fuz-Gardner; Sir Macaroni Virtu-Farley; Wilson-Claremont; Mervin-Klanert; Prompter-Abbot; Carpenter-Rees; Scenemen-Wilde, Whitmore; Miss Fuz-Mrs Mills; Sweepers of the Stage-Mrs Whitmore, Mrs Norton; Lady Fuz-Mrs Davenport; Characters in the Burletta: Orpheus-Hill; Shepherds-Linton, Denman, Whitmore, Platt, Curties, Street, Bologna, Lee, Hawtin, Blurton, Coombs, Thomas, Noble, Lewiss; The Old Shepherd-Simmons; Rhodope-Mrs Martyr.

Afterpiece Title: The Hermione; or, Valour's Triumph

Event Comment: Benefit for Holman. Morning Chronicle, 9 Apr.: Tickets to be had of Holman, No. 73, New-street, Hanover-square. Receipts: #195 7s. (105.13.6; 14.19.6; tickets: 74.14.0)

Performances

Mainpiece Title: The Votary Of Wealth

Afterpiece Title: The Rendezvous

Afterpiece Title: Tom Thumb

Performance Comment: Tom Thumb (with The Little Farthing Rushlight)-Master Standen; Grizzle-Emery; Ghost-Street; Noodle-Townsend; Doodle-Simmons; Merlin-Thompson; Arthur-Munden; Huncamunca-Mrs Atkins; Glumdalca-Mrs Gilbert; Dollalolla-Mrs Martyr.
Cast
Role: Ghost Actor: Street
Event Comment: The Duke's Company. The date of the first performance is quite uncertain, but the fact that the Prologue was spoken at Lincoln's Inn Fields and refers to that theatre as "a damn'd House," appropriate to its status before the Company's removal to Dorset Garden (9 Nov. 1671), would place it in the early autumn. The presence of unfamiliar names in the cast and the statement in the Dedication to its "hasty Representation" suggest a summer or early autumn performance before the principals had resumed their places in the Company. See Nicoll, Restoration Drama, p. 424, for other complications in the dating of this play

Performances

Mainpiece Title: Herod And Mariamne

Performance Comment: Edition of 1673: Prologue at the Theatre in Lincolns@Inn@Fields-; Epilogue-Mariamne; Herod-Medburn; Pheroras-Crosby; Alexas-John Lee; Tyridates-Smith; Arsanes-Norris; Polites-Anthony Lee; Sosius-Gillow; Mariamne-Mrs Spencer; Salome-Mrs Mary Lee; Alexandra-Mrs Osborn.
Event Comment: The King's Company. The exact date of this performance is not known, but the Prologue refers to "After a four Months Fast," suggesting that the theatre did not reopen until the end of the Long Vacation (24 Oct. 1681 is the beginning of Michaelmas Term). The Epilogue also seems to refer to events at Bartholomew Fair, and the Prologue to the King's visit to Newmarket, from which the King did not return until 12 Oct. 1681. Furthermore, The Impartial Protestant Mercury, No. 54, 28 Oct. 1681, reports: A Revised Play was some days since Acted on an Eminent Publick Theatre, and the Prologue is extreamly talked of. [The periodical reprints some of the lines (which are essentially those in the printed version).] The Loyal Protestant, No. 70, 29 Oct. 1681, refers to the same performance and reprints part of the Epilogue (which also is essentially that of the separately printed Epilogue). All of these elements point to a performance in mid-October. Both the Prologue and the Epilogue were printed separately, and have been reprinted by Wiley, Rare Prologues and Epilogues, pp. 43-45. Broadside copies of the Prologue and Epilogue in the Huntington Library bear Luttrell's manuscript notations that both were written by Dryden. Luttrell's date of acquisition is 13 Feb. 1681@2, an instance in which Luttrell's date of purchase does not apparently correspond closely to a date of performance

Performances

Mainpiece Title: Mithridates, King Of Pontus

Performance Comment: For a previous cast, see February 1677@8. A Prologue spoken at Mithridates King of Pontus, the First Play Acted at the Theatre Royal this Year, 1681. Written by John Dryden. Epilogue written by Dryden and spoken by Goodman and Mrs Cox.
Event Comment: The United Company. There is uncertainty concerning this date; it appears on Luttrell's copy (Huntington Library) of the separately printed Prologue and Epilogue, and the date may represent the time of his purchase rather than a date of performance. The Prologue and Epilogue are reprinted in Wiley, Rare Prologues and Epilogues, pp. 141-45. Downes (Roscius Anglicanus, pp. 39-40): All the preceding Plays, being the chief that were Acted in Dorset-Garden, from November 1671, to the Year 1682; at which time the Patentees of each Company United Patents; and by so Incorporating the Duke's Company were made the King's Company, and immediately remov'd to the Theatre Royal in Drury-Lane. Upon this Union, Mr Hart being the Heart of the Company under Mr Killigrew's Patent never Acted more, by reason of his Malady; being Afflicted with the Stone and Gravel, of which he Dy'd some time after: Having a Sallary of 40 Shillings a Week to the Day of his Death. But the Remnant of that Company; as, Major Mohun, Mr Cartwright, Mr Kynaston, Mr Griffin, Mr Goodman, Mr Duke Watson, Mr Powel, Sr, Mr Wiltshire, Mrs Corey, Mrs Bowtell, Mrs Cook, Mrs Montfort. [Joined the new company]. Note, now Mr Monfort and Mr Carlile, were grown to the Maturity of good Actors. The mixt Company then Reviv'd the several old and Modern Plays, that were the Propriety of Mr Killigrew, as Rule a Wife, and have a Wife: Mr Betterton Acting Michael Perez; Don Leon, Mr Smith, Cacofogo, Mr Cartwright: Margaretta, Mrs Barry: Estiphania, Mrs Cook. Next, @The Scornful Lady.@The Plain Dealer.@The Mock Astrologer.@The Jovial Crew.@The Beggars Bush.@Bartholomew-Fair.@The Moor of Venice.@Rollo.@The Humorous Lieutenant.@The Double Marriage.@ With divers others. George Powell, Preface to The Treacherous Brothers (1690): The Time was, upon the uniting of the Two Theatres, that the Reviveing of the old stock of Plays, so ingrost the study of the House, that the Poets lay dorment; and a new Play cou'd hardly get admittance, amongst the more precious pieces of Antiquity, that then waited to walk the Stage. Cibber, Apology, ed. Lowe, I, 95-96): I shall content myself with telling you that Mohun and Hart now growing old [for, above thirty Years before this Time, they had severally born the King's Commission of Major and Captain in the Civil Wars), and the younger Actors, as Goodman, Clark, and others, being impatient to get into their Parts, and growing intractable, the Audiences too of both Houses then falling off, the Patentees of each, by the King's Advice, which perhaps amounted to a Command, united their Interests and both Companies into one, exclusive of all others in the Year 1682. This Union was, however, so much in favour of the Duke's Company, that Hart left the Stage upon it, and Mohun survived not long after

Performances

Mainpiece Title: Title Unknown

Performance Comment: Prologue To the King and $Queen At the Opening of Their Theatre by Mr Dryden-Mr Batterton; Epilogue by the same Authour-Mr Smith.
Event Comment: Benefit J. and Ch. Rich. A Farce of Three acts. All in the Characters of the Italian Theatre. Admission 5s., 3s., 2s. [The Prince present. Receipts: #157 12s. 6d.

Performances

Mainpiece Title: La Foire De St

Performance Comment: Germain. Parts-the French Company of Comedians , lately arriv'd from the Theatre Royal in Paris.
Event Comment: [This was Mrs Hitchcock's 1st appearance in London. Miss Farren was from the Manchester theatre. Miss Twist is identified in playbill of 14 July.] Because of Foote's acting scarcely anything but his own plays "a relaxation of discipline has been fallen into at the Haymarket... The audience last night, however, were not less surprized than pleased at the very regular manner in which the Comedy and the Burletta were exhibited. All the business of the stage perfect, all the little parts smoothly given, and the whole rather superior than inferior to a performance at either of the Winter Theatres" (Morning Chronicle, 10 June)

Performances

Mainpiece Title: She Stoops To Conquer

Performance Comment: Young Marlow-Palmer; Hastings (with a song)-DuBellamy; Sir Charles Marlow-Fearon; Diggory-Massey; Landlord-Griffiths; Tony Lumpkin-Jackson; Hardcastle-Edwin; Miss Neville-Mrs Hitchcock [from the Theatre Royal, Bath (on playbill of 6 June)]; Mrs Hardcastle-Mrs Gardner; Betty-Mrs Poussin; Miss Hardcastle-Miss Farren (1st appearance in London).

Afterpiece Title: Midas