SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Cross "/1) | (@(roleclean,performerclean) "Cross ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 4062 matches on Roles/Actors, 2690 matches on Event Comments, 1239 matches on Performance Comments, 235 matches on Performance Title, and 110 matches on Author.
Event Comment: Benefit Leonardo Pescatore...a Serenata. Music entirely new and composed by himself, 7 p.m., 5s. Tickets at the Mews Coffee House, Charing Cross; at Pescatore's, No 2, Meard's Court, Dean St., Soho. [And a long letter by Pescatore offering to give lessons on the harsichord and wounded by public suspicion of his loyalty.

Performances

Mainpiece Title: La Forza De L'amore

Event Comment: Written by Shakespear. Play to begin at 6 o'clock. Boxes 5s. Pit 3s. First Gallery 2s. Upper Gallery 1s. Places for the Boxes to be taken of Mr Hobson at the Stage-Door of the Theatre. As the Admittance of Persons behind the Scenes has occasioned a general Complaint on Account of the frequent Interruptions in the Performance, tis hop'd Gentlemen won't be offended, that no Money will be taken there for the future. [This notice appears on succeeding bills for the season and will hence not be repeated. See note on public objection to nonadmittance behind scenes 22 Feb. 1748.] Receipts: #150 (Cross); #I26 12s. (Clay MS). Nichols Literary Anecdotes, II, 319-20: There is one part of theatrical conduct which ought unquestionably to be recorded to Mr Garrick's honour, since the cause of virtue and morality and the formation of public manners are very considerably dependent upon it, and that is the zeal with which he ever aimed to banish from the stage all those plays which carry with them an immoral tendency, and to prune from those which do not absolutely on the whole promote the interests of vice such scenes of licentiousness and libertinism as a redundency of wit and too great liveliness of imagination have induced some of our comic writers to indulge themselves in, and to which the sympathetic disposition of an age of gallantry and intrigue had given a sanction. The purity of the English stage was certainly much more fully establish'd during the administration of this theatrical minister than it had ever been during preceding managements; for, what the publick taste had itself to some measure begun, he, by keeping that taste within its proper channel, and feeding it with a pure and untainted stream, seems to have completed; and to have endeavoured as much as possible to adhere to the promise made in the prologue which was spoken at the first opening of that theatre under his direction, @Bade scenic virtue form the rising age@And truth diffuse her radiance from the stage.

Performances

Mainpiece Title: The Merchant Of Venice

Event Comment: Receipts: #130 (Cross); #131 19s. (Powel)

Performances

Mainpiece Title: The Beggar's Opera

Event Comment: WWinston MS: Mrs Green married during June 1747. She play'd as Miss Hippisley at Covent Garden 29 May 1747. Receipts: #140 (Cross); #121 8s. 6d. (Powel)

Performances

Mainpiece Title: The Refusal; Or, The Ladies Philosophy

Afterpiece Title: The Double Disappointment

Event Comment: PPrologue omitted. Garrick ill [Genest, IV, 232). We hear the Celebrated Old Comedy call'd Abumazar [sic] from which Johnson is suppos'd to have taken his Alchymist, is now reviving at Drury Lane Theatre, and will be acted some day next week (General Advertiser). Receipts: #160 (Cross); #146 3s. 6d. (Powel)

Performances

Mainpiece Title: Hamlet, Prince Of Denmark

Afterpiece Title: The Double Disappointment

Event Comment: Receipts: #160 (Cross); #114 1s. (Powel)

Performances

Mainpiece Title: Othello, Moor Of Venice

Afterpiece Title: The Anatomist; or, The Sham Doctor

Event Comment: Mainpiece: By Particular Desire. Receipts: #110 (Cross); #101 10s. (Powel)

Performances

Mainpiece Title: The Refusal

Afterpiece Title: The Lying Valet

Event Comment: Receipts; #140 (Cross); #121 19s. 6d. (Powel); #121 17s. 6d. (Clay MS)

Performances

Mainpiece Title: Albumazar

Event Comment: MMr Garrick being disabled by illness from speaking the Prologue when it was demanded, hopes this publication will be consider'd as a proof of his desire to compensate the disappointment (Daily Advertiser). Receipts: #120 (Cross); #113 0s. 6d. (Powel)

Performances

Mainpiece Title: Albumazar

Event Comment: Receipts: #100 (Cross); #92 19s. 6d. (Powel)

Performances

Mainpiece Title: Albumazar

Event Comment: Written by Ben Johnson. Mainpiece: By Particular Desire. Receipts: #120 (Cross); #146 (Powel)

Performances

Mainpiece Title: The Alchymist

Afterpiece Title: The Double Disappointment

Event Comment: Receipts: #120 (Cross); #124 11s. 6d. (Powel)

Performances

Mainpiece Title: Othello

Afterpiece Title: The Anatomist

Event Comment: Written by Shakespear. Receipts: #110 (Cross); #99 8s. (Powel)

Performances

Mainpiece Title: As You Like It

Dance: I: Les Caprices de la Dance-Sga Auretti; III: Grand Ballet-Cooke, Janeton Auretti; V: Polish Dance-Cooke, Sga Auretti, Leviez, Mathews, Shawford, Royer, Pelling, Mrs Addison, Mrs Shawford, Miss Cole, Miss Thompson

Event Comment: Principal characters in the Mainpiece New Dress'd. [Barry, apparently for the first time. See 5 Nov.] Receipts: #140 (Cross); #151 11s. (Powel); #151 14s. (Clay MS)

Performances

Mainpiece Title: Tamerlane

Afterpiece Title: The Double Disappointment

Event Comment: Receipts: #110 (Cross); #124 18s. 6d. (Powel)

Performances

Mainpiece Title: Tamerlane

Afterpiece Title: The Anatomist

Event Comment: Receipts: #190 (Cross); #182 6d. (Powel). [N. B. Doubling in parts by Blakes and Bransby.

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: The Virgin Unmask'd

Event Comment: By Desire. Receipts: #100 (Cross); #105 6d. (Powel)

Performances

Mainpiece Title: The Provoked Wife

Dance: II: Les Caprices-; III: Grand Ballet-; V: Polish Dance, as17471102

Event Comment: Mainpiece: By Particular Desire. Music by Dr Arne. Receipts: #90 (Cross); #92 3s. (Powel)

Performances

Mainpiece Title: Comus

Afterpiece Title: The Anatomist

Event Comment: Receipts: #185 (Cross); #169 5s. (Powel)

Performances

Mainpiece Title: The Orphan; Or, The Unhappy Marriage

Song: SSailors Rendezvous at Portsmouth, as17471117

Event Comment: Receipts: #120 (Cross); #117 14s. (Powel)

Performances

Mainpiece Title: The Orphan

Song: SSailors Rendezvous, as17471117

Event Comment: By Desire. Receipts: #110 (Cross); #102 9s. 6d. (Powel)

Performances

Mainpiece Title: The Orphan

Song: SSailors Rendezvous, [now appearing in large capital letters,] as17471117

Event Comment: On Monday next, The Constant Couple. Lady Lurewell by Mrs Pritchard, 1st appearance there in 5 years. Receipts: #160 (Cross); #129 9s. (Powel)

Performances

Mainpiece Title: The Orphan

Song: SSailors Rendezvous, as17471120

Event Comment: Receipts: #90 (Cross): #86 14s. (Powel)

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Lying Valet

Dance: I: The Gardners Revels, as17471117; V: Polish Dance, as17471102

Event Comment: By Desire. Receipts: #150 (Cross); #113 17s. (Powel)

Performances

Mainpiece Title: Venice Preserved

Afterpiece Title: The Lottery

Event Comment: Receipts: #170 (Cross); #165 15s. 6d. (Powel)

Performances

Mainpiece Title: The Provoked Wife

Afterpiece Title: The Lottery

Dance: By Particular Desire aDutch Dance-Cooke, Anne Auretti