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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Cross "/1) | (@(roleclean,performerclean) "Cross ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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5670 results for: Keyword - Cross
We found 4062 matches on Roles/Actors, 2690 matches on Event Comments, 1239 matches on Performance Comments, 235 matches on Performance Title, and 110 matches on Author.

4001
18 May 1759 @ Drury Lane Theatre

Event Comment: By Command of the Prince of Wales. Tickets deliver'd for Henry VIII will be taken Tuesday next. Prince & 4 (Cross). Receipts: #150 (Cross). Full Prices

Performances

Mainpiece Title: Antony And Cleopatra

Dance: By Command Spanish Dance, as17581014

4002
21 May 1759 @ Drury Lane Theatre

Event Comment: Benefit for Scrase, Mozeen, Ackman, Harrison. Afterpiece: A new farce written by Mr Mozeen (Indiff) (Cross). Ellis Ackman, Henry Scrase, Harrison, Thomas Mozeen advertised the above new piece for their benefit performance being founded on fact (Winston MS 8). Receipts: #170 Cross)

Performances

Mainpiece Title: Tancred And Sigismunda

Afterpiece Title: The Heiress; or, The Antigallican

Dance: I: Hornpipe-Harrison, a Young Gentleman Harrison's Scholar; End: A Minuet-Two of Harrison's Scholars

4003
23 May 1759 @ Drury Lane Theatre

Event Comment: Benefit for Mrs Simson & Kids (Cross). Epilogue and Afterpiece By Particular Desire. Receipts: #140 (Cross)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Miss in Her Teens

Dance: II: Louvre, Minuet-Master Simson, Miss Simson

4004
29 May 1759 @ Drury Lane Theatre

Event Comment: Benefit for Palmer, Bowers; We borrow'd Smith from Cov. Garden to do Osmyn Mr Mossop's Father being dead (Cross). [Genest suggests that this was Mossop's last appearance at dl.] Receipts: #180 (Cross)

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: The Apprentice

Dance: HHornpipe-Walker

4005
30 May 1759 @ Drury Lane Theatre

Event Comment: Benefit for Foley and Veil. We borrow Ridout for Ld Morelove (Cross). Receipts: #200 (Cross)

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: The Virgin Unmask'd

Dance: HHornpipe-Walker

4006
31 October 1759 @ Drury Lane Theatre

Event Comment: Farce hiss'd (Cross). The Confederacy is oblig'd to be deferr'd a few days (playbill). [Goldsmith in The Bee (Vol. 1759, p. 154) comments on the farce: "Too narrow a plan...The poor affecting the manners of the rich might be carried on through one character or two, at the most, with great propriety; but to have almost every personage on the scene almost of the same character, was unartful in the poet to the last degree." He laments the barrenness of incident, but admits one or two scenes are "fine satire and sufficiently humorous...Whatever defects there might be in the composition, there were none in the action; in this the performers shewed more humour than I had fancied them capable of."] Receipts: #160 (Cross)

Performances

Mainpiece Title: The Mourning Bride

Afterpiece Title: High Life Below Stairs

4007
01 November 1759 @ Drury Lane Theatre

Event Comment: Farce not so much hiss'd (Cross). This month published A Defence of Mr Garrick in Answer to the Letter Writer [See 13 Oct.], 37 pp. [Closes with the paragraph: "Nor need I take notice of your accusation against the manager for his neglect in the Decorations of the Scenery, since it is notorious to everyone who has eyes, that the scenes at Drury Lane are as well adapted to the Representations, and as well executed, as any Covent Garden can boast of (though you are pleased to assert the contrary) Pantomimical Decorations not excepted."] Receipts:#100 (Cross)

Performances

Mainpiece Title: Merope

Afterpiece Title: High Life Below Stairs

4008
09 November 1759 @ Drury Lane Theatre

Event Comment: Mainpiece: Not acted in 25 years (playbill); went off very well (Cross). Receipts: #160 (Cross). High Life Below Stairs published (Winston MS 8)

Performances

Mainpiece Title: Woman Is A Riddle

Afterpiece Title: High Life Below Stairs

Dance: TThe Swiss, as17591108

4009
01 December 1759 @ Drury Lane Theatre

Event Comment: Great Alterations in Oroonoko by Dr Hawksworth -Garr: did Or (Cross). Receipts: #180 (Cross)

Performances

Mainpiece Title: Oroonoko

Afterpiece Title: The Anatomist

4010
05 December 1759 @ Drury Lane Theatre

Event Comment: Benefit for ye Marine Society (Cross). Part of Pit laid into Boxes. Receipts: #200 (Cross). [The Prologue is in Larpent MS 163: @"Ye sons of Freedom view this little Band@They owe their safety to your giving hand@Snatch'd from the paths of vice and branded shame@You ope the door to Honesty and Fame..."@ The Prologue is printed in the British Magazine, Jan., 1760.

Performances

Mainpiece Title: Zara

Afterpiece Title: The Male Coquette

4011
14 December 1759 @ Drury Lane Theatre

Event Comment: Afterpiece: An English Burtetta from the Italian. Music by Sig Adolfo Hasse (playbill). Burletta Damn'd (Cross). Acted but once and not printed (Genest, IV, 579). Mainpiece: By Particular Desire. Receipts: #140 (Cross)

Performances

Mainpiece Title: Zara

Afterpiece Title: The Tutor

4012
15 December 1759 @ Drury Lane Theatre

Event Comment: Receipts: #180 (Cross). [Cross suggests The Tutor as afterpiece, but Public Advertiser and playbill list Love a-la-Mode.

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: Love a-la-Mode

4013
31 December 1759 @ Drury Lane Theatre

Event Comment: Went off with applause (Cross). Afterpiece: a New Pantomime after the Manner of the Italian Comedy, with New Scenes, Habits, Decorations. Nothing under Full Prices will be taken. No Gentleman can possibly be admitted behind the Scenes or into the Orchestra, on account of the Machinery and Music. The Music composed by Dr Boyce. The Songs will be printed, and deliver'd at the doors. Receipts: #200 (Cross)

Performances

Mainpiece Title: The London Merchant; Or, The History Of George Barnwell

Afterpiece Title: Harlequin's Invasion; or, A ChristmasGambol

4014
08 January 1760 @ Drury Lane Theatre

Event Comment: Mr Berry dy'd (Cross). Receipts: #170 (Cross). British Chronicle; 8 Jan. 1760. (Winston MS 8): Died Mr Edward Berry in Russel St., Covent Garden, 53 years one of the comedians of tr dl. On this Sunday the body was interr'd in the Cemetery of St Martin's Church. The loss of so worthy a man was expressed by those present. His only daugher is to [....] with the following inscription to his memory, to whom he has left his fortune worth about #1000: @Epitaph@Here lies the remains of@Edward Berry@Who lived@With public applause and private esteem@The former he acquired as@An Excellent Comedian, the latter as an@Honest Man. 8 Jan 1760 Aet 5s.@Light lie the turf, what tho' no breathing Bust@Of mimic Marble dignifie thy dust?@Yet filial sorrow pays the Dudeous Tear@And heartworn Friendship heaves a Sigh sincere.@Pleas'd may thy shade these humble rites receive@The last sad tribute gratitude can give@

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: Harlequin's Invasion

4015
16 January 1760 @ Drury Lane Theatre

Event Comment: Benefit for the Unhappy Sufferers by the late Dreadful Fire in King's Stredt, Covent Garden (playbill). We gave our Night's pay for ye Sufferers by the fire in King's Street Covent Garden Sun: ye 23d. of Dec. (Cross). Sisters diner at Mrs B's. I slept [slipt?] in after the play at Drury Lane & see them in the Gallery, where I had a few words with Mr Williams (Hailey, "Brietzcke Diary," Vol. 197, p. 69). Receipts: #200 (Cross)

Performances

Mainpiece Title: The Wonder

Afterpiece Title: The Mock Doctor

4016
17 January 1760 @ Drury Lane Theatre

Event Comment: This was Mr Macklin's Night, as Author of the Farce (Cross). Amphitheatre on stage (Winston MS 8). A full house to Mr Macklin's Benefit & his new Farce of Love a la Mode (Hailey, Brietzcke Diary, Vol. 197, p. 69). Receipts: #304 15s. (Cross)

Performances

Mainpiece Title: The Refusal

Afterpiece Title: Love a-la-Mode

4017
23 January 1760 @ Drury Lane Theatre

Event Comment: [No receipts in Cross; this is the last entry in the hand of Richard Cross. Estimated receipts cease.

Performances

Mainpiece Title: Douglas

Afterpiece Title: Love a-la-Mode

4018
25 May 1772 @ Drury Lane Theatre

Event Comment: Benefit for Jacobs, Griffith, Mrs Cross and Mrs Millidge. Paid Master Thomson 11 nights (23rd Inst. incl.) #2 15s.; Black Lyon Bill #3 19s. 2d. (Treasurer's Book). Tickets deliver'd for Benefit of Follett, Mas. Cape, Costin and Miss Berkly will be taken. Receipts: #233 18s. 6d. Charges: #74 14s. Profits to Jacobs, Griffith, Mrs Cross, Mrs Millage: #159 4s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Way To Keep Him

Afterpiece Title: Harlequin's Invasion

Song: II: The Soldier Tir'd-Mrs Wrighten

Entertainment: V: Bucks Have at Ye All-Master Cape

4019
21 May 1773 @ Drury Lane Theatre

Event Comment: Benefit for Jones, Walker, Mrs Simson and Mrs Cross. Paid tallow chandler's 9th Bill #34 12s. 9d. (Treasurer's Book). [The pantomime charges of #10 10s. were deducted by order of the managers according to a marginal note in the Treasurer's Book, so actual charges were only #64 4s.] Receipts: #175 14s. 6d. Charges: #74 14s. Profits to Jones, Walker, Mrs Simson and Mrs Cross: #100 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Hypocrite

Afterpiece Title: The Elopement

Ballet: II: The Drunken Peasant. As17730517, but Drunken Peasant-Phillips

4020
24 May 1776 @ Drury Lane Theatre

Event Comment: Benefit for Mrs Love, Mrs Cross, and Mrs Millidge. Last time of performing both pieces this season. Afterpiece: By Desire. Tickets delivered for Macbeth, on Monday the 13th, and by Garland, Walker, L'Englois, and Mas. Pulley will be taken. This Benefit was fix'd and advertised for Macbeth on Tuesday the 21st but as Mr G., wanted that day to play himself he gave them the above Play and Farce as a Recompense for their coming later they had a very great House (Hopkins Diary). Rec'd stopages #9 9s. Receipts: #105 6d. Charges: #84. Profits to Mrs Love, Mrs Cross, and Mrs Millidge: #21 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Runaway

Afterpiece Title: The Jubilee

Dance: A Hornpipe-Walker

4021
11 February 1777 @ Haymarket Theatre

Event Comment: By authority [of the Lord Chamberlain]. At the Desire of the most noble Order of Bucks. Benefit for West and Johnson. Tickets to be had of West at the Black Lion, Russel-street; of Johnson at the Golden-cross, Charing-cross. Tickets delivered by Comerford will be receiv'd. Doors to be opened at 5:00. To be begin exactly at 6:30. [Mrs West was from the China Hall, Rotherhithe. Author of Prologue unknown.

Performances

Mainpiece Title: King Henry Iv; With The Humours Of Sir John Falstaff

Afterpiece Title: The Deuce is in Him

Entertainment: End: Imitations-Gentleman [unidentified]

4022
31 March 1778 @ Haymarket Theatre

Event Comment: By Permission [of the Lord Chamberlain]. Benefit for Follet, Smith & T. Smith, late of the Bear, Westminster-bridge. Tickets to be had of Follet, No. 20, Little Wild-street, Lincoln's-inn-fields; of T. Smith at the Golden Cross, Charing Cross. T. Smith hopes to be honoured with the company of his brother Free Masons, Bucks, &c., Gentlemen of the Welsh Society, Hereford Society and West-moreland Society

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: The Mayor of Garratt

Song: Between Acts: Singing, particularly Black Ey'd Susanthe new Hunting Song-T. Smith

Entertainment: Monologue.End: The Farmer's Blunder-Follet

4023
29 October 1661 @ The City, London

Event Comment: Edition of 1661: By the Worshipful Company of Grocers. Evelyn, Diary: I saw the Lord Major passe in his Water Triumph to Westminster being the first solemnity of this nature after 20 years. Pepys, Diary: I was (after office was done) ready to go to my Lord Mayor's feast, as we are all invited; but the Sir Williams were both loth to go, because of the crowd, and so none of us went....This Lord Mayor, it seems, brings up again the custom of Lord Mayors going the day of their instalment to Paul's, and walking round about the Cross, and offering something at the altar

Performances

Mainpiece Title: London's Triumphs

4024
10 November 1662 @ Charing Cross

Event Comment: Pepys, Diary: And taking my wife up, carried her to Charing Cross, and there showed her the Italian motion, much after the nature of what I showed her a while since in Covent Garden. Their puppets here are somewhat better, but their motions not all

Performances

Mainpiece Title: Puppets

4025
24 October 1667 @ Charing Cross

Event Comment: Pepys, Diary: [After looking in at lif], to Charing Cross, there to see Polichinelli. [It being begun, Pepys did not stay. See Speaight, English Puppet Theatre, p. 75.

Performances

Mainpiece Title: Puppetry