SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Courts"/1) | (@(roleclean,performerclean) "Courts")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 582 matches on Event Comments, 131 matches on Roles/Actors, 64 matches on Performance Title, 41 matches on Performance Comments, and 0 matches on Author.

Performances

Mainpiece Title: The Beggar's Opera

Afterpiece Title: The Upholsterer

Dance: TThe Female Archer, as17661215

Performances

Mainpiece Title: The Provoked Husband

Afterpiece Title: A Duke and no Duke

Dance: III: A Serious Dance-; End: Hornpipe-Miss Froment

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Orpheus and Eurydice

Performances

Mainpiece Title: Mahomet

Afterpiece Title: Harlequin Dr Faustus

Performances

Mainpiece Title: Artaxerxes

Afterpiece Title: Queen Mab

Dance: I: A New Pantomime Dance, as17681116

Event Comment: Paid Porters at Several Inns of Courts their Christmas Boxes #3 11s. 6d. (Account Book). Receipts: #229 13s. 6d. (Account Book)

Performances

Mainpiece Title: Cyrus

Afterpiece Title: Apollo and Daphne

Performances

Mainpiece Title: The School For Rakes

Afterpiece Title: The Devil to Pay

Dance: I: The Wake, as17680929

Performances

Mainpiece Title: The Brothers

Afterpiece Title: The Contrivances

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: Thomasand Sally

Dance: IV: The Lamplighters, as17691005

Performances

Mainpiece Title: Macbeth

Afterpiece Title: Midas

Performances

Mainpiece Title: A Word To The Wise

Afterpiece Title: Hob in the Well

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: The Country Madcap

Dance: End: New Pantomime Dance, as17701205

Performances

Mainpiece Title: The School For Rakes

Afterpiece Title: The Institution of the Garter; or, Arthur's Round Table Restored

Performances

Mainpiece Title: Oroonoko

Afterpiece Title: The Fairy Prince

Dance: IV: Comic Dance, as17711031

Performances

Mainpiece Title: The Miser

Afterpiece Title: The Padlock

Song: II: By Particular Desire The Rapture-DuBellamy

Performances

Mainpiece Title: The Provok'd Husband

Afterpiece Title: A Trip to Scotland

Performances

Mainpiece Title: Elfrida

Afterpiece Title: Cross Purposes

Monologue: Before: New Occasional Prelude. As 27 Oct. 1772

Performances

Mainpiece Title: The West Indian

Afterpiece Title: The Sylphs

Performances

Mainpiece Title: Sethona

Afterpiece Title: The Note of Hand

Performances

Mainpiece Title: The Choleric Man

Afterpiece Title: Hob in the Well

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Druids

Event Comment: The People flock'd about the doors by Two o'clock. there never was a greater Overflow-Mr G. was never happier in Lear -the Applause was beyond description 3 or 4 loud Claps Succeeding one another at all his exits and many Cry'd out Garrick for Ever &c., &c. House (Hopkins Diary). [Kemble's note differs slightly.] Paid Mr Short, Chorus Singer #1 10s. (Treasurer's Book). Hannah More wrote to Mrs Gwatkin: The eagerness of the people to see Garrick is beyond anything you can have an idea of. You will see half a dozen duchesses and countesses a night in the upper boxes: for the fear of not seeing him at all, has humbled those who used to go, not for the purpose of seeing but being seen; and they now courtsy to the ground for the worst places in the house" (Hampden, Journal). [Letter to David Garrick, Esq on his appearance in Lear last night 13 May: The correspondent who signs himself Stock Fish and who claims to have been one of the survivors of the Black Hole of Calcutta, and who took a young lady from the country to see Garrick's last performance, blames him for endangering the lives of his majesties subjects for not providing proper bars, lanes, and queue lines to handle the crowds: "I went with intention to get into the Pit as the most eligible Part of the House (for your Boxes are always engag'd) and we got to the Door in Vinegaryard about five o'clock. Here the Passage to the first Door was too full for me to entertain any Hopes of getting in that Way, we therefore made for Catharine-street but the Multitudes of People waiting for the Opening of the Gallery-doors, rendered it impossible for us to get along through the Court; we therefore made a Circuit, and at length arrived opposite the Door in Catharine-street, where it was with Difficulty we could keep our Stands on a Foot Pavement....You will be absolutely inexcusable, if after this Warning you neglect to adopt some Method for the Security of the Lives of his Majesties Subjects on similar Occasions.--What think you of the following Scheme, viz. To keep the outer Doors next the Street shut, till the inner ones are opened ; and then, by a Proper bar, to prevent more than one at a Time entering, who shall there pay Entrance-money, and receive the Tickets of Admission through the inner Doors' (Public Advertiser 18 May).] Receipts: #308 1s. (Treasurer's Book)

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Spleen

Performances

Mainpiece Title: The Gentle Shepherd

Afterpiece Title: The Prejudice of Fashion

Song: End: The Birks of Invermay-the Lady who performs Peggy

Performances

Mainpiece Title: The Jealous Wife

Afterpiece Title: Bon Ton

Dance: End I afterpiece: the Louvre Minuet, Allemande-the Miss Stageldoirs