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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Court of Bareith"/1) | (@(roleclean,performerclean) "Court of Bareith")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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672 results for: Keyword - Court of Bareith
We found 582 matches on Event Comments, 64 matches on Performance Title, 41 matches on Performance Comments, 0 matches on Author, and 0 matches on Roles/Actors.

51
22 February 1776 @ Haymarket Theatre

Performances

Mainpiece Title: Phoebe At Court

Song: A collection of Catches and Glees-under the direction of Dr Arne

Music: Between the interludes: Concerts on the Violin-Barthelemon who will lead the orchestra

52
05 March 1776 @ Haymarket Theatre

Performances

Mainpiece Title: Phoebe At Court

Song: A Collection of Catches and Glees directed by Dr Arne, as17760222

53
03 May 1776 @ Covent Garden

Performances

Mainpiece Title: Edward And Eleonora

Afterpiece Title: A Duke and no Duke

Dance: II: New Dance Call'd The Academy-; in which will be introduced the New Court Minuet, Rigadoon (never perform'd before)-Mas. Holland, Miss Armstrong; with a Minuet, Allemande-Mas. Dagueville, a Girl only 5 years old; to conclude with a new Cadrille-Sg and Sga Zuchelli, Dagueville, Sga Vidini; End: a New Dance call'd The Humours of the New@Market Races with all the usual performances,-Dagueville, Harris, Rudd, Mas. Holland, Miss Ross, Miss Armstrong, Sga Vidini; to conclude with the Pony Races-

54
03 April 1777 @ Drury Lane Theatre

Performances

Mainpiece Title: Love For Love

Afterpiece Title: The Milesian

Dance: End: The Court Minuet-Master Holland, Miss Armstrong; +Allemande-Master Holland, Miss Armstrong

55
02 May 1777 @ Drury Lane Theatre

Performances

Mainpiece Title: The Tempest

Afterpiece Title: All the World's a Stage

Dance: Dance of Spirits, as17770414; In IV: Grand Dance, as17770425; The Court Minuet, as17770403; Allemande, as17770403

56
22 May 1778 @ Covent Garden

Performances

Mainpiece Title: She Stoops To Conquer

Afterpiece Title: The Country Mad-Cap

Dance: End II: The Arts and Sciences, as17780509; in which an Assault-Master Dagueville, Master Holland; with a Minuet-Master Dagueville, Miss Bullock; Prince of Wales's New Court Minuet-Master Holland, Miss Simonet

57
23 February 1779 @ King's Theatre

Performances

Mainpiece Title: Zemira E Azore

Dance: II: Ballet connected with the Opera, by Genii of the various Arts- (See17790302 Pedal Harp-Hochbrucher; End II: new Ballet by Fairies of the Court of Azore,-Banti, Sga Tinti, LeDet, Henry, young Miss Simonet, Mlle Baccelli (1st appearance this season); End Opera: new serious Ballet, Le Couronnement de Zemire-Mons and Mme Simonet, Banti, Sg and Sga Zuchelli, Sga Tinti, Slingsby

58
20 April 1780 @ King's Theatre

Performances

Mainpiece Title: La Schiava

Dance: End I: New Minuet-Simonet (1st appearance this season), Mme Simonet; a Cossaque, as now danced at the Court of Versailles (the music by Gluck)-; End II: The Serenade Interrupted (composed by Simonet)-; in which a Pas de Deux-Simonet, Mlle Baccelli (the music by Noferi); End Opera: The Female Warriors- (composed by Simonet), which the Author hopes will meet with the satisfaction of the Nobility and Gentry, and the Ladies in particular, as this is intended to shew that the Fair Sex may with success improve in that kind of Exercise that seems confined only to the Men. The Ballets will be executed entirely by principal Dancers

59
28 August 1787 @ Haymarket Theatre

Performances

Mainpiece Title: Sir John Cockle, At Court

Afterpiece Title: The Village Lawyer

Afterpiece Title: The Ghost; or, The Man Bewitch'd

Song: End 2nd piece: the new Four@and@twenty Fiddlers all on a Row-Edwin

Entertainment: Monologue End: Lingo's Opinions on Men and Manners (a Comical, Whimsical, Operatical, Farcical Rhapsody)-Edwin

60
18 March 1790 @ Covent Garden

Performances

Mainpiece Title: The Toy; Or, Hampton-court Frolics

Performance Comment: Aircourt-Lewis; Alibi-Quick; Metheglen-Edwin; Sir Carrol O'Donovan-Aickin; Larry Kavanagh-Blanchard; Nol Pros-Powel; Young O'Donovan-Holman (1st appearance in that character); Sophia-Mrs Martyr (1st appearance in that character); Kitty Kavanagh-Mrs Webb; Lady Arable-Mrs Bernard; Fib-Miss Stuart; Lady Jane-Miss Brunton.
Cast
Role: Aircourt Actor: Lewis

Afterpiece Title: The Flitch of Bacon

Dance: As17891125

61
20 May 1790 @ Drury Lane Theatre

Performances

Mainpiece Title: The Inconstant

Afterpiece Title: The Court of Apollo [i

Afterpiece Title: Comus

62
30 November 1790 @ Covent Garden

Performances

Mainpiece Title: The Toy; Or, Hampton Court Frolics

Performance Comment: Aircourt-Lewis; Alibi-Quick; Methegen (1st time)-Wilson; Sir Carrol O'Donovan-Aickin; Larry Kavanagh-Blanchard; Nol Pros-Powel; Young O'Donovan-Holman; Sophia (1st time)-Mrs Harlowe; Kitty Kavanagh-Mrs Webb; Lady Arable-Mrs Bernard; Fib-Miss Stuart; Lady Jane-Miss Brunton.
Cast
Role: Aircourt Actor: Lewis

Afterpiece Title: A Divertisement

Cast
Role: Miss Courtney Actor: Miss Brunton

Dance: As17901123

63
17 May 1791 @ Covent Garden

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: The Follies of a Day

Dance: As17910428

Song: End: Catches and Glees: When Arthur first in court began, Jack thou'rt a toper-Incledon, Reeve, Blanchard; To be jovial and gay-Johnstone; The Siege of Troy (Dibdin)-Johnstone; Goody Groaner (Dr Harington)-Incledon, Reeve, Blanchard; Sir you're a comical fellow-; Let's sing old Rose and burn the Bellows-

64
18 May 1791 @ Drury Lane Theatre

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: The Court of Apollo [i

Afterpiece Title: The Pannel

65
10 April 1792 @ Drury Lane at King's Theatre

Performances

Mainpiece Title: The Double Gallant

Afterpiece Title: The Court of Apollo [i

Afterpiece Title: The Critic

66
11 May 1792 @ Covent Garden

Performances

Mainpiece Title: The Winter's Tale

Afterpiece Title: The Irishman in London

Afterpiece Title: The Golden Pippin

Song: In 2nd piece: As17920421; End II: a Selection of the most favourite Catches and Glees from Harrison and Knyvett's Vocal Concert-; O let the merry peal go on-(Danby); When Arthur first in Court began-(Callcott); Tweedside What beauties does Flora-(Corfe); Come let us all a Maying go-(Hilton)

67
11 June 1793 @ King's Theatre

Performances

Mainpiece Title: Odenato And Zenobia

Dance: End I: Le Jaloux Puni, as17930601 but Mlle _Gardel, Master Menage; +The Court Minuet-Favre Gardel, Mlle Millerd; a new Pas Seul-Mlle Hilligsberg

Ballet: End Opera: Iphiginia in Aulide. As17930423, but Achilles-Favre Gardel; Egisthus-Aumer? [see17930615 and 17930618

68
30 November 1793 @ Covent Garden

Performances

Mainpiece Title: The Toy; Or, Hampton Court Frolics

Performance Comment: Aircourt-Lewis; Alibi-Quick; Methegen (1st time)-Wilson; Sir Carrol O'Donovan-Aickin; Larry Kavanagh-Blanchard; Nol Pros-Powel; Young O'Donovan-Holman; Sophia (1st time)-Mrs Harlowe; Kitty Kavanagh-Mrs Webb; Lady Arable-Mrs Bernard; Fib-Miss Stuart; Lady Jane-Miss Brunton.
Cast
Role: Aircourt Actor: Lewis

Afterpiece Title: A Divertisement

Dance: As17931123

69
19 March 1796 @ Covent Garden

Performances

Mainpiece Title: The Lie Of The Day; Or, A Party At Hampton Court

Performance Comment: Principal Characters-Lewis, Quick, Fawcett, Harley, Middleton, Knight, Miss Chapman, Mrs Davenport, Miss Wallis. [Cast from text (T. N. Longman, 1800), and Genest, VII, 268: Aircourt-Lewis; +Alibi-Quick; +Metheglin-Fawcett; +Sir Carrol O'Donovan-Harley; +Young O'Donovan-Middleton; +Larry Kavanagh-Knight; +Povot-Simmons; +Footman-Blurton; +Lady Arable-Miss Chapman; +Katty Kavanagh-Mrs Davenport; +Sophia-Miss Wallis; +Fib-Mrs Watts.]
Cast
Role: Aircourt Actor: Lewis

Afterpiece Title: Catharine and Petruchio

Afterpiece Title: Harlequin's Treasure 0

Afterpiece Title: Harlequin's Treasure 1

Afterpiece Title: Harlequin's Treasure 2

70
13 April 1798 @ Covent Garden

Performances

Mainpiece Title: The Raft

Afterpiece Title: The Lie of the Day; or, A Party at Hampton Court

Performance Comment: Aircourt-Lewis; Alibi-Quick; Metheglin-Fawcett; Larry Kavanagh-Knight; Sir Carrol O'Donovan-Waddy; Young O'Donovan-Clarke; Pavot-Simmons; Waiter-Abbot; Lady Arable-Miss Chapman; Katty Kavanagh-Mrs Davenport; Fib-Mrs Watts; Sophia-Miss Mansel.
Cast
Role: Aircourt Actor: Lewis

Afterpiece Title: Harlequin's Return

71
18 May 1799 @ Covent Garden

Performances

Mainpiece Title: The Iron Chest

Afterpiece Title: Catherine and Petruchio

Afterpiece Title: Tell Truth and Shame the Devil

Song: End: Mad Tom-Betts (1st appearance on the stage); Young William-Incledon; The Golden Days-Munden; The Tight Little Island-Townsend; The Wind blew fresh and fair-Townsend

Music: End I 1st piece: Concerto Clarionet-Orsato (of the Theatre Royal Venice; 1st appearance in this Metropolis); a duetto solo by means of the Pression and Repercussion of the Air-Orsato This his curious Discovery has received the greatest Applause in most of the Courts

72
31 May 1799 @ Covent Garden

Performances

Mainpiece Title: The Lie Of The Day; Or, A Party At Hampton Court

Performance Comment: Aircourt-Lewis; Alibi-Munden (1st appearance in that character); Metheglin-Fawcett; Larry Kavanagh-Knight; Sir Carrol O'Donovan-Waddy; Young O'Donovan-Clarke; Lady Arable-Miss Chapman; Katty Kavanagh-Mrs Davenport; Fib-Mrs Watts; Sophia (1st time)-Mrs Litchfield.
Cast
Role: Aircourt Actor: Lewis

Afterpiece Title: Lock and Key

Afterpiece Title: The Midnight Hour

Song: End II: The Death of Admiral Benbow-Incledon; End: a song-Townsend; End I 2nd piece: The Snug Little Island-Townsend; End 2nd piece: Old Towler-Incledon

Entertainment: Monologue Alexander's Feast-Mrs Litchfield

73
14 September 1664 @ The (first) Drury Lane Theatre

Event Comment: The King's company. On 31 Aug. or 1 Sept. 1664 Orrery wrote to Sir Henry Bennett: Ther was noe Play of myne Acted, they are now but Studyinge it; I hope within less then a Fortnight twill be on ye Theater And if you are not surfetted, with what of mine you have already seene [Henry V], I will beg ye honour to wait on you when tis Acted (see The Dramatic Works of Roger Boyle, ed. W. S. Clark@II [Cambridge, Mass., 1937], 1, 102). The play is also on the list of Herbert, Dramatic Records, p. 138. Boswell, Restoration Court Stage, p. 281, lists it among the plays given at court, but Sir Heneage Finch's note (see below) seems to indicate an afternoon performance. Sir Heneage Finch to Sir Edward Dering, 15 Sept. 1664: Yesterday was acted, in the Greatest and noblest presence wch ye Court can make, before ye fullest Theatre, & with the highest applause imaginable, my Lo Orerys new play calld ye Generall formerly acted in Ireland by the name of Altamira, but much altered & improved. From thence the whole Court went to Wallingford house, where the Earl of Arran and the Lady Mary Stuart were that night before Supper marryd in the Gallery (Dramatic Works of Roger Boyle, I, 103, from Stowe MS 744 f. 81)

Performances

Mainpiece Title: The Generall

74
16 February 1675 @ Whitehall or St. James's

Event Comment: On this date the masque was certainly acted, and the possible performance on 15 Feb. 1674@5 may have been a final rehearsal. Newdigate newsletters (Folger Shakespeare Library): This day the great maske at court is publiquely acted wch is intended to exceed all others of that Nature, the 2 young Princesses, the Duke of Monmouth & all ye principall persons of quality abt ye Court having parts in it (Wilson, Theatre Notes, p. 79). The Bulstrode Papers (1, 277): 15 Feb. 1674@5: To-morrow the great mask at Court is to be publickly acted in all its bravery and pompe, the like of whch was never yett seene, all the greatest persons of quality about Court having pts in it

Performances

Mainpiece Title: Calisto

Afterpiece Title: Calisto's Additional performers

75
26 February 1661 @ Whitehall or St. James's

Event Comment: Edward Gower to Sir R. Leveson, 26 Feb. 1660@1: No more plays at court after this night, and but three days this week at the playhouse (HMC, 5th Report, 1876, p. 202). Boswell (Restoration Court Stage, p. 279) accepts this as evidence that a play was acted at Court on this night. As this was Shrove Tuesday, Gower's statement may well reflect the restrictions upon plays during Lent

Performances