SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Countess of Suffolk"/1) | (@(roleclean,performerclean) "Countess of Suffolk")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 226 matches on Performance Comments, 128 matches on Event Comments, 51 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: TThe Countess of Salisbury oblig'd to be deferr'd on Account of Barry's Indisposition

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Padlock

Dance: I: Hearts of Oak-Giorgi, Mrs King

Event Comment: Benefit for Bensley. Mainpiece: By Desire. Tickets for The Countess of Salisbury will be admitted

Performances

Mainpiece Title: The Distress'd Mother

Afterpiece Title: Cross Purposes

Dance: End Tragedy: The Frolick, as17741214

Event Comment: The People flock'd about the doors by Two o'clock. there never was a greater Overflow-Mr G. was never happier in Lear -the Applause was beyond description 3 or 4 loud Claps Succeeding one another at all his exits and many Cry'd out Garrick for Ever &c., &c. House (Hopkins Diary). [Kemble's note differs slightly.] Paid Mr Short, Chorus Singer #1 10s. (Treasurer's Book). Hannah More wrote to Mrs Gwatkin: The eagerness of the people to see Garrick is beyond anything you can have an idea of. You will see half a dozen duchesses and countesses a night in the upper boxes: for the fear of not seeing him at all, has humbled those who used to go, not for the purpose of seeing but being seen; and they now courtsy to the ground for the worst places in the house" (Hampden, Journal). [Letter to David Garrick, Esq on his appearance in Lear last night 13 May: The correspondent who signs himself Stock Fish and who claims to have been one of the survivors of the Black Hole of Calcutta, and who took a young lady from the country to see Garrick's last performance, blames him for endangering the lives of his majesties subjects for not providing proper bars, lanes, and queue lines to handle the crowds: "I went with intention to get into the Pit as the most eligible Part of the House (for your Boxes are always engag'd) and we got to the Door in Vinegaryard about five o'clock. Here the Passage to the first Door was too full for me to entertain any Hopes of getting in that Way, we therefore made for Catharine-street but the Multitudes of People waiting for the Opening of the Gallery-doors, rendered it impossible for us to get along through the Court; we therefore made a Circuit, and at length arrived opposite the Door in Catharine-street, where it was with Difficulty we could keep our Stands on a Foot Pavement....You will be absolutely inexcusable, if after this Warning you neglect to adopt some Method for the Security of the Lives of his Majesties Subjects on similar Occasions.--What think you of the following Scheme, viz. To keep the outer Doors next the Street shut, till the inner ones are opened ; and then, by a Proper bar, to prevent more than one at a Time entering, who shall there pay Entrance-money, and receive the Tickets of Admission through the inner Doors' (Public Advertiser 18 May).] Receipts: #308 1s. (Treasurer's Book)

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Spleen

Event Comment: The Countess of Salisbury [announced on playbill of 15 Aug.] cannot be performed on account of the Indisposition of Palmer

Performances

Mainpiece Title: Douglas

Afterpiece Title: Fire and Water

Event Comment: [The playbill announces as mainpiece The Countess of Salisbury, but the Kemble playbill deletes it. The Account-Book also deletes it, and lists the substitute play. Public Advertiser, 10 Mar.: The tragedy was "unavoidably deferred on account of the Indisposition of Mrs Siddons." Receipts: #144 17s. (121/16; 22/11; 0/5; tickets not come in: 0/5)

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: The Double Disguise

Dance: As17840308athi

Event Comment: Benefit for Mrs Jordan. Afterpiece [1st time; F 2, by Simon, based partly on La Bonne Mere, by Jean Pierre Claris deFlorian; incidental music by Johann Gottlieb Nicolai. Larpent MS 940; not published]: To conclude with a Rural Breakfast [a representation of that given by the Countess of Buckinghamshire for the Prince of Wales at her villa near London (Genest, VII, 53)], and a Dance by the Characters. Morning Herald, 31 Mar.: Tickets to be had of Mrs Jordan, No. 14, Somerset-street, Portman-square. Receipts: #548 9s. 6d. (216.8.6; 30.2.0; 5.9.0; tickets: 296.10.0) (charge: #153 5s. 10d.)

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: The Village Coquette

Performances

Mainpiece Title: British Fortitude; Or, An Escape From France

Afterpiece Title: Curiosity

Performance Comment: Principal Characters-Holman, Murray, Whitfield, Johnston, Mrs Pope, Miss Chapman, Miss Mansel, Miss Betterton; [Larpent MS lists the parts: Count Almerstan, Thurston, Siddolph, Goran, Countess, Lady Anne, Lady Almanda, Eva.] Prologue-Holman; Epilogue-Miss Betterton.

Afterpiece Title: Lock and Key

Event Comment: Benefit Poitier, Petit-Maitre. At the Desire of several Ladies of Quality. Tickets at Poitier's, at Mr Rainaud's, Great Suffolk Street. Receipts: money #64 6s.; tickets: #77 8s

Performances

Mainpiece Title: Othello, Moor Of Venice

Dance: I: Pastoral-Vallois, lately arrived from the Opera at Paris, the first Time of his dancing in England; a Scholar to M Marcelle; II: Wooden Shoe Dance-Poitier; Serious Dance-Poitier, Mrs Laguerre; III: Sicilian Dance-Glover, Mrs Pelling; (at Desire) Two Pierrots-Poitier, Pelling; IV: Highlander and his Mistress-Salle, Mrs Laguerre; V: A new Peasant Dance-Poitier, Mrs Laguerre

Music: Grand Concert of Water Musick by Mr Randal [Handel?]-; [in which Poitier will beat the Kettle@Drums-Poitier

Performances

Mainpiece Title: Henry Viii

Performance Comment: As17321111 (Daily Post, 2 Feb.; issue of 5 Feb. missing), but Suffolk-_; Chancellor-_; Chamberlain-_; Abergavenny-_; Cromwell-_; Katherine-Mrs Porter.
Event Comment: Benefit Poitier. [Tickets at Poitier's Lodgings, the Door before the New Bagnio in Great Suffolk Street, near the Haymarket.

Performances

Mainpiece Title: The Spanish Fryar

Afterpiece Title: The King and the Miller of Mansfield

Song: TThe Noontide Air (from Comus)-Beard

Music: Preamble on the Kettle Drums-Poitier

Dance: Poitier

Event Comment: Benefit for a Widow Gentlewoman under great Misfortunes (Cross). Tickets to be had of Mr Harrache, Jeweller, at the Golden Ball and Pearl, in Pall Mall; Mrs Brooksry@Milliner, at the Lace Lappet in Pall Mall; or Mr Ridler, Hosier, at the Crown in Suffolk St., near the Hay-Market, and at the stage Door. Receipts: #160 (Cross)

Performances

Mainpiece Title: The Earl Of Essex

Afterpiece Title: The Devil to Pay

Dance: PPantomime Dance-children, as17551203

Event Comment: Benefit for Weston and Mrs Daly. Tickets to be had of Mrs Daly at Mr Allen's in Great Suffolk St., near the Haymarket; and of Mr Weston, in Monmouth Court, Hedge Lane, Charing Cross

Performances

Mainpiece Title: The Beaux Stratagem

Afterpiece Title: The Contented Cuckold

Dance: Master Clinton, Miss Street

Event Comment: Benefit for Mrs Bellamy. Tickets to be had of her Two Doors beyond the Rising Sun in Great Suffolk St; and of Mr Sarjant at the Stage-Door. Charges #64 5s. [Profit to Mrs Bellamy #33 16s. 6d. plus #102 1s. from Tickets (Box 251; Pit 262)] (Account Book). Receipts: #98 1s. 6d. (Account Book)

Performances

Mainpiece Title: Cleone

Afterpiece Title: The Upholsterer

Dance: End: The Village Romps, as17661008

Event Comment: Benefit for Rauzzini. Opera: With Alterations, New Songs, and grand Chorusses. The Music by Rauzzini. Public Advertiser, 15 Feb.: Tickets to be had of Rauzzini, No. 5, Great Suffolk-street

Performances

Mainpiece Title: L'ali D'amore

Dance: End I: La Force de l'Amour, as17761214; End II: Comic Ballet, as17770204; End Opera: Serious Ballet, as17770225

Event Comment: Benefit for Sga Sestini. A new Comic Opera [usually entitled L'Isola di Alcina]; the Music by Gazzaniga. Public Advertiser, 27 Mar.: Tickets to be had of Sga Sestini, No. 8, Great Suffolk-street, Hay-market

Performances

Mainpiece Title: Alcina

Dance: As17770313

Song: With the Alterations of two new songs-Sga Sestini; a favourite one-Sga Sestini

Event Comment: Ladies and Gentlemen who have taken Places are desired to send their Servants to the Door in Suffolk-Street by Five o'Clock

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Polly Honeycombe

Dance: As17770611

Event Comment: Benefit for Rauzzini. The last Opera this Season. Part of the Figurants being gone to Paris, the Dances will be given in the best manner possible, and hope for the Indulgence of the Audience. Tickets to be had of Rauzzini, No. 5, Suffolk-street

Performances

Mainpiece Title: L'ali D'amore

Dance: End I: La Clochette, as17770617, but omitted: Sga Zuchelli; End II: Minuet de la Cour, as17770508; End Opera: Serious Ballet-Mons and Mme Simonet, Vallouy@le@cadet, Mlle Baccelli

Song: Preceding last ballet: Address of Thanks (composed for the occasion by Rauzzini)-Rauzzini, Miss Storace

Event Comment: Benefit for Sga Danzi. Tickets to be had of Sga Danzi, No. 8, Suffolk-street, Charing-cross

Performances

Mainpiece Title: Creso

Dance: As17780203

Song: II: new song, as17780305In II: a new song-Sga Danzi; accompanied on the hautboy-LeBrun

Event Comment: Mainpiece: Altered from [The Artful Wife, by William? Taverner. [1st time; C 3, by George Colman elder. Not in Larpent MS; not published; synopsis of plot in London Chronicle, 20 May. Public Advertiser, 19 May, notes that the Prologue was the same as that spoken on 15 May 1777. Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. Servants to keep Places are to be at the door in Suffolk-street by Five o'clock. The Doors to be opened at 6:00. To begin at 7:00 [same throughout season]. On account of the Performers employed at other Theatres the second Night of Representation cannot be till Thursday, the 21st inst. [On this night, the 18th, Baddeley's name is in the playbills at both dl and hay.

Performances

Mainpiece Title: The Female Chevalier

Afterpiece Title: Piety in Pattens

Dance: End I: The Merry Lasses-(see17780529); End: Provencalle Dance-Master and Miss Byrn

Event Comment: Benefit for Jewell, treasurer. Public Advertiser, 29 Aug.: Tickets to be had of Jewell, Suffolk-street

Performances

Mainpiece Title: The Provoked Wife

Afterpiece Title: The Apprentice

Dance: As17780624

Event Comment: Benefit for Sga Sestini. Tickets to be had of Sga Sestini, No. 8, Great Suffolk-street, Charing-cross

Performances

Mainpiece Title: La Buona Figliuola

Dance: End I: Les Oiseleurs, as17790123; End Opera: New Ballet, as17790227

Ballet: End II: Annette et Lubin. As17781124

Event Comment: Mainpiece: Written by Beaumont and Fletcher [and altered by George Colman elder]. The Music by Purcell. New Scenes, Dresses and Decorations. The Doors to be opened at 6:00. To begin at 7:00 [same throughout season]. Places for the Boxes to be taken of Rice at the Theatre. Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. Servants to keep places are to be at the Door in Suffolk-street by Five o'Clock

Performances

Mainpiece Title: Bonduca

Afterpiece Title: Nature Will Prevail

Dance: End: The Provencale-Master and Miss Byrn

Event Comment: Benefit for Jewell, treasurer. Tickets to be had of Jewell, in Suffolk-street. Mainpiece: Written by the late $S. Foote, Esq.

Performances

Mainpiece Title: The Devil Upon Two Sticks

Afterpiece Title: The Flitch of Bacon

Dance: As17790610

Event Comment: Benefit for Mme LeBrun. Tickets to be had of Mme LeBrun, No. 36, Great Suffolk-street

Performances

Mainpiece Title: L'olimpiade

Dance: End I: Grand Serious Ballet, as17800208; End II: La Bergere Coquete, as17800122; End Opera:

Event Comment: Benefit for Wilson. Tickets to be had of Wilson, Suffolk-street

Performances

Mainpiece Title: The Spanish Barber

Afterpiece Title: The Son-in-law