Event Comment: Lady Dorset attended a play. See Peregrine Bertie to the Countess of Rutland, 9 Jan. 1685@6 (HMC, 12th Report, Appendix, Rutland MSS., Part V, II, 101)

Event Comment: The United Company. Peregrine Bertie to the Countess of Rutland, 23 Jan. 1685@6: Today will be acted King and noe King, by the King's command; everybody is sending to keep places; next week begins the French opera (HMC, 12th Report, Appendix, Rutland MSS., Part V, Vol. II, p. 102)

Event Comment: The United Company. This performance is on the L. C. list, 5@147, p. 125. See also Nicoll, Restoration Drama, p. 350. Peregrine Bertie to the Countess of Rutland, 28 Jan. 1685@6: Last night was acted, the Chances at Whitehall, and to-night should have been a musicke meeting at Yorke Buildings, which I am jest now told is to bee put of till next weeke. The French Opera will begin the weeke after the next (HMC, 12th Report, Appendix, Rutland MSS., Part V, Vol. II, p. 102)

Event Comment: The United Company. Peregrine Bertie to the Countess of Rutland. 6 Feb. 1685@6: Thursday was acted Mithridates? for the Queen and Goodman played (HMC, 12th Report, Appendix, Rutland MSS., Part V, Vol. II, p. 104). [In L. C. 5@147, is a warrant to pay Mrs Barry for two plays-Valentinian and Mithridates-acted before the King and Queen, #40. The date of the warrant is 8 May 1686. If this warrant represents payment for this performance of Mithridates, probably Valentinian was acted in 1686.

Event Comment: The United Company. Peregrine Bertie to the Countess of Rutland, 6 Feb. 1685@6: Today is Othello (HMC, 12th Report, Appendix, Rutland MSS., Part V, Vol. II., p. 104)

Event Comment: Peregrine Bertie to the Countess of Rutland, 11 Feb. 1685@6: To-day was the French opera. The King and Queen were there, the musicke was indeed very fine, but all the dresses the most wretched I ever saw; 'twas acted by none but French. A Saturday the Court goes to another play, to take their leaves of those vanitys till after Lent (HMC, 12th Report, Appendix, Rutland MSS., Part V, Vol. II, p. 104). [This performance is on the L. C. list 5@147, p. 125: The King & Queene & a Box for ye Maydes of honor at ye French Opera [the charge for the royal box was increased from #20 to #25 on this occasion]. W. J. Lawrence conjectured that this French opera was Cadmus et Hermione and that Jacques Rousseau, a scene painter of Paris, provided the decor. See W. J. Lawrence, The French opera in London; A Riddle of 1686, TLS, 28 March 1936, p. 268

Event Comment: The United Company. The date of this Performance is stated as 16 Feb. (L. C. records) or 17 Feb. (Peregrine Bertie), but as Lent began on Wednesday 17 Feb., the performance probably occurred on Shrove Tuesday. This performance is on the L. C. list, 5@147, P. 125. See also Nicoll, Restoration Drama, p. 350. Peregrine Bertie to the Countess of Rutland, 17 Feb. 1685@6: To night will be the last play at court, they tell mee 'tis the Mocke Astrologer (HMC, 12th Report, Appendix, Rutland MSS., Part V, p. 105). John Povey to Sir Robert Southwell, 18 Feb. 1685@6: Sir, the enclosed had been sent last post, had it not been detained late by a play at Court which ended our Carnival. The night before the King and Queen were entertained by the Lord President at a ball or masque in Lady Portsmouth's lodgings. The Masquers were twelve couples whose habits were of several nations' and prescribed by a picture sent to each of them from the Queen, and the least habit cost !bove a hundred Pounds, and some above three hundred pounds, besides jewels of which Mrs Fox and some others had above thirty thousand pounds value each (Savile-Finch Correspondence, Add. Mss. 28,569; I owe this quotation to Professor John Harold Wilson)

Event Comment: The United Company. Peregrine Bertie to the Countess of Rutland, 6 March 1685@6: To day is acted Jevarns' new farse; Thursday was the first day. I must confess it is the strangest thinge I ever saw; 'twas mighty full the last time, and to day there is noe getting in (HMC, 12th Report, Appendix, Rutland MSS., Part V, Vol. II, p. 106). [Since Friday 5 March was a Friday in Lent, it is possible that the farce was not given on that day.

Event Comment: The United Company--Peregrine Bertie to the Countess of Rutland, 12 May 1688: We have had since my last another new play, a comedy writ by Shadwell, called the Esquire of Alsatia. It has been acted nine days successively, and on the third day the poet got 16l. more than any other poet ever did. When all this is granted, there is nothing in it extraordinary--except it is a Latin song--but the thing reason why it takes soe well is, because it brings severall of the cant words upon the stage which some in town have invented, and turns them into ridicule (HMC, 12th Report, Appendix, Rutland MSS., Part V, Vol. II, p. 119)

Event Comment: The United Company. The date of the premiere is not certain, but reference to it in the Gentleman's Journal, May 1693 (issued in June 1693), suggests that it appeared in May: We have had since my last a new Comedy called, The Female Vertuosos, something in it was borrowed from Moliere's Femmes Savantes, and as it hath Wit and Humour, it cannot but please in the perusal, as in the representation (p. 168). One song, Love thou art best of human joys, to words by Anne, Countess of Winchelsea, was set by Henry Purcell

Event Comment: Rich's Company. The date of the premiere is not known, but as the play was advertised in the Post Man, 25-27 May 1699, it may have been acted before Easter (9 April 1699), certainly by the end of April. Dedication, to the Countess of Burlington: I...beg your Ladyship's Protection for a Play which stands rank'd amongst the Unfortunate....[A song, Loving and beloved again, with music by Samuel Ackroyde, is in Mercurius Musicus, 1699.

Event Comment: By His Royal Highness's Command. [For the Princess' attendance at this play, see Diary of Mary Countess Cowper, pp. 46-47.

Event Comment: Benefit Johnson. The Diary of Mary Countess Cowper, pp. 103-4; She [Mrs Clayton] and Lady W. Powlett, and I went to the Play together, for the Benefit of Johnson, who is the best Comedian this Day upon the Stage, and I believe as true and good a Player as ever was in any Age, for the Parts that he plays

Event Comment: At the particular Desire of several Ladies of Quality. The Diary of Mary Countess Cowper, p. 153: At Night at the French Play with the Duchess of Shrewsbury. Everybody took Notice of the Scene of the Drawing-room

Event Comment: [Text by N. F. Haym. Music by G. F. Handel.] By Command Pit and Boxes at half a guinea. Gallery 5s. At 6:30 p.m. When the Tickets are dispos'd of, No Persons will be admitted for Money. The Diary of Mary Countess Cowper, p. 154: At Night, Radamistus, a fine Opera of Handel's Making. The King there with his Ladies. The Prince in the Stage-box. Great Crowd. Mainwaring, Handel, pp. 98-99: If the persons who are now living, and who were present at that performance may be credited, the applause it received was almost as extravagant as his Agrippina had excited; the crowds and tumults of the house at Venice were hardly equal to those at London. In so splendid and fashionable an assembly of Ladies (to the excellence of their taste we must impute it) there was no shadow of form, or ceremony, scarce inoeed any appearance of order or regularity, politeness, or decency. Many, who had forc'd their way into the house with an impetuosity but ill-suited to their rank and sex, actually Fainted through the heat and closeness of it. Several Gentlemen were turned back, who had offered forty shillings for a seat in the gallery, after having despaired of getting any in the pit or boxes

Event Comment: Benefit Francisque. By Their Royal Highness's Command. The Diary of Mary Countess Cowper, p. 172: In the Afternoon the Prince and Princess went to the French Play. A most dismal Performance. No Wonder People are Slaves who can entertain themselves with such Stuff

Event Comment: Admission as 7 Nov. 1722. Daily Journal, 25 Feb.: There sate in the Box with his Majesty the Countesses of Darlington and Sturember, the Audience was exceedingly great, and the Performance was very satisfactory

Event Comment: London Journal, 14 Dec.: The Duke and Duchess of Richmond, the Earl and Countess of Albemarle, and a great Number of Gentry were present. [See also 23 Nov.

Event Comment: Benefit the Author. Lady Elizabeth Compton to Countess of Northampton, 28 Nov.: Mr Buncombe's Brother has written a Play & last night was the Poetts night, I was there & I think he had a prodigious full house, especially considering that the Town is not near so full as it will be after Xmas. A Play comes out now with great disadvantage for 'twas sadly acted. MSS of Marquess Townshend, p. 244

Event Comment: Benefit Carlo Broschi Farinello. With several Alterations and Additions. Pit and Boxes, Places on the Stage, at Half a Guinea. N.B. Signor Farinello humbly hopes, that the Subscribers will not make use of their Tickets on this Occasion. The Stage will be in the same Manner as in the Assembly with a great Number of Benches. Mrs Pendarves to Mrs Granville, 15 March: Tonight is Farinelli's benefit; all the polite world will flock there, and go at four o'clock, for fear they should not be time enough. I don't love mobbing, and so I shall leave them to themselves. Daily Advertiser, 13 March: 'Tis expected that Signor Farinelli will have the greatest Appearance on Saturday that has been known. We hear that a Contrivance will be made to accommodate 2000 People. His Royal Highness the Prince of Wales has been pleas'd to give him 200 Guineas, the Spanish Ambassador 100, the Emperor's Ambassador 50, his Grace the Duke of Leeds 50, the Countess of Portmore 50, Lord Burlington 50, his Grace the Duke of Richmond 50, the Hon. Col. Paget 30, Lady Rich 20, and most of the other Nobility 50, 30 or 20 Guineas each; so that 'tis believ'd his Benefit will be worth to him upwards of 2000l

Event Comment: MMonticelli and all the singers and dancers of the opera go away next week, there being no more of these entertainments next winter. Mr. Handell having taken the House...to perform his Oratorios in all the next season.--Lady Ethelreda Townshend to Isabella, Countess of Denbigh, cited from Denbigh MS. in Deutsch, Handel, p. 592

Event Comment: Sunday the 21st about 4 in the afternoon I receiv'd an order form the Duke of Devonshire [Ld. Chamberlain] to Shut up the House 'till farther Notice, -Fryday 26th about eleven in ye Morn[in]g I receiv'd an Order from my Lord to open on the Monday following (Cross). Theatre clos'd from 20 January 1759 on account of the death of the Princess Royal of England, Countess Dowager of Holland & Governant of the United Provinces & of the Miny of the Stadholder (Winston MS 8)

Event Comment: By Command of His Majesty. The King is gone to the Play, which is King John; he has hardly ever bespoke any other than Shakespeare's historical plays, all which they say he has ordered to be revived, and takes great pleasure in (Charlotte Fermor to Countess of Pomfret.--Hist. MSS Com. Appendix to 7th report [London, 1879], p. 513)

Event Comment: Benefit for Mrs Barry. Mrs Barry hopes that those Ladies and Gentlemen who have taken places will be so good as to excuse the Alteration of the Play; as she has given the earliest notice in her power. N.B. Tickets deliver'd for the Countess of Salisbury will be taken

Event Comment: TThe Countess of Salisbury oblig'd to be deferr'd till Tuesday next