SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Count Alexander Pepoli"/1) | (@(roleclean,performerclean) "Count Alexander Pepoli")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 553 matches on Performance Comments, 451 matches on Performance Title, 130 matches on Event Comments, 52 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Antigonus

Performance Comment: Demetrius-Manzoli; Alexander-Tenducci; Antigonus-Ciprandi; Clearcus-Micheli; Berenice-Signora Scotti; Ismene-Signora Cremonini; Eudice-Miss Young.
Cast
Role: Alexander Actor: Tenducci

Dance: As17650105

Event Comment: Benefit for Charles Sarjant (book-keeper) and his Son (box-keeper). Tickets sold at doors not admitted. Afterpiece: For last time this season. Charges #89 6d. [Deficit to the Sarjants #11 16s., covered by income from tickets of #142 8s. (Box 346; Pit 260; Gallery 169).] Paid the Billsetters for Black Bills #4 10s. (Account Book). Receipts: #77 4s. 6d. (Account Book)

Performances

Mainpiece Title: The Rival Queens

Performance Comment: As17670323 but Alexander-Ross; Hephestion-R. Smith.

Afterpiece Title: The Dragon of Wantly

Dance: III: A New Tambourine(by Desire)-Mas. Blurton, as17670427 End: Double Hornpipe, as17670427

Ballet: End: The Wapping Landlady. As17670427

Performances

Mainpiece Title: Amintas

Performance Comment: Amintas-Tenducci; Alexander-Reinhold; Agenor-Mattocks; Thamitis-a young Lady, Scholar of Tenducci, her first appearance; Eliza-Mrs Mattocks.
Cast
Role: Alexander Actor: Reinhold

Music: I: Concerto on Hautboy-Fishar; II: Sonata on Violincello-Duport; First Violin, a Concerto-Barthelemon

Performances

Mainpiece Title: Oroonoko

Performance Comment: Aboan-Palmer; Governor-Usher; Stanmore-Davies; Hotman-Hurst; Blandford-Jefferson; Capt. Driver-Bransby; Imoinda-Miss Younge; Oroonoko-the Young Gentleman who Performed Alexander; Planters-Wright, Griffiths, Carpenter, Blanchard, Mrs Bradshaw; Slaves-Keen, Wheeler, Wrighten, Norris; I: a Dance of Slaves-Atkins, Como, Giorgi.

Afterpiece Title: The Election

Afterpiece Title: The Elopement

Performances

Mainpiece Title: The Minor

Afterpiece Title: The Life and Death of Tom Thumb the Great

Entertainment: Monologues.Preceding: Prologue to Barbarossa in the character of a Country Boy, containing an account of his Journey to London, his different Services there, first in the City, next with a Lord, then with a Lady, and last of all with a starved Poet-Master Russell; End I: a Scene from Lethe: Fine Gentleman-Master Russell; End II: an Harangue in a Tubafter the manner of the celebrated George Alexander Stevens-Master Russell; End: The Drunken Buck-Raymond

Performance Comment: Preceding: Prologue to Barbarossa in the character of a Country Boy, containing an account of his Journey to London, his different Services there, first in the City, next with a Lord, then with a Lady, and last of all with a starved Poet-Master Russell; End I: a Scene from Lethe: Fine Gentleman-Master Russell; End II: an Harangue in a Tubafter the manner of the celebrated George Alexander Stevens-Master Russell; End: The Drunken Buck-Raymond.

Performances

Mainpiece Title: A Jubilee In Commemoration Of Handel

Performance Comment: Overture from Samson. Scene I. Collins's Ode on the Passions read by Whitfield. In which will be introduced: From the dread scene (from Judas Maccabaeus) by Mrs Kennedy and Mrs Bannister; The smiling dawn (from Jephtha) by Johnstone; Revenge! Timotheus (from Alexander's Feast) by Reinhold; Mirth, admit me of thy crew (from L'Allegro il Penseroso) by Mrs Kennedy; As when the Dove (from Acis and Galatea) by Mrs Bannister. To conclude with the Chorus From Harmony (from Dryden's Ode). Scene II. The Pantheon. To Song and Dance (from Samson) by Chorus; Let's imitate her Notes above (from Alexander's Feast) by Mrs Martyr and Mrs Kennedy. The Muse Euterpe-Mrs Bates .

Afterpiece Title: The Duenna

Afterpiece Title: Rose and Colin

Dance: 1st piece to conclude with a Grand Ballet by Harris, Byrn, Miss Besford, Mrs Goodwin, &c

Performances

Mainpiece Title: Redemption (selected From The Great And Favourite Works Of Handel That Were Performed At His Commemorations In Westminster Abbey And At The Pantheon [on 26 And 27 May 1784])

Performance Comment: Vocal Parts as17860303but Negus in place of Carter. 1st Violin by Shaw. Morning Chronicle, 16 Mar., lists the selections as follows: Overture to Occasional Oratorio. Oh! First Created Beam (Samson) Nasce al bosco (Eatius [i.e. Ezio]). When his loud voice by Chorus (Jephtha) Lord, what is man (Semele). How excellent by Chorus (Saul). Dite che fa (Tolomeo). Would custom bid (Susanna). Jehovah is my Shield (Occasional Oratorio). Blest be the man by Chorus (Joseph). He gave them hail-stones by Chorus; The Lord is a man of war; The Horse and his rider by Chorus (Israel in Egypt). Ye sons of Israel by Chorus; Oh had I Jubal's lyre [by Miss George (Public Advertiser, 16 Mar.)] Joshua). Angels ever bright and fair [by Mrs Forster (Public Advertiser, 31 Mar.)] (Theodora). Jehovah crowned by Chorus (Esther). Welcome, mighty King; In sweetest harmony both by Chorus (Saul). Their bodies are buried in peace (Funeral Anthem). Dead March (Saul). Rendi il serene (Sosarme). Gird on thy sword by Chorus (Saul). The sword that is drawn (Occasional Oratorio). God save the King by Chorus (Coronation Anthems). Verdi prati (Alcina). Here beneath a shady wood (Alexander Balus). He was eyes unto the blind (Siroe). Hosannah by Chorus (Athalia). Nel riposo (Deidamia). He sitteth at the right hand of God by Chorus. Dove sei [by Miss George (Public Advertiser, 16 Mar.)] (Rodelinda). Gloria Patri by Chorus . The Lord is a man of war; The Horse and his rider by Chorus (Israel in Egypt). Ye sons of Israel by Chorus; Oh had I Jubal's lyre [by Miss George (Public Advertiser, 16 Mar.)] Joshua). Angels ever bright and fair [by Mrs Forster (Public Advertiser, 31 Mar.)] (Theodora). Jehovah crowned by Chorus (Esther). Welcome, mighty King; In sweetest harmony both by Chorus (Saul). Their bodies are buried in peace (Funeral Anthem). Dead March (Saul). Rendi il serene (Sosarme). Gird on thy sword by Chorus (Saul). The sword that is drawn (Occasional Oratorio). God save the King by Chorus (Coronation Anthems). Verdi prati (Alcina). Here beneath a shady wood (Alexander Balus). He was eyes unto the blind (Siroe). Hosannah by Chorus (Athalia). Nel riposo (Deidamia). He sitteth at the right hand of God by Chorus. Dove sei [by Miss George (Public Advertiser, 16 Mar.)] (Rodelinda). Gloria Patri by Chorus .

Performances

Mainpiece Title: A Grand Selection 0 Of Sacred Music

Afterpiece Title: Grand Selection 1

Performance Comment: Fourth Hautboy Concerto-; Here amid the shady Woods-Miss Mahon (Alexander Balus); For unto us a Child is born-Chorus (The Messiah); Arm arm ye Brave-Sale; We come in bright Array-Chorus (Judas Maccabaeus); Heart the seat of soft Desire-Sga Storace (Acis and Galatea); No more of Ammon's God-Chorus (Jephtha); Brethren farewell, Then when the Sun-Harrison (Samson); The Mighty Power-Chorus (Athalia).

Afterpiece Title: Grand Selection 2

Performance Comment: Overture-(Berenice); Happy Pair-Harrison, Chorus (Alexander's Feast); Great Jehovah's awful Word-Miss Cantelo (Israel in Egypt); Lift up your Heads-Chorus (The Messiah); The morning Lark-Miss Mahon (Semele); He rebuked the Red Sea-Chorus (Israel in Egypt); Rendi il Sereno al Ciglio-Harrison (Sosarme); See the conqu'ring Hero comes-Chorus (Judas Maccabaeus); The Prince Unable-Sga Storace (Alexander's Feast); Immortal Lord of Earth and Skies-Chorus (Deborah).

Afterpiece Title: Grand Selection 3

Music: As17890306

Performances

Mainpiece Title: A Grand Selection 0[from The Works Of handel; Messiah

Afterpiece Title: Grand Selection 1

Performance Comment: PART I. Overture (Samson)-; Awake the trumpet's lofty sound-Chorus [Samson]; Nasce al Bosco-Reinhold [Ezio]; Ye men of Gaza-Mrs Crouch [Samson]; He chose a mournful muse-; He sung Darius great and good-Sga Storace [Alexander's Feast]; With down@cast looks-; Behold! Darius great and good-Chorus [Alexander's Feast]; Concerto hautboy-W. Parke; Verdi Prati-Sga Storace [Alcina]; He gave them hail@stones-Chorus [Israel in Egypt].Israel in Egypt].

Afterpiece Title: Grand Selection 2

Performance Comment: PART II. Ye sons of Israel-Chorus [Joshua]; The Prince unable-Sga Storace [Alexander's Feast]; Concerto violin-Master Bridgtower[, Son of the African Prince; Pleasure my former ways resigning-Cizo [Time and Truth]; For unto us a Child is born-Chorus [The Messiah]; O! had I Jubal's lyre-Miss Romanzini [Joshua]; Softly sweet in Lydian measure-Mrs Crouch; accompanied on the violoncello-Mason; The many rend the skies-Chorus [Alexander's Feast].Alexander's Feast].

Afterpiece Title: Grand Selection 3

Performances

Mainpiece Title: A Grand Selection 0 From The Works Of Handel

Afterpiece Title: Grand Selection 2

Performance Comment: Part II Ye sons of Israel-Chorus (Joshua); Tear such as tender Fathers shed-Bellamy (Deborah); O had I Jubal's Lyre-Miss Broadhurst (Joshua); There beneath a lowly shade-Dignum (Alexander Balus); Concerto Violin-Master Clement (1st appearance at this theatre); +Fallen is the Foe-Chorus (Judas Maccabaeus); Why does the God of Israel sleep?-Spence (Samson); O Liberty!-Miss Cecilia Davies (Judas Maccabaeus); accompanied violoncello-Mason; The many rend the skies-Chorus (Alexander's Feast).

Afterpiece Title: Grand Selection 3

Performances

Mainpiece Title: Acis And Galatea 0; Redemption 0

Afterpiece Title: Acis and Galatea 1

Afterpiece Title: Acis and Galatea 2

Afterpiece Title: A Miscellaneous Act

Performance Comment: Sono imbrogliato gia-Morelli (Paisiello); Fallen is the foe-Chorus (Judas Maccabaeus); Let the bright Seraphim-Miss Barclay (Samson); Concerto violin-Master Bridgetower; Awake! Awake! Aeolian lyre-Reinhold (Alexander's Feast, by Dr Arnold); O Liberty-Miss Hagley; accompanied on the violoncello-Mason (Judas Maccabaeus); Gird on thy sword-Chorus (Saul); Shall I in Mamre's fertile plain-Morelli, Chorus (Joshua); Sin not O King-Mrs Bland (Saul); The many rend the skies-Chorus (Alexander's Feast, by Handel); What tho' I trace-Mrs Crouch (Solomon); Coronation Anthem-Chorus.

Music: End I: concerto on the hautboy-[J.] Parke

Performances

Mainpiece Title: The Siege Of Berwick

Performance Comment: Principal Characters by Holman, Middleton, Harley, Macready, Powel, Thompson, Evatt, Abbot, Blurton, Pope//Mrs Fawcett, Mrs Pope. [Cast from text Q. Robson, 1794): Valentine-Holman; Archibald-Middleton; Anselm-Harley; Donaldson-Macready; Sir Alexander Seaton-Pope//Juliana-Mrs Fawcett; Ethelberta-Mrs Pope. Powel, Thompson, Evatt, Abbot, Blurton are unassigned.] Prologue spoken by Harley. Epilogue spoken by Mrs Pope . Prologue spoken by Harley. Epilogue spoken by Mrs Pope .

Afterpiece Title: ANNETTE AND LUBIN

Afterpiece Title: THE SCHOOL FOR ARROGANCE

Cast
Role: Count Conolly Villars Actor: Holman

Performances

Mainpiece Title: A Grand Selection Of Music Chiefly From The Works Of Handel

Performance Comment: Principal Vocal Performers as17940319eader as17940312ART I. Overture (ESTHER). He smote all the first born by Chorus (ISRAEL IN EGYPT). Sin not O King! by Mrs Bland (SAUL). Call forth thy powers by Kelly (JUDAS MACCABAEUS). Fix'd in his everlasting seat by Chorus (SAMSON). What though I trace by Mrs Crouch (SOLOMON). Pleasure my by Harrison (TIME AND TRUTH). Fall'n is the foe by Chorus (JUDAS MACCABAEUS). Praise the Lord by Sga Storace (ESTHER). Lord in thee by Kelly and Chorus (TE DEUM). PART II. When the ear heard [singer not listed] (FUNERAL ANTHEMS). He deliver'd the poor by Chorus. Dead March (SAUL). The Soldier tir'd by Sga Storace. My faith and truth by Miss Leak and Master Welsh (SAMSON). The praise of Bacchus by Dignum; Bacchus ever fair by Meredith and Chorus (ALEXANDER'S FEAST). Like a bright Cherub by Sga Storace, Mrs Bland, Harrison (GIDEON). Prophetic visions by Master Welsh (OCCASIONAL ORATORIO). Let their celestial concerts all unite by Chorus (SAMSON). PART III. Awake the trumpet by Chorus (SAMSON). Tears such as tender Fathers by Meredith (DEBORAH). Donald by Sga Storace (Scotch Air). The many rend the skies by Chorus (ALEXANDER'S FEAST). The Mansion of Peace by Harrison. From mighty Kings by Mrs Crouch; Sound an alarm by Kelly and Chorus (JUDAS MACCABAEUS). Queen Mary's Lamentation by Miss Leak. May balmy peace by Master Welsh. From the censer by Chorus (SOLOMON) .

Music: In Part II concerto on the violin by Giornovichi

Performances

Mainpiece Title: King Henry The Fourth, First Part

Afterpiece Title: St

Entertainment: Monologue. End: Dryden's Ode of Alexander's Feast-Holman

Performance Comment: End: Dryden's Ode of Alexander's Feast-Holman.

Song: After the monologue: My Mother had a Maid called Barbara, as17960314The Minstrel's Song, Where is that tow'ring spirit fled? as17960314Tho' Hurricanes rattle (composed by Shield)-Incledon, Bowden; Ye Gentlemen of England, as17960314

Performances

Mainpiece Title: The Widow Of Malabar

Afterpiece Title: Reformed in Time

Afterpiece Title: The Honest Thieves

Song: In course: Old Towler, Black Ey'd Susan-Incledon

Monologue: Monologue. End 1st piece: (for that night only) a humourous, satirical Recitation, Kraniographon; selected from the favourite parts of G. A. Stevens's Lecture on Heads. in which: The Head of Alexander the Great-; The Head of a Lawyer-; The Head of a Cherokee-; Every Body's Coat of Arms-; The Head of a Quack Doctor-; The Head of Flattery-; Girdle of Venus-; The Quack Doctor's Coat of Arms-; The Head of Nobody-Mrs Mountain in the Character of a Student

Performance Comment: End 1st piece: (for that night only) a humourous, satirical Recitation, Kraniographon; selected from the favourite parts of G. A. Stevens's Lecture on Heads. in which: The Head of Alexander the Great-; The Head of a Lawyer-; The Head of a Cherokee-; Every Body's Coat of Arms-; The Head of a Quack Doctor-; The Head of Flattery-; Girdle of Venus-; The Quack Doctor's Coat of Arms-; The Head of Nobody-Mrs Mountain in the Character of a Student.

Performances

Mainpiece Title: The Tempest

Afterpiece Title: Sylvester Daggerwood

Cast
Role: Count Almaviva Actor: Palmer
Role: Countess Actor: Mrs Goodall

Afterpiece Title: The Eleventh of June; or, The Daggerwoods at Dunstable

Performance Comment: Characters-Bannister Jun., Wewitzer, Wathen, Master Chatterley, Master Walter, Master Tokely, Master Wells, Master Appleby, Mrs Sparks, Miss Tidswell, Miss Walcot, Miss Beton, Miss Chatterley, Miss Smalley. [Larpent MS lists the parts: Waiter, Passengers, Old Daggerwood, Trumpeter, Coachman, Sylvester Daggerwood, Children (specified in Monthly Mirror, June 1798, p. 368, as Master Apollo, Alexander, Alonzo, Miss Wilhelmina), Mrs Daggerwood, Mrs Dabwall.]Larpent MS lists the parts: Waiter, Passengers, Old Daggerwood, Trumpeter, Coachman, Sylvester Daggerwood, Children (specified in Monthly Mirror, June 1798, p. 368, as Master Apollo, Alexander, Alonzo, Miss Wilhelmina), Mrs Daggerwood, Mrs Dabwall.]

Afterpiece Title: Blue-Beard

Song: 1st piece: Vocal Parts, as17980224, but Ms _Leak

Event Comment: The King's Company. For praise of Lacy, see Downes, Roscius Anglicanus, p. 16, or 27 Nov. 1662. Pepys, Diary: To the Royal Theatre by water, and landing, met with Captain Ferrers his friend, the little man that used to be with him, and he with us, and sat by us while we saw Love in a Maze. The play is pretty good, but the life of the play is Lacy's part, the clown, which is most admirable; but for the rest, which are counted such old and excellent actors, in my life I never heard both men and women so ill pronounce their parts, even to my making myself sick therewith

Performances

Mainpiece Title: Love In A Maze

Event Comment: This performance was recorded by Count Dona of Sweden (Seaton, Literary Relationships, pp. 337-38). Evelyn, Diary: This Evening I saw the Trajedie of Horace (written by the virtuous Mrs Philips) acted before their Majesties: 'twixt each act a Masque & Antique: daunced: The excessive galantry of the Ladies was infinite, Those especially on that...Castlemaine esteemed at 40,000 pounds & more: & far out shining the Queene &c. BM Add. Mss. 36916, folio 62: This night there is a play Acted at court by the Dutchess of Monmouth Countess of Castlemain and others. The Countess is adorned with Jewells to the Value of #200,000 the Crowne Jewells being taken from the Tower for her. There are none but the Nobility admitted to see it. The play is Madam Phillips translation of Corneiles Horace, finished by Sr John Denham

Performances

Mainpiece Title: Horace

Event Comment: An unidentified letter, 22 March 1693@4. There is hardly anything now to make it acceptable to you, but an account of our winter diversions, and chiefly of the new plays which have been the entertainment of the town. The first that was acted was Mr Congreve's, called The Double Dealer [see October 1693]. It has fared with that play, as it generally does with beauties officiously cried up: the mighty expectation which was raised of it made it sink, even beneath its own merit. The character of The Double Dealer is artfully writt, but the action being but single, and confined within the rules of true comedy, it could not please the generality of our audience, who relish nothing but variety, and think any thing dull and heavy which does not border upon farce.--The criticks were severe upon this play, which gave the author occasion to lash 'em in his Epistle Dedicatory, in so defying or hectoring a style, that it was counted rude even by his best friends; so that 'tis generally thought he has done his business, and lost himself: a thing he owes to Mr Dryden's treacherous friendship, who being jealous of the applause he had gott by his Old Batchelour, deluded him into a foolish imitation of his own way of writing angry prefaces. The 2d play is Mr Dryden's, called Love Triumphant, or Nature will prevail [see 15 January 1694]. It is a tragi-comedy, but in my opinion one of the worst he ever writt, if not the very worst: the comical part descends beneath the style and shew of a Bartholomew-fair droll. It was damn'd by the universal cry of the town, nemine contradicente, but the conceited poet. He says in his prologue, that this is the last the town must expect from him; he had done himself a kindness had he taken his leave before. The 3d is Mr Southern's call'd The Fatal Marriage, or the Innocent Adultery [see February 1693@4]. It is not only the best that author ever writt, but is generally admired for one of the greatest ornaments of the stage, and the most entertaining play has appeared upon it these 7 years. The plot is taken from Mrs Behn's novel, called the Unhappy Vow-Breaker. I never saw Mrs Barry act with so much passion as she does in it; I could not forbear being moved even to tears to see her act. Never was poet better rewarded or incouraged by the town; for besides an extraordinary full house, which brought him about 140 #. 50 noblemen, among whom my Lord Winchelsea, was one, give him guineas apiece, and the printer 36 #. for his copy. This kind usage will encourage desponding minor poets, and vex huffing Dryden and Congreve to madness. [For the fourth play, see 21 March 1693@4; Edmond Malone, Plays and Poems of William Shakespeare (London, 1821), III, 162-64.

Performances

Event Comment: Admission as 7 Nov. M De Fabrice to Count Flemming, 15 Jan. (in Deutsch, Handel, p. 147): Today is the second performance and there is such a run on it that tickets are already being sold at 2 and 3 guineas which are ordinarily half a guinea. London Journal, 19 Jan.: Last Tuesday being the second Time of Madam Cotzoni's Performance, we hear that Opera Tickets sold that Day and the preceding, at 4 Guineas each

Performances

Mainpiece Title: Otho

Event Comment: For the Entertainment of his Excellency Count Kinski, Ambassador from his Imperial Majesty the Emperor of Germany. Written by Shakespear

Performances

Mainpiece Title: King Henry The Viiith

Event Comment: Pit and Boxes put together at half a guinea. Gallery 5s. [Their Majesties, the Prince, three eldest Princesses, Duke of Lorrain, and Count Kinski present.

Performances

Mainpiece Title: Tamerlane

Performances

Mainpiece Title: Tamerlane

Event Comment: By Command of His Royal Highness. [Prince, Duke of Lorrain, and Count Kinski present]

Performances

Mainpiece Title: The Relapse; Or Virtue In Danger

Afterpiece Title: Cephalus and Procris

Event Comment: By Command of His Royal Highness. [Prince, Duke of Lorrain, and Count Kinski present.

Performances

Mainpiece Title: King Henry The Eighth

Afterpiece Title: Cephalus and Procris