SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Costollo Tickets deliver\'d out by Baker"/1) | (@(roleclean,performerclean) "Costollo Tickets deliver\'d out by Baker")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 6406 matches on Event Comments, 1274 matches on Performance Comments, 135 matches on Performance Title, 88 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: The Black Prince

Event Comment: Pepys, Diary: [Mercer] and I to the Duke of York's playhouse, and there saw The Tempest, and between two acts, I went out to Mr Harris, and got him to repeat to me the words of the Echo, while I writ them down, having tried in the play to have wrote them; but, when I had done it, having done it, withour looking upon my paper, I find I could not read the blacklead. But now I have got the words clear, and, in going in thither, had the pleasure to see the actors in their several dresses, especially the seamen and monster, which were very droll. So into the play again. But there happened one thing which vexed me, which is, that the orange-woman did come in the pit, and challenge me for twelve oranges, which she delivered by my order at a late play, at night, to give to some ladies in a box, which was wholly untrue, but yet she swore it to be true. But, however, I did deny it, and did not pay her; but, for quiet, did buy 4s. worth of oranges of her, at 6d. a-piece. Here I first saw my Lord Ormond since his coming from Ireland, which is now about eight days

Performances

Mainpiece Title: The Tempest

Performances

Mainpiece Title: The Plain Dealer

Performances

Mainpiece Title: Mutius Scaevola

Performances

Mainpiece Title: The Beaux Stratagem

Afterpiece Title: The Generous Free Mason

Music: A Solo on the Violin by Master Oates, Scholar to Charke

Dance: II: Irish Trot by Master Oates. III: A new dance by Master and Miss Oates. IV: A new dance by Mr and Mrs Davenport. V: Peasant by Master and Miss Oates

Performances

Mainpiece Title: The Stratagem

Performance Comment: Archer-Garrick, 1st time; Scrub-Macklin; Aimwell-Delane; Boniface-Morgan; Forgard-Yates; Gibbet-Neale; Mrs Sullen-Mrs Woffington; Cherry-Mrs Ridout; Dorinda-Mrs Mills; Sullen-Winstone; Sir Charles-Blakes; Lady Bountiful-Mrs Cross; Gipsey-Miss Minors.
Cast
Role: Cherry Actor: Mrs Ridout

Song: II: Lowe; IV: Lowe

Music: III: Concerto on Violincello-Cervetti

Event Comment: The Rebellion, is so far from being a disadvantage to the play-houses that, I assure you, it brings them very good houses; and the masters receive so much profit from the Nonjuror, that I wish it does not give them a respect for the name the rest of their lives.-Mrs Cibber to Garrick, 24 Oct. in Boaden, Private Correspondence of Garrick, I, 37. She continues: There will be no operas this year, so if you, Mr Quin and I, agree to play without any salary, and pick up some of the best actors and actresses that are disengaged, at what salary you both think proper, I make no doubt we shall get a licence to play there for fifty, sixty, or any number of nights you agree upon. Mr Heidigger shall pay scenes, & pay those that receive wages; and deliver the overplus to some proper person to enlist men to serve in any of the regiments of Guards, at five pounds per man;--this is the service St. Martin's Parish puts the money to that they collect,--and I mention it, because it is thought the most serviceable to the Government, of any scheme yet proposed

Performances

Mainpiece Title: The Nonjuror

Afterpiece Title: The Debauchees

Cast
Role: Isabel Actor: Mrs Ridout

Dance: V: Grand Comic Dance, as17450926

Performances

Mainpiece Title: The Old Womans Oratory 1

Afterpiece Title: Old Womans Oratory 2

Afterpiece Title: Old Womans Oratory 3

Performances

Mainpiece Title: Venice Preservd Or A Plot Discovered

Performance Comment: Jaffier-Barry; Pierre-Sparks; Priuli-Bridgwater; Bedamar-Gibson; Renault-Ridout; Belvidera-Miss Nossiter, 1st time.
Cast
Role: Renault Actor: Ridout

Afterpiece Title: Damon and Phillida

Performances

Mainpiece Title: The Winters Tale

Afterpiece Title: Catherine and Petruchio

Dance: CComic Dance-

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: The Diversions of the Morning

Dance: III: The German Hunters, as17580916; IV: Spanish Dance, as17581014

Performances

Mainpiece Title: The Shipwrecked Lovers Or Friendly Perfidy Punished

Song: tragi-comic song in the Welch Taste call'd% Hugh Morgan's Lamentation-a Choice Spirit from Common's Court

Dance: Conclude: a song, dance-

Music: An extraordinary Band of Musick is furnished such as you don't hear every day

Event Comment: At Shuter's New Booth, George Inn Yard, West Smithfield. Boxes 2s. 6d. Pit 1s. 6d. First Gallery 1s. Upper Gallery 6d. To begin each day at Twelve Noon. An Excellent Band of Musick is provided. The Scenes and Habits all entirely new. Public Advertiser, 22 Aug.: Whereas the partnership between Mess Shuter and Yates has been dissolved; and as Mr Shuter intends to carry on the Business in a more extensive manner than has been performed hitherto, he is now at a great Expence erecting a Repository in an entirely new Taste, in the George Inn Yard...prfviding new, nice, and different Assortments of Theatrical Wares, such as Wit, Humour, Incidents, American Interludes, black and white, Duets and Dances, of which the Public will be informed by Catalogue of the whole Stock, which will be delivered Gratis to his Friends and Customers...He flatters himself that no Person will serve them better or cheaper, for ready Money only, and all purchases of Five Pounds worth or upwards, shall be allowed 5 per cent of Discount. That the Publick may not mistake the Shop, over the Door way will be my Picture without a Frame, very indifferently painted, with this Motto beneath it, Shuter. Daily Advertiser, 3 Sept.: On the Great Parade after the Fair is proclaim'd, the Bold Shuter will review his Troop; and the Publick are requested to observe that the full Figure at the Middle of the Platform is the Chief...or Sachem of the Five Nations. He will be attended with Mamamawks, Papapawks, and Tomahawks...The Lords may laugh, the Ladies may laugh, and the Commoners may laugh...and that will make me laugh. Edward Shuter, born Anno Domini

Performances

Mainpiece Title: The French Floggd Or The English Sailors In America

Performance Comment: Together with the Reception of Capt. Briton at the Indian courtv; the Manners, Customs, Peace, and presenting the Wampum Beltv for his Bravery in rescuing the Princess Sachema from the French Banditiv. Interspersed with the Droll Bahaviour and Odd Adventures of MacDermott Geoghaghan Ballingroguev, and the Witch of the Woods; or, a Woman without a Head.

Song: Diet, The Humours of Bartholomew Fair-Alley Croaker, Signora Ciperini; And a Song- on the late glorious success gained over the French by his Serene Highness Prince Ferdinand

Performances

Mainpiece Title: The Spanish Fryar

Afterpiece Title: The Chaplet

Song: I: Sing All Ye Muses (set by Purcell)-Kear, Champness; II, IV: Singing-Fawcett

Event Comment: Full Prices. There will not be room behind the Scenes for more than the persons acting in the coronation, [Others] cannot possibly be admitted. The coronation of their Majesties was followed by a stage representation of it at both houses...Garrick knew that Rich would spare no expense in the presentation of his show; he knew too that he had a taste in the ordering, dressing, and setting out these pompous processions, superior to his own; he therefore was contented with the old dresses which had been occasionally used from 1721-1761. This show he repeated for near forty nights successively, sometimes at the end of a play, and at other times after a farce. The exhibition was the meanest, and the most unworthy of a theatre, I ever saw. The stage was...opened into Drury Lane; and a new and unexpected sight surprised the audience, of a real bonfire, and the populace huzzaing and drinking porter to the health of Queen Anne Bullen. The Stage in the meantime, amidst the parading of Dukes, duchesses, archbishops, peeresses, heralds &c. was covered with a thick fog from the smoke of the fire, which served to hide the tawdry dresses of the processionalists. During this idle piece of mockery, the actors, being exposed to the suffocations of smoke, and the raw air from the open street, were seized with colds, rheumatisms, and swelled faces. At length the indignation of the audience delivered the comedians from this wretched badge of nightly slavery, which gained nothing to the managers but disgrace and empty benches. Tired with the repeated insult of a show which had nothing to support it but gilt copper and old rags, they fairly drove the exhibitors of it from the stage by hooting and hissing, to the great joy of the whole theatre....Rich...fully satisfied [the publick's] warmest imaginations (Davies, Life of Garrick, I, 365 ff.)

Performances

Mainpiece Title: King Henry Viii

Afterpiece Title: In the Play will be introducdThe Coronation

Performances

Mainpiece Title: King Henry Iv Part Ii

Afterpiece Title: The Apprentice

Event Comment: VViscomica to the Printer of the Public Advertiser: As burlettas have been laid aside some years, and they are a species of entertainment I am particularly fond of, as there is vivacity in the music, and great humour and satire in the performance, I was much pleased with the thoughts of being as well entertained as I had heretofore been; and more so when I found I could gain admittance to so good a place for hearing, for the trifling sum of three shillings; a place in which I never dared to shew my face before, not being on a footing with the riotous company that used to be admitted there, to attend their several masters' call; a nuisance, from which I rejoice the managers have at length, after so many hints and solcitations, found out a method to deliver their audience. I remember to have seen a darkish way down a flight of steps to a dismal winding staircase, which I was told led to the footman's gallery, and, supposing that the road I was to take on this occasion, was very agreeably undeceived by being shewn up about halfway to the five shilling gallery, and by a turn through an arch introduced to a new and convenient staircase leading to this region of the gods, where I was surprised to find myself arrived before I thought I was half-way up. The managers have indeed made this place very neat and commodious, by rendering the descent much less steep, lowering and matting the benches, painting and lighting the whole place; so that I found myself as much at my ease there, as in any other part of the house, and much better situated than I had expected; likewise, by their following Mr Garrick's example, in removing the pendant lustres, and lighting after the foreign manner, you have a full view of the whole stage; by which the magnificance appears greatly increased. The performance was beyond my expectations, as I think the performers excel any in their way which have appeared in this country; but I need not expatiates upon a subject the town in general have been, or I dare say will be, as good judges of as yours, &c

Performances

Event Comment: Paid Housekeeper's Bill #6 7s. 2d. (Treasurer's Book). [The Public Advertiser carried a two-column account of Sethona, telling the story of the play act by act. It concluded: Such is the Story of this new Tragedy which was received with universal Applause by a crowded and brilliant Audience and seems to bid fair to become a Stock Play. The Parts were judiciously cast, and the Performers did great Justice to their respective Characters. Perhaps Mrs Barry never appeared in a greater or more amiable Point of View than on Saturday Night. In short her Performance beggared Description; and it is impossible to form an adequate Idea of her Merit in Sethona without seeing her. Mr Barry was also very great in the Old Hermit, and exhibited as pathetic and as chaste a piece of acting as we remember to have seen. The Dresses, Decorations and Scenery of this Play are much superior to those of any modern Tragedy; they do ample Justice to the Author, and likewise do Honour to the Taste and Spirit of the Manager, who seems to have spared no Expence to furnish a splendid and rational Entertainment. The Scene of the Temple of Osiris, and the View of the Egyptian Catacombsv were particularly admired, and are worthy of the Brush of Mr Loutherbourg. The Prologue is a very classical Performance, and was well delivered by Mr Reddish, notwithstanding the noise and the frequent Interruption usual on these occasions. The Epilogue in the character of an Egyptian Fortune Teller was admirably spoken by Mrs Barry, and had an amazing effect. It contains some excellent Strokes of Satire on the Times and a rich vein of Humour which is finely sustained throughout. From several Circumstances we should suppose this Epilogue to be the Production of our English Roscius and it seems to be one of his best."] Receipts: #226 15s. (Treasurer's Book)

Performances

Mainpiece Title: Sethona

Afterpiece Title: The Note of Hand

Performances

Mainpiece Title: The Fall Of Egypt

Music: As17740218

Event Comment: [Advertised as performed but once, but see 18 Jan. Sheridan in Preface to Edition of 1775 (2nd) refers to withdrawing the piece to remove those imperfections in the first representation which were too obvious to escape reprehension, and too numerous to admit of hasty correction." He blames his inexperience and want of judgment in theatrical effects, the extreme length of the play act by act, and haste in writing. From the Westminster Magazine Feb., which outlined the plot in five columns: The present state of the Rivals is widely different from that in which we found it on the first night's representation. Sir Lucius O'Trigger being re-touched, has now the appearance of a character; and his assigning Beverley's reflection on his country as the grounds for his desire to quarrel with him, is a reasonable pretence, and wipes off the former stigma undeservedly thrown on the sister Kingdom. An alteration of a principal incident gave a very favorable turn to the fable and the whole piece: that where young Acres now delivers his challenge to his friend Absolute, begging him to carry it to his Rival Beverly, not knowing the two characters composed but one man; its being at first given to Sir Lucius, the person who indited it, was highly inconsistent...we should be induced from many evident traits of literary genius to pronounce the Rivals a good comedy."

Performances

Mainpiece Title: The Rivals

Afterpiece Title: Thomasand Sally

Cast
Role: Dorcas Actor: Mrs Baker

Dance: End Epilogue: The Frolick, as17741214

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Jubilee

Event Comment: Mainpiece: Not acted these 16 years [not acted since 27 Oct. 1758]. With Alterations [by Richard Brinsley Sheridan. Prologue by David Garrick]. The Characters new dressed. This Play is revived with Alterations (by R. B. Sheridan Esq) and a new occasional Prologue written by Mr Garrick? and spoken by Dodd, both well received. Miss Essex made her first Appearance upon this stage in Silvia, a small mean Figure and shocking Actress, so bad that she is to do the Part no more. Reddish was very imperfect in Vainlove from the Beginning, but was so very much so in the last Act, that the Audience hissed very much, and cryed out, 'Off, Reddish, Off!" He went forward, and addressed them as follows, 'Ladies and Gentlemen, I have been honoured with your Favour and Protection for these ten years past, and I am very sorry to give any cause for your Displeasure now; but having undertaken the Part at a very short Warning, in order to strengthen the Bill, and having had but two Rehearsals for it, puts it out of my Power to do Justice to the Part, or myself.' The Play then went on. So great a Lye was never delivered to an Audience by any Actor or Actress before. He had the Part at least six weeks in his Possession, and repeated Notice to be ready in it, and six Rehearsals was called for it,--indeed, he attended but three. Vernon undertook to study the Part at eleven o'clock to-night, and to perform it to-morrow (Hopkins Diary). [Miss Essex was from the hay.] Receipts: #209 6s

Performances

Mainpiece Title: The Old Batchelor

Afterpiece Title: A ChristmasTale

Dance: As17761115

Performances

Mainpiece Title: The Castle Of Andalusia

Afterpiece Title: All the Worlds a Stage

Performances

Mainpiece Title: The Winters Tale

Afterpiece Title: The Rival Knights

Afterpiece Title: The Devil upon Two Sticks