SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Costollo Tickets deliverd out by Baker"/1) | (@(roleclean,performerclean) "Costollo Tickets deliverd out by Baker")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 6387 matches on Event Comments, 1268 matches on Performance Comments, 134 matches on Performance Title, 86 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit for Viganoni. [Opera produced in 1794 as I Contadini Bizzarri.] Song: The Music by Cimadoro [taken from his Pimmaglione, Venice, 1790]. Tickets to be had of Viganoni, No. 8, Panton-street, Haymarket

Performances

Mainpiece Title: Le Gelosie Villane

Dance: As17970513

Song: End Opera: Pygmalion-Viganoni

Ballet: Sapho et Phaon. As17970513

Event Comment: Benefit for Caulfield, Trueman & Johnston. Afterpiece: With a Sea Fight. Receipts: #454 7s. 6d. (57.3.6; 45.14.6; 2.4.6; tickets: 349.5.0) (charge: #224 6s. 1d.)

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: The Critic

Ballet: The Scotch Ghost. As17961221

Entertainment: Imitations. End: a Variety of Imitations-Caulfield

Event Comment: Benefit for Mrs Davenport, Powel, Thompson & Sloper. [For Mrs Litchfield see 17 May.] Receipts: #291 10s. (46.6; 9.17; tickets: 235.7, of which Mrs Davenport sold 55.4, Powel #37.16, Thompson 26.12, Sloper 115.15)

Performances

Mainpiece Title: The Rivals

Afterpiece Title: The Waterman

Afterpiece Title: Harlequin and Oberon

Song: 2nd piece: with additional songs-

Event Comment: Benefit for Portal, Gibson, Percey, George, Bowley, Stevenson, Woollams, Massingham [box-keepers]. In consequence of the Indisposition of two Principal Performers The Fairy Festival [advertised on playbill of 13 June] cannot be performed this Evening. Receipts: #567 17s. 6d. (31.0.6; 30.19.0; 2.14.0; tickets: 503.4.0) (charge: #213 16s.)

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The Sultan

Ballet: End afterpiece: The Scotch Ghost. As17961221

Event Comment: [Extra night] Benefit for the Widows and Orphans of those brave Men who perished, and those who were wounded, in the Glorious Action of the 14th February last [see king's, 18 May.] Patrons: His Royal Highness the Prince of Wales, His Royal Highness Duke of York, His Royal Highness the Duke of Clarence. Stewards: Duke of Leeds, Duke of Bedford, Earl of Chesterfield, Earl Spencer, Lord Kinnaird, Charles Grey Esq., Thomas Tyrwhitt Esq., Wm. Lushington Esq., Wm. Manning Esq., John Thomson Esq., John Julius Angerstein Esq. Boxes to be taken, and Tickets had at the Office of the Theatre, and at the Bar of Lloyd's Coffee-House. Receipts: none listed

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: No Song No Supper

Dance: End: Peggy's Love (By permission of the Proprietors of the king's Theatre)-Mme Rose, Didelot, Gentili, Mlle Parisot, Mme Hilligsberg; End afterpiece: Cupid and Psyche-the same.Mme Rose, Didelot, Gentili, Mlle Parisot, Mlle Hilligsberg

Entertainment: Monologue. Preceding 1st ballet: [a favorite Epilogue-Mrs Abington (1st appearance on this stage these 8 [recte 7] years)

Event Comment: Benefit for Didelot. Tickets to be had of Didelot, No. 8, Hay-market. 2nd ballet: 1st time, composed by Didelot, the Music entirely new by Cesare Bossi

Performances

Mainpiece Title: Merope

Dance: End I: Le Rendez@vous, as17970513; Minuet de la Cour, as17970406; End Opera: Acis et Galatie- [see17970617

Event Comment: Benefit for Shade, Cameron, Wood, Wilson, Dangerfield, Irish, Nix, Edwards, Wooldridge, Panchaud, Cole, Gray, Hough [box-keepers]. The Last Time of the Company's Performing this Season. Receipts: #85 0s. 6d. (42.0.6; 40.6.6; 2.13.6; tickets: none listed) (charge: #204 14s. 10d.)

Performances

Mainpiece Title: The Heiress

Afterpiece Title: High Life below Stairs

Dance: II afterpiece: Mock Minuet, as17960920

Ballet: End: The Scotch Ghost. As17970605

Event Comment: Benefit for Bannister. True Briton, 1 Aug.: Tickets to be had of Bannister, No. 7, Suffolk-street, Charing-Cross

Performances

Mainpiece Title: The Battle Of Hexham

Afterpiece Title: The Honest Thieves

Dance: End: Hornpipe-Sga Bossi DelCaro

Music: After Dancing: a favourite concerto by Dussek upon the Grand Piano Forte-Miss Gaudry (1st appearance in public)

Song: End I afterpiece: a favourite song by Webbe-Master Sincock

Entertainment: In the course of the Evening: a Variety of Imitations-Caulfield

Event Comment: Benefit for Munden. Afterpiece: Not acted these 10 years [acted 23 July 1788]. True Briton, 4 Aug.: Tickets to be had of Munden, No. 16, Clement's Inn

Performances

Mainpiece Title: The Young Quaker

Afterpiece Title: The Beggar on Horseback

Song: In course: Four and Twenty Fidlers all on a Row-Munden; The Groupe of Lovers; or, Beauty at her Levee-Munden

Entertainment: Monologue Benjamin Bolus; or, The Newcastle Apothecary-Munden; In the course of the evening: Imitations (including several new ones)-Caulfield

Event Comment: Benefit for Suett. True Briton, 8 Aug.: Tickets to be had of Suett at his chambers, No. 10, Hart-street, Covent-Garden

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: The Follies of a Day

Song: Between: Little Taffline-Mrs Bland; The Town Crier (composed by Dibdin)-Suett; End: An Old Woman of Eighty-Munden

Event Comment: Benefit for Johnstone. 2nd piece [1st time; M. INT 1, but Walley Chamberlain Oulton; music by Thomas Attwood. Larpent MS 1178; not published]. True Briton, 23 Aug.: Tickets to be had of Johnstone, No. 19, Piazza, Covent-Garden

Performances

Mainpiece Title: The Surrender Of Calais

Afterpiece Title: The Irish Tar; or, Which is the Girl

Afterpiece Title: The Agreeable Surprise

Song: 1st piece: Vocal Parts, as17970623 but _Caulfield Jun., _Walker, _Willoughby, Mrs _Butler, Mrs _Masters, Mrs _Norton, Miss _Menage, Mrs _Wall, Mrs _Benson, Miss _Leserve

Event Comment: Benefit for Fawcett. 3rd piece: By permission of T. Harris, Esq.; never acted at this theatre. True Briton, 29 Aug.: Tickets to be had of Fawcett at his house, No. 10, Golden-square

Performances

Mainpiece Title: The Heir At Law

Afterpiece Title: Sylvester Daggerwood

Afterpiece Title: The Poor Soldier

Event Comment: Benefit for Elliston [whose 1st appearance as Othello was at Bath, 8 July 1797]. Afterpiece: By permission of the Proprietors of the Theatre-Royal, Drury-Lane. True Briton, 30 Aug.: Tickets to be had of Elliston, No. 3, Frith-street, Soho

Performances

Mainpiece Title: Othello

Afterpiece Title: No Song No Supper

Song: End: Sweet Echo, the song-Mrs Bland, the echoMrs Atkins

Event Comment: Benefit for Jewell, treasurer. True Briton, 2 Sept.: Tickets to be had of Jewell, No. 26, Suffolk-street, Charing-Cross

Performances

Mainpiece Title: The Heir At Law

Afterpiece Title: Sylvester Daggerwood

Afterpiece Title: The Village Lawyer

Performance Comment: Scout-Fawcett (1st appearance in that character); Snarl-Suett; Charles-Trueman; Justice Mittimus-Usher; Sheepface-Wathen; Kate-Miss Heard; Mrs Scout-Mrs Davenport (1st appearance in that character).
Cast
Role: Scout Actor: Fawcett
Role: Mrs Scout Actor: Mrs Davenport
Event Comment: [Extra night] By Authority of the Lord Chamberlain, and Permission of G. Colman, Esq. Benefit for Waldron, prompter. The Public are respectfully cautioned against purchasing Tickets offered for Sale, Waldron not having issued any for this Evening

Performances

Mainpiece Title: The Heir At Law

Afterpiece Title: Sylvester Daggerwood

Cast
Role: Scout Actor: Fawcett
Role: Mrs Scout Actor: Mrs Davenport

Afterpiece Title: Peeping Tom

Song: End II: The Nightingale-Mrs Atkins; End: The Flowing can-Mrs Harlowe; End 2nd piece: Sweet Echo, as17970904

Event Comment: [Extra night] By Permission of the Lord Chamberlain. Benefit the Widow of a Baronet [Sir Richard Perrott] and a large Infant Family. [Address by John Taylor (True Briton, 21 Sept.).] Tickets to be had of the Widow, No. 28, Spring-street, Portman-square [and see 28 Jan. 1799]

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: Miss in her Teens

Entertainment: Monologue. End: Occasional Address-the Widow (see below); After which: Collins's Ode on the Passions-Mrs G. Aickin

Event Comment: Boxes 6s. Second Price 3s. Pit 3s. 6d. Second Price 2s. Gallery 2s. Second Price 1s. Upper Gallery 1s. Second Price 6d. No Money to be returned. Places for the Boxes to be taken of Fosbrook at the office in Russel Street. The Doors t be opened at 5:30. To begin at 6:30 [see 4 Dec.]. Printed by C. Lowndes next the Stage-door. The Public are respectfully informed that the Entrances to the Pit are now removed from Bridges Street to Russel Street and Wooburn Street. In Wooburn Street the Lower Saloon is opened for the accomodation of the Frequenters of the Pit, previous to Opening the office Doors of admission. Many complaints having been made by the Frequenters of this Theatre respecting the application of the Box and office keepers and other Servants of the Theatre for Benefit Tickets, Christmas Boxes, &c., the Public are respectfully informed that a full compensation being made by the Proprzetors to all the said Persons in lieu of all such emoluments, no Benefit, Gift, or Perquistite will in future be permitted to the servants of this Theatre on any pretence whatever. [On Kemble playbill Kemble has written, "See June 14th and 15th for the Benefit of the Boxkeepers, and the perpetuating of this Ruse, if it is one at all."] Afterpiece: By permission of the Proprietor of the Theatre Royal, Hay-Market. Receipts: #324 8s. 6d. (227.19.0; 94.13.6; 1.16.0)

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: The Children in the Wood

Song: In III: a song-Dignum

Event Comment: A Serious Opera (1st time [in London; 1st performed at Rome, 1766]); the music partly by Sarti and partly [i.e. with additions] by Paisiello. 2nd ballet: With entire new scenes by Degotti and executed by himself and Marinari. "The dresses [in this ballet] are said to be after designs from David; the costume is correct, perhaps, but it may be a little softened without injury to the effect. The contrast of colours is in some of them too harsh...The scenery is in a new stile. It has been our taste to assist the perspective by contracting the stage to a point. This was but a clumsy method, as the illusion was rarely complete, and it gave the idea of littleness. In this instance the stage is thrown open on every side, and the perspective is managed as every painter is obliged to manage it, on the broad surface, but still with the mechanic aids which scenery affords. The effect was enchanting" (Morning Chronicle, 30 Nov.). The Doors to be opened at 6:30. To begin at 7:30 [same throughout season]. Pit 10s. 6d. Gallery 5s. No Money to be returned. The Subscribers are most earnestly entreated to observe that, on account of the abuses frequently practised in their names, it has become absolutely necessary to adopt the former rule for Subscribers themselves to produce their Tickets at the doors as they pass into the Theatre. The Upper Boxes to be lett by the night, at one Guinea each for four persons. The way to them through the Gallery Staircase

Performances

Mainpiece Title: Ipermestra

Dance: End I: Divertisement, composed by Gallet [with music by Bossi] L'Offrande a Terpsichore-Didelot, Mme Rose, Laborie (1st appearance in this country since 1790 [recte 1792]), Mme Hilligsberg, Mlle J. Hilligsberg, Mme Laborie

Ballet: End Opera: a new Grand, Heroic, Pastoral Ballet, composed by Gallet [with music by Bossi] Ariadne et Bacchus. Bacchus-Laborie; Ariadne-Mme Laborie; Silenus-Blake; Cupid-Master Menage; Followers of Bacchus-Mme Hilligsberg, Mlle J. Hilligsberg, Didelot, Mme Rose. [And see dl, 9 May 1798.

Event Comment: Receipts: #301 11s. (212.1.0; 86.3.6; 3.0.6; half tickets: 0.6.0)

Performances

Mainpiece Title: Knave Or Not

Afterpiece Title: Blue-Beard

Event Comment: By Permission of the Most Noble the Marquis of Salisbury [the Lord Chamberlain]. Benefit for Wilkinson. 1st piece: Compress'd into 4 acts. The Doors to be opened at 5:30. To begin at 6:30 precisely. Tickets to be had of Wilkinson, No. 16, Lisle Street, Leicester Square

Performances

Mainpiece Title: The Jew

Afterpiece Title: A Naval Interlude

Afterpiece Title: The Mayor of Garratt

Afterpiece Title: The Ghost

Song: 2nd piece: With Songs-

Event Comment: Receipts: #437 19s. (357.0.0; 77.10.6; 2.13.6; half-tickets: 0.15.0)

Performances

Mainpiece Title: The Stranger

Afterpiece Title: Blue-Beard

Event Comment: Benefit for Mme Rose Didelot. Semiramide [advertised in Morning Chronicle, 18 Apr.] cannot be given this evening on account of the necessary Machinery in the new Ballet. Tickets to be had of Mme Rose Didelot, No. 8, Hay-Market

Performances

Mainpiece Title: Cinna

Dance: End I: A New Divertisement-; Minuet de la Cour-Didelot, Mme Rose; End Opera: a new grand Ballet, composed by Gallet, Enee et Didon-Didelot, Mme Rose, Laborie, Mme Hilligsberg, Miss Hilligsberg, Mme Laborie, St.Pierre

Event Comment: By Permission of the Lord Chamberlain. Benefit for the Widow of a Baronet [Sir Richard Perrott], and a large Infant Family. Tickets to be had of Lady Perrott, No. 28, Spring-street, Portman-square

Performances

Mainpiece Title: Douglas

Afterpiece Title: The Irishman in London; or, The Happy African

Entertainment: Monologue An Occasional Address-a Young Lady (1st appearance on any stage [unidentifield])

Event Comment: Benefit for Mme Banti. A Serious Opera, 1st time in this country [1st performed at Naples, 1792]; the Music by Paisiello. Tickets to be had of Mme Banti, No. 3, Hay Market

Performances

Mainpiece Title: Elfrida

Dance: End I: Peggy's Love composed by Didelot [with music by Bossi]-; Pas de Trois-Laborie, Mme Laborie, Mme Hilligsberg; End Opera: La Vengeance de l'Amour, as17980421

Event Comment: Benefit for Mrs Abington. 1st piece: By Permission of the Author. 2nd piece [1st time; C 1, attributed to Frances Abington. Larpent MS 1209; not published]: From La? Somnambule; or, Sleep Walker [by Antoine deFeriol, comte de Pont-de-Veyle]. Receipts: #303 12s. (176.1.6; 4.1.0; tickets: 123.9.6)

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: Matrimony

Afterpiece Title: High Life below Stairs

Song: In III 1st piece: song-Incledon; in 2nd piece: Strike the Harp in praise of Bragela-