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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Costollo Tickets deliverd out by Baker"/1) | (@(roleclean,performerclean) "Costollo Tickets deliverd out by Baker")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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7541 results for: Keyword - Costollo</i>.] Tickets deliver'd out by $Baker
We found 6387 matches on Event Comments, 1268 matches on Performance Comments, 134 matches on Performance Title, 86 matches on Author, and 0 matches on Roles/Actors.

7376
28 March 1796 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. Benefit for Wilkinson. Mainpiece [T 3, by John Penn, 1st acted at Richmond, Feb. 1796. Prologue by the author (see text)]: A New Historical Play in 3 Acts (with songs [by John Wall Callcott]). Morning Herald, 11 Apr.: This Day is published The Battle of Eddington, as acted at the Haymarket and at Richmond (1s. 6d.). Tickets to be had of Wilkinson, No. 14, Mary-le-bone-street, Golden-square. The Doors to be opened at 5:30. To begin at 6:30

Performances

Mainpiece Title: The Battle Of Eddington; Or, British Liberty

Performance Comment: Partial cast from Morning Herald, 30 Mar.: Alfred-Clifford; Ceoluph-Wilkinson; Queen-Mrs Sidney; [Text (Elmsley [et al], 1796) lists the parts: Alfred King of England; Mervin, his dependent, Prince of South Wales; Ethelred, General of the English; Ceoluph, English Nobleman; Danish Captain of Auxiliaries; Ceoluph's Vassal; Edmund, Son and Heir of Alfred then very young; Elsitha, Queen of England; Editha, an Old Woman inhabiting the Cottage. Prologue-Wilkinson.

Afterpiece Title: Who's the Dupe

Entertainment: Monologue.End: Collins's Ode on the Passions-Wilkinson

7377
04 April 1796 @ Drury Lane Theatre

Event Comment: Receipts: #297 11s. 6d. (283.5.0; 5.14.6; tickets not come in: 9.0.0)

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: Harlequin Captive

7378
07 April 1796 @ King's Theatre

Event Comment: Benefit for Mme Banti. A Grand Serious Opera (1st time in this Country [1st performed at Paris, 1779]); the Music by Gluck. Accompanied With Chorusses under the Direction of Kelly. With entirely new Scenes designed by Marinari, and executed under his direction, Dresses and Decorations. Tickets to be had of Mme Banti, No. 7, Hay Market. The Company are respectfully entreated not to come upon the Stage this Night, as the Iphigenia is accompanied with a degree of Spectacle on which the effect of the Performance chiefly depends; besides, the Machinery used in this Opera will make it dangerous for the Company to be upon the Stage during the time of the representation. "We never saw a House more splendid, more crowded, nor more gratified...In spite of the request not to crowd upon the stage, it was quite thronged; and it was impossible to move the complicated and superb scenery with effect. We lament that no means can be devised to save the stage from this perpetual intrusion" (Morning Chronicle, 8 Apr.). "Banti had a crowded house for her benefit, and is said to have netted 1500 guineas" (Monthly Magazine, May 1796 p. 321)

Performances

Mainpiece Title: Ifigenia In Tauride

Dance: As17960315

7379
15 April 1796 @ Drury Lane Theatre

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: The Smugglers

7380
19 April 1796 @ Drury Lane Theatre

Performances

Mainpiece Title: The Smugglers

Afterpiece Title: The Pannel

Afterpiece Title: My Grandmother

7381
21 April 1796 @ Drury Lane Theatre

Event Comment: Receipts: #204 12s. (143.17; 59.0; 1.6; tickets not come in: 0.9)

Performances

Mainpiece Title: Almeyda

Afterpiece Title: The Smugglers

7382
21 April 1796 @ King's Theatre

Event Comment: Benefit for Mme Hilligsberg. Tickets to be had of Mme Hilligsberg, No. 10, St. Alban's-street

Performances

Mainpiece Title: La Modista Raggiratrice

Dance: Between Acts: a new Dance in the Scotch style, Little Peggy's Love (1st time)-Didelot, Gentili, Mlle Parisot, Mme Bossi, Mlle Barre, Mme Rose, Mme Hilligsberg [the Pantomime and Principal Steps by Didelot [with music by Bossi]; End Opera: L'Amant Statue (1st time, by Onorati) [with music by Bossi]-Didelot, Gentili, Mlle Parisot, Mme Bossi, Mlle Barre, Mme Rose, Mme Hilligsberg [dl playbill of 25 May adds: Mme Vidi]

7383
22 April 1796 @ Drury Lane Theatre

Event Comment: Receipts: #224 10s. 6d. (156.6.6; 64.15.0; 3.3.0; tickets not come in: 0.6.0)

Performances

Mainpiece Title: Almeyda

Afterpiece Title: The Smugglers

7384
23 April 1796 @ Drury Lane Theatre

Event Comment: Receipts: #225 11s. 6d. (168.18.6; 48.17.6; 5.16.6; tickets not come in: 1.19.0)

Performances

Mainpiece Title: Almeyda

Afterpiece Title: The Smugglers

7385
27 April 1796 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. Benefit for a Widow. Tickets delivered for the 25th will be admitted. The Doors to be opened at 5:30. To begin at 6:30

Performances

Mainpiece Title: The Earl Of Essex

Performance Comment: Earl of Southampton-Adcock; Lord Burleigh-Martin; Sir Walter Raleigh-Maffet; Essex-Wilkinson; Queen Elizabeth-Mrs Sidney; Countess of Nottingham-Mrs Sincock; Rutland-A Young Lady (1st appearance on any stage [unidentified]).unidentified]).
Cast
Role: Earl of Southampton Actor: Adcock

Afterpiece Title: The Citizen

Entertainment: Monologue.End: Collins's Ode on the Passions-Wilkinson

7386
29 April 1796 @ Drury Lane Theatre

Event Comment: Benefit for King. [Mrs Siddons's 1st appearance as Gertrude was at Liverpool, 23 July 1777; Mrs Jordan's as Ophelia at Richmond, 19 Aug. 1795.] Morning Herald, 28 Apr.: Tackets to be had of King, No. 56, Store-street, Bedford-square; 30 Apr.: The dresses [in Hamlet] were all modern. Receipts: #498 17s. 6d. (284.11.6; 55.9.0; 2.5.0; tickets: 156.12.0) (charge: #232 7s. 6d.)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Wedding Day

Entertainment: Monologue.End: a Serio-Comic, Poetic, Prosaic Paraphrase on Shakespeare's Seven Ages-King

7387
04 May 1796 @ Drury Lane Theatre

Event Comment: [In mainpiece the playbill retains Kemble, but "The Publick are respectfully informed that Kemble having been attacked in the course of Last Night with a violent Pleurisy, which confines him to his Bed, Charles Kemble has undertaken to read the part of Mahmoud, and hopes for your kind Indulgence" (printed slip attached to BM playbill (Harris, Vol. V)). Afterpiece in place of The First Floor advertised on playbill of 3 May.] Receipts: #315 4s. (252.6.6; 60.19.0; 1.9.6; tickets not come in: 0.9.0)

Performances

Mainpiece Title: Mahmoud

Afterpiece Title: The Citizen

7388
10 May 1796 @ Covent Garden

Event Comment: Benefit for Mrs Mountain. [Philipps is identified in Monthly Mirror, Sept. 1796, p. 315. As Mrs Plomer Sga Salvini had 1st appeared at the hay, 12 June 1788.] Afterpaece [1st time; MF 2, author unknown. Larpent MS 1131; not published]: The Music and Overture by Spofforth. Morning Herald, 4 May: Tickets to be had of Mrs Mountain, No. 6, York-street, Covent-Garden. Receipts: #380 18s. 6d. (150.7.6; 5.16.0; 224.15.0)

Performances

Mainpiece Title: The Castle Of Andalusia

Afterpiece Title: The Witch of the Wood; or, The Nutting Girls

Dance: In: The Spanish Fandango-Byrn, Mlle St.Amand; II afterpiece: The Humours of a Country Fair-Holland, Platt, Bayzand, Cranfield, Ratchford, Mrs Lloyd, Mrs Blurton, Miss Smyth, Mrs Watts

Song: End: Sally in our Alley-Incledon

7389
12 May 1796 @ King's Theatre

Event Comment: Benefit for Mlle Parisot. Tickets to be had of Mlle Parisot, No. 9, Haymarket

Performances

Mainpiece Title: La Modista Raggiratrice

Dance: End I: L'Amant Statue, as17960423; in which will introduce a new Pas Seul-Mlle Parisot; End Opera: an entire new Ballet by Onorati La Villageoise Enlevee; ou, Les Corsaires-Mme Rose, Mme Bossi, Mme Hilligsberg, Mlle Barre, Didelot, Lahante, Gentili, Fialon, Mlle Parisot

Related Works
Related Work: Albert and Adelaide; or, The Victim of Constancy Author(s): Jacques Marie Boutet de Monvel

7390
16 May 1796 @ Drury Lane Theatre

Performances

Mainpiece Title: Almeyda

Afterpiece Title: The Wedding Day

7391
24 May 1796 @ Covent Garden

Event Comment: Benefit for Macready and Hull. 1st piece: Not acted these 14 years, and compressed into 3 Acts. Receipts: #313 16s. (81.19; 3.9; tickets: 228.8, of which Macready sold 139.15, and Hull 88.13)

Performances

Mainpiece Title: The Earl Of Warwick And Margaret Of Anjou

Afterpiece Title: The Lie of the Day

Cast
Role: The Outside of Pantaloon's House Actor: the Mandarine-the Inside-the Magic Candles-
Role: Outside of Bagnio Actor:
Role: Pantaloon's House and Garden Wall Actor: a Venetian Window changes to a Ladder-with the Clown's Disaster in the Horse Trough. Outside of Pantaloon's House-the art of making Punch-the Transformation of Punch to a Wheel-Barrow invented by Rich.
Role: a Venetian Window changes to a Ladder Actor: with the Clown's Disaster in the Horse Trough. Outside of Pantaloon's House-the art of making Punch-the Transformation of Punch to a Wheel-Barrow invented by Rich.
Role: Outside of Pantaloon's House Actor: the art of making Punch-the Transformation of Punch to a Wheel-Barrow invented by Rich.

Afterpiece Title: Sprigs of Laurel

Song: In Course Evening: The Waiter-Fawcett; Master Thedy Shemus O'Shaughnessey O'Finnegin Delaney's History of Himself-Johnstone; Mad Bess (in character)-Mrs Clendining; The Sportman's snug little Cot, Admiral Benbow-Incledon

7392
25 May 1796 @ Drury Lane Theatre

Event Comment: At the Request of many Friends to Worth and Genius, and in Commemoration of the late Mr Storace [who died 19 Mar.], Benefit for his Widow and Orphan. Receipts: #657 12s. (352.18.6; 32.4.0; 2.2.0; tickets: 270.6.0; odd money: 0.1.6) (charge: #244 13s. 9d.)

Performances

Mainpiece Title: Mahmoud

Afterpiece Title: A Dramatic Cento

Afterpiece Title: The Sultan

Dance: End I: (by permission of the Proprietor of the king's Theatre) the new favorite Ballet, in the Scots' Stile, Little Peggy's Love- The Pantomime, Principal Steps by Didelot; the Principal Characters the Dancers of the Opera House: Didelot, Gentili, Ms Vidi, Ms Bossi, Ms Barre, Ms Parisot, Ms Hilligsberg, Ms Rose

Song: End 3rd piece: the Finale to The Iron Chest, Harmony Harmony- being the last Composition of Storace

7393
26 May 1796 @ Drury Lane Theatre

Event Comment: Receipts: #146 12s. 6d. (102.17.6; 43.3.0; 0.0.0; tickets not come in: 0.12.0)

Performances

Mainpiece Title: She Wou'd And She Wou'd Not

Afterpiece Title: The Prize

7394
26 May 1796 @ Covent Garden

Event Comment: Benefit for Brandon, box-book and housekeeper. Receitps: #446 17s. 6d. (65.8.0; 10.16.0; tickets: 370.13.6)

Performances

Mainpiece Title: Fontainbleau

Afterpiece Title: The Prisoner at Large

Song: End: The Storm-Incledon; Master Thedy Shemus O'Shaughnessey O'Finnegin Delaney's History of Himself-Johnstone; Four and Twenty Fidlers-Munden; Tho' Hurricanes rattle-Incledon, Bowden

7395
27 May 1796 @ Covent Garden

Event Comment: Benefit for Richardson and Mrs Davenport. 1st piece: Not acted these 20 years [acted 9 Oct. 1778], and compressed into one Act. [Miss Hay, whose 1st appearance on the stage was at Richmond, 15 Sept. 1792, is identified in Thespian Dictionary, 1805, under Mrs Litchfield.] Receipts: #234 5s. (69.1.6; 2.6.6; tickets: 162.17, of which Richardson sold 84.0, and Mrs Davenport 78.17)

Performances

Mainpiece Title: The Old Maid

Afterpiece Title: Every One has His Fault

Afterpiece Title: Cymon

Dance: Conclude 3rd piece: Dance-

Song: End: Black@Ey'd Susan-Incledon; End 2nd piece: The Group of Lovers-Munden

7396
28 May 1796 @ Covent Garden

Event Comment: Benefit for Haymes. 1st piece: Not acted these 2 years [not acted since 24 Apr. 1793]. 2nd piece: With a view of High-street, Portsmouth, at the time of an Illumination. Receipts: #236 2s. 6d. (66.17.6; 11.10.6; tickets: 157.14.6)

Performances

Mainpiece Title: Such Things Are

Afterpiece Title: Arrived at Portsmouth

Afterpiece Title: Rosina

Dance: End 2nd piece: Highland Festivity, as17951125

Song: In 2nd piece: songs as in 3rd piece, 12 Apr. We've bade the restless seas adieu-; O why to be happy, as17960314+With Rosabel what joy to stray-Townsend; Here we laugh and work together-; With pride we steer'd for England's coast-Incledon; When love was a stranger-Mrs Mountain; The seaman who of wars may tell-Incledon, Bowden; Rule Britannia-

7397
30 May 1796 @ Drury Lane Theatre

Event Comment: Benefit for Fosbrook, box-book and housekeeper. Receipts: #142 15s. 6d. (84.0.6; 46.15.0; 6.12.6; tickets: none listed; odd money: 5.7.6) (charge: #211 5s. 6d.)

Performances

Mainpiece Title: The Belle's Stratagem

Afterpiece Title: The Follies of a Day

Afterpiece Title: The Purse

Song: In IV of 1st piece: a Masquerade Scene, in which Ally Croker-Miss Leak, Master Welsh; Listen to the Voice of Love-Master Welsh

7398
01 June 1796 @ Covent Garden

Event Comment: Benefit for Powel and Follett. 1st piece: To conclude as 15 Apr. [2nd piece: Epilogue by Miles Peter Andrews.] Receipts: #423 1s. (92.13; 7.7; tickets: 323.1, of which Powel sold 74.13.6, and Follett 248.8.6)

Performances

Mainpiece Title: The Point At Herqui

Afterpiece Title: The Dramatist

Afterpiece Title: Oscar and Malvina

Cast
Role: The Outside of Pantaloon's House Actor: the Mandarine-the Inside-the Magic Candles-
Role: Outside of Bagnio Actor:
Role: Pantaloon's House and Garden Wall Actor: a Venetian Window changes to a Ladder-with the Clown's Disaster in the Horse Trough. Outside of Pantaloon's House-the art of making Punch-the Transformation of Punch to a Wheel-Barrow invented by Rich.
Role: a Venetian Window changes to a Ladder Actor: with the Clown's Disaster in the Horse Trough. Outside of Pantaloon's House-the art of making Punch-the Transformation of Punch to a Wheel-Barrow invented by Rich.
Role: Outside of Pantaloon's House Actor: the art of making Punch-the Transformation of Punch to a Wheel-Barrow invented by Rich.

Dance: In: a new incidental Dance, as17960415

Song: In: songs as17960503; End 2nd piece: The Sea Storm-Incledon; In 3rd piece: songs The Sea Storm, as17960516; I am a jolly gay Pedlar, as17960516; Come every jovial Fellow, as17960516; O ever in my bosom live, as17960516

7399
02 June 1796 @ Covent Garden

Event Comment: Benefit for Thompson, Williamson, Rees & Sloper. In 4th piece a Representation of the Indian Mannerv, &c., as 26 Oct. 1795, but added to Allegoric Scene: With Britannia seated on the Globe of the Earth attended by Fame, and Neptune in his Watery Car, attended by Sea Nymphs. Receipts: #353 3s. 6d. (63.0.6; 4.9.0; tickets: 285.14.0)

Performances

Mainpiece Title: The Way To Get Un-married

Afterpiece Title: The School for Arrogance

Afterpiece Title: Dr Last's Examination before the College of Physicians

Afterpiece Title: The Shipwreck

Dance: In 4th piece: Dance, as17951026, but Holland; in which dance Bells-Lawrence that inimitable Performer, will introduce accompaniments on his Bells

Song: In: Admiral Benbow-Incledon; In 3rd piece: All on Hobbies-Williamson; In 4th piece: Rule Britannia-Townsend

Entertainment: 3rd piece: a variety of Imitations-Rees

7400
07 June 1796 @ Covent Garden

Event Comment: [Extra night] Benefit for the Fund, established for the Relief of those Performers who, through Infirmity, shall be obliged to retire from the Stage. The Theatrical Fund was established in 1765, under the auspices of the late Mr Beard and Mrs Rich; and received the sanction of Parliament in 1776. There are now, and have been for more than 20 years, several Annuitants supported by it, chiefly families and widows. Yet notwithstanding it has been so long set on foot, the interest arising from the Funded Capital has never been equal to defraying one half of the annual disbursements. The deficiencies have been continually supplied by progressive weekly contributions from the performers. When this is considered, it is respectfully presumed the generosity of a British Public will be exerted this night in favour of so liberal and beneficial an institution. Thomas Hull, Treasurer. Tickets to be had of Hull, Treasurer to the Institution, No. 7, Duke's-Court, near Dean's Yard, Westminster. Receipts: none listed

Performances

Mainpiece Title: The Way To Get Married

Afterpiece Title: Harlequin's Treasure 0

Cast
Role: The Outside of Pantaloon's House Actor: the Mandarine-the Inside-the Magic Candles-
Role: Outside of Bagnio Actor:
Role: Pantaloon's House and Garden Wall Actor: a Venetian Window changes to a Ladder-with the Clown's Disaster in the Horse Trough. Outside of Pantaloon's House-the art of making Punch-the Transformation of Punch to a Wheel-Barrow invented by Rich.
Role: a Venetian Window changes to a Ladder Actor: with the Clown's Disaster in the Horse Trough. Outside of Pantaloon's House-the art of making Punch-the Transformation of Punch to a Wheel-Barrow invented by Rich.
Role: Outside of Pantaloon's House Actor: the art of making Punch-the Transformation of Punch to a Wheel-Barrow invented by Rich.

Afterpiece Title: Harlequin's Treasure 1

Cast
Role: The Outside of Pantaloon's House Actor: the Mandarine-the Inside-the Magic Candles-
Role: Outside of Bagnio Actor:
Role: Pantaloon's House and Garden Wall Actor: a Venetian Window changes to a Ladder-with the Clown's Disaster in the Horse Trough. Outside of Pantaloon's House-the art of making Punch-the Transformation of Punch to a Wheel-Barrow invented by Rich.
Role: a Venetian Window changes to a Ladder Actor: with the Clown's Disaster in the Horse Trough. Outside of Pantaloon's House-the art of making Punch-the Transformation of Punch to a Wheel-Barrow invented by Rich.
Role: Outside of Pantaloon's House Actor: the art of making Punch-the Transformation of Punch to a Wheel-Barrow invented by Rich.

Afterpiece Title: Harlequin's Treasure 2

Cast
Role: The Outside of Pantaloon's House Actor: the Mandarine-the Inside-the Magic Candles-
Role: Outside of Bagnio Actor:
Role: Pantaloon's House and Garden Wall Actor: a Venetian Window changes to a Ladder-with the Clown's Disaster in the Horse Trough. Outside of Pantaloon's House-the art of making Punch-the Transformation of Punch to a Wheel-Barrow invented by Rich.
Role: a Venetian Window changes to a Ladder Actor: with the Clown's Disaster in the Horse Trough. Outside of Pantaloon's House-the art of making Punch-the Transformation of Punch to a Wheel-Barrow invented by Rich.
Role: Outside of Pantaloon's House Actor: the art of making Punch-the Transformation of Punch to a Wheel-Barrow invented by Rich.

Entertainment: MonologueEnd: The Barber's Petition, as17960506; with Wigs, as17960506