SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Costollo Tickets deliverd out by Baker"/1) | (@(roleclean,performerclean) "Costollo Tickets deliverd out by Baker")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 6387 matches on Event Comments, 1268 matches on Performance Comments, 134 matches on Performance Title, 86 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Paid Jacobs for carpenters bill to 8th Inst. #56 16s.; Powell for Advertisements [in newspapers] #112 16s. Receipts: #598 7s. 6d. (570/10/6; tickets: 19/10/0; 8/7/0)

Performances

Mainpiece Title: The Messiah

Music: End of Part I concerto on the flute by Ashe; End of Part II concerto on the violin by Giornovichi

Event Comment: Receipts: #510 5s. 6d. (478/1/0; tickets: 15/18/0; 16/6/6)

Performances

Mainpiece Title: A Grand Selection Of Sacred Music From The Works Of Handel

Event Comment: Receipts: #569 3s. 6d. (544/6/6; tickets: 10/10/0; 14/7/0)

Performances

Mainpiece Title: A Grand Selection

Afterpiece Title: ACIS AND GALATEA

Music: End of Part I of oratorio concerto on violin by Giornovichi

Event Comment: Paid Dorion on Acct. of Music Copying Oratorios #20. Receipts: #559 12s. (541/17; tickets: 5/2; 12/13)

Performances

Mainpiece Title: The Messiah

Music: End of Part I concerto on the oboe by W. Parke; End of Part II concerto on the violin by Giornovichi, in which the favourite air of Lullaby

Event Comment: Benefit for the Author [of mainpiece, who is named in the Account Book, but not on the playbill]. Receipts: #297 17s. (284/13; 13/4; tickets and charge: neither listed)

Performances

Mainpiece Title: Fontainville Forest

Afterpiece Title: HARTFORD BRIDGE

Dance: As17930916

Event Comment: Receipts: #531 11s. 6d. (519/19/0; tickets: 1/16/0; 9/16/6)

Performances

Mainpiece Title: A Grand Selection Of Sacred Music From The Works Of Handel

Performance Comment: Principal Vocal Performers as17940314but omitted: Miller, Kelly. Leader as17940312ART I. God save the King by Chorus (CORONATION ANTHEMS). He layeth the beams by Meredith. O had I Jubal's lyre by Mrs Bland (JOSHUA). Gird on thy sword by Chorus (SAUL). Holy, holy by Sga Storace (REDEMPTION). Softly rise by Harrison; Ye southern breezes by Chorus (SOLOMON, by Boyce). Let me wander by Master Welsh (L'ALLEGRO). Sing ye to the Lord by Sga Storace; and Chorus; The horse and his rider by Double Chorus (ISRAEL IN EGYPT). PART II. Ye sons of Israel by Chorus (JOSHUA). What tho' I trace by Mrs Crouch (SOLOMON). Pleasure my former ways by Harrison (TIME AND TRUTH). Would you gain by Master Welsh (ACIS AND GALATEA). Welcome! Welcome! by Chorus (SAUL). Concerto on violin by Giornovichi. Honour and Arms by Meredith (SAMSON). O magnify the Lord by Miss Leak. Halleluiah by Chorus (THE MESSIAH). PART III. How excellent by Chorus (SAUL). Lord, remember David by Harrison. Ask if yon damask rose be sweet by Mrs Crouch (SUSANNA). He gave them hailstones by Chorus (ISRAEL IN EGYPT). The smiling dawn by Miss Leak (JEPHTHA). See the conquering Hero comes by Chorus (JUDAS MACCABAEUS). Angels ever bright and fair by Master Welsh (THEODORA). From the censer by Double Chorus (SOLOMON) .
Event Comment: Receipts: #486 17s. 6d. (481 19/0; tickets: 2/8/0; 2/10/6)

Performances

Mainpiece Title: A Grand Selection Of Sacred Music From The Works Of Handel

Event Comment: Benefit for the Author [of mainpiece, who is named in the Account Book, but not on the playbill]. Receipts: #294 19s. 6d. (281/10/0; 13/9/6; tickets and charge: neither listed)

Performances

Mainpiece Title: Fontainville Forest

Afterpiece Title: THE IRISHMAN IN LONDON

Event Comment: Advance broadside of 7 Apr.: The performance of Plays, in this Theatre, is unavoidably postponed on account of the extent of the Preparations for compleating the Scenery and Machinery in a Style suitable to the Theatre. But at the Request of Numbers of Ladies and Gentlemen, who have hitherto been disappointed of Places, there will be this Week Four Performances of Grand Selections of Music and Oratorios . . . After Saturday the Theatre will close till Compleat for Dramatic Representations. Receipts: #525 12s. 6d. (515/12/6; tickets: 2/2/0; 7/18/0)

Performances

Mainpiece Title: A Grand Selection Of Sacred Music From The Works Of Handel

Music: End of Part II concerto on the violin by Giornovichi

Event Comment: Receipts: #287 7s. (280/3 tickets: 3/12; 3/12)

Performances

Mainpiece Title: Redemption: A Sacred Oratorio Selected From The Great And Favourite Works Of Handel

Performance Comment: Principal Vocal Performers as17940319but added: Fisher. Leader as17940312ART I. Overture (OCCASIONAL ORATORIO). When the Earth by Dignum. O! First created beam by Chorus. He measur'd the waters and He layeth the beams by Meredith. When his loud voice by Chorus. Now heaven in all and Lord what is Man! by Mrs Crouch. How excellent thy name by Chorus. These are thy glorious works and Speak ye who best can tel1 by Kelly. Abraham believed in God and Abraham, enough by Mrs Bland. Now when Joseph was sold and Jehovah is my shield and glory by Miss Leak. When Joseph by Dignum. Blest be the man by Chorus. When Joseph was dead and Pious orgies by Sga Storace. Then sent he Moses by Dignum. He gave them hailstones by Double Chorus. The Lord is a man of war by Fisher and Meredith. Moses and the children of Israel by Sga Storace and Double Chorus. PART II. Now after the death by Dignum. Ye sons of Israel by Chorus. Oh Joshua! and Oh had I Jubal's lyre! by Mrs Bland. When Joshua by Dignum. Now Deborah and Angels ever bright and fair by Master Welsh. Jehovah crown'd by Meredith and Chorus. Now the elders by Dignum. Welcome, welcome mighty King by Chorus. Again the Philistines and In Sweetest harmony by Sga Storace and Chorus. Their bodies are buried in peace by Chorus. Dead March (SAUL). And the men of Judah and Lord remember David by Kelly. Gird on thy Sword by Chorus. Blest be the Lord and The Sword that's drawn by Meredith. When King David by Dignum. Coronation Anthem by Chorus: God save the King. PART III. Now when the fullness of time and Where is this stupendous stranger by Mrs Crouch. In the days of Herod and There beneath a lovely shade by Dignum. And Jesus went about and He was eyes unto the blind by Kelly. When the time drew near by Mrs Bland. Hosannah to the son of David by Chorus. The people of Jerusalem and He was brought as a lamb by Meredith. Behold it is Christ by Dignum. He sitteth at the right hand by Chorus. Holy, holy by Sga Storace. For as much as Christ by Meredith. Glory be to the Father by Chorus .

Music: As17940409

Event Comment: Paid Oratorio Company #1,106 17s. Receipts: #415 15s. 6d. (411/11/0; tickets: 3/12/0; 0/12/6)

Performances

Mainpiece Title: The Messiah

Music: As17940328but omitted: Lullaby

Event Comment: Receipts: #457 7s. (412/5; 42/5; 1/1; tickets not come in: 1/16)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: THE VIRGIN UNMASK'D

Song: As17940421

Event Comment: Receipts: #411 5s. (363/3; 42/14; 1/19; tickets not come in: 3/9)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: THE VIRGIN UNMASK'D

Song: As17940421, but added: Miss Wrighten, Miss C. Wrighten

Event Comment: [Afterpiece in place of THE CHEATS OF SCAPIN , advertised on playbill of 23 Apr.] Powell: As You Like It rehearsed at 10; Children in the Wood at 12; Jew at 1. Receipts: #418 11s. (371/ 1/6; 45/2/0; 2/4/6; tickets not come in: 0/6/0)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: THE VIRGIN UNMASK'D

Song: As17940423

Event Comment: Afterpiece: The Music composed by Storace. [In afterpiece the playbill assigns Nelly to Miss Redhead, but on the BM playbill (Harris, Vol. IV) her name is deleted and a MS annotation substitutes Mrs Bramwell's.] Paid Chorus to 25th Inst. #22 10s.; Supernumeraries #32 9s. Powell: Jew rehearsed at 10. Receipts: #436 10s. 6d. (356/2/0; 77/1 9/0; 1/5/6; tickets not come in: 1/4/0)

Performances

Mainpiece Title: The Distress'd Mother

Afterpiece Title: No SONG NO SUPPER

Event Comment: Benefit for the Author [of mainpiece, who is named in the Account Book, but not on the playbill] . Receipts: #138 10s. (132/4; 6/6; tickets and charge: neither listed)

Performances

Mainpiece Title: Fontainville Forest

Afterpiece Title: HARLEQUIN AND FAUSTUS

Event Comment: Powell: Kemble being indisposed from a violent Bruise in his Arm (during the several times of his playing the Part of Macbeth) so as to render him incapable of attending the Theatre this evening, an Apology was made by Wroughton, and the Prologue was omitted. [The playbill retains Miss Menage in afterpiece, but she] being at the Italian Opera this Evening, Master Chatterley play'd her part in the Children in the Wood. Henry VIII rehearsed at 10 (for Banks and Dignum; Packer ill); The Jew at 12 (for Miss Farren and Miss Tidswell). Receipts: #322 5s. 6d. (248/0/0; 67/15/0; 6/14/6; tickets not come in: 0/6/0)

Performances

Mainpiece Title: The Inconstant; Or, The Way To Win Him

Afterpiece Title: THE CHILDREN IN THE WOOD

Event Comment: Powell: This Evening the Band beginning the Overture to the Farce without any notice by Bell or otherwise, caus'd a considerabledelay, it being over before the stage could be got in readiness for beginning the Farce. God save the King was call'd for, and sung. The Jew rehearsed at 10. Receipts: #396 5s. 6d. (338/9/6; 53/19/0; 2/7/0; tickets not come in: 1/10/0)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: THOMAS AND SALLY

Song: As17940428

Event Comment: Mainpiece: In Act I The Cardinal's Banquet. In Act II The Court for the Trial of Queen Katharine. In Act V a Grand Procession to the Christening of Princess Elizabeth. Paid Charles Smith on Acct. of Upholders Work at Drury Lane Theatre #400. Powell: Henry VIII rehearsed at 10 (for Packer, lame, and Mrs Siddons); Siege of Belgrade music at 12 (for Storace, Bannister Jun., Crouch, Davis, Danby). The Iron Curtain being finish'd was this Evening exhibited for the first Time with the Epilogue [and see 21 Apr.]. "On the 24th February, 1809, this theatre was burnt down . . . Every care had been taken to guard against such a calamity. Two large reservoirs for water, on the top of the house, happened, unfortunately, at this crisis to be empty; and an iron curtain, intended to separate the auditory from the stage, for the purpose of saving a part of the edifice in case of conflagration, was, with its machinery, so much out of order as to be useless; it was, in fact, utterly immoveable" (Brayley, p. 8). Receipts: #451 8s. 6d. (389/4/0; 56/5/0; 4/6/6; tickets not come in: 1/13/0)

Performances

Mainpiece Title: King Henry The Eighth

Afterpiece Title: THE CHILDREN IN THE WOOD

Event Comment: Powell: [In mainpiece] Jones the Doctor, Packer [retained in playbill] ill. The Jew rehearsed at 10 (for Bannister Jun.; Mrs Hopkins ill); Siege of Belgrade at 12 . Receipts: #461 15s. 6d. (390/0/0; 69/18/6; 1/5/0; tickets not come in: 0/12/0)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: NO SONG NO SUPPER

Song: As17940428

Performances

Mainpiece Title: The Siege Of Belgrade

Afterpiece Title: THE MILLER OF MANSFIELD

Event Comment: Paid Barratt for Oil and Candles #132 10s. Powell: The Jew rehearsed at 10 (for Bannister Jun.); The Citizen at 12. Receipts: #457 5s. 6d. (382/14/0; 70/12/0; 3/7/6; tickets not come in: 0/12/0)

Performances

Mainpiece Title: The Siege Of Belgrade

Afterpiece Title: THE CITIZEN

Event Comment: Powell: Whitfield absent 1st Act of Macbeth (leave from the Manager), Barrymore spoke the Part. The Quaker rehearsed at 10 (for Dignum); The Jew at 11 (for Miss Farren); Lodoiska read at 1. Receipts: #569 2s. (491/6/0; 72/9/6; 3/19/6; tickets not come in: 1/7/0)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: THE CHILDREN IN THE WOOD

Song: As17940428

Event Comment: [A broadside bound with Kemble playbills, dated 10 May, repeats the statement found under 12 Mar. beginning "The Box Office, for the present," and adds: "Proper persons will announce to the Company in the Upper Saloons, and from thence to the Lobbies and Boxes, the Carriages and Chairs drawn up before the Colonnades."] Receipts: #376 4s. 6d. (315/8/6; 50/19/0; 8/1/0; tickets not come in: 1/16/0)

Performances

Mainpiece Title: The Jew

Afterpiece Title: THE QUAKER

Event Comment: Afterpiece: The Musick composed by Storace. Powell: My Grandmother rehearsed at 10 (Bannister Jun. one scene, Sedgwick one scene, Storace); Prize at 11 (Master Welsh and Suett two scenes); Lodoiska at 12. The Doors to be opened at 5:30. To begin at 6:30 [same for rest of season]. Receipts: #481 11s. 6d. (392/15/0; 80/16/0; 6/7/6; tickets not come in: 1/13/0)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: MY GRANDMOTHER

Song: As17940428