SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Costollo Tickets deliverd out by Baker"/1) | (@(roleclean,performerclean) "Costollo Tickets deliverd out by Baker")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 6387 matches on Event Comments, 1268 matches on Performance Comments, 134 matches on Performance Title, 86 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit for the Author [of mainpiece, who is named in Kemble Mem., but not on the playbill]. Receipts: #225 0s. 6d. (193.10.6; 30.12.0; 0.18.0; tickets: none listed) (charge: #166 12s. 6d.)

Performances

Mainpiece Title: At King's The Pirates

Afterpiece Title: Miss in her Teens

Event Comment: Benefit for the Author [of mainpiece, who is named in the Account-Book, but not on the playbill]. Receipts: #212 14s. 6d. (181.17.6; 28.9.0; 2.8.0; tickets: none listed) (charge: #166 12s. 6d.)

Performances

Mainpiece Title: At King's The Pirates

Afterpiece Title: The Humourist

Performances

Mainpiece Title: At King's The Pirates

Afterpiece Title: The First Floor

Event Comment: Receipts: #208 2s. 6d. (154.16.6; 49.8.0; 3.0.0; tickets not come in: 0.18.0)

Performances

Mainpiece Title: At King's The School For Scandal

Afterpiece Title: The Prisoner

Song: As17921030

Event Comment: By Command of Their Majesties. Receipts: #485 13s. (444.17; 35.3; 2.19; tickets not come in: 2.14)

Performances

Mainpiece Title: At King's The Pirates

Afterpiece Title: The Doctor and Apothecary

Performances

Mainpiece Title: At King's The Chances

Afterpiece Title: Richard Coeur de Lion

Event Comment: A Comic Opera; the music chiefly composed by Paisiello. Under the direction of Storace. Pit 10s. 6d. Gallery 5s. No Money to be returned. The Doors to be opened at 6:30. To begin at 7:30 [same throughout season]. The subscriptions are received at Messrs Ransoms, Morland and Hammersley's only, upon whose receipt the tickets will be immediately made out, and delivered at the office of Jewell, treasurer. And the subscribers at the head of Boxes are intreated to observe that if the subscription money is not paid into the hands of the Bankers, before the opening of the Theatre, his Box will be considered as relinquished. N.B. The seats of the Pit and the Boxes will be entirely new furnished on the Opera Nights; and Gentlemen are most respectively [sic] informed that they cannot be admitted, either into the Boxes or the Pit on those Nights, unless they are in Afternoon dress. The Nobility are intreated to give directions to their servants to set down and take up the at Theatre with the horses' heads towards Pall Mall. The door in Market-lane for Chairs only

Performances

Mainpiece Title: Il Barbiere Di Siviglia

Dance: End I: a new Divertisement (composed by Noverre)-Mlle Millerd (from the Grand Opera in Paris; 1st appearance in this country), Mlle Hilligsberg, Favre Gardel, Nivelon; End Opera: Les Caractres de la Danse-; a new divertisement (composed by Noverre), Les Epoux du Tempe-Mlle Hilligsberg, Mlle Millerd, Nivelon, Favre Gardel

Performances

Mainpiece Title: At King's Cymon

Afterpiece Title: The First Floor

Event Comment: The Public is most respectfully informed that The Pirates [advertised on playbill of 19 Feb.] is deferred on account of the Indisposition of Bannister Jun. Receipts: #169 15s. 6d. (123.18.6; 38.9.0; 6.16.0; tickets not come in: 0.12.0)

Performances

Mainpiece Title: At King's The Haunted Tower

Afterpiece Title: The Deuce is in Him

Event Comment: Anna [advertised on playbill of 26 Feb.] is deferred for a few Days, at the Request of the Authoress, in order to amend those passages which prevented the Piece from receiving throughout that unanimous Applause with which the Audience honoured the Four First Acts. [But Anna was not repeated.] Receipts: #316 12s. (253.16; 56.12; 5.18; tickets not come in: 0.6)

Performances

Mainpiece Title: At King's The Country Girl

Afterpiece Title: Richard Coeur de Lion

Event Comment: Benefit for Pope. 2nd piece: Written by Edward Jerningham, Esq., with Alterations and Additions (interspersed with Music, after the manner of Rousseau's Pygmalion). The Music composed by Hook. The subject of the above Performance is taken from a remarkable incident in the Life of Margaret . Morning Herald, 2 Mar.: Tickets to be had of Mrs Pope at her house, No. 5, Half-moon-street, Piccadilly. Receipts: #368 15s

Performances

Mainpiece Title: Wild Oats

Afterpiece Title: Margaret of Anjou

Afterpiece Title: The Irishman in London

Song: In 3rd piece: a Planxty descriptive of Ireland,-Johnstone

Event Comment: Benefit for Lewis. 2nd piece [1st time; M. INT 1, arranged by Thomas Goodwin. Monologue by Miles Peter Andrews (Yale, Folio Pamphlets No. 10, p. 157)]. Morning Herald, 19 Mar.: Tickets to be had of Lewis, Bow-street. Receipts: #466 5s

Performances

Mainpiece Title: The Road To Ruin

Afterpiece Title: The Relief of Williamstadt; or, The Return from Victory

Afterpiece Title: Hartford Bridge

Dance: In 2nd piece: Byrn, Holland, Mrs Watts, Mme Rossi

Entertainment: Monologue. A new Occasional Address in the character of Goldfinch ,-Lewis

Event Comment: Benefit for Palmer. [Afterpiece in place of The Devil to Pay, advertised on playbill of 23 Mar.] Receipts: #401 17s. (206.14.6; 36.0.0; 2.3.0; tickets: 156.19.6) (charge: #180 10s. 4d.)

Performances

Mainpiece Title: At King's The Siege Of Belgrade

Afterpiece Title: The Sultan

Event Comment: Benefit for the Author [of mainpiece, who is named in Kemble Mem., but not on the playbill. Afterpiece in place of The Romp, advertised on playbill of 4 Apr.]. Receipts: #255 12s. 6d. (185.14.6; 63.4.0; 6.14.0; tickets: none listed) (charge: #158 13s. 6d.)

Performances

Mainpiece Title: At King's False Colours

Afterpiece Title: The Spoil'd Child

Event Comment: Benefit for Quick. 1st piece: In 3 Acts [i.e. abridged from the original 5]. 3rd piece: Written by Pilon. Morning Herald, 21 Mar.: Tickets to be had of Quick, No. 98, High Holborn. Receipts: #404 4s

Performances

Mainpiece Title: Fashionable Levities

Afterpiece Title: Rosina

Afterpiece Title: The Invasion; or, All Alarm'd at Brighthelmstone

Entertainment: Monologue. Preceding 1st piece: An Eulogium on Money-Quick

Event Comment: Benefit for Holman. 2nd piece: Not acted these 6 years [not acted since 10 May 1786]. Morning Herald, 27 Mar.: Tickets to be had of Holman, No. 14, John-street, Adelphi. Receipts: #273 1s. 6d

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: True Blue

Afterpiece Title: Comus

Dance: In 2nd piece: a Hornpipe-Blurton

Song: In 3rd piece: Sweet Echo-Miss Broadhurst; accompanied on the hautboy-W. Parke; Nor on beds of fading flowers-Incledon

Event Comment: Benefit for the Author [of mainpiece, whose name is listed in Kemble Mem., but not on the playbill]. The Doors to be opened at 5:30. To begin at 6:30 [same for rest of season]. Receipts: #170 15s. (128.13; 31.1; 11.1; tickets: none listed) (charge: #157 11s. 6d.)

Performances

Mainpiece Title: At King's False Colours

Afterpiece Title: The Pannel

Event Comment: Benefit for Mrs Esten. Morning Herald, 28 Mar.: Tickets to be had of Mrs Esten, No. 5, Nassau-street, Soho. Receipts: #251 7s. 6d

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: True Blue

Afterpiece Title: The Sultan

Dance: In 3rd piece: As17921003; In 2nd piece: Hornpipe, as17930411

Entertainment: Monologue End 2nd piece: Collins's Ode on the Passions-Mrs Esten

Event Comment: Benefit for Mrs Mattocks. [Epilogue by Miles Peter Andrews.] 3rd piece: Not acted these 20 years [acted 15 Feb. 1779]. Morning Herald, 19 Apr.: Tickets to be had of Mrs Mattocks, No. 8, Great Russell-street, Covent-Garden. Receipts: #318 5s. 6d

Performances

Mainpiece Title: Such Things Are

Afterpiece Title: The Soldier's Festival; or, The Night before the Battle

Afterpiece Title: The Reprisal; or, The Tars of Old England

Song: In the course of 3rd piece: The Mid Watch, Rule Britannia-Incledon; and to conclude with God save the King in Full Chorus-

Event Comment: Benefit for Johnstone. Afterpiece [1st time; MF 2. Larpent MS 980; not published]: By a Gentleman of the Bar [Horatio Edgar Robson]. The Story partly founded on the celebrated old Scotch Ballad of the Heir of Lynne. The Irish, Scotch, Italian and French Airs selected, and the new Music and Medley Overture composed by Reeve. Books of the Songs to be had at the Theatre. Morning Herald, 24 Apr.: Tickets to be had of Johnstone, No. 19, Piazza, Covent-Garden. Receipts: #488 9s. 6d

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: Money at a Pinch; or, The Irishman's Frolicks

Dance: End: The Merry Sailors-

Song: In afterpiece: the following songs (incidental to the Piece) The Row, The Land of Potatoes, My sweetest Honoria (to a favorite air of Carolan's)-Johnstone

Event Comment: Benefit for the Orphan Daughters of the late Mr Wrighten, prompter. [In mainpiece the playbill retains Mrs Kemble as Charlotte, but "Mrs Ward read Charlotte " (Thespian Magazine, June 1793, p. 3).] Receipts: #548 12s. 6d. (137.4.6; 32.11.0; 2.17.0; tickets: 376.0;0) (charge: #147 11s. 6d.)

Performances

Mainpiece Title: At King's The Gamester

Afterpiece Title: The Romp

Event Comment: Benefit for Mrs Martyr. 1st piece: Not acted these 20 years [never previously acted at this theatre]. Morning Herald, 4 Apr.: Tickets to be had of Mrs Martyr, No. 16, Martlet-court, Bow-street, Covent Garden. Receipts: #349 16s. 6d

Performances

Mainpiece Title: May Day; Or, The Little Gipsey

Afterpiece Title: Fashionable Levities

Afterpiece Title: The Soldier's Festival

Afterpiece Title: Hartford Bridge

Dance: As17921116

Event Comment: Benefit for the Author [of mainpiece, who is named in Kemble Mem., but not on the playbill]. Receipts: #168 14s. (114.2; 39.1; 15.11; tickets: none listed) (charge: #158 17s.)

Performances

Mainpiece Title: At King's False Colours

Afterpiece Title: The Prize

Event Comment: Benefit for Pope. Mrs Pope not being sufficiently recovered from her Indisposition to perform to-night, Mrs Mattocks has kindly undertaken the part of Lydia Languish , and Margaret of Anjou [advertised on playbill of 1 May] is unavoidably obliged to be changed to The Soldier's Festival. Morning Herald, 8 Apr.: Tickets to be had of Pope at his house, Half-moon-street, Piccadilly. Receipts: #216 16s. 6d

Performances

Mainpiece Title: The Rivals

Afterpiece Title: The Soldier's Festival

Afterpiece Title: Rosina

Event Comment: Benefit for Munden. 2nd piece [1st time; M.INT 1, by Thomas Hurlstone, Published by J. Debrett, 1793; in 1795 acted at cg as The British Recruit; or, Who's Afraid?]: The Overture and Music (a Glee and Air excepted) entirely new, by Shield, Giordani and Dr Stevenson of Dublin. To conclude with a Representation of the Grand Fleet under Sail. Books of the Interlude to be had at the Theatre. Morning Herald, 3 May 1793: This Day, at Noon, will be published To Arms (6d.). Morning Herald, 15 Apr.: Tickets to be had of Munden at his house, No. 6, Frith-street, Soho. Receipts: #448 17s. 6d

Performances

Mainpiece Title: The Road To Ruin

Afterpiece Title: To Arms; or, The British Recruit

Afterpiece Title: Two Strings to Your Bow

Dance: In 2nd piece: Byrn, Mme Rossi

Song: End 2nd piece: The Sea Storm-Incledon

Entertainment: Monologue. As17930410