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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Costollo Tickets deliverd out by Baker"/1) | (@(roleclean,performerclean) "Costollo Tickets deliverd out by Baker")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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7541 results for: Keyword - Costollo</i>.] Tickets deliver'd out by $Baker
We found 6387 matches on Event Comments, 1268 matches on Performance Comments, 134 matches on Performance Title, 86 matches on Author, and 0 matches on Roles/Actors.

6876
17 April 1788 @ King's Theatre

Event Comment: Benefit for Noverre. Tickets to be had of Noverre, No. 40, Great Marlborough-street. 2nd ballet: With new Scenery, Dresses and Decorations. Receipts not listed

Performances

Mainpiece Title: Giulio Sabino

Dance: End I: Les Offrandes a l'Amour-[See17871208]; End Opera: Adela de Ponthieu-, composed by Noverre [See17880419]

6877
23 April 1788 @ Drury Lane Theatre

Event Comment: Benefit for Suett. The Doors to be opened at 5:30. To begin at 6:30 [same for rest of season]. Receipts: #261 8s. (81.12.0; 28.8.6; 0.17.6; tickets: 150.10.0) (charge: #108 3s. 2d.)

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: The Deserter

6878
26 April 1788 @ Drury Lane Theatre

Event Comment: Benefit for the Author [of mainpiece, who is named in the Account-Book, but not on the playbill]. Receipts: #264 12s. 6d. (248.8.0; 15.3.0; 1.1.6; tickets: none listed) (charge: #105)

Performances

Mainpiece Title: The Regent

Afterpiece Title: The Miller of Mansfield

6879
29 April 1788 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. Benefit for Goodwin. The Doors to be opened at 5:30. To begin at 6:30. Tickets delivered for Yesterday the 28th will be admitted. [The Satiric print, The Prince's Bow, had 1st appeared on 17 Mar. 1788; it was not by Bunbury, but by Frederick George Byron (Catalogue of Political and Personal Satires...in the British Museum, 1938, VI, 557).

Performances

Mainpiece Title: The Jealous Wife

Afterpiece Title: Miss in her Teens

Dance: End IV: Double Hornpipe-Mr and Miss Bourk

Song: End I: Crazy Kate-Chambers; End III: song-Arrowsmith

Entertainment: End II: Imitations-a Gentleman [unidentified]

Monologue: Vaudeville. End: Bunbury's Representation of the Prince's Bow. Teacher-Delpini; in which he will introduce a song, Woman turn us round about-Delpini

Performance Comment: End: Bunbury's Representation of the Prince's Bow. Teacher-Delpini; in which he will introduce a song, Woman turn us round about-Delpini.
Cast
Role: Woman turn us round about Actor: Delpini.

6880
30 April 1788 @ Drury Lane Theatre

Event Comment: Benefit for Mrs Kemble [who is named in the Account-Book, but not on the playbill.] Mainpiece: Not acted these 5 years. Receipts: #92 14s. (70.12; 21.3; 0.19; tickets: non listed) (charge: #106 9s. 6d.)

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Humourist

Dance: In II: a Masquerade and Dance-proper to the Play

Entertainment: Monologue. End: The Passions an Ode to Music-Kemble

6881
01 May 1788 @ Drury Lane Theatre

Event Comment: Benefit for Mrs Wilson. Afterpiece: Not acted these 8 years. Receipts: #170 1s. (31.15; 14.16; 0.14; tickets: 122.16) (charge: #109 18s.)

Performances

Mainpiece Title: The Winter's Tale

Afterpiece Title: The Mayor of Garratt

Entertainment: Monologue. End afterpiece: An Ode on Shakespeare [written by Garrick, and performed by him at the Stratford Jubilee [on 7 Sept. 1769], recited-Kemble; Music [by Dr Arne-; Vocal Parts-Kelly, Dignum, Williames, Danby, Miss Romanzini, Mrs Crouch

6882
02 May 1788 @ Covent Garden

Event Comment: Benefit for Hull. [Monologue by Thomas Hull (Moral Tales, 1797, I, 5-12).] Receipts: #164 5s. (82.9; 9.1; tickets: 72.15)

Performances

Mainpiece Title: The Rivals

Afterpiece Title: Love and War

Dance: As17871029

Entertainment: Monologue. End I afterpiece: Virtue its own Rewardexemplified in a Moral Tale, and founded on a Real Event,-Hull

6883
03 May 1788 @ Covent Garden

Event Comment: Benefit for Mrs Mountain. Receipts: #201 7s. (103.15.6; 2.16.6; tickets: 94.15.0)

Performances

Mainpiece Title: The Poor Soldier

Afterpiece Title: The Winter's Tale

Afterpiece Title: Love in a Camp

Song: Come come my good Shepherds, as17880411

6884
05 May 1788 @ Covent Garden

Event Comment: Benefit for Blanchard. Receipts: #262 9s. 6d. (107.7.6; 11.9.0; tickets: 143.13.0)

Performances

Mainpiece Title: He Wou'd Be A Soldier

Afterpiece Title: Linco's Travels

Afterpiece Title: Tom Thumb

6885
08 May 1788 @ Covent Garden

Event Comment: Benefit for Mrs Webb. [The playbill has, as on 26 Apr., Rosa(1st time)-Mrs Mountain. But this may be a misprint.] Receipts: #145 4s. (72.13.6; 9.13.6; tickets: 63.17.0)

Performances

Mainpiece Title: Fontainbleau

Afterpiece Title: Love in a Camp

Dance: As17871129

6886
08 May 1788 @ King's Theatre

Event Comment: Benefit for Marchesi. A new Serious Opera [composed by Cimarosa; 1st performed at Vicenza, 1784]. Under the direction of Mazzinghi. Tickets to be had of Marchesi, No. 37, Upper James-street, Golden-square. There will be no Opera on Saturday on account of Whitsun Eve. Receipts not listed

Performances

Mainpiece Title: L'olimpiade

Dance: End I: Les Offrandes a l'Amour, as17880417; End Singing: L'Amour et Psiche-[see17880129]

Song: End Opera: Marchesi will return thanks to the Audience in a piece of Music of his own composing, piece of Music-Marchesi

6887
12 May 1788 @ Drury Lane Theatre

Event Comment: Benefit for Mrs Ward. The Clandestine Marriage [advertised on playbill of 9 May] is obliged to be deferred, on Account of the Indisposition of Parsons. Receipts: #209 18s. 6d. (36.13.0; 12.11.6; 0.10.0; tickets: 160.4.0) (charge: #109 15s. 9d.)

Performances

Mainpiece Title: The Heiress

Afterpiece Title: Comus

Dance: As17880313

6888
12 May 1788 @ Covent Garden

Event Comment: Benefit for Wild. 1st Piece: 1st Time at this Theatre, and with Permission of G. Colman, Esq. [owner of the copyright]; written by Joseph Atkinson, Esq. [i.e. altered from his The Mutual Deception (see hay, 29 Aug. 1786)]. 2nd piece: Not acted these 2 years. 3rd piece: Not acted these 7 years [acted 23 May 1783]. Receipts: #225 0s. 6d. (113.0.6; 5.5.0; tickets: 106.15.0)

Performances

Mainpiece Title: Tit For Tat

Afterpiece Title: The Nunnery

Afterpiece Title: The Royal Chace; or, Harlequin Skeleton

Song: End I 1st piece: Oh say Bonny Lass will you carry a Wallet?-Mrs Kennedy, Mrs Martyr

Entertainment: Monologue. End II 1st piece: A Description of the Curiosities in the Tower-Edwin

6889
15 May 1788 @ Drury Lane Theatre

Event Comment: Benefit for a Fund, for the Relief of those who from their Infirmities shall be obliged to retire from the Stage. Receipts: #258 2s. 6d. (161.15.0; 34.1.0; 1.6.6; tickets: 61.0.0) (charge: free)

Performances

Mainpiece Title: King Lear

Afterpiece Title: Richard Coeur de Lion

6890
16 May 1788 @ Covent Garden

Event Comment: Benefit for Mr and Mrs Brown. Mainpiece: With a Grand Processionv, as 21 Sept. 1787. [The Cottagers, a comic opera written by Mrs Brown's daughter, was published in 1788, and 1st acted at the Crow Street Theatre, Dublin, 19 May 1789.] Receipts: #167 7s. (58.2; 7.9; tickets: 101.16)

Performances

Mainpiece Title: Cymon

Afterpiece Title: The Royal Chace

Song: In afterpiece: a Hunting Song-Darley

Entertainment: Monologue. End afterpiece: an Occasional Epilogue[, in the character of Harlequin] (written by Miss Ross)-Brown

6891
17 May 1788 @ Drury Lane Theatre

Event Comment: Benefit for the Author [of mainpiece, who is named in the Account-Book, but not on the playbill]. Receipts: #184 1s. (168.16.0; 13.18.6; 1.6.6; tickets: none listed) (charge: #105)

Performances

Mainpiece Title: The Regent

Afterpiece Title: The Waterman

6892
19 May 1788 @ Covent Garden

Event Comment: Benefit for Brandon, box-book and housekeeper. Mainpiece: Grand Triumphal Entryv, as 22 Oct. 1787, but omitted: Vocal Parts. Receipts: #374 19s. (82.9.6; 8.1.6; tickets: 284.8.0)

Performances

Mainpiece Title: Alexander The Great

Afterpiece Title: The Poor Soldier

Entertainment: Monologues. End II: Bucks have at You All, as17880311End IV: A Description of the Curiosities in the Tower-Edwin; End: Shuter's Observations in a Post@haste Journey to Paris-Bernard

6893
20 May 1788 @ Covent Garden

Event Comment: Benefit for the Author of Animal Magnetism [who is named in the Account-Book, but not on the playbill]. Receipts: #164 19s. (152.14.6; 12.4.6; tickets: none listed)

Performances

Mainpiece Title: Rosina

Afterpiece Title: Animal Magnetism

Afterpiece Title: The Farmer

6894
21 May 1788 @ Drury Lane Theatre

Event Comment: Benefit for Fosbrook, box book and house keeper. Mainpiece: Not acted these 4 years. Receipts: #297 12s. 6d. (37.17.0; 7.17.6; 0.17.0; tickets: 251.1.0) (charge: #109 2s. 6d.)

Performances

Mainpiece Title: The Merry Wives Of Windsor

Afterpiece Title: The Deserter

6895
21 May 1788 @ Covent Garden

Event Comment: Benefit for Darley. Receipts: #154 4s. (66.18; 6.9; tickets: 80.17)

Performances

Mainpiece Title: The Castle Of Andalusia

Afterpiece Title: The Poor Soldier

Dance: As17880328

6896
22 May 1788 @ Drury Lane Theatre

Event Comment: Benefit for Fawcett and Wilson. Receipts: #179 7s. (17.15; 6.17; 0.19; tickets: 153.16) (charge: #107 1s. 4d.)

Performances

Mainpiece Title: The Confederacy

Afterpiece Title: The Stone Eater

Afterpiece Title: Duke and No Duke

6897
22 May 1788 @ King's Theatre

Event Comment: Benefit for Didelot. Tickets to be had of Didelot, No. 37, Silver-street, Golden-square. Receipts not listed

Performances

Mainpiece Title: La Frascatana

Dance: End I: an entire new ballet, composed by Didelot, La Bonte du Seigneur-[see17880531]; End Opera: [an entire new ballet in 5 acts, Richard Coeur de Lion [also composed by Didelot] [in which-Sga Perez[, pensioner to the Duke of Parma,

Music: II 2nd ballet: will be introduced a new French instrument, Le Cistre-Lefevre; End IV: concerto on French Horn-Ponto who will likewise accompany the principal dancers last Act

6898
23 May 1788 @ Drury Lane Theatre

Event Comment: Benefit for Phillimore and Spencer. Comus [advertised on playbill of 22 May] is obliged to be deferred, on Account of the Indisposition of Mrs Crouch. Receipts: #261 18s. (18.14; 8.15; 0.15; tickets: 233.14) (charge: #106 6s. 6d.)

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: High Life below Stairs

Dance: As17880313

Song: End III: Ma chere Amie-Dignum

6899
23 May 1788 @ Covent Garden

Event Comment: Benefit for Macready and Miss Tweedale. Receipts: #167 15s. (51.3.6; 7.6.6; tickets: 109.5.0)

Performances

Mainpiece Title: The Jealous Wife

Afterpiece Title: Linco's Travels

Afterpiece Title: Love in a Camp

6900
26 May 1788 @ Drury Lane Theatre

Event Comment: Benefit for Nix and Miss Barnes. Receipts: #177 10s. (16.16; 8.7; 0.18; tickets: 151.) (charge: #105 12s.)

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Lyar

Song: End IV: a favorite Scotch Duett-Dignum, Miss Barnes; End: Hunting Song-Miss Barnes