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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Costollo Tickets deliverd out by Baker"/1) | (@(roleclean,performerclean) "Costollo Tickets deliverd out by Baker")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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7541 results for: Keyword - Costollo</i>.] Tickets deliver'd out by $Baker
We found 6387 matches on Event Comments, 1268 matches on Performance Comments, 134 matches on Performance Title, 86 matches on Author, and 0 matches on Roles/Actors.

6601
30 March 1785 @ Drury Lane Theatre

Event Comment: Benefit for Dodd. Afterpiece: Not acted these 12 years [acted 22 Mar. 1774]. Receipts: #291 3s. (112/10; 19/2; 0/5; tickets: 159/6) (charge: #106 11s. 4d.)

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: The School Boy

Song: End of mainpiece The Soldier Tir'd of War's Alarms by Miss Phillips

6602
30 March 1785 @ Covent Garden

Event Comment: Benefit for Mrs Kennedy. Public Advertiser, 16 Mar.: Tickets to be had of Mrs Kennedy at her house in Great Queen-street, Lincoln's-inn-fields

Performances

Mainpiece Title: The Castle Of Andalusia

Afterpiece Title: Rosina

Dance: As17841001

6603
05 April 1785 @ Drury Lane Theatre

Performances

Mainpiece Title: Othello

Afterpiece Title: The Gentle Shepherd

6604
06 April 1785 @ Drury Lane Theatre

Event Comment: Benefit for Miss George. Receipts: #199 19s. (66/18/0; 25/15/6; 1/0/6; tickets: 106/5/0) (charge: #108 15s.)

Performances

Mainpiece Title: The Confederacy

Afterpiece Title: Rosina

Dance: As17850307athi

Song: Between the Acts, by Miss George

6605
07 April 1785 @ King's Theatre

Event Comment: Benefit for Mlle Dorival. Tickets, half a guinea each, to be had of Mlle Dorival, No. 127, Pall-mall

Performances

Mainpiece Title: Il Curioso Indiscreto

Dance: End of Act I an entirely new Ballet, L'Amour Soldat, in which a new Minuet and Gavot by Mlle Dorival and Lepicq, and in the second part of the ballet a Pas de Deux [Trois?] by Mlle Dorival in Man's Cloaths, Lepicq, Mme Rossi; End of Opera Don Juan; or, The Libertine Destroyed [performers not listed; this was perhaps another version of Il Convitato di Pietra(see17850312

6606
08 April 1785 @ Drury Lane Theatre

Event Comment: Benefit for Miss Phillips. Receipts: #243 1s. (98/11/0; 22/0/6; 0/3/6; tickets: 122/6/0) (charge: #106 10s. 3d.)

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: The Double Disguise

Dance: End of Act I of mainpiece Hornpipe by Mills; End of mainpiece The Sportsmen's Return, as17840916

Song: End of Act II of mainpiece The Lark, from The Spanish Rivals (composed by [Thomas] Linley [Sen.]) by Miss Phillips

6607
11 April 1785 @ Covent Garden

Event Comment: Benefit for Edwin. Public Advertiser, 29 Mar.: Tickets to be had of Edwin, No. 19, Piazza, Covent Garden. Mainpiece: Altered from Beaumont and Fletcher [i.e. from Fletcher alone]. Afterpiece: Not acted these 6 years [acted 28 May 1782]

Performances

Mainpiece Title: Women Pleas'd

Afterpiece Title: The Devil to Pay

Song: In Act IV of mainpiece a song by Mrs Martyr; End of Mainpiece Four and Twenty Fidlers all on a Row by Edwin

Monologue: 1785 04 11 End of Act II of mainpiece A Description of the Curiosities of the Tower of London by Edwin

6608
13 April 1785 @ Covent Garden

Event Comment: Benefit for Farren. Public Advertiser, 11 Apr.: Tickets to be had of Farren at his house in Great Queen-street, Lincoln's-inn-fields

Performances

Mainpiece Title: Venice Preserv'd

Afterpiece Title: Barataria

Dance: As17841116

6609
14 April 1785 @ King's Theatre

Event Comment: Benefit for Lepicq. Tickets, half a guinea each, to be had of Lepicq, No. 33, Pall-mall. "On machinery at this Theatre the less stress is laid the better. The boat, of which, had it been good, there was too much use, was very far from good. The representation of Lepicq swimming transgressed as little the commandment. And as to the ascent of Lepicq in the bucket, that was so badly managed as to put us in heart-felt trepidation . . . The Rivali Delusi was cut very properly by omitting the under singers' airs; yet the curtain did not drop till midnight" (Public Advertiser, 16 Apr.)

Performances

Mainpiece Title: I Rivali Delusi

Dance: Preceding the Opera an entire new Ballet, composed by Lepicq, the subject taken from a much admired French Opera, Les Amours d'Ete [performers not listed, but Public Advertiser, 16 Apr. makes mention of Lepicq and Mme Rossi]; End of Act I Robin Gray, with the Scotch Reels [performers not listed, but see17850421]; End of Opera Il Convitato di Pietra [performers not listed, but see17850312 in which a Minuet by Lepicq and Mme Rossi

6610
15 April 1785 @ Covent Garden

Event Comment: Benefit for Brett. Public Advertiser, 2 Apr.: Tickets to be had of Brett, No. 73, Longacre

Performances

Mainpiece Title: Robin Hood

Cast
Role: Outlaws Actor: Darley, Doyle, Baker, &c.

Afterpiece Title: Comus

Dance: As17850409

Song: As17850405

6611
16 April 1785 @ Drury Lane Theatre

Event Comment: Receipts: #139 17s. 6d. (124/3/0; 14/13/6; 0/8/6; tickets not come in: 1/12/6)

Performances

Mainpiece Title: Elfrida

Afterpiece Title: Who's the Dupe

Song: As17850414

6612
18 April 1785 @ Covent Garden

Event Comment: Benefit for Booth. Mr Booth respectfully hopes his close Attention to the several Departments he occupies in the Theatre will be a sufficient Excuse for his not personally waiting on his Friends. [Public Advertiser, 22 Mar., notes that since Wild's accident [see 11 May] Booth had been acting as prompter.] Public Advertiser, 14 Apr.: Tickets to be had of Booth at his house in Great Queen-street, Lincoln's-inn-fields. 2nd piece [1st time; M. INT I, compiler unknown]: The Music compiled from the most eminent Masters

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Land of Enchantment

Afterpiece Title: Barataria

Dance: In 2nd piece, by Harris, Miss Besford, Mrs Goodwin, Mrs Ratchford, Miss Matthews

Song: As17841025, but omitted: names of singers

6613
19 April 1785 @ Drury Lane Theatre

Event Comment: Receipts: #158 10s. (141/8/0; 15/7/6; 0/19/6; tickets not come in: 0/15/0)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: The Double Disguise

6614
21 April 1785 @ Drury Lane Theatre

Performances

Mainpiece Title: Othello

Afterpiece Title: Too Civil by Half

Dance: As17850307athi

6615
21 April 1785 @ King's Theatre

Event Comment: Benefit for Slingsby. Tickets, half a guinea each, to be had of Slingsby at his house, No. 34, Upper Seymour-street, Portman-square

Performances

Mainpiece Title: Artaserse

Dance: End of Act I Robin Gray, with a set of new Caledonian Reels, by Lepicq, Mme Rossi, Slingsby, and a Pas de Quatre by Nivelon, Frederic, Sga Angiolini, Mlle Dorival; End of Opera The Deserter [performers not listed, but see17850111]

Song: Opera: With some of the most approved Airs of Handel by Babbini, Crescentini, Sga Ferrarese

6616
22 April 1785 @ Drury Lane Theatre

Event Comment: Benefit for Barrymore and Miss Field. Receipts: #165 19s. (32/17/0; 15/17/6; 2/10/6; tickets: 114/14/0) (charge: #107 13s. 6d.)

Performances

Mainpiece Title: The Wonder

Afterpiece Title: Rosina

Song: End of mainpiece Awake, AEolean Lyre, a glee composed by Danby (which gained a Prize Medal), by Bannister, Suett, Staunton, Barrymore, Chapman, Williames, Dignum

6617
22 April 1785 @ Covent Garden

Event Comment: Benefit for Hull. Public Advertiser, 12 Apr.: Tickets to be had of Hull at his house in Duke's Court, near Dean's Yard, Westminster

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Comus

Song: As17850405

6618
23 April 1785 @ Drury Lane Theatre

Event Comment: Benefit for the two Miss Kembles [who are named in the Account-Book, but not on the playbill]. Receipts: #199 10s. 6d. (180/7/0; 18/6/6; 0/17/0; tickets: none listed) (charge: #109 18s. 10d.)

Performances

Mainpiece Title: Tancred And Sigismunda

Afterpiece Title: Comus

6619
25 April 1785 @ Covent Garden

Event Comment: Benefit for Mrs Martyr. Public Advertiser, 20 Apr.: Tickets to be had of Mrs Martyr at Mr Robley's, Bow-street, Covent Garden

Performances

Mainpiece Title: The Castle Of Andalusia

Afterpiece Title: The Deserter

Dance: End of mainpiece The fancy Races {performers not listed]

Song: End of Act I of mainpiece Tantivy, the welkin resounds (the Music by Hook); End of Act II a new song, The New Blown Rose (the Words by Mrs Cumyns, the Music by Dale), both by Mrs Martyr

6620
26 April 1785 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. Benefit for Mrs Greville. Tickets and places to be had of Mrs Greville, No. 1, Queen's-court, King-street, Covent-garden. [This was Mrs Pinto's last appearance on the stage (but see 12 May 1786).]

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: The Irish Widow

Song: End of mainpiece The Soldier tired of War's Alarms by Mrs Pinto

Monologue: 1785 04 26 End of Act II of mainpiece Collins's Ode on the Passions by Mrs Walcot. imitations. End of Act I of afterpiece, as 17 Sept. 1784, but An entire new dialogue in the Shades between Foote and Weston; added: Prospero (in the manner of Mossop); omitted: Prologue to Barbarossa

6621
28 April 1785 @ Drury Lane Theatre

Event Comment: Receipts: #88 0s. 6d. (50/4/0; 34/11/0; 1/13/0; tickets not come in: 1/12/6)

Performances

Mainpiece Title: The Tempest

Afterpiece Title: The Humourist

6622
28 April 1785 @ King's Theatre

Event Comment: Benefit for Tasca and Sga Rachele Dorta. Tickets, half a guinea each, to be had of Tasca, No. 5, Great Pulteney-street, Golden-square; of Sga Dorta, No. 234, Piccadilly

Performances

Mainpiece Title: La Buona Figliuola

Dance: End of Act I A la Plus Sage [performers not listed, but see17850303 End of Opera Il Convitato di Pietra [performers not listed, but see17850312

6623
04 May 1785 @ Drury Lane Theatre

Event Comment: Receipts: #228 16s. 6d. (198/4/0; 28/1/6; 2/1/0; tickets not come in: 0/10/0)

Performances

Mainpiece Title: The Grecian Daughter

Afterpiece Title: The Humourist

6624
09 May 1785 @ Drury Lane Theatre

Event Comment: Benefit for [Lee] Lewes. Receipts: #144 6s. (25/9/0; 14/15/6; 0/7/6; tickets: 103/14/0)(charge: #105 19s. 4d.)

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: The Deaf Lover

Dance: As17840918

6625
10 May 1785 @ Drury Lane Theatre

Event Comment: Benefit for a Fund for the Relief of those who from their Infirmities shall be obliged to retire from the Stage. [Ernst Brandes quoted in J. A. Kelly, p. 109: Brandes has much to say on the subject of Shakespeare ... He regrets that the role of Ophelia is assigned in both theaters on the strength of the candidate's accomplishments as a singer, which he considers relatively unimportant; and that the mania for operettas has been allowed to disfigure several of Shakespeare's plays. The Tempest had been debased to an opera, and a whole army of witches had been added to the cast of Macbeth, so that witches' arias and witches' choruses might be introduced.] Receipts: #241 10s. (131/16/0; 12/17/6; 1/1/6; tickets: 95/15/0) (charge: free)

Performances

Mainpiece Title: Macbeth

Afterpiece Title: Bon Ton