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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Costollo Tickets deliverd out by Baker"/1) | (@(roleclean,performerclean) "Costollo Tickets deliverd out by Baker")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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7541 results for: Keyword - Costollo</i>.] Tickets deliver'd out by $Baker
We found 6387 matches on Event Comments, 1268 matches on Performance Comments, 134 matches on Performance Title, 86 matches on Author, and 0 matches on Roles/Actors.

6501
03 March 1784 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. Oratorio: Composed by the late Dr Arne. At Playhouse Prices [see 10 Mar.]. The Doors to be opened at 5:30. To begin at 6:30. Tickets for the Boxes to be had at Messrs Longman and Broderip's, in Cheapside and the Haymarket; and at the Stage Door of the Theatre, in Suffolk-street, where Places may be taken

Performances

Mainpiece Title: Judith

Music: End of Act I concerto on the organ (composed by Dr Arne) by [Michael] Arne; End of Act II concerto on the violin by Barthelemon

6502
04 March 1784 @ Drury Lane Theatre

Event Comment: Benefit for the Author [of mainpiece, who is named in the Account-Book, but not on the playbill]. Receipts: #180 12s. 6d. (179/5/0; 1/7/6; tickets: none listed) (charge: #105)

Performances

Mainpiece Title: The Reparation

Afterpiece Title: Harlequin Junior

6503
06 March 1784 @ Drury Lane Theatre

Performances

Mainpiece Title: The Countess Of Salisbury

Afterpiece Title: The Deserter

6504
08 March 1784 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. Benefit for Watts. Mainpiece: Written by Mrs Centlivre; Not acted these 40 years [not acted since 27 Apr. 1731, at Goodman's Fields]. Prologue written by a Gentleman [unidentified; printed in Town and Country Magazine, Apr. 1784, p. 214. The playbill for this performance is as printed in Morning Chronicle, 8 Mar. Gazetteer, 8 Mar., assigns Captain Constant to Reynolds, Laura to Miss Beaufield, Maria to Mrs Green, Belinda to Miss Johnson]. The Doors to be opened at 5:00. To begin at 6:30. Tickets to be had of Connolly, at the King's Head Tavern, Fenchurch-street; of Watts, No. 2, Upper James-street, Golden-square

Performances

Mainpiece Title: The Man's Bewitch'd; Or, The Devil To Do About Her

Afterpiece Title: The Mayor of Garratt

Dance: End of mainpiece Hornpipe by Rothery

Song: Between the Acts Singing [singer not listed]

6505
09 March 1784 @ Drury Lane Theatre

Event Comment: [The playbill announces as mainpiece The Countess of Salisbury, but the Kemble playbill deletes it. The Account-Book also deletes it, and lists the substitute play. Public Advertiser, 10 Mar.: The tragedy was "unavoidably deferred on account of the Indisposition of Mrs Siddons." Receipts: #144 17s. (121/16; 22/11; 0/5; tickets not come in: 0/5)

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: The Double Disguise

Dance: As17840308athi

6506
11 March 1784 @ Drury Lane Theatre

Event Comment: Receipts: #185 2s. 6d. (150/13/0; 32/12/0; 0/2/6; tickets not come in: 1/15/0)

Performances

Mainpiece Title: The Reparation

Afterpiece Title: The Double Disguise

Dance: End of mainpiece The Sportsmen's Return, as17840308i.e. this was originally entitled The Return of the Hunters]

6507
11 March 1784 @ King's Theatre

Event Comment: Benefit for Mme Simonet. There being a few Boxes to be disposed of, those who would wish to be accomodated are requested to direct their commands as above, as soon as possible. Tickets, half a guinea each, to be had of Mme Simonet, No. 33, Pall-mall

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I Le Reveil du Bonheur, as17840203, but added: Pas Seul, to the French air of Marlborough, by Miss Simonet (who never appears on the stage but at her Mother's Benefit), and omitted: Cupid; End of Opera an entirely new Ballet, composed by D'Auberval, Le Magnifique (the subject taken from the celebrated French Opera of that name) by Henry, Zuchelli, Vestris [Jun.], Mme Theodore, Mme Simonet, with the Minuet de la Cour and Gavotte by Miss De Camp and Miss Simonet (N. B. These two young Ladies, neither of whom has yet completed her ninth year, are both Pupils of Simonet, Father to the latter, and for some years Ballet-Master at the King's Theatre)

6508
13 March 1784 @ Drury Lane Theatre

Event Comment: Receipts: #149 1s. 6d. (113/19/0; 31/19/6; 0/10/6; tickets not come in: 2/12/6)

Performances

Mainpiece Title: The Reparation

Afterpiece Title: The Double Disguise

Dance: As17840311athi

6509
16 March 1784 @ Drury Lane Theatre

Event Comment: Benefit for the Author of the Farce [who is named in the Account-Book, but not on the playbill]. Receipts: #106 11s. 6d. (77/2/0; 28/15/6; 0/14/0; tickets: none listed) (charge: #105)

Performances

Mainpiece Title: The Double Gallant

Afterpiece Title: The Double Disguise

Dance: End of Act IV of mainpiece, as17840311athi

6510
18 March 1784 @ Drury Lane Theatre

Performances

Mainpiece Title: A New Way To Pay Old Debts

Afterpiece Title: Harlequin Junior

6511
18 March 1784 @ King's Theatre

Event Comment: Benefit for D'Auberval, ballet-master. Opera: An entirely new Species of Entertainment, after the French style [1st time; ser 3, by Antonio Andrei]. The Music entirely new, composed by Rauzzini. [Libretto (H. Reynell, 1784) is entitled Alina; o sia, La Regina di Golconda.] The Scenery and Decorations devised and painted by Novosielski. The Dresses in character, and entirely new by Lupino. Tickets, half a guinea each, to be had of D'Auberval, No. 5, Great Pultney-street, Golden-square. To prevent all manner of confusion, the Subscribers are most respectfully entreated to give early notice, addressed as above, of their intention concerning their Boxes

Performances

Mainpiece Title: La Regina Di Golconda

Dance: Three new ballets composed by D'Aubcrval. End of Act I Ballet [of Warriors] by Lepicq, Henry, Zuchelli, the two Miss Simonets, Mme Theodore; End of Act II Dance [of Shepherds] by Lepicq, Mme Simonet, D'Aubcrval (1st appearance), Mme Rossi, Vestris [Jun.], Mme Theodore; End of Opera The Four Ages of Man, in which a Pas de Trois of Chinese by Henry, Zuchelli, Blake. Childhood-the two Miss Simonets; Youth-Slingsby and Mme Theodore; Manhood-Lepicq, Mme Rossi, Vestris [Jun.]; Old Age-D'Auberval and Mme Simonet, who will dance to the celebrated Musette of Handel. To conclude with a Pas de Huit, in a stile entirely new, by the Couples who represent the Four Ages

Performance Comment: End of Act I Ballet [of Warriors] by Lepicq, Henry, Zuchelli, the two Miss Simonets, Mme Theodore; End of Act II Dance [of Shepherds] by Lepicq, Mme Simonet, D'Aubcrval (1st appearance), Mme Rossi, Vestris [Jun.], Mme Theodore; End of Opera The Four Ages of Man, in which a Pas de Trois of Chinese by Henry, Zuchelli, Blake. Childhood-the two Miss Simonets; Youth-Slingsby and Mme Theodore; Manhood-Lepicq, Mme Rossi, Vestris [Jun.]; Old Age-D'Auberval and Mme Simonet, who will dance to the celebrated Musette of Handel. To conclude with a Pas de Huit, in a stile entirely new, by the Couples who represent the Four Ages .
Cast
Role: Youth Actor: Slingsby and Mme Theodore

6512
22 March 1784 @ Drury Lane Theatre

Event Comment: Edward the Black Prince [announced on playbill of 20 Mar.] is obliged to be deferred on Account of the Indisposition of a principal Performer. Receipts: #139 13s. (138/3; 0/10; tickets not come in: 1/0)

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Harlequin Junior

Dance: End of Act III of mainpiece, as17840320End of Act IV, as17840311athi

6513
22 March 1784 @ Covent Garden

Event Comment: Benefit for Miss Younge. Mainpiece: Never acted here. In Act V a Grand Procession. Receipts: #275 12s. (161/4; tickets: 114/8) (charge: #105)

Performances

Mainpiece Title: The Heroine Of The Cave

Afterpiece Title: The Rival Knights

Afterpiece Title: Rosina

Song: In Act II of mainpiece an Anthem (singers not listed)

6514
25 March 1784 @ Drury Lane Theatre

Event Comment: Benefit for Smith. Part of the Pit [Public Advertiser, 26 Mar.: 4 rows] will be laid into the Boxes. To prevent Confusion Ladies are desired to send their Servants by half past Four o'clock. Receipts: #321 3s. (160/2/0; 9/3/6; 0/7/6; tickets: 151/10/0) (charge: #67 11s. 11d.)

Performances

Mainpiece Title: Isabella

Related Works
Related Work: The Fatal Marriage Author(s): Thomas Southerne
Related Work: The Fatal Marriage; or, The Innocent Adultery Author(s): Thomas Southerne

Afterpiece Title: The Deserter

Dance: As17840320athi

6515
25 March 1784 @ King's Theatre

Event Comment: Benefit for Mme Rossi. Tickets, half a guinea each, to be had of Mme Rossi, No. 31, Pall-mall

Performances

Mainpiece Title: I Rivali Delusi

Dance: End of Act I a new ballet, composed for the occasion by D'Auberval, Pygmalion (taken from the Mono-drama of that name by Jean-Jacques Rousseau, with the original music composed by that very celebrated writer; the story founded on the fabulous account of Pygmalion animating his statue) by Lepicq, Vcstris (Jun.], Mme Rossi, Mme Theodore; End of Opera will be revived Le Tuteur Trompe (composed by Lepicq) in which the following new dances: A new Pas de Deux by Lepicq and Mme Rossi, the latter in the character of Niaise; a Pas Seul by Mme Theodore; a Pas de Troit by Lepicq, Mme Rossi, Zuchelli; an entirely new Pas de Deux by Vestris [Jun.] and Mme Theodore; a Pas Seul by Slingsby; a Pas Seul, entirely new, by Vestris [Jun.]; to conclude with the Sequdilla and Fandango by Lepicq and Mme Rossi. N. B. In the same ballet will be introduced a Minuet, composed by Barthelemon for the Prince of Wales, and an Allemande in the French stile, both by Lepicq and Mme Rossi

6516
29 March 1784 @ Drury Lane Theatre

Event Comment: Benefit for Dodd. Afterpiece: Not acted these 12 years. Receipts: #207 12s. 6d. (60/2/0; 20/10/6; 0/17/0; tickets: 126/3/0) (charge: #106 10s. 10d.)

Performances

Mainpiece Title: A Trip To Scarborough

Afterpiece Title: The Absent Man

Dance: As17840311athi

6517
01 April 1784 @ Drury Lane Theatre

Event Comment: Benefit for Bensley. Part of the Pit will be laid into the Boxes. To prevent Confusion Ladies are desired to send their Servants by half past Four o'clock. Receipts: #320 11s. 6d. (143/9/0; 13/5/6; 2/7/0; tickets: 161/10/0) (charge: #106 3s. 6d.)

Performances

Mainpiece Title: Douglas

Afterpiece Title: The Rival Candidates

Dance: As17840311athi

6518
03 April 1784 @ Covent Garden

Event Comment: Benefit for Lewis. Receipts: #292 1s. 6d. (222/1/6; tickets: 70/0/0) (charge: #105)

Performances

Mainpiece Title: The Careless Husband

Afterpiece Title: The Rival Knights

Afterpiece Title: Comus

6519
21 April 1784 @ Drury Lane Theatre

Event Comment: Benefit for Mrs Bulkley [who is named in the Account-Book, but not on the playbill]. Paid Richards, Laceman, #91 11s. 6d. Receipts: #97 19s. 6d. (54/3/0; 25/14/0; 0/1/6; tickets: 18/1/0) (charge: #105 15s. 8d.)

Performances

Mainpiece Title: The Chapter Of Accidents

Afterpiece Title: A Fete

Afterpiece Title: Too Civil by Half

Song: End of Act II of mainpiece A Soldier for Me, as17840412

6520
22 April 1784 @ Drury Lane Theatre

Event Comment: [Afterpiece in place of The Quaker, announced on playbill of 21 Apr.] The Doors to be opened at 5:30. To begin at 6:30 [same for rest of season]. Receipts: #197 14s. 6d. (180/16/0; 14/11/6; 0/14/6; tickets not come in: 1/12/6)

Performances

Mainpiece Title: The Grecian Daughter

Afterpiece Title: The Rival Candidates

6521
27 April 1784 @ Drury Lane Theatre

Event Comment: Receipts: #258 10s. 6d. (236/10/0; 19/17/0; 1/6/0; tickets not come in: 0/17/6)

Performances

Mainpiece Title: Tancred And Sigismunda

Afterpiece Title: Comus

6522
27 April 1784 @ Haymarket Theatre

Event Comment: Benefit for Barthelemon. Tickets to be had of Barthelemon at his house at Vauxhall

Performances

Mainpiece Title: Eliza

Music: End of Act I a new concerto obligato for two French Horns (composed by Barthelemon) by the two young Leanders, and a concerto on the piano forte by Miss Barthelemon, accompanied on the viola d'amore by Barthelemon; After the singing a concerto on the violin, as17840303athi

Song: End of Act II a favourite Italian duetto (composed by Gazzaniga) by Mrs and Miss Bathelemon

6523
29 April 1784 @ Drury Lane Theatre

Event Comment: Receipts: #208 8s. 6d. (195/0/0; 12/2/0; 1/1/6; tickets not come in: 0/5/0)

Performances

Mainpiece Title: Tancred And Sigismunda

Afterpiece Title: Who's The Dupe

6524
01 May 1784 @ Drury Lane Theatre

Event Comment: Receipts: #218 12s. (199/6; 18/6; 0/10; tickets not come in: 0/10)

Performances

Mainpiece Title: Tancred And Sigismunda

Afterpiece Title: The Ladies' Frolick

6525
04 May 1784 @ Drury Lane Theatre

Event Comment: "[Mrs Siddons's] Impatience, her impassioned Gestures, during the Narrative of Old Norval--the Towering of her Transports after it--the Transports of Tenderness maternal... were given with an enthusiastic Grace of Truth" (Public Advertiser, 7 May). Receipts: #242 17s. (225/5; 16/13; 0/9; tickets not come in: 0/10)

Performances

Mainpiece Title: Douglas

Afterpiece Title: Too Civil by Half

Dance: As17840311athi