SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Costollo Tickets deliverd out by Baker"/1) | (@(roleclean,performerclean) "Costollo Tickets deliverd out by Baker")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 6387 matches on Event Comments, 1268 matches on Performance Comments, 134 matches on Performance Title, 86 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Receipts: #116 3s. 6d. (89/8/0; 26/10/6; 0/0/0; tickets not come in: 0/5/0)

Performances

Mainpiece Title: A Bold Stroke For A Wife

Afterpiece Title: Fortunatus

Dance: End of Act IV of mainpiece, as17830918

Event Comment: Mainpiece: Not acted these 14 years. Receipts: #118 18s. 6d. (86/14/0; 28/19/6; 0/5/0; tickets not come in: 3/0/0)

Performances

Mainpiece Title: A New Way To Pay Old Debts

Afterpiece Title: Fortunatus

Event Comment: Receipts: #149 11s.(113/15; 31/13:0/6; tickets not come in: 3/17)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Comus

Event Comment: Receipts: #134 14s. 6d. (98/8/0; 32/4/6; 0/12/0; tickets not come in: 3/10/0)

Performances

Mainpiece Title: A New Way To Pay Old Debts

Afterpiece Title: Fortunatus

Event Comment: Mainpiece: Not acted these 2 years. Afterpiece: Never performed here. Receipts: #100 10s. (76/9/0; 20/2/6; 0/1/0; tickets not come in: 3/17/6)

Performances

Mainpiece Title: The Lord Of The Manor

Afterpiece Title: The Deaf Lover

Event Comment: By Command of Their Majesties. Receipts: #297 9s. (287/2; 8/12; 0/5; tickets not come in: 1/10)

Performances

Mainpiece Title: The Grecian Daughter

Afterpiece Title: The Irish Widow

Dance: As17831031

Event Comment: [In afterpiece the playbill assigns Serjeant Drill to Staunton, but on the Kemble playbill a MS annotation substitutes Wilson.] Afterpiece: To conclude with a Perspective Representation of the Camp at Cox-Heath [see 15 Oct. 1778. This was included in both subsequent performances]. Receipts: #110 12s. (70/17; 37/0; 0/5; tickets not come in: 2/10)

Performances

Mainpiece Title: Wonder

Afterpiece Title: The Camp

Event Comment: Receipts: #88 6s. (66/10/0; 20/16/6; 0/2/0; tickets not come in: 0/17/6)

Performances

Mainpiece Title: A Trip To Scarborough

Afterpiece Title: The Gentle Shepherd

Event Comment: Mainpiece: Not acted these 4 years. Received Stopages [sic; of salaries] to the 15th Inclusive #35 17s. 4d. Receipts: #303 8s. 6d. (289/8/0; 12/15/6; 0/10/0; tickets not come in: 0/15/0)

Performances

Mainpiece Title: The Gamester

Afterpiece Title: Thomasand Sally

Dance: Afterpiece to conclude as17831104

Performances

Mainpiece Title: The Gamester

Afterpiece Title: The Deaf Lover

Event Comment: Love for Love [announced on playbill of 24 Nov.] is obliged to be deferred on account of the Indisposition of a principal Performer. Receipts: #128 14s. (103/12/0; 22/19/6; 0/5/0; tickets not come in: 1/17/6)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Fortunatus

Event Comment: Receipts: #270 2s. (250/11; 18/1; 0/15; tickets not come in: 0/15)

Performances

Mainpiece Title: The Gamester

Afterpiece Title: The Quaker

Event Comment: Mainpiece: Not acted these 2 years. Paid Thorley, Wax Chandler, #81 12s. Receipts: #91 13s. 6d. (65/15/0; 22/18/0; 0/15/6; tickets not come in: 2/5/0)

Performances

Mainpiece Title: Rule A Wife And Have A Wife

Afterpiece Title: Comus

Event Comment: Receipts: #96 2s. (71/10; 22/15; 0/10; tickets not come in: 1/7)

Performances

Mainpiece Title: Love For Love

Afterpiece Title: Fortunatus

Event Comment: Receipts: #251 8s. (229/17/0; 20/6/0; 0/7/6; tickets not come in: 0/17/6)

Performances

Mainpiece Title: The Gamester

Afterpiece Title: The Englishman in Paris

Dance: End of mainpiece, as17830918; In afterpiece, as17831004

Event Comment: A Serious Opera [1st time; ser 3, by Giovanni de Gamerra; a pasticcio, with music by Anfossi, Gluck, Alessandri, Martini, Sarti, Giordani]; the Music under the Direction of Anfossi. With new Scenes, painted by Novosielski, new Dresses and Decorations, both for the Opera and Dances. By their Majesties Command, no Person can be admitted behind the Scenes. Pit 10s. 6d. 1st Gallery 5s. 2nd Gallery 3s. The Doors to be opened at 6:00. To begin exactly at 7:00 [same throughout season]. The Subscribers' Tickets are ready to be delivered at the Office in Unionstreet. To prevent Inconvenience to the Nobility and Gentry in getting to their Carriages, they are most respectfully intreated to give positive orders to their servants to set down and take up with their Horses Heads towards Pall-Mall. The Door in Market-lane for Chairs only

Performances

Mainpiece Title: Silla

Dance: End of Act II Divertisement, with a Passe-a-caille by Lepicq, a Pas Seul by Henry, a Pas Seul by Mme Simonet; End of Opera Hew Divertisement, in which a Pas Seul by Henry, and to conclude with a Caledonian Reel, being part of the ballet of Auld Robin Gray, which for want of time could not be completed, by Lepicq, Slingsby, Mme Rossi

Event Comment: Receipts: #114 8s. (85/8/0; 27/0/0; 1/7/6; tickets not come in: 0/12/6)

Performances

Mainpiece Title: Edward The Black Prince

Afterpiece Title: Fortunatus

Event Comment: Afterpiece: Acted but once [12 May 1783] these 8 years. Receipts: #108 4s. (71/18/0; 34/7/0; 0/11/6; tickets not come in: 1/7/6)

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: The Ladies' Frolick

Dance: End of Act IV of mainpiece, as17830918; In Act I of afterpiece the celebrated Crutch-Dance [performers not listed; danced in all subsequent performances]

Event Comment: Paid Window and House Tax 1/2 Yr. to Michaelmas #38 9s. 1d. Receipts: #184 9s. 6d. (146/14/0; 28/8/6; 1/2/0; tickets not come in: 8/5/0)

Performances

Mainpiece Title: The Wonder

Afterpiece Title: FORTUNATUS

Event Comment: Receipts: #102 13s. 6d. (75/4/0; 26/7/0; 0/0/0; tickets not come in: 1/2/6)

Performances

Mainpiece Title: A New Way To Pay Old Debts

Afterpiece Title: Fortunatus

Dance: End of Act II of mainpiece a New Comic Ballet by Mr and Miss Hamoir (from the Theatre-Royal, Brussels; their 1st appearance on that stage)

Event Comment: Mainpiece [1st time; CO 3, by William Jackson. MS: Larpent 638; not published; synopsis of plot in London Magazine, Dec. 1783, pp. 553-54]: With entire new Music composed by Jackson. Receipts: #146 1s. 6d. (121/6/0; 23/11/6; 0/1/6; tickets not come in: 1/2/6)

Performances

Mainpiece Title: The Metamorphosis

Afterpiece Title: The Apprentice

Performance Comment: As17831103, but Simon-Suett; added: Watchman-Kenny; Spouters-R. Palmer, Phillimore, Fawcett, Spencer, Williames, &c .

Dance: End of Act II of mainpiece, as17831018; End of mainpiece, as17831204

Event Comment: "Palmer's Stukely was exactly infamous, his Scene with Mrs Beverley was just on both hands, each seemed to gain Spirit by the Nature and Exactness of the other-it was inimitable. Kemble's Beverley was all we could wish; his Manner, peculiar as it is, gave us home Sensations" (Public Advertiser, 9 Dec). Receipts: #226 13s. 6d. (202/6/0; 23/10/0; 0/2/6; tickets not come in: 0/15/0)

Performances

Mainpiece Title: The Gamester

Afterpiece Title: The Deaf Lover

Event Comment: By Command of Their Majesties. [Kemble's 1st appearance as King John was at the Smock Alley Theatre, Dublin, 18 Apr. 1782; Mrs Siddons's 1st appearance as Constance was at Bath on, by coincidence, the same day.] Receipts: #300 9s. (289/8/0; 10/3/6; 0/5/0; tickets not come in: 0/12/6)

Performances

Mainpiece Title: King John

Afterpiece Title: The Deaf Lover

Performances

Mainpiece Title: The West Indian

Afterpiece Title: The Camp

Performances

Mainpiece Title: The Plain Dealer

Afterpiece Title: The Ladies' Frolick