SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Costollo Tickets deliverd out by Baker"/1) | (@(roleclean,performerclean) "Costollo Tickets deliverd out by Baker")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 6387 matches on Event Comments, 1268 matches on Performance Comments, 134 matches on Performance Title, 86 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit for Wood, Percey, Cameron, Enoe & Morris. Receipts: #305 19s. (23.16.6; 3.4.6; 0.2.0; tickets: 278.16.0) (charge: none listed)

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: All the World's a Stage

Dance: End I: Hornpipe, as17810525; End: The Devonshire Minuet, as17810517

Event Comment: Benefit for a Fund, for the Relief of those who from their Infirmities shall be obliged to retire from the Stage. Receipts: #138 13s. (95.8; 0.0; tickets: 43.5) (charge: free)

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: Robinson Crusoe

Event Comment: The last Time of the Company's Performing this Season. Tickets delivered by Mrs Bellamy will be taken. Receipts: #73 11s. (73.8; 0.3). Account-Book, 4 June: Received of Their Majesties #84. 18 June: Paid various Renters #19 14s. apiece

Performances

Mainpiece Title: Dissipation

Afterpiece Title: Robinson Crusoe

Event Comment: Opera [1st time; Past 3, author unknown]. The music [to Part I] composed by Giovanni Battista? Bianchi, [to Part II by] Rauzzini, [to Part III by] Giordani. With Grand Chorusses. With new Decorations devised and painted by Novosielski, and new Dresses. The Side-boards, with a cold Collation and all sorts of Wines, at 12 o'clock. The Performance under the direction of Vestris Sen., and to conclude with a Ball. Tickets, at 2 Guineas each, are ready to be delivered at the Office in Union-court, where Boxes may be taken. No Masks will be admitted. The Doors will be opened at 9:00, and the Performance to begin at 10:00. Books of the Performance will be given out (gratis) at the Theatre. Morning Herald, 7 June: The Omaggio, or homage paid by the vassals and tenants to their Lord, is naturally calculated to give free scope to lively, and sentimental music. In the former stile Bianchi and Giardini [sic] were equally succesful; and in the latter Rauzzini was surprisingly great, both as composer and performer...Slingsby would, in our opinion, have come out with as great a share of applause as the best of them, having to go through an English dance in his own stile, but by some unaccountable accident...the music-band stopped short when he was in the very climax of his exertions. The scenes are in the rural stile, with the addition of natural trees, flowering shrubs, &c., set in the neatest order...The company did not begin to move till about four, and by five the rooms were cleared. Public Advertiser, 7 June: The Vestris' gave incontrovertible proof of the variety of their powers...They did more, they shewed what this country had never seen-the possibility of presenting to the eye a large and extensive stage filled with dancers all in motion at the same time

Performances

Mainpiece Title: L'omaggio

Dance: Incident to the piece: Ballets by Vestris Sen.-Vestris Sen., Vestris Jun., Simonet, Slingsby, Traffieri, Zuchelli, Henry, Mme Simonet, Mlle Baccelli, Sga Crespi, Sga Zuchelli, Miss Stageldoir, Miss Armstrong

Event Comment: Benefit for Mrs Webb. Mainpiece: Never performed Here. [Miss Stuart was from cg.] Tickets to be had of Mrs Webb, No. 15, Bedford-street, Covent Garden

Performances

Mainpiece Title: The Duenna

Afterpiece Title: Midas

Dance: End: The Italian Peasants-Master Byrn, Miss Byrn

Event Comment: Benefit for Walker. Mainpiece: Not acted these 30 years [not acted since 4 Oct. 1722], wrote by Mrs Ccntlivre. Afterpiece: Never performed there. The doors to be opened at 5:30. To begin at 6:30. Ladies are requested to send their servants by five o'clock to keep places. Tickets to be had of Walker, the Globe, Pall-mall

Performances

Mainpiece Title: The Artifice

Afterpiece Title: The Ghost

Song: End of mainpiece Auld Robin Gray by Miss Lyon

Event Comment: Benefit for Tickell and Linley [who are named in the Account-Book, but not on the playbill]. Receipts: #198 12s. 6d. (154/1/0; 44/0/0; 0/11/6; tickets: none listed) (charge: #105)

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: The Gentle Shepherd

Event Comment: A revived Serious Opera; the Music by the most eminent Composers [Bertoni, Gugliclmi, Giordani, Rauzzini, Gretry, &c], under the direction of Bertoni. With entire new scenes painted by Novosielski. New Dresses and Decorations both for the Opera and Dances. The Doors to be opened at 6:00. To begin exactly at 7:00 [see 18 June 1782]. By Command of Their Majesties no Persons to be admitted behind the Scenes. Pit 10s. 6d. 1st Gallery 5s. Upper Gallery 3s. To prevent inconvenience in getting to their carriages, the Nobility and Gentry are requested to order their servants to set down and take up with their horses' heads towards Pall-Mali. The Subscribers to the Opera are intreated to send their instructions to Jewell and Johnson at the Office in Union-court before the opening of the Theatre, when the final arrangement of the Boxes will take place, and those which are not retained will then be disposed of. Subscriptions to be paid on delivery of the tickets. Books of the Opera, with an account of the Pantomime Dance, to be had at the Theatre

Performances

Mainpiece Title: Ezio

Dance: End of Act I a Pastoral Dance (composed by Simonet) by Henry, Bournonville, Raymond, Sga Crespi, Mlle Dumont; End of Act II A Divertisement Dance (composed by Noverre) by Gardel, Mlle Baccelli, Nivelon, Mlle Theodore, Henry. Sga Crespi, Bournonville, &c; End of Opera a new Tragi-Pantomime Ballet (composed by Noverre), Les Amans Reunis, by Gardel, Mlle Baccelli, Nivelon, Mlle Theodore, Slingsby, Simonet, Henry, Bournonville, Raymond, Mlle Dumont, Sga Crespi. [Partial cast, with synopsis of action, from Morning Herald, 18 Dec: Alphonso-Gardel; Ines-Mlle Baccelli; Chief of the Island-Slingsby.]

Event Comment: Benefit for the Author [of afterpiece, who is named in the Account-Book, but not on the playbill]. Receipts: #193 19s. 6d. (127/13/0; 42/12/6; 1/4/0; tickets: 22/10/0) (charge: #105)

Performances

Mainpiece Title: The Way To Keep Him

Afterpiece Title: The Divorce

Dance: As17811117

Event Comment: Benefit for the Author. Mainpiece: The scenery designed by De Loutherbourg, and executed under his direction. Receipts: #151 4s. 6d. (123/7/0; 27/12/6; 0/5/0; tickets: none listed) (charge: #105)

Performances

Mainpiece Title: The Fair Circassian

Afterpiece Title: The Quaker

Music: In Act III of mainpiece an Epithalamium [performers not listed; music by ThomasLinley Sen. (see text). This was included in all subsequent performances]

Event Comment: Benefit for the Author [of mainpiece, who is named in the Account-Book, but not on the playbill]. Receipts: #207 (164/6/0; 42/11/6; 0/2/6; tickets: none listed) (charge: #105)

Performances

Mainpiece Title: The Fair Circassian

Afterpiece Title: The Gentle Shepherd

Event Comment: Benefit for the Author [of mainpiece, who is named in the Account-Book, but not on the playbill]. Receipts: #129 14s. 6d. (100/10/0; 29/2/0; 0/2/6; tickets: none listed) (charge: #105)

Performances

Mainpiece Title: The Fair Circassian

Afterpiece Title: Comus

Event Comment: Benefit for the Author [of mainpiece, who is named in the Account-Book, but not on the playbill]. Receipts: #191 19s. 6d. (173/6/0; 17/17/0; 0/16/6; tickets: none listed) (charge: #105)

Performances

Mainpiece Title: The Carnival Of Venice

Afterpiece Title: Bon Ton

Event Comment: Benefit for the Author [of mainpiece, who is named in the Account-Book, but not on the playbill]. Receipts: #165 16s. (135/7; 29/14; 0/15; tickets: none listed) (charge: #105)

Performances

Mainpiece Title: The Carnival Of Venice

Afterpiece Title: The Divorce

Dance: As17811217

Event Comment: Benefit for the Middlesex-Hospital. Receipts: #141 11s. 6d. (91/4/6; tickets: 50/7/0) (charge: #105)

Performances

Mainpiece Title: The Belle's Stratagem

Afterpiece Title: The Flitch of Bacon

Event Comment: Benefit for the Author [of mainpiece, who is named in the Account-Book, but not on the playbill]. Receipts: #183 4s. (151/19; 31/0; 0/5; tickets: none listed) (charge: #105)

Performances

Mainpiece Title: The Carnival Of Venice

Afterpiece Title: The Divorce

Dance: As17811217

Event Comment: Subscribers' Boxes will be kept for them, and their tickets admitted as usual, without being accounted a Subscription Night

Performances

Mainpiece Title: La Buona Figliuola

Dance: End of Act I Pastoral Dance, as17811128; End of Act II Divertisement Dance, as17811117; End of Act in a new Serious Dance, composed by Noverre, Le Triompbe de l'Amour Conjugal, by Gardel, Mme Simonet, Nivelon, Mlle Theodore, Mlle Baccelli. [Cast from libretto of Giunio Bruto (E. Cox, 1781), where it is entitled Alceste: Admetus-Gardel; Alceste-Mme Simonet; Apollo-Nivelon; Hebe-Mlle Theodore; Iris-Mlle Baccelli.]

Event Comment: By Command of Their Majesties. [Public Advertiser, 18 Feb., refers to the Overture to Rodelinda, which opened the performance, and to Street Bird, sung by Miss Linley, accompanied on the organ by Stanley; Oft on a plat of rising ground by Miss Prudom; Hide me from day's garish eye by Miss Linley; Horn and Morn by Reinhold.] 2nd piece: Set to Music by Handel. Tickets to be had and Places for the Boxes to be taken of Fosbrook at the Stage Door of the Theatre, at half a guinea each. Pit 5s. 1st Gallery 3s. 6d. 2ndGallery 2s. The Doors to be opened at 5:30. To begin at 6:30 [same throughout oratorio season]

Performances

Mainpiece Title: L'allegro Ii Penseroso

Afterpiece Title: The Choice of Hercules

Music: End of Part I of oratorio concerto on the violoncello by Crosdill; End of Part II concerto on the hautboy by Parke

Event Comment: Benefit for Miss Catley. Receipts: #282 14s. (194/12; tickets: 88/2) (charge: free)

Performances

Mainpiece Title: The Duenna

Afterpiece Title: Tom Thumb

Dance: End of mainpiece, as17820221

Song: End of Act I of mainpiece The Huntsman's sweet Halloo; End of Act II If o'er the cruel Tyrant, Love (from Artaxerxes); In afterpiece the original song to Fischar's Minuet; End of Act I The Wanton God (from Comus); End of afterpiece Push about the Jorum, with an additional verse to Miss Catley's Friends, all five sung by Miss Catley

Event Comment: Benefit for the Author [of mainpiece]. Receipts: #215 13s.(183/13/0; 31/2/6; 0/17/6; tickets: none listed) (charge: #105)

Performances

Mainpiece Title: Variety

Afterpiece Title: Comus

Event Comment: Benefit for Mrs Abington [who is named in the Account-Book, but not on the playbill]. Receipts: #153 6s. 6d. (118/6/0; 33/18/0; 1/2/6; tickets: none listed) (charge: free)

Performances

Mainpiece Title: Variety

Afterpiece Title: Robinson Crusoe

Event Comment: Benefit for the Author [of mainpiece]. Receipts: #139 91. 6d. (112/15/0; 26/1/0; 0/13/6; tickets: none listed) (charge: #105)

Performances

Mainpiece Title: Variety

Afterpiece Title: The Gentle Shepherd

Event Comment: Benefit for Pacchierotti. A Serious Opera; the Music by Bertoni. Tickets to be had of Pacchierotti, No. 8, Great Marybone-street, Cavendish-square

Performances

Mainpiece Title: Quinto Fabio

Dance: End of Act I Pastoral Dance, as17820129; End of Act II New Divertisement Dance, as17820216; End of Act III Divertisement Dance, as17811117, but Raymond in place of Bournonville

Event Comment: Benefit for Mrs Yates [who is named in the Account-Book, but not on the playbill]. Mainpiece: Not acted these 4 years. Monody: Not performed these 3 years [performed 28 Mar. 1781]. With Vocal and Instrumental Music [by Thomas Linley Sen.]. Receipts: #187 10s. 6d. (136/2/0; 51/7/0; 0/1/6; tickets: none listed) (charge: #76 14s. 9d.)

Performances

Mainpiece Title: Braganza

Afterpiece Title: A Monody [on the Death of Garrick]

Afterpiece Title: Comus

Event Comment: By Authority of the Lord Chamberlain. Benefit for Stewart. Mainpiece: In its original state, as it was written by Allen Ramsay, in 1724 [recte 1725]. Afterpiece [1st time; F 2 (?)]: Taken [probably by the author] from The Students [by James Stewart. MS not in Larpent; not published]. Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. 'Tis hoped that none of Stewart's friends will expect to be admitted behind the scenes, as the audience will, and not without great reason, be much displeased at any such proceedings, nor will it upon any pretence whatever be complied with. No money returned after the curtain is drawn up. Ladies are requested to send their servants by Five to keep places. Tickets to be had at Walker's, the Globe, Pall-mall; the Edinburgh and Jamaica Coffee-houses, Cornhill; the St. Andrew, Wapping; of Denham, bookseller, No. 366, Hermitage Bridge, Wapping; at the Bouncing B Printing Office, Ratcliff Highway; at Stewart's china shop, No. 201, Ratcliff Highway, and at the Theatre, where places for the boxes may be taken

Performances

Mainpiece Title: The Gentle Shepherd; Or, Patie And Roger

Afterpiece Title: The Exciseman Trick'd

Dance: End of Act III of mainpiece a new composed Reel, and Hornpipe by Master Holland, pupil to Holloway

Song: Hooly and Fairly, in character, by M'Donald; End of Act II The Huntsman's Sweet Halloo by Miss Hemet