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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Costollo Tickets deliver\'d out by Baker"/1) | (@(roleclean,performerclean) "Costollo Tickets deliver\'d out by Baker")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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7568 results for: Keyword - Costollo</i>.] Tickets deliver'd out by $Baker
We found 6406 matches on Event Comments, 1274 matches on Performance Comments, 135 matches on Performance Title, 88 matches on Author, and 0 matches on Roles/Actors.

3401
24 April 1798 @ Covent Garden

Event Comment: Benefit for Fawcett. 3rd piece [1st time; F 1, by George Colman, ynger, based on L'Anglais; ou, Le Fou Raisonnable, by Joseph Patrat]. Times, 6 Apr.: Tickets to be had of Fawcett, No. 41, Frith-street, Soho, and at Brook-Green, Hammersmith. Receipts: #501 18s. (226.13.0; 3.0.6; tickets: 272.4.6)

Performances

Mainpiece Title: The Heir At Law

Afterpiece Title: The Sailors Prize

Afterpiece Title: Blue Devils

Song: In 2nd piece: New Sea Ballad-Incledon; Master Teddy Shemus O'Shaughnessey O'Finnigen Delany's History of Himself-Johnstone; Fat Dolly the Cook-Munden; Soldier's Song-Townsend; New Ballad-Mrs Martyr; To conclude with: Hearts of Oak, Rule Britannia-

Entertainment: Monologue and SingingEnd 1st piece: (for that night only) [an aquatic, historic, romantic, eccentric, sadly comic story, in character, Travels of Trudge, [including Trudge's Exordium on the Quay, [a new song, Under@Ground Lodging, [Trudge's Escape and Voyage; Wowski's Prattle on Shipboard; Mishaps at Barbadoes; a new song, The Marvellous [to Jemmy Linkum Feedle-Fawcett. [This was chiefly based on episodes from Inkle and Yarico.

3402
27 April 1798 @ Drury Lane Theatre

Event Comment: Benefit for Palmer. Times, 23 Apr.: Tickets to be had of Palmer, No. 39, Great Pulteney-street, Golden-square. Receipts: #274 5s. 6d. (86.1.6; 64.18.6; 0.18.0; tickets: 122.7.6) (charge: #245 3s.)

Performances

Mainpiece Title: The Gamester

Afterpiece Title: Sylvester Daggerwood

Afterpiece Title: Blue Beard

3403
28 April 1798 @ Covent Garden

Event Comment: Benefit for Johnston. [He had 1st acted Hamlet at Edinburgh, 9 July 1794: Egerton's 1st appearance at cg was on 5 June 1797.] 2nd piece [1st time at this theatre; M. PAST 1, author unknown. Larpent MS 1207; not published. 1st acted at Sadler's Wells, 28 May 1787, when the playbill gives the 2nd title as "The Highland Laddie", and adds "The Words of the Airs selected from Allan Ramsay"]. Times, 13 Apr.: Tickets to be had of Johnston, No. 31, King-street, Covent-garden. Receipts: #230 19s. 6d. (110.2.6; 1.14.0; tickets: 119.3.0)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Hooly and Fairly or The Highland Lad and Lowland Lass

Afterpiece Title: A Divertisement

Dance: 2nd piece to conclude with: Highland Reel-; In 3rd piece: Ballet, as17971013

Song: In V 1st piece: a Dirge, as17970925; In 2nd piece: Highland Laddy-; Hooly and Fairly-; Katharine Ogie- [recte Oggy]; Andrew and his Cutty Gun-; Todlen Hame-; Tulloch Goram-; The Little Farthing Rushlight-Graham

3404
30 April 1798 @ Drury Lane Theatre

Event Comment: Benefit for Mrs Jordan. Times, 25 Apr.: Tickets to be had of Mrs Jordan, No. 14, Somerset-street, Portman-square. Receipts: #296 14s. 6d. (234.7.6; 59.6.6; 3.0.6; tickets: none listed) (charge: #20)

Performances

Mainpiece Title: The Count Of Narbonne

Afterpiece Title: Sylvester Daggerwood

Afterpiece Title: The Wedding Day

3405
07 May 1798 @ Drury Lane Theatre

Event Comment: Benefit for Bannister Jun. 1st piece [1st time; MF 2. Larpent MS 1210; not published]: Written by Charles? Dibdin, Founded on his Popular Novel under that Title, and enriched with a Selection of his most recent and favourite Songs. Do conclude with a new Finale by Dibdin. The Overture by Dibdin. "[It is a] wretched inanity; without interest, without humour, without character, original only in its dullness and unmatchable absurdity" (Monthly Mirror, May 1798, p. 306). 2nd piece: Compressed into Three Acts. 3rd piece: By permission of the Proprietor of the Theatre Royal Hay-Market. Morning Herald, 18 Apr.: Tickets to be had of Bannister Jun., No. 65, Gower-street, Bedford-square. Receipts: #511 13s. 6d. (251.7.6; 68.7.0; 1.13.0; tickets: 190.6.0) (charge: #212 19s.)

Performances

Mainpiece Title: Hannah Hewit Or The Female Crusoe

Afterpiece Title: The Inconstant

Afterpiece Title: The Son in Law

Song: End I 1st piece: The Sailor's Consolation- made into a Song and Chorus

3406
08 May 1798 @ Covent Garden

Event Comment: Benefit for Johnstone. 2nd piece [1st time; M. INT 1]. 3rd piece [1st time; F 2, by Walley Chamberlain Oulton. In it the playbill assigns Jack Hopeful to Fawcett, but text (George Cawthorn, 1798) has note: The part of Jack Hopeful, intended for Mr Fawcett, was, on account of that gentleman's severe indisposition, obligingly read by Mr Knight, who afterwards performed it (see 17 May)]. Times, 20 Apr.: Tickets to be had of Johnstone, No. 19, Piazza, Covent-garden. Receipts: #440 13s. (192.13.0; 4.0.6; tickets: 243.19.6)

Performances

Mainpiece Title: The Heir At Law

Afterpiece Title: The Quarter Deck or Half an Hours Festivity

Afterpiece Title: Botheration or A Ten Years Blunder

Dance: In 2nd piece: a Hornpipe (in Character)-Blurton

Song: In course Entertainment: Old Towler-Incledon; Black Ey'd Susan-Incledon; Incidental to 3rd piece: Mr O'Blarney's Description of London (Including his Remarks on St. James's, St. Giles's, St. Paul's, Debating Clubs, Squares, Gardens, The Monument, Wigs and Crops, Boarding Schools, Inns, Fields, Soldiers, Sailors, and Volunteers) in Character-Johnstone

3407
09 May 1798 @ Drury Lane Theatre

Event Comment: Benefit for Kelly. Ballet: By permission of the Proprietor of the Opera House. Composed by Gallet. With appropriate Dresses, Scenery, and Decorations. Times, 30 Apr.: Tickets to be had of Kelly, No. 9, New Lisle-street, Leicester-fields. Receipts: #681 4s. (370.8.0; 45.1.6; 3.12.0; tickets: 262.2.6) (charge: #237 3s. 2d.)

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: Blue Beard

Ballet: End II: the Grand Anacreontic Ballet, Bacchus et Ariadne. Bacchus-Laborie; Ariadne-Mme Lombard Laborie; Theseus-St. Pierre; Phedra-Miss D'Egville; Silenus-Blake; Cupid-Master Menage; Hymen-Miss Denys; Chief Persons of the Train of Bacchus representing Divinities of Olympus-Didelot, Mme Hilligsberg, Miss J. Hilligsberg; Deities of the Olympus, with a Grand Procession of Bacchanals, Bacchants, Nymphs, Satyrs, Fauns-The whole Corps de Ballet from the Opera House; the celebrated Pas de Quatre from Panurge-Didelot, Laborie, Mme Laborie, Mme Hilligsberg

3408
09 May 1798 @ Covent Garden

Event Comment: By Desire of his Excellency the Turkish Ambassador [Ismail Ferrouh Effendi]. Benefit for Mrs Martyr. [In 1st piece the playbill retains Fawcett as Trudge, but "Munden, in the absence of Fawcett, sustained the part of Trudge in a manner that gave the audience no cause to regret the change" (Morning Herald, 10 May).] Times, 25 Apr.: Tickets to be had of Mrs Martyr, No. 16, Martlett-court, Bow-street. Receipts: #425 4s. (211.6.6; 14.10.0; tickets: 199.7.6)

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: Forecastle Fun

Afterpiece Title: The Honest Thieves

Cast
Role: by concealing himself in the spoils of his tent is Actor: yard of his Prison, thro' the grating of which he gives him a sleeping draught, telling him on drinking it that they will suppose him dead, and the English demand his body. He complies, but the request of the English is refused, and he lowered into the Cell where Blanche is confined--She conceives him dead--despairing, is on the point of destroying herself, when he awakes--the Page from the top of the Cell points out the means of escape, which they are accomplishing, when Joan rushes in, but appalled at the ghost-like appearance of Talbot, whom she conceived dead, permits them to glide by, but pursues them--excursions with the enemy--Joan kills Talbot's Father, and forces him to combat-disdaining the threats of a woman, he throws away his sword, acting only on the defensive--disarms her--she rushes on him, when her supernatural power failing, her sword and shield break to pieces-she snatches her banner, which takes fire--grown desperate, seizes a sword and attempts to stab him, is prevented by British soldiers who surround and vanquish her--Young Talbot at the same time killing Alenson--her life is preserved by the intercession of Blanche--the British are victorious, she rushes off, again solicits supernatural aid--is surrounded by Daemons but saved by the interposition of an Aerial Spirit--Blanche and Talbot are rendered happy, and the whole concludes with a Grand Historical Pageant

Song: In I 1st piece: Duet, as17980418; In course Evening: Black Ey'd Susan, Admiral Benbow, Old Towler-Incledon; Four and Twenty Fidlers-Munden; a new Song, Yard Arm & Yard Arm (Being a description of the memorable Engagement between the French Ship L'Hercule and the British Ship the Mars [off the Bec du Raz, 21 Apr. 1798] commanded by the late gallant Captain Alexander Hood)-Townsend; In 2nd piece: With a Jolly full Bottle-; Favorite Comic Irish Song-Johnstone; The New Mariners, as17980508; Young William-Incledon; Hearts of Oak, Rule Britannia-Incledon, Chorus

3409
11 May 1798 @ Drury Lane Theatre

Event Comment: Benefit for Miss Pope. [Mrs Jordan's 1st appearance as Lady Bell was at this theatre, 21 Apr. 1789.] 3rd piece: To conclude with a Prospect of the Infernal Regions, and a Rain of Fire. Times, 4 May: Tickets to be had of Miss Pope, No. 63, Great Queen-street, Lincoln's-Inn-Fields. Receipts: #318 11s. 6d. (78.0.6; 84.18.0; 4.12.6; tickets: 151.0.6) (charge: #216 8s. 1d.)

Performances

Mainpiece Title: Know Your Own Mind

Afterpiece Title: Sylvester Daggerwood

Afterpiece Title: Don Juan or The Libertine Destroyed

Dance: In 3rd piece: Pas Seul, incidental to the piece-Sga Bossi DelCaro

3410
12 May 1798 @ Covent Garden

Event Comment: Benefit for Murray. 1st piece: By Permission of the Author [Walsh Porter], and the Manager of the Theatre Royal Bath [William Wyatt Dimond]. [This was 1st acted at Bath, 27 Feb. 1798. It refers to the nation-wide attempt, being made at this time, to raise funds by voluntary contribution for the defense of the country. And see 9 Feb. Larpent MS 1197; not published. Miss Murray's 1st appearance on the stage was at Bristol, 1 July 1793.] Times, 27 Apr.: Tickets to be had of Murray, No. 77, Long Acre. Receipts: #198 17s. (102.6.0; 4.1.6; tickets: 92.9.6)

Performances

Mainpiece Title: Voluntary Contributions

Afterpiece Title: Curiosity

Afterpiece Title: Florizel and Perdita or The Sheep Shearing

Song: End 1st piece: Black Ey'd Susan-; End 2nd piece: Admiral Benbow-Incledon

3411
15 May 1798 @ Drury Lane Theatre

Event Comment: Benefit for Suett. Morning Herald, 5 May: Tickets to be had of Suett, No. 18, Clement's Inn. Receipts: #516 16s. 6d. (240.12.0; 63.9.6; 2.8.6; tickets: 210.6.6) (charge: none listed)

Performances

Mainpiece Title: The Stranger

Afterpiece Title: Sylvester Daggerwood

Afterpiece Title: Blue Beard

3412
15 May 1798 @ Covent Garden

Event Comment: Benefit for Mr and Mrs Knight. Mainpiece: Not acted these 20 years [acted 1 Oct. 1779]. Times, 1 May: Tickets to be had of Mr and Mrs Knight, No. 47, Rathbone-place. Receipts: #270 11s. 6d. (138.19.6; 4.9.6; tickets: 127.2.6)

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: High Life below Stairs

Dance: In afterpiece: Mock Minuet-Mr and Mrs Knight

Entertainment: Singing and Monologues.End: a Dialogue Duet (1st time), The Pledge of Love; or, British Tar's Farewell-Incledon, Mrs Mountain (the Music entirely New); The Barber's Petition, with a song in character, Wigs (including his Own Wig, The Doctor's Wig, Counsellor's Wig, The Lover's Wig, Coachman's Wig, etc.)-Knight; Ode on the Passions-Mrs Pope; Old Towler-Incledon

3413
16 May 1798 @ Drury Lane Theatre

Event Comment: Benefit for Mlle Parisot. Times, 14 May: Tickets to be had of Mlle Parisot, No. 9, Haymarket. Receipts: #409 11s. (198.3.6; 73.5.6; 1.5.6; tickets: 136.16.6) (charge: #245 2s. 10d.)

Performances

Mainpiece Title: The Rivals

Afterpiece Title: Blue Beard

Dance: Two Pas Seulsincidental to the Ballet-Mlle Favre Guiardele (for that night only); In afterpiece: a new Pas Seul-Mlle Parisot

Ballet: End II: a New Ballet (for that night only), Kitty and Jemmy. Jemmy-Mlle Parisot; Kitty-Sga Bossi DelCaro; the Other Characters-Fialon (for that night only), Master Menage, Miss Menage, Roffey, Whitmell, Wells, Male, Garman, W. Banks, Ms Brooker, Ms Daniels, Ms Brigg, Ms Haskey, Ms Illingham, Ms Byrne, Ms Willis, Ms Vining

3414
16 May 1798 @ Covent Garden

Event Comment: Benefit for Miss Betterton, 2nd piece [1st time; ENT 1]. Times, 26 Apr.: Tickets to be had of Miss Betterton, No. 47, Great Queen-street, Lincoln's Inn Fields. Receipts: #184 8s. 6d. (87.0.0; 8.17.6; tickets: 88.11.0)

Performances

Mainpiece Title: The Deserted Daughter

Afterpiece Title: Britons Roused

Afterpiece Title: The Follies of a Day

Dance: End 2nd piece: a Minuet-Mr and Miss Betterton

3415
21 May 1798 @ Drury Lane Theatre

Event Comment: Benefit for Mrs Powell. 2nd piece [1st time; M. INT 1, author unknown. MS not in Larpent MS; not published]: Founded on a recent fortunate Event [the escape of Sir William Sidney Smith from The Temple, Paris, on 24 Apr. 1798 (European Magazine, June 1798, p. 395)]. With appropriate Scenery, and Machinery. [3rd piece in place of The Children in the Wood, advertised on playbill of 19 May.] Times, 15 May: Tickets to be had of Mrs Powell, No. 43, Craven-street, Strand. Receipts: #548 17s. (233.4.6; 61.4.6; 0.17.0; tickets: 253.11.0) (charge: #214 12s. 1d.)

Performances

Mainpiece Title: The Castle spectre

Afterpiece Title: The Escape

Afterpiece Title: The Shipwreck

3416
22 May 1798 @ Covent Garden

Event Comment: Benefit for Whitfield. Times, 10 May: Tickets to be had of Whitfield, No. 10, Clifford's Inn. Receipts: #343 6s. 6d. (60.6.0; 3.16.0; tickets: 279.4.6)

Performances

Mainpiece Title: Every One Has His Fault

Afterpiece Title: Hooly and Fairly

Afterpiece Title: Lock and Key

Dance: In 2nd piece: Highland Reel, as17980428

Song: End III 1st piece: Black Ey'd Susan-Incledon

3417
23 May 1798 @ Drury Lane Theatre

Event Comment: Benefit for Barrymore and Sedgwick. Times, 22 May: Tickets to be had of Barrymore, Judd Place West, Sommer's Town; of Sedgwick, No. 18, Clement's Inn. Receipts: #518 17s. (88.2.0; 67.11.0; 1.19.6; tickets: 361.4.6) (charge: #213 12s. 3d.)

Performances

Mainpiece Title: The Castle spectre

Afterpiece Title: The Anacreontic Society Revived i

Afterpiece Title: The Flitch of Bacon

3418
23 May 1798 @ Covent Garden

Event Comment: By Desire of his Excellency the Turkish Ambassador [see 9 May]. Benefit for Mrs Mountain. 1st piece: In Act II a Grand Procession representing the ceremonies attending the Sacrifice of an Indian Woman on the Funeral Pile of her deceased Husband. 2nd piece [1st time; CO 2, by Henry Heartwell]: The Overture and Music composed by Attwood. Monologue: The whole of the apparatus painted and designed by Cresswell. Morning Herald, 8 Oct. 1798: This Day is published Reformed in Time (1s.). Ibid, 16 May: Tickets to be had of Mrs Mountain, No. 28, Maiden-lane, Covent-garden. Receipts: #370 18s. (90.17; 4.3; tickets: 275.18)

Performances

Mainpiece Title: The Widow Of Malabar

Afterpiece Title: Reformed in Time

Afterpiece Title: The Honest Thieves

Cast
Role: by concealing himself in the spoils of his tent is Actor: yard of his Prison, thro' the grating of which he gives him a sleeping draught, telling him on drinking it that they will suppose him dead, and the English demand his body. He complies, but the request of the English is refused, and he lowered into the Cell where Blanche is confined--She conceives him dead--despairing, is on the point of destroying herself, when he awakes--the Page from the top of the Cell points out the means of escape, which they are accomplishing, when Joan rushes in, but appalled at the ghost-like appearance of Talbot, whom she conceived dead, permits them to glide by, but pursues them--excursions with the enemy--Joan kills Talbot's Father, and forces him to combat-disdaining the threats of a woman, he throws away his sword, acting only on the defensive--disarms her--she rushes on him, when her supernatural power failing, her sword and shield break to pieces-she snatches her banner, which takes fire--grown desperate, seizes a sword and attempts to stab him, is prevented by British soldiers who surround and vanquish her--Young Talbot at the same time killing Alenson--her life is preserved by the intercession of Blanche--the British are victorious, she rushes off, again solicits supernatural aid--is surrounded by Daemons but saved by the interposition of an Aerial Spirit--Blanche and Talbot are rendered happy, and the whole concludes with a Grand Historical Pageant

Song: In course: Old Towler, Black Ey'd Susan-Incledon

Monologue: Monologue. End 1st piece: (for that night only) a humourous, satirical Recitation, Kraniographon; selected from the favourite parts of G. A. Stevens's Lecture on Heads. in which: The Head of Alexander the Great-; The Head of a Lawyer-; The Head of a Cherokee-; Every Body's Coat of Arms-; The Head of a Quack Doctor-; The Head of Flattery-; Girdle of Venus-; The Quack Doctor's Coat of Arms-; The Head of Nobody-Mrs Mountain in the Character of a Student

3419
24 May 1798 @ Drury Lane Theatre

Event Comment: Benefit for Miss Leak. Afterpiece: With a Sea Fight. Times, 17 May: Tickets to be had of Miss Leak, Upper Mews Gate, Castle-street, Leicester-fields. Receipts: #500 6s. 6d. (104.10.0; 74.7.6; 3.4.6; tickets: 318.4.6) (charge: #220 14s. 7d.)

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Critic or A Tragedy Rehearsed

Dance: In II: Masquerade-; with Dancing-Mlle Parisot, Sga Bossi DelCaro

Song: In Masquerade: Sigh no more Ladies (composed by Stevens)-Sedgwick, Dignum, Mrs Bland, Miss DeCamp; End IV: Little Taffline-Mrs Bland; In course of Evening: Ally Croaker, Little Bess the Ballad Singer (composed by Dr Arnold)-Miss Leak

3420
24 May 1798 @ Covent Garden

Event Comment: Benefit for Mrs Clendining. 1st piece: Not acted these 2 years. 2nd piece: In one Act. Morning Herald, 22 May: Tickets to be had of Mrs Clendining, No. 22, Southampton-street, Covent-Garden. Receipts: #127 5s. (31.3.6; 6.2.6; tickets: 89.19.0)

Performances

Mainpiece Title: Fontainbleau

Afterpiece Title: Cross Purposes

Afterpiece Title: The Poor Sailor

Music: End 1st piece: the British March- his Royal Highnessthe Duke of York's Band

3421
25 May 1798 @ Covent Garden

Event Comment: Benefit for Townsend. Times, 22 May: Tickets to be had of Townsend, at Mr Kilvington's, Drury-lane. Receipts: #229 17s. 6d. (71.10.0; 3.16.6; tickets: 154.11.0)

Performances

Mainpiece Title: Every Man In His Humour

Afterpiece Title: Reformed in Time

Cast
Role: by concealing himself in the spoils of his tent is Actor: yard of his Prison, thro' the grating of which he gives him a sleeping draught, telling him on drinking it that they will suppose him dead, and the English demand his body. He complies, but the request of the English is refused, and he lowered into the Cell where Blanche is confined--She conceives him dead--despairing, is on the point of destroying herself, when he awakes--the Page from the top of the Cell points out the means of escape, which they are accomplishing, when Joan rushes in, but appalled at the ghost-like appearance of Talbot, whom she conceived dead, permits them to glide by, but pursues them--excursions with the enemy--Joan kills Talbot's Father, and forces him to combat-disdaining the threats of a woman, he throws away his sword, acting only on the defensive--disarms her--she rushes on him, when her supernatural power failing, her sword and shield break to pieces-she snatches her banner, which takes fire--grown desperate, seizes a sword and attempts to stab him, is prevented by British soldiers who surround and vanquish her--Young Talbot at the same time killing Alenson--her life is preserved by the intercession of Blanche--the British are victorious, she rushes off, again solicits supernatural aid--is surrounded by Daemons but saved by the interposition of an Aerial Spirit--Blanche and Talbot are rendered happy, and the whole concludes with a Grand Historical Pageant

Song: In course of Evening: The Bells of Aberdovy-Townsend; accompanied on the harp-Weippert; The Mid Watch-Incledon; The Beggar, in character,-Townsend; The Pledge of Love, as17980515; a favorite Comic Song-Fawcett

Entertainment: Imitations.An Exhibition of Theatrical Portraits-Townsend

3422
28 May 1798 @ Covent Garden

Event Comment: Benefit for Wild, prompter. 2nd piece [1st time; M. INT 1, acted on 30 May as The Sailor's Carousal]. 3rd piece: The Scenery and Machinery by Richards, Hodgins, Walmsley, Phillips, Lupino, and assistants. Times, 25 May: Tickets to be had of Wild, No. 28, Drury-lane. Receipts: #288 18s. (123.9.6; 11.9.6; tickets: 153.19.0)

Performances

Mainpiece Title: Such Things Are

Afterpiece Title: Starboard Watch

Afterpiece Title: Harlequin and Faustus or The Devil will have his Own

Song: In course: The High Mettled Racer (composed by Dibdin)-Incledon; Patents all the Rage-Munden; The Beggar, as17980525; Duetto-Mrs Martyr, Mrs Mountain; The Wind blew fresh and fair-Townsend

Music: In course of Evening: solo on the Union Pipes-Murphy; accompanied on the Harp-Weippert

Entertainment: Vaudeville.In 3rd piece: [By Permission of the Proprietors of the Royal Circus [Charles Dibdin and Charles Hughes] [the celebrated Smith will ge thro' his wonderful Performances on the Slack Rope-Smith

3423
29 May 1798 @ Drury Lane Theatre

Event Comment: Benefit for Wewitzer. Account-Book: Wewitzer allowed to issue tickets on this [night] paying for all that comes in over #105. Receipts: #269 15s. (94.5.0; 49.16.6; 1.15.6; tickets: 123.18.0) (charge: none)

Performances

Mainpiece Title: The Castle spectre

Afterpiece Title: The Liar

3424
30 May 1798 @ Drury Lane Theatre

Event Comment: Benefit for Miss DeCamp. 1st piece: Never [previously] acted here. Times, 11 May: Tickets to be had of Miss DeCamp, No. 14, Tottenham-court-road. Receipts: #435 2s. 6d. (153.16.6; 57.2.0; 1.16.0; tickets: 222.8.0) (charge: #232 15s. 2d.)

Performances

Mainpiece Title: The Italian Monk

Afterpiece Title: The Follies of a Day

Afterpiece Title: Blue Beard

3425
30 May 1798 @ Covent Garden

Event Comment: Benefit for Hull, Mrs Litchfield & Waddy. 1st piece [1st time; C 5, by Thomas Hull. Larpent MS 1215; not published]: Altered from [The Bashful Lover, by] Massinger. [In it the playbill assigns Hortensio to Pope, but he was ill, and in his "stead Johnston read the part of Hortensio" (European Magazine, June 1798, p. 396). Prologue by John Taylor Poems (I, 60).] Morning Herald, 29 May: Tickets to be had of Hull, Duke's Court, Dean's-yard, Westminster; of Mrs Litchfield, James-street, Covent-Garden; of Waddy, No. 214, opposite Southampton-street, High Holborn. Receipts: #261 2s. 6d. (53.9.6; 4.16.6; tickets: 202.16.6; of which Hull took #72 7s.; Mrs Litchfield #60 17s., Waddy #69 12s. 6d.)

Performances

Mainpiece Title: Disinterested Love

Afterpiece Title: Starboard Watch

Afterpiece Title: The Highland Reel

Entertainment: Monologue.Preceding 1st piece: a new Occasional Prologue-Holman