SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Costollo Tickets deliver\'d out by Baker"/1) | (@(roleclean,performerclean) "Costollo Tickets deliver\'d out by Baker")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 6406 matches on Event Comments, 1274 matches on Performance Comments, 135 matches on Performance Title, 88 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit for Dignum. Morning Herald, 20 May: Tickets to be had of Dignum, No. 23, New North-street, Red-lion-square. Receipts: #148 10s. 6d. (81.10.0; 57.6.6; 2.3.0; tickets: none listed; odd money: 7.11.0) (charge: #214 1s. 7d.)

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: No Song No Supper

Afterpiece Title: A Musical Olio

Song: End II: The Little Waist- (composed by Hook); End IV: The Sailor's Journal (composed by Dibdin)-Dignum

Event Comment: Benefit for Caulfield, Phillimore & Johnston. 2nd piece [1st time; M. INT 1]. 3rd piece: Not acted these 5 years. To conclude with a superb Prospect of the Infernal Regions, and a Rain of Fire. Morning Herald, 4 June: Tickets to be had of Caulfield, No. 2, William-street, Adelphi [others not listed]. Receipts: #122 17s. (55.17.0; 51.16.6; 5.9.6; tickets: none listed; odd money: 9.14.0) (charge: #211 8s. 2d.)

Performances

Mainpiece Title: The Mountaineers

Afterpiece Title: Old Straw

Afterpiece Title: Don Juan or The Libertine Destroyed

Event Comment: Benefit for Burton, Miss Heard, Miss Tidswell, & Mrs Bramwell. [2nd piece: With alterations by John Philip Kemble.] 3rd piece: Not acted these 6 years. "Of [Wroughton's] comedy something favourably must be said. His personations are usually natural, easy, and spirited; he is perhaps too locomotive: he cannot bear to stand still...To this peculiar bustle of his motion may be attributed much of his success in Sir John Restless [in All in the Wrong]...For the same reason, no man can play Ford with half the effect Wroughton does" (Monthly Mirror, Mar. 1796, p. 304). Morning Herald, 30 May: Tickets to be had of Miss Heard, No. 43, Haymarket [others not listed]. Receipts: #337 6s. 6d. (30.13.0; 40.16.6; 3.4.6; tickets: 260.10.0; odd money: 2.2.6) (charge: #202 11s.)

Performances

Mainpiece Title: The Purse

Afterpiece Title: The Merry Wives of Windsor

Afterpiece Title: The Gentle Shepherd

Event Comment: In consequence of the very frequent abuses discovered to be practised at this Theatre, in respect to transferable Tickets of Admission, it has become indispensably requisite to adopt the former Regulation of having those Tickets left at the Doors on the Evening of Performance, and returned next day to the Owners of them

Performances

Mainpiece Title: Evelina

Dance: End I: Peggy's Love, as17961206; End Opera: Apollon Berger, as17970110

Event Comment: Benefit for Lewis. 1st piece: In 3 Acts. 2nd piece: Not acted these 12 years [acted 13 Dec. 1788]. 3rd piece: With all original Scenery, Machinery, Dresses and Decorations. New Music composed, and ancient Scots Music selected and adapted, by Shield. The Overture by Reeve. With Harp Accompaniment by Weippert. True Briton, 27 Mar.: Tickets to be had of Lewis, Bow-street. Receipts: #519 1s. 6d. (386.10.0; 6.0.0; tickets: 126.11.6)

Performances

Mainpiece Title: The Double Gallant Or A Sick Ladys Cure

Afterpiece Title: Duke and No Duke or Trapolins Vagaries

Afterpiece Title: Oscar and Malvina

Event Comment: Benefit for Quick. 2nd piece: In one Act. A Tragi-Comic, Pastoral, Operatical, Farcical Drama, written by the Author of The Beggar's Opera [John Gay]. True Briton, 3 Apr.: Tickets to be had of Quick, No. 30, Little Queen-street, Lincoln's Inn-Fields. Receipts: #352 0s. 6d. (140.15.6; 5.9.0; tickets: 205.16.0)

Performances

Mainpiece Title: The Way To Get Married

Afterpiece Title: What dye Call It

Afterpiece Title: Tom Thumb

Event Comment: Benefit for Miss Wallis. 2nd piece: By Permission of the Proprietors of Drury Lane Theatre, and for that night only; with additional Songs [Sga Storace had sung in the oratorios at this theatre in the 1789 season.] True Briton, 13 Apr.: Tickets to be had of Miss Wallis, Gower-street. Receipts: #376 9s. 6d. (192.15.6; 2.16.0; tickets: 180.18.0)

Performances

Mainpiece Title: The Guardian

Afterpiece Title: No Song No Supper

Afterpiece Title: The Comedy of Errors

Song: In 3rd piece: as17970107

Event Comment: Benefit for Palmer. [1st piece originally acted in 1767 as Dido. Prologue by David Garrick.] 3rd piece [1st time; INT 1, consisting of 3 tales in verse inserted into a continuous verse narrative]: As intended for Representation at the Theatre Royal, Hay-market, by George Colman Ynger. Morning Herald, 3 Apr. 1797: This Day is Published My Nightgown and Slippers (2s. 6d.). True Briton, 25 Apr.: Tickets to be had of Palmer, No. 39, Great Pulteney-street, Golden-square. Receipts: #491 16s. (152.3; 77.16; 11.16; tickets: 250.1) (charge: #232 18s. 6d.)

Performances

Mainpiece Title: The Queen Of Carthage

Afterpiece Title: The Spoild Child

Afterpiece Title: My Nightgown and Slippers

Ballet: The Scotch Ghost. As17970105

Event Comment: Benefit for Holman. 1st piece [1st time; C 5, by Benjamin Hoadly, based partly on L'Ecole des Femmes, by Moliere. Larpent MS 1160; not published. Prologue by John Taylor; Epilogue by Edward Jerningham (European Magazine, May 1797, p. 342)]: Mr Holman having been favored by the Family of Doctor Hoadly, Author of the Suspicious Husband, with a Manuscript Comedy in Five Acts, the production of that celebrated Writer, he most respectfully informs the Public that it will be presented under the Title of The Tatlers. True Briton, 1 May: The Play was given to Holman by Dr Hoadly Ashe, Hoadly's nephew. Ibid, 10 Apr.: Tickets to be had of Holman, No. 14, John-street, Adelphi. Account-Book: Paid Insurance and Duty on #10,000 for one year from 16th Inst. at the Royal Exchange Fire Office #136 17s; ditto on #10,000 for one year from Lady Day at the Phoenix Fire Office #112 10s. Receipts: #290 11s. 6d. (143.16.0; 10.11.6; tickets: 136.4.0)

Performances

Mainpiece Title: The Tatlers

Afterpiece Title: Cross Purposes

Afterpiece Title: Netley Abbey

Event Comment: Benefit for Mrs Siddons. 1st piece: Never acted in this Theatre. [Prologue by George Colman, elder. Monologue by Hester Lynch Piozzi (European Magazine, May 1797, p. 343).] True Briton, 12 Apr.: Tickets to be had of Mrs Siddons, No. 49, Great Marlborough-street. "The scenery destroyed much of the effect of the tragedy; for the characters are supposed to be 'steeped in poverty to the very lips;' and yet their apartments would have become a family in the meridian of wealth and prosperity. Mrs Siddons was also too well dressed for Mrs Wilmot" (Monthly Mirror, May 1797, p. 308). "In the scene in which [Mrs Siddons's] son having put into her hands a casket to keep, and she having touched a spring it opens and she sees jewels, her husband (Kemble) enters, and in despair exclaims, 'Where shall we get bread?' With her eyes fixed on the jewels, she runs to him, knocks the casket against her breast and exclaims, 'Here! Here!' In Mrs Siddons's tone and in her look there was an anticipation of the murder which was to take place" (Robinson, I, 39). Receipts: #618 2s. (386.8.6; 43.19.0; 2.4.0; tickets: 185.10.6) (charge: #211 1s.)

Performances

Mainpiece Title: Fatal Curiosity

Afterpiece Title: The Wedding Day

Afterpiece Title: The Deuce is in Him

Entertainment: Monologue. To conclude with: a Short Notice of Farewells, including her own Farewell for the Present Season-Mrs Siddons

Event Comment: Benefit for Incledon. 2nd piece: Performed but once [recte twice: on 1 and 8 May 1795]. The Music part new, and part compiled, by Shield. True Briton, 20 Apr.: Tickets to be had of Incledon, No. 15, Charlotte-street, Bloomsbury. Receipts: #440 7s. 6d. (245.7.0; 5.18.0; tickets: 189.2.6)

Performances

Mainpiece Title: Abroad And At Home

Afterpiece Title: The Sailors Prize

Afterpiece Title: The Prisoner at Large

Song: End I 1st piece: The Storm-Incledon; In 2nd piece: New Ballad-Mrs Martyr; Fat Dolly-Munden; Battle Song-Bowden; Let us love and let us drink-Munden, Bowden, Mrs Martyr; Teddy O'Shaughnessey's History-Johnstone; Black Ey'd Susan-; Hearts of Oak-; Rule Britannia-; End I 3rd piece: Old Towler- [Incledon?]

Event Comment: Benefit for Pope. 1st piece: Not acted these 10 years. [3rd piece in place of The Irish Mimick, advertised on playbill of 3 May.] True Briton, 2 May: Tickets to be had of Pope at his house, No. 5, Moon-street, Piccadilly. Receipts: #398 12s. 6d. (237.14.6; 10.15.6; tickets: 150.2.6)

Performances

Mainpiece Title: The Gamester

Afterpiece Title: The Ghost

Afterpiece Title: Hartford Bridge

Event Comment: Benefit for Mrs Mattocks. 1st piece: In 3 Acts. [In 1st piece the playbill assigns Welford to Holman, and in 3rd piece Don Carlos to the same. But "An uncle of Holman expired suddenly on Saturday morning. An apology was made for Holman in the evening, and Macready took the Parts he was to have performed in the Play and Farce" (True Briton, 8 May). In 1st piece Cheaterly is assigned to Macready; who took his place is not stated.] True Briton, 22 Apr.: Tickets to be had of Mrs Mattocks, No. 8, Great Russell-street, Covent-Garden. Receipts: #223 12s. 6d. (118.10.0; 4.2.0; tickets: 101.0.6)

Performances

Mainpiece Title: Fashionable Levities

Afterpiece Title: Lock and Key

Afterpiece Title: Lovers Quarrels

Afterpiece Title: Bantry Bay

Event Comment: Benefit for Bannister Jun. 1st piece [1st time; C 5, by Richard Cumberland. Text 1st published in his Posthumous Dramatic Works, Vol. II (G. and W. Nicol, 1813); it assigns no parts, but adds George Ivey and David Duncan, acted by Caulfield and Packer. Genest erroneously assigns Sir Adam to Wewitzer and Beau Tiffany to R. Palmer. Prologue and Epilogue by the author (True Briton, 9 May). Songs by Michael Kelly, in Act I harmonized by Sir William Parsons.] True Briton, 25 Apr.: Tickets to be had of Bannister Jun., No. 65, Gower-street, Bedford-square. Receipts: #581 15s. (294.18.6; 72.7.0; 3.17.6; tickets: 210.12.0) (charge: #213 6s. 8d.)

Performances

Mainpiece Title: The Last Of The Family

Afterpiece Title: Sylvester Daggerwood

Afterpiece Title: The Children in the Wood

Song: In I: The Song [Blest were the hours], Song incidental to the Epilogue-Mrs Jordan

Event Comment: Benefit for Johnstone. 3rd piece [1st time; F 2, by Thomas Knight; incidental music by William Reeve]: Partly taken from The Committee [by Sir Robert Howard]. Morning Herald, 21 June 1797: This Day is published [by G. Cawthorn] The Honest Thieves (1s.). True Briton, 25 Apr.: Tickets to be had of Johnstone, No. 19, Piazza, Covent-Garden. Receipts: #434 7s. 6d. (210.4.0; 11.18.0; tickets: 212.5.6)

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: British Fortitude or An Escape from France

Afterpiece Title: The Honest Thieves or The Faithful Irishman

Song: In course 2nd piece: I was call'd knowing Joey-Munden; At dawn of Life our Vows were plighted-Mrs Mountain; The Storm-Incledon; The turban'd Turk who scorns the World-; Hospitality; or, The Land of Potatoes-Johnstone; End 2nd piece: Old Towler-Incledon

Event Comment: Benefit for Mrs Martyr. 2nd piece [1st time; ENT 1, by John Cartwright Cross (see Monthly Mirror, June 1797, p. 370). Larpent MS 1166; not published]; With a striking Representation of the Conflagration of the Spanish Fleet in the Gulph of Pariav, the Island's Capitulation and the Departure of its Garrison, Prisoner of War [on 18 Feb. 1797]. True Briton, 1 May: Tickets to be had of Mrs Martyr at her house, No. 16, Martlett Court, Bow-street, Covent-Garden. Receipts: #359 14s. (185.5; 8.2; tickets: 166.7)

Performances

Mainpiece Title: Abroad And At Home

Afterpiece Title: The Surrender of Trinidad or Safe Moord at Last

Afterpiece Title: The Irishman in London

Song: End I: The Storm-Incledon; In course 2nd piece: Black@Ey'd Susan-Incledon; Beauty at her Levee-Munden; Jack at the Windlass-Fawcett; The Wolf-Bowden; Oh why to be happy-Incledon; The Row-Johnstone; Bravura Song-Mrs Clendining; a new Negro Song (composed by Shield)-Mrs Martyr; Rule Britannia-

Event Comment: Benefit for Miss Pope. Afterpiece: With a Sea Fightv. True Briton, 28 Apr.: Tickets to be had of Miss Pope, No. 63, Great Queen-street, Lincoln's-Inn-Fields. Receipts: #386 8s. 6d. (125.17.6; 76.1.6; 7.16.6; tickets: 176.13.0) (charge: #224 9s. 6d.)

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Critic or A Tragedy Rehearsed

Song: V: song-Mrs Bland

Ballet: The Scotch Ghost. As17961221

Event Comment: Benefit for Munden. [Mrs Litchfield is identified in Thespian Dictionary, 1805; as Miss Hay she had acted at cg on 27 May 1796.] 2nd piece [1st time; MF 1, by John O'Keeffe. MS not in Larpent MS; not published]: Altered [by the author] from Sprigs of Laurel. True Briton, 1 May: Tickets to be had of Munden, No. 16, Clement's-Inn. Receipts: #418 8s. 6d. (122.8.6; 9.19.6; tickets: 286.0.6)

Performances

Mainpiece Title: Every One Has His Fault

Afterpiece Title: The Rival Soldiers

Afterpiece Title: The Positive Man

Song: In the course of the Evening: The Life of Poor Jack (composed by Dibdin), Admiral Benbow-Incledon; Honesty in Tatters-Townsend; Arthur O'Bradley (1st time, written by O'Keeffe)-Munden

Event Comment: Benefit for Master Welsh. Morning Herald, 18 May: Tickets to be had of Master Welsh, No. 9, Margaret-street, Westminster. Receipts: #355 9s. 6d. (72.13.6; 58.13.0; 4.12.0; tickets: 219.11.0) (charge: free)

Performances

Mainpiece Title: The Country Girl

Afterpiece Title: The Prisoner

Song: End IV: Listen to the Voice of Love-Master Welsh

Music: End: A Lilliputian Performance-; consisting of a Quintetto for First Violin-Master Pinto, aged 11 years; Second Violin-Master Sharp, aged 11; Violoncello-Master Ware, aged 10; Piano Forte-Miss Hoffman, aged 9; Voice-Master Welsh. The Musick composed expressly for the Occasion by Dr Arnold

Event Comment: Benefit for Barrymore. Mainpiece: In IV a Masquerade Scene. Afterpiece: To conclude with a Superb Prospect of the Infernal Regions and a Rain of Fire. True Briton, 12 May: Tickets to be had of Barrymore, No. 59, Great Queen-street, Lincoln's-Inn-Fields. Receipts: #337 11s. (62.18; 72.12; 5.17; tickets: 196.4) (charge: #216 1s. 5d.)

Performances

Mainpiece Title: The Belles Stratagem

Afterpiece Title: Don Juan or The Libertine Destroyed

Event Comment: Benefit for Mr and Mrs Knight. 3rd piece: Illumination, &c. as 18 May. Books of the Songs to be had at the Theatre. True Briton, 1 May: Tickets to be had of Mr and Mrs Knight, No. 47, Rathbone Place. Receipts: #221 9s. 6d. (93.0.6; 17.8.6; tickets: 111.0.6)

Performances

Mainpiece Title: The Jew

Afterpiece Title: The Honest Thieves

Afterpiece Title: The Village Fete

Song: End: Wigs-, including His own Wig, Doctor's Wig, Coachman's Wig; The Storm-Incledon; In 3rd piece: Chorusses, As17970518

Event Comment: Benefit for Kelly. Mainpiece: Not acted these 2 years. Ballets: With appropriate Scenery, Dresses, and Decorations. True Briton, 4 May: Tickets to be had of Kelly, No. 9, New Lisle-street, Leicester-square. Receipts: #681 11s. (360.19.6; 47.5.0; 4.1.0; tickets: 269.5.6) (charge: #221 10s. 5d.)

Performances

Mainpiece Title: The Haunted Tower

Afterpiece Title: Sylvester Daggerwood

Dance: End I: The Camp-[i.e. Les Delassements Militaires] (by permission of the Proprietor of the Opera House); End afterpiece: Cupid and Psyche-Mme Rose, Didelot, Mlle Parisot, Gentili, Fialon, Mme Hilligsberg, with Corps de Ballet from the Opera House [will appear, positively for that night only

Event Comment: Benefit for Wild, prompter. 1st piece: Illumination, &c. as 18 May. 3rd piece: A short Description of the Scenery, &c. The Hall of Fingal--the Banquet preparatory to the celebration of the Nuptials of Oscar and Malvina. The Mountain of Ben Lomond. The Military Procession of Carrol to the Hall of Fingal. A View of the Sea and Rock from which Oscar escapes, by leaping from a precipice 20 Feet high, into the arms of his Soldiers. A View of the Bridge with the Camp of Carrol. The Death of Carrol by the hands of Malvina, with his Descent into the Sea, and the Burning of the Camp of Carrol. The Music, &c. as 8 Apr. Morning Herald, 18 May: Tickets to be had of Wild, No. 46, Drury-lane. Receipts: #326 0s. 6d. (164.17.6; 11.2.6; tickets: 150.0.6)

Performances

Mainpiece Title: The Village Fete

Afterpiece Title: The School for Wives

Afterpiece Title: Oscar and Malvina

Song: In: Chorusses, as17970518; End II 2nd piece: The Sea Storm by G. A. Stevens (Cease rude Boreas blust'ring railer)-; End IV: Black Ey'd Susan-Incledon; In 3rd piece: Come every jovial Fellow-Gray, Mrs Martyr, Mrs Mountain; O ever in my bosom live-Mrs Martyr, Mrs Mountain

Entertainment: End 2nd piece: a variety of Imitations-Rees (1st appearance this season [i.e. as imitator])

Event Comment: Benefit for Miss Leak. 3rd piece [1st time: BO 2, author unknown. Larpent MS 1170; not published]: The Overture and Musick entirely new, by Dr Arnold, Composer to His Majesty. True Briton, 20 May: Tickets to be had of Miss Leak, Upper Mews-Gate, Castle-street, Leicester-Fields. Receipts: #364 6s. 6d. (65.9.0; 59.13.0; 2.6.0; tickets: 236.18.6; (charge: #213 10s. 2d.)

Performances

Mainpiece Title: Rosina

Afterpiece Title: A Trip to Scarborough

Afterpiece Title: The Hovel

Song: In: Sweet Echo-Miss Leak; the Echo-Master Welsh

Event Comment: Benefit for Mrs Mountain. 2nd piece [1st time: CO 2, by James Hook Jun. Larpent MS 1172; not published]: With appropriate Scenery, Dresses, and Decorations. The Overture and Music by James Hook? Sen.. True Briton, 16 May: Tickets to be had of Mrs Mountain, No. 28, Maiden-lane, Covent-Garden. Receipts: #287 3s. (86.4.6; 14.6.0; tickets: 186.12.6)

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: Diamond Cut Diamond or Venetian Revels

Afterpiece Title: Cross Purposes

Song: In: Ma chere Amie-Incledon; End Act I 2nd piece: to conclude with a Grand Serenade-, by Moonlight, on the Water, representing a View in the Bay of Venice, with distant Illuminations; A Madrigal-Incledon, Gray, Linton, which is echoed from various Gondolas, as they pass and repass, sounding their Oars to the Time of the Singers; The Storm-Incledon