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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,authname,perftitleclean,commentcclean,commentpclean) "Costollo Tickets deliver\'d out by Baker"/1) | (@(roleclean,performerclean) "Costollo Tickets deliver\'d out by Baker")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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7568 results for: Keyword - Costollo</i>.] Tickets deliver'd out by $Baker
We found 6406 matches on Event Comments, 1274 matches on Performance Comments, 135 matches on Performance Title, 88 matches on Author, and 0 matches on Roles/Actors.

3326
25 April 1796 @ Drury Lane Theatre

Event Comment: Benefit for Mrs Jordan. Mainpiece: In Act II a Masquerade Scene. [Author of Epilogue unknown.] Oracle, II Apr.: Tickets to be had of Mrs Jordan, No. 14, Somerset-street, Portman-square. Receipts: #658 19s. 6d. (319.0.0; 46.8.0; 1.17.0; tickets: 284.4.0; odd money: 7.10.6) (charge: free)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Sultan

Song: End IV: a Funeral Procession- to the Monument of the Capulets; with a Dirge-by Linley? Sen. Vocal PartsBannister, Sedgwick, Dignum, Master Welsh, Miss Leak, Miss DeCamp

3327
26 April 1796 @ Covent Garden

Event Comment: Benefit for Fawcett 1st piece: By permission of G. Colman, Esq. Never performed at that Theatre. As performed at the Theatre Royal, Haymarket, with universal Applause. With new Scenery, Dresses and Decorations. Written by the Author of The Way to Get Married [Thomas Morton]. 2nd piece [1st time; M. INT 1]. Oracle, 8 Apr.: Tickets to be had of Fawcett at his house, No. 9, Tottenham-Court-Road, opposite Howland-street. Receipts: #507 9s. 6d. (185.7.6; 10.0.0; tickets: 312.2.0)

Performances

Mainpiece Title: Zorinski

Afterpiece Title: A Nicknackatory

Afterpiece Title: Lock and Key

Dance: 2nd piece to conclude with: Highland Festivity, as17951125

Song: 1st piece: Vocal Parts-Linton, Williamson, Blurton, Street, Abbot, Holland, Rees, Lee, Little, Miss Logan, Miss Ives, Miss Leserve, Miss Walcup, Mrs Castelle, Mrs Masters, Mrs Watts

Entertainment: Monologue.End: Monsieur Tonson (Founded on Fact, and recited at Free-Mason's Hall, last Winter, with universal Applause)-Fawcett

3328
29 April 1796 @ Covent Garden

Event Comment: Benefit for Bowden. Account-Book: Received from Campbell for Fruit Rent #200. Oracle, 11 Apr.: Tickets to be had of Bowden, No. 6, Lower Brook-street, Grosvenor-square. Receipts: #274 7s. 6d. (122.1.6; 8.3.0; tickets: 144.3.0)

Performances

Mainpiece Title: The Woodman

Afterpiece Title: The Prisoner at Large

Song: End I: The Storm-Incledon; End: a Grand Harmonic Selection, Admiral Benbow-Incledon; The Sailor Boy cap'ring on Shore-Fawcett; O bring me wine-Bowden; The Land of Potatoes-Johnstone; The Group of Lovers; or, Beauty at her Levee-Munden; Old Towler-Incledon

3329
02 May 1796 @ Drury Lane Theatre

Event Comment: Benefit for Mrs Siddons, and the Last Night of her Engagement [see 6 and 16 May]. Mainpiece: Never acted here [1st acted at Bath, 1 Jan. 1788, as Such Things Were. Prologue by Richard Graves (Public Advertiser, 28 Jan. 1788)]. Oracle, 18 Apr.: Tickets to be had of Mrs Siddons, No. 49, Great Marlborough-street. Receipts: #590 14s. (292.16.0; 51.13.0; 4.10.0; tickets: 235.6.6; odd money: 6.8.6) (charge: #213 17s. 4d.)

Performances

Mainpiece Title: Julia Or Such Things Were

Performance Comment: Duke of Monmouth-C. Kemble; General Kirk-Caulfield; Edward Clifford-Kemble; Dudley-Wroughton; Montague-Whitfield; Allan-Aickin; Ferguson-Wentworth; Officers-Trueman, Webb; Julia-Mrs Siddons; Prologue-C. Kemble.
Cast
Role: Duke of Monmouth Actor: C. Kemble

Afterpiece Title: The Devil to Pay

Performance Comment: As17951214, but Jobson (for this night only)-Hughes (Proprietor of the Theatre Royal, Weymouth).

3330
03 May 1796 @ Covent Garden

Event Comment: Benefit for Mrs Serres. 3rd piece: To conclude as 15 Apr. Morning Herald, 15 Apr.: Tickets to be had of Mrs Serres, No. 70, Berners-street, Oxford-road. Receipts: #288 2s. 6d. (159.3.6; 11.17.6; tickets: 117.1.6)

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: Catharine and Petruchio

Cast
Role: The Outside of Pantaloon's House Actor: the Mandarine-the Inside-the Magic Candles-
Role: Outside of Bagnio Actor:
Role: Pantaloon's House and Garden Wall Actor: a Venetian Window changes to a Ladder-with the Clown's Disaster in the Horse Trough. Outside of Pantaloon's House-the art of making Punch-the Transformation of Punch to a Wheel-Barrow invented by Rich.
Role: a Venetian Window changes to a Ladder Actor: with the Clown's Disaster in the Horse Trough. Outside of Pantaloon's House-the art of making Punch-the Transformation of Punch to a Wheel-Barrow invented by Rich.
Role: Outside of Pantaloon's House Actor: the art of making Punch-the Transformation of Punch to a Wheel-Barrow invented by Rich.

Afterpiece Title: The Point at Herqui

Dance: III: Hornpipe-Byrn; 3rd piece: Dance, as17960415

Song: In: Old Towler-Incledon; 3rd piece: Tippy Bob, as17960415; The Waiter, as17960415; Irish Song, as17960415; New Loyal Song, as17960415; Ye Gentlemen of England, as17960415; Rule Britannia, as17960415; Admiral Benbow-Incledon; Rondo-Mrs Serres

3331
03 May 1796 @ Drury Lane Theatre

Event Comment: Benefit for Dodd. [In afterpiece the playbill assigns Solyman to Benson, but on the BM playbill (Harris, Vol. V) his name is deleted and a MS annotation substitutes Barrymore's.] Morning Herald, 22 Apr.: Tickets to be had of Dodd, No. 8, Southampton-row, Bloomsbury. Receipts: #395 8s. 6d. (136.8.0; 44.16.6; 0.6.0; tickets: 211.19.0; odd money: 1.19.0) (charge: #212 11s. 1d.)

Performances

Mainpiece Title: The Rivals

Afterpiece Title: The Sultan

3332
05 May 1796 @ Drury Lane Theatre

Event Comment: Benefit for Miss Pope. 2nd piece: Written by David Garrick, Esq. Morning Herald, 23 Apr.: Tickets to be had of Miss Pope, No. 63, Great Queen-street, Lincoln's Inn Fields. Receipts: #367 8s. 6d. (127.15.0; 62.1.0; 9.17.6; tickets: 167.8.0; odd money: 0.7.0) (charge: #210 16s.)

Performances

Mainpiece Title: First Love

Afterpiece Title: A Much Admired Scene from Harlequins Invasion

Afterpiece Title: The Virgin Unmaskd

Entertainment: Monologue.End: Paraphrase on Shakespeare's Seven Ages, as17960429

3333
06 May 1796 @ Drury Lane Theatre

Event Comment: Benefit for Bensley, being the Last Time of his Appearing on the Stage. Bensley's defects (chiefly Nature's) were to a stranger disgusting, but on a further acquaintance, hi merit (all his own) not only gained favour, but covered all his faults" (Monthly Magazine, May 1796, p. 320). Morning Herald, 23 Apr.: Tickets to be had of Bensley at his house, No. 21, Charlotte-street, Bloomsbury. Receipts: #595 9s. (271.2; 63.14; 6.2; tickets: 250.10; odd money: 4.1) (charge: #232 7s. 6d.)

Performances

Mainpiece Title: The Grecian Daughter

Afterpiece Title: The Romp

3334
06 May 1796 @ Covent Garden

Event Comment: Benefit for Mr and Mrs Knight. 1st piece [1st time; C 3, by Thomas Holcroft, altered by author from his Duplicity. Larpent MS 1129; not published]. Oracle, 13 Apr.: Tickets to be had of Mr and Mrs Knight, No. 47, Rathbone Place. Receipts: #331 5s. (159.7.0; 16.7.6; tickets: 155.10.6)

Performances

Mainpiece Title: The Maskd Friend

Afterpiece Title: The Way to Get Un Married

Cast
Role: The Outside of Pantaloon's House Actor: the Mandarine-the Inside-the Magic Candles-
Role: Outside of Bagnio Actor:
Role: Pantaloon's House and Garden Wall Actor: a Venetian Window changes to a Ladder-with the Clown's Disaster in the Horse Trough. Outside of Pantaloon's House-the art of making Punch-the Transformation of Punch to a Wheel-Barrow invented by Rich.
Role: a Venetian Window changes to a Ladder Actor: with the Clown's Disaster in the Horse Trough. Outside of Pantaloon's House-the art of making Punch-the Transformation of Punch to a Wheel-Barrow invented by Rich.
Role: Outside of Pantaloon's House Actor: the art of making Punch-the Transformation of Punch to a Wheel-Barrow invented by Rich.

Afterpiece Title: The Farmer

Song: In 2nd piece: The Sportman's snug little Cot-Incledon

Entertainment: Monologues, with Songs.End: The Barber's Petition-Fawcett (1st time); [with a song in character, Wigs [including His Own Wig, The Lover's Wig, Doctor's Wig, Coachman's Wig, Counsellor's Wig-Fawcett; End 2nd piece: A Ramble to Bath (1st time) [with a descriptive song in the character of Jacob Gawkey [in The Chapter of Accidents]-Knight

3335
09 May 1796 @ Drury Lane Theatre

Event Comment: Benefit for Sga Storace. Morning Herald, 25 Apr.: Tickets to be had of Sga Storace, No. 36, Howland-street, Fitzroy-square. Receipts: #402 7s. (197.11.6; 62.19.6; 0.16.0; tickets: 141.0.0) (charge: #261 7s.)

Performances

Mainpiece Title: Mahmoud

Afterpiece Title: My Grandmother

3336
11 May 1796 @ Drury Lane Theatre

Event Comment: Benefit for Master Welsh. [2nd piece in place of The Sultan, advertised on playbill of 10 May. Medley is identified in MS list in Kemble playbills of new performers for this season.] "A riot took place this evening, occasioned by the performance of Skirmish by a new actor. This person, wanting every quality requisite for the stage, performed so very much to the dissatisfaction of the audience, that the piece was mutilated in such a manner that for some time it was insisted on that the whole should be repeated more perfectly and by another actor. This being impossible, some mischief was threatened, but after a short time the disturbance ceased" (European Magazine, June 1796, p. 396). Morning Herald, 30 Apr.: Tickets to be had of Master Welsh, No. 9, St. Margaret-street, Westminster. Receipts: #292 4s. (84.11.6; 47.15.6; 12.14.0; tickets: 146.19.6; odd money: 0.3.6). (charge: free)

Performances

Mainpiece Title: The Smugglers

Afterpiece Title: The Virgin Unmaskd

Afterpiece Title: The Deserter

Song: End: the favourite duett from Sampson, My Faith and Truth-Miss Leak, Master Welsh; End 2nd piece: Listen to the Voice of Love (composed by Hook)-Master Welsh

3337
12 May 1796 @ Covent Garden

Event Comment: Benefit for Harley [whose 1st appearance as Shylock was at cg, 6 Nov. 1789]. 1st piece: Not acted these 6 yexrs. 2nd piece: With a view of High-street, Portsmouth, at the time of an Illumination. Morning Herald, 12 May: Tickets to be had of Harley, Castle-street, Bloomsbury. Receipts: #219 12s. 6d. (102.13.0; 2.11.6; tickets: 114.8.0)

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Arrived at Portsmouth

Afterpiece Title: The Irish Mimick

Dance: As17960420

Song: In Evening: a Hunting Song [Old Towler]-Incledon; 2nd piece: We've bade the restless seas adieu-; O why to be happy, as17960412; Here we laugh and work together-; With pride we steer'd for England's coast, as17960412; When love was a stranger, as17960412; Hearts of Oak-Incledon, Chorus

3338
12 May 1796 @ Drury Lane Theatre

Event Comment: Benefit for Mrs Powell. "If we make allowances for embarrassment and imperfect study, the performance of Mrs Powell was by no means indifferent" (Monthly Mirror, May 1796, p. 50). Afterpiece: Not acted these 4 years. Morning Herald, 2 May: Tickets to be had of Mrs Powell, No. 22, Henrietta-street, Covent-Garden. Receipts: #466 11s. 6d. (189.3.6; 53.1.6; 4.14.6; tickets: 216.15.0) (charge: #212)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Follies of a Day

3339
13 May 1796 @ Drury Lane Theatre

Event Comment: Benefit for Miss Leak. 1st piece: Never performed here. The Musick selected, with new Accompaniments and a Scottish Overture, by Dr Arnold. [Miss Andrews is identified in MS list in Kemble playbills of new performers for this season.] Morning Herald, 30 Apr.: Tickets to be had of Miss Leak, Upper Mews Gate, Castle-street, Leicester-square. Receipts: #155 11s. 6d. (84.2.0; 66.10.0; 0.17.0; tickets: none listed; odd money: 4.2.6) (charge: #213 0s. 7d.)

Performances

Mainpiece Title: Love And Money

Afterpiece Title: The Belles Stratagem

Afterpiece Title: No Song No Supper

Song: In: Thro the Wood Laddie-Miss Leak; In Masquerade Scene 2nd piece: Ally Croker-Miss Leak, Master Welsh

3340
16 May 1796 @ Covent Garden

Event Comment: Benefit for Wild, prompter. 2nd piece [1st time; M. INT 1]: The Words of the Ode will be given in the Theatre. 3rd piece: A Short Description of the Scenery, &c. The Hall of Fingal-the Banquet preparatory to the celebration of the Nuptials of Oscar and Malvina; The Mountain of Ben Lomond; The Military Procession of Carrol to the Hall of Fingal; A View of the Sea and Rock, from which Oscar escapes, by leaping from a precipice, 20 feet high, into the arms of his Soldiers; A View of the Bridge, with the Camp of Carrol-the Death of Carrol, by the hands of Malvina, with his Descent into the Sea, and the Burning of the Camp of Carrol. The new Music composed, and the Ancient Scots Music selected and adapted by Shield. The Overture by Reeve. Morning Herald, 3 May: Tickets to be had of Wild, No. 46, Drury-lane. Receipts: #394 13s. (187.9; 3.10; tickets: 203.14)

Performances

Mainpiece Title: The Deserted Daughter

Afterpiece Title: A Melocosmiotes

Cast
Role: The Outside of Pantaloon's House Actor: the Mandarine-the Inside-the Magic Candles-
Role: Outside of Bagnio Actor:
Role: Pantaloon's House and Garden Wall Actor: a Venetian Window changes to a Ladder-with the Clown's Disaster in the Horse Trough. Outside of Pantaloon's House-the art of making Punch-the Transformation of Punch to a Wheel-Barrow invented by Rich.
Role: a Venetian Window changes to a Ladder Actor: with the Clown's Disaster in the Horse Trough. Outside of Pantaloon's House-the art of making Punch-the Transformation of Punch to a Wheel-Barrow invented by Rich.
Role: Outside of Pantaloon's House Actor: the art of making Punch-the Transformation of Punch to a Wheel-Barrow invented by Rich.

Afterpiece Title: Oscar and Malvina

Song: End II of 1st piece: The Sea Storm-Incledon; In 3rd piece: I am a jolly gay Pedlar-Townsend; Come every jovial Fellow-Rees, Mrs Martyr, Mrs Mountain; O ever in my bosom live-Mrs Martyr, Mrs Mountain

3341
17 May 1796 @ Covent Garden

Event Comment: Benefit for Middleton. Morning Herald, 10 May: Tickets to be had of Middleton, No. 20, Great Russell-street, Covent-Garden. Receipts: #287 12s. (144.18.6; 2.15.0; tickets: 139.18.6)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Netley Abbey

Dance: In I: Grand Masquerade-; with the Minuet de la Cour and Allemande, as17950921

Song: End IV: Elegy-; Solemn Dirge-; Vocal Parts, as17950921, but Miss _Stuart, Miss _Kirton; After entertainment: Black@ey'd Susan-Incledon; My Mother had a Maid called Barbara, as17960314but _Bowden; Old Towler-Incledon

Entertainment: End: Monsieur Tonson, as17960426; After which Recitation and Music, as performed last Season with universal Applause at Freemason's Hall, in which Errors of the Press-Holman; Dryden's Ode of Alexander's Feast-Middleton; The Story of the Dog (written by Whitehead)-Pope

3342
18 May 1796 @ Covent Garden

Event Comment: Benefit for Mrs Clendining. 3rd piece: To conclude as 15 Apr. Morning Herald, 16 May: Tickets to be had of Mrs Clendining, No. 13, King-street, Covent-Garden. Receipts: #238 4s. (100.15; 15.4; tickets: 122.5)

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: Tom Thumb

Afterpiece Title: The Point at Herqui

Dance: In 3rd piece: a new incidental Dance, as17960415

Song: In 3rd piece: songs As17960503; In Evening: Mad Bess (1st time), the Minstrel's Song [Where is that tow'ring spirit fled?] [from The Days of Yore-Mrs Clendining; Harp-Weippert

3343
20 May 1796 @ Drury Lane Theatre

Event Comment: Benefit for Barrymore. Mainpiece: In Act II a Masquerade Scene. Morning Herald, 16 May: Tickets to be had of Barrymore, No. 20, Judd-place West, New-road, St. Pancras. Receipts: #155 9s. (97.9.6; 51.12.6; 4.10.6; tickets: none listed; odd money: 1.16.6) (charge: #217 5s.)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Follies of a Day

Song: As17960428

3344
20 May 1796 @ Covent Garden

Event Comment: Benefit for Townsend. Morning Herald, 13 May: Tickets to be had of Townsend, No. 153, Drury-lane. Receipts: #354 16s. 6d. (131.13.6; 13.7.0; tickets: 209.16.0)

Performances

Mainpiece Title: The Road To Ruin

Afterpiece Title: The Positive Man

Performance Comment: Cable (with Poll of Plymouth)-Incledon; Grog-Munden; Sir Toby Tacet-Powel; Bellcamp-Toms; Stern (with a song)-Townsend; Maurice-Macready; Lake-Claremont; Rupee-Fawcett; Cornelia-Mrs Martyr; Florimel-Mrs Townsend; Nancy-Mrs Knight; Lady Tacet-Mrs Davenport.

Song: End: an Interlude of Songs, Glees-Incledon, Johnstone, Fawcett, Bowden, Townsend, Richardson, Linton

Entertainment: In course Evening: Imitations, The Beggar (from Merry Sherwood)-Townsend

3345
21 May 1796 @ Drury Lane Theatre

Event Comment: Benefit for Bannister. 3rd piece [1st time; M. INT 1]. Morning Herald, 10 May: Tickets to be had of Bannister, No. 7, Suffolk-street, Charing-cross. Receipts: #188 6s. 6d. (120.9.6; 61.1.0; 2.17.6; tickets: none listed; odd money: 3.18.6) (charge: #218 11s. 2d.)

Performances

Mainpiece Title: The Mountaineers

Afterpiece Title: The Devil to Pay

Afterpiece Title: A Musical Olio

3346
23 May 1796 @ Drury Lane Theatre

Event Comment: Benefit for Mrs Kemble, being the last Time of her Appearing on the Stage. 1st piece [1st time; T 2, by John Philip Kemble, altered from the same by Philip Massinger. Larpent MS 1040: not published]: In Act I the Triumphal Entry of Domitian into the Capitolv. 2nd piece [1st time; C 3, by John Philip Kemble, altered from The Comical Lovers, by John Dryden and Colley Cibber. Larpent MS 1133: not published. Genest, VII, 243: C. Kemble on being asked, in 1821, if the above cast was right, said that he believed it was, but that he was ill and did not act]. [Address by Bertie Greatheed (European Magazine, June 1796, p. 397).] Morning Herald, 10 May: Tickets to be had of Mrs Kemble, No. 13, Caroline-street, Bedford-square. Account-Book: Paid H. S. Hargraves, Box No. 95, his Servant being turn'd out by Force, #1 4s. Receipts: #190 9s. 6d. (130.9.0; 59.10.0; 0.10.0; tickets: none listed; odd money: 0.0.6) (charge: #216 17s.)

Performances

Mainpiece Title: The Roman Actor

Afterpiece Title: Celadon and Florimel or The Happy Counterplot

Afterpiece Title: No Song No Supper

Entertainment: Monologue.End 2nd piece: an Address-Mrs Kemble on the Occasion of her Retiring from the Stage

3347
25 May 1796 @ Covent Garden

Event Comment: Benefit for Mme Mara. 2nd piece: Compressed into 2 Acts. The Words of the new Song to be had at the Theatre. Morning Herald, 21 May: Tickets to be had of Mme Mara, No. 57, Edgeware-road. Account-Book: Paid the Duke of Bedford one years Rent for the Theatre due Ladyday 1794 #456 4s.; Account-Book, 10 June: Paid the Duke of Bedford one years Rent due Ladyday 1795 #456 4s. Receipts: #339 10s. (250.1.6; 2.2.0; tickets: 87.6.6)

Performances

Mainpiece Title: Comus

Afterpiece Title: Artaxerxes

Cast
Role: The Outside of Pantaloon's House Actor: the Mandarine-the Inside-the Magic Candles-
Role: Outside of Bagnio Actor:
Role: Pantaloon's House and Garden Wall Actor: a Venetian Window changes to a Ladder-with the Clown's Disaster in the Horse Trough. Outside of Pantaloon's House-the art of making Punch-the Transformation of Punch to a Wheel-Barrow invented by Rich.
Role: a Venetian Window changes to a Ladder Actor: with the Clown's Disaster in the Horse Trough. Outside of Pantaloon's House-the art of making Punch-the Transformation of Punch to a Wheel-Barrow invented by Rich.
Role: Outside of Pantaloon's House Actor: the art of making Punch-the Transformation of Punch to a Wheel-Barrow invented by Rich.

Afterpiece Title: The Doldrum

Cast
Role: The Outside of Pantaloon's House Actor: the Mandarine-the Inside-the Magic Candles-
Role: Outside of Bagnio Actor:
Role: Pantaloon's House and Garden Wall Actor: a Venetian Window changes to a Ladder-with the Clown's Disaster in the Horse Trough. Outside of Pantaloon's House-the art of making Punch-the Transformation of Punch to a Wheel-Barrow invented by Rich.
Role: a Venetian Window changes to a Ladder Actor: with the Clown's Disaster in the Horse Trough. Outside of Pantaloon's House-the art of making Punch-the Transformation of Punch to a Wheel-Barrow invented by Rich.
Role: Outside of Pantaloon's House Actor: the art of making Punch-the Transformation of Punch to a Wheel-Barrow invented by Rich.

Song: In 1st piece: Sweet Echo (1st time)-Mme Mara; accompanied on the hautboy-W. Parke; End I 1st piece: Mad Bess (in character)-Mme Mara (1st time); In 2nd piece: a new song [High rolling seas that bear afar]-Mme Mara [written for the Occasion, and set to music by Herself

3348
27 May 1796 @ Drury Lane Theatre

Event Comment: Benefit for Sedgwick. Morning Herald, 20 May: Tickets to be had of Sedgwick at Mr Gibson's, jeweller, Charlotte-street, Rathbone-place. Receipts: #156 17s. (100.16; 54.4; 1.17; tickets: none listed) (charge: #212 16s.)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Phoenix or Anacreontics Renovated i

Afterpiece Title: Rosina

Entertainment: In 2nd piece: Imitations-Caulfield

3349
31 May 1796 @ Drury Lane Theatre

Event Comment: Benefit for Whitfield. 1st piece: Written by the late Mr Benson [see 9 June]. Morning Herald, 21 May: Tickets to be had of Whitfield, No. 19, Piazza, Covent Garden. Receipts: #127 15s. (79.11.0; 40.5.6; 3.12.6; tickets: none listed; odd money: 4.6.0) (charge: #223 3s. 5d.)

Performances

Mainpiece Title: Love And Money

Afterpiece Title: First Love

Afterpiece Title: My Grandmother

3350
02 June 1796 @ Drury Lane Theatre

Event Comment: Benefit for R. Palmer and Russell. [Palmer's 1st recorded appearance as Hamlet was at Canterbury, 16 Feb. 1780.] Morning Herald, 31 May: Tickets to be had of R. Palmer, No. 28, Eaton-street, Pimlico; of Russell, No. 250, High Holborn. Receipts: #157 18s. (110.16; 43.10.6; 1.19.0; tickets: none listed; odd money: 1.12.6) (charge: #212 3s.)

Performances

Mainpiece Title: Hamlet

Afterpiece Title: The Follies of a Day

Entertainment: Monologue. End: A Picture of a Play House; or, Bucks have at ye all-R. Palmer