SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Costollo Tickets deliverd out by Baker"/1) | (@(roleclean,performerclean) "Costollo Tickets deliverd out by Baker")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 6387 matches on Event Comments, 1268 matches on Performance Comments, 134 matches on Performance Title, 86 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Places for the Boxes to be taken of Fosbrook, at the Theatre. The Doors to be opened at 5.30. To begin at 6:30 [see 3 Nov.]. [No playbill this season lists the various prices of admission; they were probably, as usual: Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s.] Afterpiece: To conclude with a Grand Representation of Regattav. Kemble Mem.: No Manager [i.e. King had resigned as acting manager; but see 23 Sept.]. Ivory Tickets introduced. [These tickets, also called "bones," were for the use of actors and other members of the company in gaining admission for themselves or their friends to the front of the house. They replaced paper orders (World, 18 Oct. 1788).] Receipts: #112 3s. 6d. (75.6.0; 35.10.0; 1.7.6)

Performances

Mainpiece Title: The Chances

Afterpiece Title: The Waterman

Event Comment: Benefit for Mrs Jordan. Part of the Pit will be laid into the Boxes. To prevent Confusion, Ladies are desired to send their Servants by Half past Four o'Clock. Afterpiece: Not acted these 10 years. Public Advertiser, 12 Dec.: Tickets to be had of Mrs Jordan, Gower-street, Bedford-square. Receipts: #282 6s. (143.1.0; 22.19.6; 0.10:6; tickets: 115.15.0) (charge: #107 9s. 7d.)

Performances

Mainpiece Title: As You Like It

Afterpiece Title: The Devil to Pay; or, The Wives Metamorphosed

Dance: As17881113

Song: As17881002

Event Comment: A New Comic Opera (never performed [in London; 1st performed at Vienna, 1786]); the Music by Martini [i.e. Martin y Soler], under the direction of Mazzinghi. Pit 10s. 6d. 1st Gallery 5s. 2nd Gallery 3s. Those Subscribers of last season who have not yet signified their intention respecting the retaining of their Boxes are respectfully requested to send their names, in writing, to the Treasurer's office in Union-court, Hay-market, on or before Thursday next, the 15th inst., or the Manager will be under the necessity of disposing of the Boxes. Subscriptions are received and Tickets delivered as usual, at Messrs Ransom, Morland and Hammersley, No. 57, Pall-Mall. All persons claiming admission into the Opera House by Silver Tickets or Renters' Shares are requested to send the same to the Treasurer's Office as early as may be, that they may be examined and properly certified, otherwise they cannot be admitted. The Doors to be opened at 6:30. To begin at 7:30 [same throughout opera season]

Performances

Mainpiece Title: La Cosa Rara

Dance: End I: a New Divertissement-Didelot, Mlle Adelaide, the two Miss Simonets, Sala, Saulnier, Mlle Emilie Colombe, Beaupre, Duquesney, Mlle Normand; End Opera: L'Embarquement pour Cythere [composed by Didelot]-Didelot, Mlle Emilie Colombe, Beaupre, Duquesney, Mlle Adelaide, the two Miss Simonets, Sala, Saulnier, Mlle Normand

Event Comment: Benefit for Mrs Billington. Public Advertiser, 8 Jan.: Tickets to be ha of Mrs Billington, No. 53, Poland-street. Receipts: #419 16s. 6d. (296.5.0; 2.14.6; tickets: 120.17.0)

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: Marian

Dance: End II: As17881025; End: A Divertissement, as17881001

Song: In I: Sweet Bird-from L'Allegro Il Penseroso by Handel Mrs Billington; accompanied on the flute-W. Parke; additional songsby Anfossi, Sacchini, Dr Arnold, -Mrs Billington

Event Comment: Benefit for Miss Wallis. Public Advertiser, 27 Jan.: Tickets to be had of Miss Wallis, at Alden's, No. 15, Caroline-street, Bedford-square. Receipts: #297 10s. (160.6; 6.9; tickets: 130.15)

Performances

Mainpiece Title: As You Like It

Afterpiece Title: Love in a Camp

Dance: As17881112

Event Comment: Benefit for Mrs Siddons. Part of the Pit will be laid into the Boxes. To prevent Confusion, Ladies are desired to send their Servants by Half past Four o'Clock. Mainpiece: Not acted these 10 years. [Epilogue by Robert Jephson.] Afterpiece: Written by D. Garrick, Esq. Public Advertiser, 31 Jan.: Tickets to be had of Mrs Siddons, Gower-street, Bedford-square. Receipts: #340 5s. 6d. (166.10.0; 11.0.0; 1.4.6; tickets: 161.11.0) (charge: free)

Performances

Mainpiece Title: The Law Of Lombardy

Afterpiece Title: Lethe; or, AEsop in the Shades

Event Comment: Benefit for Mrs Pope. Public Advertiser, 23 Mar.: Tickets to be had of Mrs Pope at her house, Half-moon-street, Piccadilly. Receipts: #267 12s. (178.4.6; 3.13.6; tickets: 85.14.0)

Performances

Mainpiece Title: The School For Wives

Afterpiece Title: The Maid of the Oaks

Dance: In I afterpiece: Dance-Byrne, Mrs Ratchford, Mrs Goodwin

Entertainment: Monologue. End: Occasional Address-Mrs Pope

Event Comment: Benefit for Ryder. Public Advertiser, 20 Mar.: Tickets to be had of Ryder at his house, No. 5, Bow-street, Covent-garden. 1st piece: The Overture, Airs, &c. by Dr Arnold. The selected by Handel, Vento, Giordani, Giardini, Bertoni, Dr Arne, Carolan the Irish Bard. 2nd piece: 1st time Here. Translated from the French of La Bonne Mere, by Horatio Edgar? Robson, and at this Time reading with great success and general applause by LeTexier in Lisle-Street [and 1st acted at the hay, 22 Aug. 1788]. 3rd piece [1st time; F 2, by Thomas Ryder, altered from The Man of Parts, by Isaac Jackman; not published]. Receipts: #271 0s. 6d. (191.15.6; 5.7.0; tickets: 73.18.0)

Performances

Mainpiece Title: The Castle Of Andalusia

Afterpiece Title: Look before You Leap

Afterpiece Title: Such Things Have Been

Song: End 3rd piece: Paddy's Ramble from Dublin to Londonwritten and to be sung-Ryder

Entertainment: Monologue. In course of Entertainments: Bucks have at Ye All-Ryder

Event Comment: Benefit for Palmer. A new and accurate edition of Isabella to be had at the Theatre. [In mainpiece the playbill retains Kemble as Biron, but he being ill on Thursday night, an apology was made for Whitfield's assumption of Biron, on the ground of his having studied the character on two hour's notice" (Diary, 6 Apr.) Public Advertiser, 28 Mar.: Tickets to be had of Palmer, No. 3, London Road, St. George's Fields. Receipts: #274 6s. 6d. (117.4.0; 15.5.6; 3.1.0; tickets: 138.16.0) (charge: #123 13s. 6d.)

Performances

Mainpiece Title: Isabella

Related Works
Related Work: The Fatal Marriage Author(s): Thomas Southerne
Related Work: The Fatal Marriage; or, The Innocent Adultery Author(s): Thomas Southerne

Afterpiece Title: The Minor

Song: As17881028, but Vocal Parts-Mrs _Forster, Dignum

Event Comment: Benefit for Mrs Crouch. Public Advertiser, 30 Mar.: Tickets to be had of Mrs Crouch, No. 56, Tichfield-street, Oxford-street. Mainpiece: Not acted these 3 years.The original Music composed by William? Jackson, and several additional songs. Afterpiece: Not acted these 3 years [not acted since 14 May 1783]. Receipts: #226 9s. 6d. (76.14.0; 24.9.0; 2.11.6; tickets: 122.15:0) (charge: #109 12s. 5d.)

Performances

Mainpiece Title: The Lord Of The Manor

Afterpiece Title: The Divorce

Event Comment: Benefit for Quick. Public Advertiser, 27 Mar.: Tickets to be had of Quick, Broad court, Bow-street, Covent-garden. [Mainpiece: Epilogue by Richard Brinsley Sheridan.] Afterpiece [1st time; F 2, by John O'Keeffe]: With proper Scenes, Dresses, and Decorations. Receipts: #379 13s. (192.6.6; 4.9.6; tickets: 182.17.0)

Performances

Mainpiece Title: The Rivals

Afterpiece Title: The Little Hunchback; or, A Frolick in Bagdad

Dance: End: The Wapping Landlady ; or, Jack in Distress- See17890616

Entertainment: Monologue Preceding: Mother Shipton's Review of the Audience-(with Alterations and Additions) Quick?

Event Comment: Benefit for Kelly. Public Advertiser, 28 Mar.: Tickets to be had of Kelly, No. 7, King-street, Covent Garden. Receipts: #216 15s. 6d. (76.9.0; 21.7.6; 2.18.0; tickets: 116.1.0) (charge: #120 17s. 5d.)

Performances

Mainpiece Title: The Strangers At Home

Afterpiece Title: The Devil to Pay

Song: In afterpiece: a new Hunting Glee ['Tis health that gives birth] (1st time; composed by Callcott)-Kelly, Dignum, Sedgwick

Event Comment: Benefit for Mrs Jordan. Part of the Pit will be laid into the Boxes. To prevent Confusion, Ladies are desired to send their Servants by Half past Four o'Clock. Mainpiece: Never performed there. Public Advertiser, 24 Mar.: Tickets to be had of Mrs Jordan, Gower-street, Bedford-square. Receipts: #302 14s. 6d. (104.15.0; 13.19.0; 0.17.6; tickets: 183.3.0) (charge: #108 15s. 3d.)

Performances

Mainpiece Title: Know Your Own Mind

Afterpiece Title: Rosina

Event Comment: Benefit for Bannister. Public Advertiser, 18 Apr.: Tickets to be had of Bannister, No. 7, Great Suffolk-street, Charing-cross. Receipts: #312 1s. (181.14; 8.2; tickets: 122.5)

Performances

Mainpiece Title: Robin Hood

Cast
Role: Outlaws Actor: Darley, Doyle

Afterpiece Title: The Catch Club [i

Afterpiece Title: The Mayor of Garratt

Performances

Mainpiece Title: A gala Sponsored By brooks's Club, Celebration Of king's Recovery [and See 15, 24 Apr

Performance Comment: 11 May]. [Shortly before midnight an overture-; [was played, followed by a duet-Kelly, Sga Storace, [assisted by a Chorus; music by Mazzinghi-; An Ode by Robert Merry-Mrs Siddons; [dressed "a la Britannia, with a spear, standing on a raised stage...This being finished a Transparent Paintingv dropped upon her, and she was no more seen." The Ode was concluded at 12:30, and Rule Britannia-[ was sung. Supper was served at two o'clock, but no dancing was possible because of the large number of guests. "Many persons were not gone at six in the morning." The price of seven tickets was 25 guineas (World, 22, 23 Apr.). was sung. Supper was served at two o'clock, but no dancing was possible because of the large number of guests. "Many persons were not gone at six in the morning." The price of seven tickets was 25 guineas (World, 22, 23 Apr.).
Event Comment: Benefit for Aickin. [Meredith is identified in European Magazine, May 1789, p. 410, which also states address was written by a Mr Vardill.] Mainpiece: End of Act II the Grand Triumphal Entry of Alexander into Babylon. Public Advertiser, 24 Apr.: Tickets to be had of Aickin at his house, No. 5, Gower-street, Bedford-square. Receipts: #228 4s. 6d. (155.17.6; 8.2.0; tickets 64.5.0)

Performances

Mainpiece Title: Alexander The Great

Afterpiece Title: Midas

Dance: As17881010

Entertainment: Monologue. Preceding: Occasional Address-Middleton

Event Comment: Benefit for Bannister Jun. Public Advertiser, 11 Apr.: Tickets to be had of Bannister Jun., No. 2, Frith-street, Soho. Afterpiece: By Permission of G. Colman, Esq., taken from The Genius of Nonsense. Receipts: #266 3s. 6d. (137.1.0; 15.3.0; 0.13.6; tickets: 113.6.0) (charge: #116 5s. 2d.)

Performances

Mainpiece Title: She Wou'd And She Wou'd Not

Afterpiece Title: The Blade-Bone; or, Harlequin's Frolic

Afterpiece Title: The Virgin Unmask'd

Entertainment: Monologue Preceding: British Loyalty[; or, A Squeeze for St. Paul's by George Colman ynger]-Bannister Jun

Event Comment: Benefit for Miss Fontenelle. Public Advertiser, 14 Apr.: Tickets to be had of Miss Fontenelle at her house, No. 271, Holbourn. 2nd piece: Compressed into 3 short Acts. "Miss Fontenelle...is the best Romp we ever saw, Mrs Jordan alone excepted...We were sorry to see [her] fall over the groove of the scene; but as practice is more forcible than precept, we hope it will teach her the truth of Friar Lawrence's caution, 'they stumble who run fast'" (Diary, 4 May). Receipts: #219 19s. (133.14.6; 6.8.6; tickets: 79.16.0)

Performances

Mainpiece Title: The Sultan

Afterpiece Title: The Highland Reel

Afterpiece Title: The Romp

Dance: End 2nd piece: The Piping Pedlar-Byrne, Mrs Goodwin

Event Comment: Benefit for Baddeley. 3rd piece [1st time; INT I, probably by Robert Baddeley. Not in Larpent MS; not published]: Taken from [The Lame Lover, by] the late Samuel Foote, Esq. Public Advertiser, 2 May: Tickets to be had of Baddeley, No. 10, New Store-street, Bedford-square. Receipts: #297 16s. (74.14; 8.12; 0.19; tickets: 213.11) (charge: #117 16s. 4d.)

Performances

Mainpiece Title: Love For Love

Afterpiece Title: (End of Act II) Jewish Education

Afterpiece Title: A Lesson for Lawyers

Afterpiece Title: Rosina

Entertainment: Monologue. As17890430

Event Comment: Benefit for Johnstone. 1st piece: The Music by Hook; the rest compiled from the most eminent Masters. Public Advertiser, 30 Apr.: Tickets to be had of Johnstone, No. 12, Norton-street, Portland Chapel. Receipts: #313 17s. (166.16.6; 12.2.6; tickets: 134.18.0)

Performances

Mainpiece Title: The Lady Of The Manor

Afterpiece Title: The Feast of Anacreon [i

Afterpiece Title: The Intriguing Chambermaid

Event Comment: Benefit for Mrs Martyr. Afterpiece: The Music composed by Dibdin. Public Advertiser, 4 May: Tickets to be had of Mrs Martyr, No. 13, King-street, Covent Garden. Receipts: #314 18s. 6d. (167.15.0; 12.7.6; tickets: 134.16.0)

Performances

Mainpiece Title: Inkle And Yarico

Afterpiece Title: The Quaker

Dance: End II: Negro Dance- as l Jan.; End: Mirth by Moonshine-, as17890113

Song: In I: Sweet Bird, as17890126

Event Comment: Benefit for Barrymore. [Afterpiece in place of Arthur and Emmeline, advertised on playbill of 7 May.] Public Advertiser, 5 May: Tickets to be had of Barrymore, No. 1, Southampton-street, Strand. Receipts: #251 4s. (44.18.0; 16.13.6; 1.12.6; tickets: 188.0.0) (charge: #107 4s. 4d.)

Performances

Mainpiece Title: The Heiress

Afterpiece Title: The Doctor and the Apothecary

Dance: As17890507

Event Comment: Benefit for Mrs Siddons (the last Night of her Engagement). [She had 1st acted Juliet at Birmingham, 6 Sept. 1776, and 1st recited the Ode, written by Robert Merry (European Magazine, Apr. 1789, pp. 335-38), at the King's on 21 Apr.] Part of the Pit will be laid into the Boxes, To prevent Confusion, Ladies are desired to send their Servants by Half past Four o'Clock. Public Advertiser, 29 Apr.: Tickets to be had of Mrs Siddons, Gower-street, Bedford Square. "The pouting Scene with the old Nurse was the cleverest thing I ever saw--so pretty, so Babyish, so charming" (Thraliana, II, 748). On this and every Evening for the Remainder of the Season the Doors will not be opened till 5:30, and the Performance will commence exactly at 6:30. Receipts: #320 6s. 6d. (112.12.0; 11.12.0; 1.7.6; tickets: 194.15.0) (charge: #112 13s. 7d.)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: The Toy Shop

Song: As17881117, but Vocal Parts-Miss Hagley, Miss _Collett

Entertainment: Monologue. End afterpiece: An Ode on the Recovery of His Majesty-Mrs Siddons; in the Character of Britannia. Conclude with: God save the King!-

Event Comment: Benefit for Pope. Mainpiece: Grand Triumphal Entryv, as 28 Apr. Public Advertiser, 9 May: Tickets to be had of Pope, Half-moon-street, Piccadilly. For the remainder of the Season the Doors to be opened at 5:30, and to begin at 6:30. Receipts: #138 18s. (80.18.6; 9.4.6; tickets: 48.15.0)

Performances

Mainpiece Title: Alexander The Great

Afterpiece Title: Love in a Camp

Dance: End: Mirth by Moonshine-[, as17890113

Event Comment: Benefit for Mrs Wells, mainpiece [1st time; C 5, by Frederick Reynolds. Prologue by Robert Merry. Epilogue by Miles Peter Andrews (World, 16 May)]. Morning Herald, 30 Mar. 1793: This Day is published The Dramatist (1s. 6d.). Public Advertiser, 29 Apr: Tickets to be had of Mrs Wells, No 15, Beaufort Buildings, Strand. Receipts: #291 8s. 6d. (173.19.0; 9.9.6; tickets: 108.0.0)

Performances

Mainpiece Title: The Dramatist; Or, Stop Him Who Can

Afterpiece Title: The Highland Reel

Entertainment: Imitations. In: Vocal Imitations-Mrs Wells [of Mrs Martyr, Sga Sestini, Kelly, Mrs Crouch (Diary, 16 May)]; End: a Scene from the two Great Tragic Actresses of the Country [Mrs Crawford as Alicia and Mrs Siddons as Jane Shore (Diary)]-Mrs Wells; [with one speech [afterwards pourtraying the different manners of both ["For ever! Oh, for ever!" i.e. the concluding speech of Act IV of Jane Shore (Diary)]-Mrs Wells