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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Costollo Tickets deliverd out by Baker"/1) | (@(roleclean,performerclean) "Costollo Tickets deliverd out by Baker")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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7541 results for: Keyword - Costollo</i>.] Tickets deliver'd out by $Baker
We found 6387 matches on Event Comments, 1268 matches on Performance Comments, 134 matches on Performance Title, 86 matches on Author, and 0 matches on Roles/Actors.

2501
19 March 1700 @ York Buildings

Event Comment: Post Boy, 16-19 March 1700: In York Buildings, this present Tuesday, being the 19th of this Instant March, will be perform'd a Consort of Vocal and Instrumental Musick, for the Benefit of Mr Edward Keene, beginning at the usual hour. Prices 2s. 6d. Those Persons that have already any of his Tickets dated the 20th are desired to take Notice that the Performance will be this day, and not as the Tickets are dated

Performances

Mainpiece Title: Concert

2502
14 July 1701 @ Hampstead Wells

Event Comment: At 10 a.m. Tickets 1s. The same Tickets are also for Dancing in the Afternoon

Performances

Mainpiece Title: Concert

Music: An Excellent Consort of Vocal and Instrumental Musick (with some particular performances)-several Masters

2503
23 January 1703 @ Drury Lane Theatre

Event Comment: The Boxes are to be open'd into the Pit, where none are to be admitted but by printed Tickets, not exceeding four hundred in number, at Five Shillings a Ticket. [In Daily Courant, 20 Jan., the announcement had specified singing by Signora Joanna Maria Lindebleim, accompanied by Signor Sajoni.

Performances

Mainpiece Title: The Country House

Song: several Songs in Italian and French- The FamousSigniora Joanna Maria; accompany'd-Signior Gasperini; Leveridge, Laroon, Hughes

Dance: Du/Ruell, Mrs Campion, others

2504
14 January 1707 @ Queen's Theatre

Event Comment: For the Encouragement of the Comedians Acting in the Hay-Market, and to enable them to keep the Diversion of Plays under a separate Interest from the Opera. By Subscription. The Boxes to be open'd to the Pit, and none to be admitted but by the Subscription Tickets. First Gallery 2s. Upper Gallery 1s. [Cibber (II, 4-5) states that each subscriber received three tickets for the first day of each of three plays offered by subscription for a payment of three guineas.

Performances

Mainpiece Title: Julius Caesar

2505
07 February 1708 @ Queen's Theatre

Event Comment: The Boxes to be open'd to the Pit, and no Person to be admitted but by Tickets...at half a Guinea each Tickets. The Number of Tickets not to exceed 400. Stage Boxes half a Guinea. First Gallery 5s. Upper Gallery 2s. And by Order, no Person to stand upon the Stage. Receipts: #53 15s. 3d

Performances

Mainpiece Title: Camilla

Dance: Cherrier, Debargues, Mrs Debargues, Mrs Santlow, Mrs Evans, others

2506
12 February 1708 @ Drury Lane Theatre

Event Comment: Afterpiece [by Richard Estcourt]: Mr Bayes's Practice of an Interlude, call'd, Prunella, done from the Italian. Benefit Estcourt. And at the Request of many of the Nobility (who have taken Tickets) 2 Benches of the Pit will be Rail'd in, for more Conveniency. And to prevent any Disappointment, by coming late, 'tis desire'd that their Servants may be sent by 2 a Clock with the Tickets to keep Places

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: Prunella

2507
25 January 1709 @ Queen's Theatre

Event Comment: The Boxes to be open'd to the Pit. And no Person to be admitted but by Printed Tickets at half a Guinea each Tickets, the Number not to exceed 460. Stage Boxes half a Guinea. First Gallery 5s. Upper Gallery 2s

Performances

Mainpiece Title: Camilla

2508
24 May 1711 @ York Buildings

Event Comment: At Clayton's House in York Buildings. At 8 p.m. Tickets 5s. No Money receiv'd or Tickets given out at the House; [available at Charles Lillier's, Corner of Beauford Buildings, and at Eliot's St. James's Coffeehouse]

Performances

Mainpiece Title: Concert

Music: The Passion of Sappho (Written by Mr Harison), The Feast of Alexander (Written by Mr Dryden)-Mr ThomasClayton (Author of Arsinoe)

2509
16 July 1711 @ York Buildings

Event Comment: At the Request of several Persons of Quality, (who, for the better Attention to the Performance, and of the Warmth of the Season, have desired that only 100 Tickets should be given out). At 8 p.m. Tickets 5s

Performances

Mainpiece Title: Concert

Music: The Passion of Sappho (by Harrison), If Wine and Music have the Power (by Prior), The Feast of Alexander (by Dryden)-ThomasClayton

2510
26 February 1713 @ Queen's Theatre

Event Comment: [Dedication signed by John James Heidegger.] By Subscription. Never Perform'd before. Colman's Opera Register: Monr John James Heidegger managed both this & ye former Opera for ye Singers & ye Subscription was for Six Nights paying 10 Guin for 3 Tickets each Night, they not to give out above 400 Tickets a Night

Performances

Mainpiece Title: Ernelinda

2511
26 February 1715 @ King's Theatre

Event Comment: [Composer unknown. Text by Zeno.] By Subscription. By His Royal Highness's Command. Admission to Pit and Boxes by Ticket only. Stage Boxes 15s. Gallery 2s. 6d. The Book of the Opera given out with tickets. At 6:30 p.m. Colman's Opera Register: ye Musick managed by Nic Haym

Performances

Mainpiece Title: Lucius Verus

2512
02 April 1715 @ King's Theatre

Event Comment: Benefit Signora Pilotti. By His Majesty's Command. Pit and Boxes together by tickets only at half a guinea. Stage Boxes 15s. Gallery 4s. Tickets for Ernelinda taken. At 6 p.m

Performances

Mainpiece Title: Lucius Verus

2513
21 April 1716 @ Lincoln's Inn Fields

Event Comment: Benefit Shaw. At the particular Desire of several Ladies of Quality. The Boxes are to be laid open to the Pit, and Tickets delivered for The Plain Dealer taken. Receipts: money #9 4s. and tickets #103 1s

Performances

Mainpiece Title: The Royal Merchant

Dance: As17160105 Italian Night Scene between Punch Scaramouch and Harlequin-

2514
25 March 1717 @ Drury Lane Theatre

Event Comment: Benefit Mrs Santlow. Pit and Boxes together by Seal'd Tickets at 5s. By His Majesty's Command. Tickets for Mrs Santlow's benefit for The Rehearsal and Sir Courtly Nice taken at this play

Performances

Mainpiece Title: Love For Love

2515
15 January 1718 @ Lincoln's Inn Fields

Event Comment: Benefit Longville. Tickets delivered for The Twin Rivals taken this day. Receipts: money #35 6s.; tickets #28 12s

Performances

Mainpiece Title: The Pilgrim

Afterpiece Title: Harlequin Executed

Dance: Dupre, Moreau, Thurmond Jr, Cook, Newhouse, Pelling, Cook Jr, Mrs Bullock, Mlle Gautier, Miss Smith

2516
02 February 1720 @ Drury Lane Theatre

Event Comment: Benefit Mrs Robinson. Boxes and Pit by tickets only at half a guinea. Tickets for The Man of Mode taken. [An order of the Lord Chamberlain's Office, 5@157, p. 284, directs the managers not to allow any benefit before those for Mrs Oldfield and Mrs Porter.

Performances

Mainpiece Title: The Old Batchelor

Song: Between the Acts: Singing-

2517
12 March 1720 @ King's Theatre

Event Comment: Admission as 10 March. N.B. The Noble and Honorable Subscribers to the French Comedians, are humbly intreated to pardon the Omission of sending them Tickets on Thursday last, it having proceeded merely from a Mistake, which shall be prevented for the future, and each one shall have a perpetual Ticket sent to him on Tuesday next

Performances

Mainpiece Title: Harlequin In Constantinople

Dance: Dancing After the Italian Manner betwixt Pantaloon and his Wife-

2518
13 March 1721 @ Drury Lane Theatre

Event Comment: Benefit Mrs Porter. By Their Royal Highness's Command. Admission to Pit and Boxes by Tickets only. Tickets for The Orphan taken or the Money returned

Performances

Mainpiece Title: Love's Last Shift

Dance: Shaw, Denoyer, Thurmond Jr, Lally, Mrs Booth, Mrs Bicknell, Mrs Younger, Mrs Tenoe

2519
01 November 1721 @ King's Theatre

Event Comment: Pit and Boxes together by Tickets (400 Tickets only) at half a guinea. Gallery 5s

Performances

Mainpiece Title: Arsaces; Or, Amore E Maesta

2520
09 December 1721 @ King's Theatre

Event Comment: [Text by P. A. Rolli. Music by G. F. Handel.] A new Opera. Pit and Boxes at a half guinea. And in Regard to the Increase of the Number of Subscribers, no more than Three Hundred and Fifty Tickets will be delivered out. No Tickets will be disposed of at the Theatre, nor any Money taken there but for the Gallery. Gallery 5s

Performances

Mainpiece Title: Floridante

2521
07 November 1722 @ King's Theatre

Event Comment: Pit and Boxes together at half a guinea each ticket [not to exceed 350 tickets). Gallery 5s. At 6 p.m

Performances

Mainpiece Title: Mutius Scaevola

2522
15 January 1723 @ King's Theatre

Event Comment: Admission as 7 Nov. M De Fabrice to Count Flemming, 15 Jan. (in Deutsch, Handel, p. 147): Today is the second performance and there is such a run on it that tickets are already being sold at 2 and 3 guineas which are ordinarily half a guinea. London Journal, 19 Jan.: Last Tuesday being the second Time of Madam Cotzoni's Performance, we hear that Opera Tickets sold that Day and the preceding, at 4 Guineas each

Performances

Mainpiece Title: Otho

2523
02 March 1723 @ King's Theatre

Event Comment: Admission as 7 Nov. 1722. London Journal, 2 March: The new Opera Tickets are very high, and like to continue so as long as Mrs Cotzoni is so much admired. They are traded in at the other End of the Town, as much as Lottery Tickets are in Exchange-Alley

Performances

Mainpiece Title: Coriolanus

2524
09 April 1724 @ Lincoln's Inn Fields

Event Comment: Benefit Leveridge. Mainpiece: Written by Shakespear. Pit and Boxes together at 5s. Tickets may be had at Leveridge's House in Tavistock Street. Receipts: money #19 19s. 6d.; tickets #120 19s

Performances

Mainpiece Title: Measure For Measure

Afterpiece Title: The Beau Demolished

Dance: Nivelons

Song: Mrs Barbier

2525
02 April 1725 @ Lincoln's Inn Fields

Event Comment: Benefit Leveridge. At the particular Desire of several Persons of Quality. Tickets for The Provok'd Wife taken. Receipts: money #52 4s.; tickets #86 18s

Performances

Mainpiece Title: The Drummer

Afterpiece Title: Venus and Adonis

Song: Mrs Chambers; The Play of Love-Leveridge