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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Costollo Tickets deliverd out by "/1) | (@(roleclean,performerclean) "Costollo Tickets deliverd out by ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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6516 results for: Keyword - Costollo</i>.] Tickets deliver'd out by $<span class=
We found 6320 matches on Event Comments, 250 matches on Performance Comments, 2 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

5276
16 October 1782 @ Drury Lane Theatre

Event Comment: Afterpiece: Altered from Allen Ramsay. Paid Carleton's expense in stopping the sale of Tickets last season near the Box Office 13s. 6d. Receipts: #96 7s. 6d. (66/1/0; 30/4/0; 0/2/6)

Performances

Mainpiece Title: The Gamesters

Afterpiece Title: The Gentle Shepherd

Dance: End of Act I of afterpiece a Highland Reel by Blurton and the two Miss Stageldoirs. [This was danced, as here assigned, at all subsequent performances.]

5277
02 November 1782 @ King's Theatre

Event Comment: A new Comic Opera [1st time; com 2, by Filippo Livigni, with alterations by Antonio Andrei]: The Music entirely new by Bertoni. [Bartolini was from the Opera, Milan.] The Music and Orchestra under the direction of Giardini. New Scenes and Decorations by Novosielski. Entirely new dresses by Lupino. Pit 10s. 6d. 1st Gallery 5s. 2nd Gallery 3s. By Command of Their Majesties no Persons to be admitted behind the Scenes. The Doors to be opened at 6:00. To begin exactly at 7:00 [same throughout season]. To prevent inconvenience to the Nobility and Gentry in getting to their carriages, they are most respectfully intreated to give positive orders to their servants to set down and take up with their horses' heads towards Pall-mall. The Door in Market-lane for Chairs only. Subscription tickets will be admitted every Opera Night (Benefits excepted) during the Season

Performances

Mainpiece Title: Il Convito

Dance: End of Act I a New Divertisement, composed by Simonet [for title, see17821105], by Slingsby, Zuchelli, Henry, Sga Sala, Mlle Theodore; End of Open Apelles and Campaspe by Lepicq, Simonet, Mlle Theodore, Mme Simonet

5278
15 November 1782 @ Drury Lane Theatre

Event Comment: Benefit for the Author of the Farce. Receipts: #121 4s. 6d. (84/13/0; 36/9/0; 0/2/6; tickets: none listed) (charge: none listed)

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: Too Civil by Half

5279
19 November 1782 @ Drury Lane Theatre

Event Comment: Benefit for the Author [of mainpiece]. Receipts: #100 13s (79/18/0; 20/8/6; 0/6/6; tickets: none listed) (charge: #105)

Performances

Mainpiece Title: The Fatal Interview

Afterpiece Title: Too Civil by Half

5280
19 November 1782 @ King's Theatre

Event Comment: It having been discovered that many Persons going in upon Subscription Tickets, have returned and taken Money from the Receivers, No Money will in future be returned at the doors of this Theatre

Performances

Mainpiece Title: Medonte

Dance: End of Act I New Divertisement, as17821114, but added: Pas Seul by Mlle Theodore; End of Opera Apelles and Campaspe, as17821102

5281
19 December 1782 @ Drury Lane Theatre

Event Comment: Benefit for the City of London Lying-in Hospital [in Old-Street, City Road. Author of Epilogue unknown]. Receipts: #270 8s. 6d. (62/14/0; 13/4/6; 0/14/0; tickets: 193/16/0) (charge: #105)

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: Too Civil by Half

Song: In Act II of mainpiece song by Miss Phillips

5282
21 December 1782 @ Drury Lane Theatre

Event Comment: Benefit for the Middlesex Hospital. Receipts: #184 14s. (67/10; 25/14; 0/0; tickets: 91/10) (charge: #105)

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: THE ALCHYMIST

5283
30 December 1782 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. Benefit for Gardner. Afterpiece: From The Devil upon Two Sticks, written by the late Samuel Foote, Esq. [Mrs Mills is identified in Morning Chronicle, 1 Jan. 1783. For remarks on this night's performance, including references to Dunstan by Charles Lamb, see Theatre Notebook, VIII, 5.] Gardner having unavoidably been obliged to postpone his night from the 26th to the 30th, he thinks it his duty to inform his friends that tickets delivered for the 26th will be taken

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: The Fourth Act of The Merchant of Venice

Afterpiece Title: Dr Lastss Examination BEFORE THE COLLEGE OF PHYSICIANS

5284
03 February 1783 @ Drury Lane Theatre

Event Comment: Benefit for King [who is named in the Account-Book, but not on the playbill]. Receipts: #152 19s. (148/19; 4/0; tickets: none listed) (charge: free)

Performances

Mainpiece Title: The Clandestine Marriage

Afterpiece Title: The Triumph of Mirth

5285
08 February 1783 @ Drury Lane Theatre

Event Comment: Benefit for the Author [of mainpiece: Frederick Pilon]. The 9th Night [i.e., the 1st 7 nights had occurred in the preceding season]. Receipts: #147 3s. 6d. (121/4/0; 25/19/6; 0/0/0; tickets: none listed) (charge: #105)

Performances

Mainpiece Title: The Fair American

Afterpiece Title: All the Worlds a Stage

5286
12 February 1783 @ Covent Garden

Event Comment: Benefit for the Author [of mainpiece, who is named in the Account-Book, but not on the playbill]. Receipts: #246 15s. (234/5/6; 12/9/6) (tickets and charge not listed)

Performances

Mainpiece Title: The Capricious Lady

Afterpiece Title: The Sultan

5287
13 February 1783 @ King's Theatre

Event Comment: Benefit for Slingsby (The last Season of his appearing on the Stage [but he did not retire until the end of season 1784-85]). Tickets, half a guinea each, to be had of Slingsby at his house, No. 34, Upper Seymour-street, Portman-square

Performances

Mainpiece Title: Il Trionfo Della Costanza

Dance: End of Act I Le Tuteur Trompe, as17830111, with two Pas de Deux, in a stile entirely new, called Pas de Lapons; or, Laplanders' Dance, by Slingsby and Mlle Theodore; End of Act II a new Pastoral Ballet by the principal Dancers, with a variety of Pas Seuls and a Pas de Deux by Slingsby and Mlle Theodore, and to conclude with a Grand Allemande by Lepicq, Mme Rossi, Slingsby, Mlle Theodore

5288
18 February 1783 @ Drury Lane Theatre

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: Bon Ton

Dance: In Act II of mainpiece a Masquerade Scene, with Dancing by Williamson and Miss M. Stageldoir; End of Act III, as17820917

Song: In Masquerade, by Miss Romanzini

5289
19 February 1783 @ Drury Lane Theatre

Event Comment: [Afterpiece in place of All the World's a Stage, announced on playbill of 18 Feb.] Receipts: #284 10s. 6d. (274/15/0; 7/13/0; 0/15/0; tickets not come in 1/7/6)

Performances

Mainpiece Title: The Grecian Daughter

Afterpiece Title: The Apprentice

Cast
Role: Spouters Actor: Fawcett in place of Alfred, and added: Spencer

5290
20 February 1783 @ Drury Lane Theatre

Event Comment: Receipts: #128 15s. (127/10/0; 1/0/0; tickets not come in: 0/5/0)

Performances

Mainpiece Title: The Conscious Lovers

Afterpiece Title: The Triumph of Mirth

Song: As17820919

5291
21 February 1783 @ Drury Lane Theatre

Event Comment: Receipts: #269 15s. 6d. (253/13/0; 10/12/0; 0/16/0; tickets not come in: 4/12/6)

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: Too Civil by Half

5292
22 February 1783 @ Drury Lane Theatre

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: The Triumph of Mirth

Dance: End of Act III of mainpiece, as17820917; End of Act IV, as17821005

5293
24 February 1783 @ Drury Lane Theatre

Event Comment: [Mainpiece in place of Isabella, announced on playbill of 22 Feb.] Receipts: #300 8s. 6d. (284/0/0; 9/15/6; 0/8/0; tickets not come in: 6/5/0)

Performances

Mainpiece Title: Venice Preservd

Afterpiece Title: The Englishman in Paris

Dance: As17821206

5294
25 February 1783 @ Drury Lane Theatre

Event Comment: Receipts: #74 8s. (72/13; 1/0; tickets not come in: 0/15)

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: The Triumph of Mirth

Song: As17830218

5295
26 February 1783 @ Drury Lane Theatre

Event Comment: Receipts: #293 14s. 6d. (280/7/0; 8/15/0; 0/5/0; tickets not come in: 4/7/6)

Performances

Mainpiece Title: Isabella

Afterpiece Title: Too CIVIL BY HALF

5296
27 February 1783 @ Drury Lane Theatre

Event Comment: Receipts: #91 11s. (69/15; 21/6; 0/0; tickets not come in: 0/10)

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: The Divorce

Dance: End of Act I of mainpiece, as17821005

5297
28 February 1783 @ Drury Lane Theatre

Event Comment: [Afterpiece in place of Catherine and Petruchio, announced on playbill of 27 Feb.] Receipts: #240 13s. (227/5/0; 10/8/0; 0/7/6; tickets not come in: 2/12/6)

Performances

Mainpiece Title: The Fair Penitent

Afterpiece Title: The Lyar

5298
01 March 1783 @ Drury Lane Theatre

Event Comment: Receipts: #113 5s. 6d. (75/17/0; 35/6/0; 0/7/6; tickets not come in: 1/15/0)

Performances

Mainpiece Title: The Merchant Of Venice

Afterpiece Title: Bon Ton

Dance: End of Act III of mainpiece The Devonshire Minuet, as17821003; End of Act iv, as17821016

5299
03 March 1783 @ Drury Lane Theatre

Event Comment: Mainpiece: Not acted these 4 years. Receipts: #97 16s. (89/6; 2/15; tickets not come in: 5/15)

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Triumph of Mirth

Dance: In Act II of mainpiece a Masquerade and Dance proper to the Play

5300
04 March 1783 @ Drury Lane Theatre

Event Comment: Receipts: #304 1s. 6d. (289/7/0; 6/16/6; 0/13/0; tickets not come in: 7/5/0)

Performances

Mainpiece Title: The Grecian Daughter

Afterpiece Title: All the Worlds a Stage