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SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Costollo Tickets deliverd out by "/1) | (@(roleclean,performerclean) "Costollo Tickets deliverd out by ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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6516 results for: Keyword - Costollo</i>.] Tickets deliver'd out by $<span class=
We found 6320 matches on Event Comments, 250 matches on Performance Comments, 2 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.

5101
18 October 1779 @ Haymarket Theatre

Event Comment: By Permission [of the Lord Chamberlain]. Benefit for Davis. 1st piece: Altered from [The Soldier's Fortune, by] Otway, by John Brownsmith. [not in Larpent MS; not published.] 2nd piece: A Poetical Interlude altered from Prior's Nut-brown Maid. 3rd piece: Altered to 3 acts. [Prologue by Shatford Jones. Author of Epilogue unknown. For authorship of 1st piece and prologue see Morning Chronicle, 25 Oct.] Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. The Doors to be opened at 5:30. To begin at 6:30. Tickets delivered for Davis and Wright will be admitted

Performances

Mainpiece Title: The Touchstone Of Invention Or The Soldiers Fortune

Afterpiece Title: Henry And Emma

Afterpiece Title: The Busy Body

Dance: 2nd piece: With a Hornpipe-Lonsdale

Song: End I: two part song, Damon and Clora-Leach, Miss Mitchell (1st appearance); End III: My sweet pretty Mogg-Wright

5102
27 November 1779 @ King's Theatre

Event Comment: A new Serious Opera [1st time; SER 3, by Pietro Metastasio; a pasticcio]. The Music by various eminent Composers [Anfossi, Myslivecek and Piccinni]. Amongst them several airs by Handel. Under the Direction of Bertoni. With entire new Scenes, Dresses and Decorations, both for the Opera and Dances. Pit 10s. 6d. 1st Gallery 5s. and 2nd Gallery 3s. By Their Majesties' Command no Person can be admitted behind the Scenes. The Doors to be opened at 6:00. To begin at 7:00 [same throughtout season]. To prevent inconvenience to the Nobility and Gentry in getting to their carriages, they are most respectfully intreated to give positive orders to their Servants to set down and take up with their Horses Heads towards Pall-mall. The Door in Market Lane for Chairs only. To prevent mistakes, Ladies who have not sent the names of the Subscribers to their Boxes are particularly requested to send them as early as possible to Johnson, at the office of the Theatre, in order to [permit] their Tickets being engraved. Subscriptions are received by Johnson in Union Court, Hay Market

Performances

Mainpiece Title: Alessandro Nelle Indie

Dance: End I: Indian Ballet (composed by Zuchelli), adapted to the Opera-Sg and Sga Zuchelli, Henry, young Miss Simonet; End II: new Pastoral Ballet (composed by Zuchelli and Slingsby)-Slingsby, Sg and Sga Zuchelli, Sga Tantini (1st appearance in England); End Opera: Grand Serious Ballet connected with the Opera (composed by Favre Guiardele, ballet master), in which the celebrated Chaconne of Jomelli's-Slingsby, Sga Tantini, Favre Guiardele (1st appearance in England)

5103
06 December 1779 @ Drury Lane Theatre

Event Comment: Benefit for the Author [of mainpiece]. Receipts: #146 5s. 6d. (113.6.0; 32.11.0; 0.8.6; tickets: none listed) (charge: #105)

Performances

Mainpiece Title: The Times

Afterpiece Title: The Quaker

5104
09 December 1779 @ Drury Lane Theatre

Event Comment: Benefit for the Author [of mainpiece]. The Stratagem and The Critic [both announced on playbill of 8 Dec.] are unavoidably obliged to be deferred till to-morrow. Receipts: #106 15s. 6d. (75.11.0; 30.6.6; 0.18.0; tickets: none listed) (charge: #105)

Performances

Mainpiece Title: The Times

Afterpiece Title: os The Dupe

5105
15 December 1779 @ Drury Lane Theatre

Event Comment: Benefit for the Author [of mainpiece]. Receipts: #99 3s. (70.6.0; 28.2.6; 0.14.6; tickets: none listed) (charge: #105)

Performances

Mainpiece Title: Zoraida

Afterpiece Title: Whos The Dupe

Dance: End I afterpiece: As17791122

5106
18 December 1779 @ Drury Lane Theatre

Event Comment: Benefit for the Welsh Charity School, over against the Foundling Hospital. Receipts: #239 2s. (85.15; 17.11; 0.0; tickets: 135.16) (charge: #105)

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Deuce is in Him

5107
20 December 1779 @ Haymarket Theatre

Event Comment: By Permission [of the Lord Chamberlain]. By Desire of the Most Noble Order of Bucks. Benefit for Griffith. [Author of Epilogue unknown.] Tickets delivered for November 22 and for The West Indian will be admitted. The Doors to be opened at 5:15. To begin at 6:15

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: Wrangling Lovers or Like Master Like Man

Entertainment: Imitations. After the Epilogue: a Variety of new Imitations-Decastro; Monologue. End IV: Address to the Town, in which several Dramatic Characters will be introduced-Master Russell

5108
21 December 1779 @ Drury Lane Theatre

Event Comment: Benefit for the Middlesex Hospital. Receipts: #205 8s. (80.12; 30.8; 0.0; tickets: 94.8) (charge: #105)

Performances

Mainpiece Title: Twelfth Night

Afterpiece Title: Selima And Azor

5109
27 December 1779 @ Haymarket Theatre

Event Comment: Permission [of the Lord Chamberlain]. Mainpiece: Written in imitation of Shakespeare by the late ingenious Dr Kenrick. Never performed there. The Characters entirely dressed in the Habits of the Times. Afterpiece: Not acted these 60 years [acted 4 Mar. 1737]. [Authors of Prologues and of Epilogue unknown.] Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. The Doors to be opened at 5:00. To begin at 6:15. Tickets delivered for M'Cready and Mrs Davis will be admitted

Performances

Mainpiece Title: Falstaffs Wedding

Afterpiece Title: The Rival Milliners or A Medley of Suitors

Dance: V: Lonsdale

Song: End: Blow high blow low-Colvill

5110
03 January 1780 @ Haymarket Theatre

Event Comment: By Permission [of the Lord Chamberlain]. Benefit for a Gentlewoman. Mainpiece: Not acted these 7 years. [Author of Prologue unknown.] Afterpiece: Written by Thomas King, Esq. The Doors to be opened at 5:00. To begin at 6:30. The Public may be assured that the principal Performers in the above play and farce are Persons accustomed to the Stage, and that the utmost Attention will be paid to the credit of Performance. Tickets delivered by Mrs Lefevre and Blackburn will be admitted

Performances

Mainpiece Title: The Modish Wife

Afterpiece Title: Wits Last Stake

Dance: End II: Miller

Entertainment: End: Variety of Rhetorical Imitations-a Gentleman (1st appearance [unidentified])

5111
13 January 1780 @ Drury Lane Theatre

Event Comment: Benefit for the Author [of mainpiece]. Receipts: #178 12s. 6d. (149.6.0; 28.4.0; 1.2.6; tickets: none listed) (charge: #105)

Performances

Mainpiece Title: Zoraida

Afterpiece Title: Fortunatus

5112
26 January 1780 @ Drury Lane Theatre

Event Comment: Benefit for the Author's [of mainpiece] Heirs. Receipts: #129 13s. (92.11.0; 35.5.6; tickets: none listed) (charge: #105)

Performances

Mainpiece Title: The Double Deception

Afterpiece Title: The Rival Candidates

5113
11 February 1780 @ Drury Lane Theatre

Event Comment: By Command of Their Majesties. Tickets to be had and places for the Boxes to be taken of Fosbrook, at the Stage Door of the Theatre, at half a guinea each. Pit. 5s. 1st Gallery 3s. 6d. 2nd Gallery 2s. The Doors to be opened at 5:30. To begin at 6:30 [same throughout oratorio season]

Performances

Mainpiece Title: Alexanders Feast

Afterpiece Title: Drydens Ode On St

Music: End I Oratorio: concerto on the organ-Stanley; End II: concerto on the violin-Cramer

5114
21 February 1780 @ Drury Lane Theatre

Event Comment: Benefit for the Author [of mainpiece]. Receipts: #186 5s. (140.12; 27.10; 0.12; tickets: 17.11) (charge: #105)

Performances

Mainpiece Title: The Times

Afterpiece Title: Fortunatus

5115
06 March 1780 @ Drury Lane Theatre

Event Comment: Benefit for Mrs Abington [who is named in the Account-Book, but not on the playbill]. Receipts: #156 10s. 6d. (115.13.0; 40.3.6; 0.14.0; tickets: none listed) (charge: free)

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: The Critic

Dance: End of Act III: as17791220

5116
09 March 1780 @ King's Theatre

Event Comment: Opera: The music by several Eminent Masters [chiefly Bertoni, with additions by Paisiello and Gluck]; under the Direction of Bertoni. Benefit for Pacchierotti. Tickets to be had of Pacchierotti, No. 20, Queen Ann Street, Westminster

Performances

Mainpiece Title: Lolimpiade

Dance: End I: Grand Serious Ballet, as17800208; End II: La Bergere Coquete, as17800122; End Opera: Serious Ballet, as17800122; Grand Chaconne, as17800122

5117
17 March 1780 @ Crown Inn, Lower Street (now Essex Road), Islington

Event Comment: Benefit for Mrs Palmer (the Lady who perform'd Calista). [Mainpiece: Prologue by Thomas Baker.] No Person to be admitted without a ticket, which may be had of Mrs Palmer, No. 13 Pierpont-Row; at the King's Head Tavern in the upper-Street; and at the place of Performance. [The date of the performance of The Fair Penitent, of which play Calista is the heroine, has not as yet come to light.

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: The Deuce is in Him

5118
18 March 1780 @ Drury Lane Theatre

Event Comment: Benefit for Yates [who is named in the Account-Book, but not on the playbill]. Receipts: #157 8s. 6d. (137.0.0; 19.17.0; 0.11.6; tickets: none listed) (charge: #74 14s.)

Performances

Mainpiece Title: The Stratagem

Afterpiece Title: Fortunatus

Dance: End IV: As17791220

5119
03 April 1780 @ Covent Garden

Event Comment: Benefit for Wroughton.Morning Chronicle, 20 Mar.: Tickets to be had of Wroughton at his house, Broad-Court. Receipts: #155 1s. (127.16; tickets:27.5) (charge: #105)

Performances

Mainpiece Title: Womans A Riddle Or The Way To Win A Widow

Performance Comment: Colonel Manly-Wroughton; Courtwell-Lewis; Aspin-Quick; Mr Vulture-Wilson; Sir Amorous Vainwit-Lee Lewes; Miranda-Mrs Mattocks; Necessary-Mrs Lewis; Betty-Mrs Wilson; Clarinda-Mrs Whitfield; Lady Outside-Miss Younge.
Cast
Role: Lady Outside Actor: Miss Younge.

Afterpiece Title: The Spaniards Dismayed

Afterpiece Title: Poor Vulcan

Dance: As17800401

5120
05 April 1780 @ Haymarket Theatre

Event Comment: By Permission of the Lord Chamberlain. Mainpiece: A new Comedy, in 5 Acts [1st time; author unknown; not in Larpent MS; not published. Authors of Prologue and Epilogue unknown]. Afterpiece: Never acted here. A Comedy in 2 Acts, taken from Moliere and D'Ancourt. The Doors to be opened at 5:00. To begin at 6:15. Tickets delivered for Vietch, Burton and Miss Brown will be taken

Performances

Mainpiece Title: A School For Ladies Or The Levee Of Lovers

Afterpiece Title: No Wit Like A Womans

5121
13 April 1780 @ King's Theatre

Event Comment: Benefit for Sga Bernasconi. Tickets to be had of Sga Bernasconi, No. 5, Dover-street, Piccadilly. Opera: As originally composed by Piccinni

Performances

Mainpiece Title: La Schiava

Dance: End I: Il Desertore, as17791214; End II: New Pastoral Ballet, as17800215, but _Slingsby, Sg and Sga _Zuchelli; End Opera: Grand Serious Ballet, as17800208

Song: II: song-Sga Pozzi; with obligato on the flute-; End Opera: an Italian Canzonetta-Sga Bernasconi; accompanied on the guitar-Noferi, giving thanks to the Audience

5122
18 April 1780 @ Drury Lane Theatre

Event Comment: Benefit for Henry. Mainpiece: Not acted these 2 years. Receipts: #147 15s. 6d. (80.0.0; 29.6; 0.11.0; tickets: 37.5.0) (charge: #105)

Performances

Mainpiece Title: Cymbeline

Afterpiece Title: The Padlock

Dance: II: Masquerade scene with Dancing-Henry, Menage, Miss Armstrong; End III: Minuet-Henry, Miss Armstrong

Song: II: song-Miss Abrams; End afterpiece: song, Ellen a Roon, with the original Irish words-the Young Lady who performs Leonora

5123
19 April 1780 @ Crown Inn, Lower Street (now Essex Road), Islington

Event Comment: Benefit for Mr and Mrs Jerrold. Afterpiece: Containing the Life and Death of King Chrononhotonthologos, the valiant Exploits of Bombardimian, his general, the unsuccessful Love of Fadladinada, Queen of Queerumania, to the Antipodean King, concluding with the marriage of the aforesaid Queen to her two fortunate Lovers, Aldiborrontiphoscophornio and Rigdum Funnidos. Mr and Mrs Jerrold present their humble respects to the Ladies and Gentlemen, and as through the badness of the weather, and being Assembly-Night on their former Benefit, there was not the Expenses in the House; therefore solicit the Favour of their Company, and Interest in this their second Attempt. To begin precisely at 6:30. Pit 2s. Gallery 1s. Tickets to be had at the Crown, and at the Cock, Well's row

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: Chrononhotonthologos

Dance: A Hornpipe-a Gentleman [unidentified]

Entertainment: Monologues. End: The Examination of Dr Last before the College of Physicians taken from The Devil upon Two Sticks-Jerrold; End afterpiece: The Picture of a Play-House; or, Bucks have at Ye All-

5124
20 April 1780 @ King's Theatre

Event Comment: Benefit for Mme Simonet. Tickets to be had of Mme Simonet, No. 5, Dover-street, Piccadilly

Performances

Mainpiece Title: La Schiava

Dance: End I: New Minuet-Simonet (1st appearance this season), Mme Simonet; a Cossaque, as now danced at the Court of Versailles (the music by Gluck)-; End II: The Serenade Interrupted (composed by Simonet)-; in which a Pas de Deux-Simonet, Mlle Baccelli (the music by Noferi); End Opera: The Female Warriors- (composed by Simonet), which the Author hopes will meet with the satisfaction of the Nobility and Gentry, and the Ladies in particular, as this is intended to shew that the Fair Sex may with success improve in that kind of Exercise that seems confined only to the Men. The Ballets will be executed entirely by principal Dancers

5125
27 April 1780 @ King's Theatre

Event Comment: Benefit for Mme LeBrun. Tickets to be had of Mme LeBrun, No. 36, Great Suffolk-street

Performances

Mainpiece Title: Lolimpiade

Dance: End I: Grand Serious Ballet, as17800208; End II: La Bergere Coquete, as17800122; End Opera: