SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Costollo Tickets deliverd out by "/1) | (@(roleclean,performerclean) "Costollo Tickets deliverd out by ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 6320 matches on Event Comments, 250 matches on Performance Comments, 2 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Benefit for Bensley. Mainpiece: By Desire. Tickets for The Countess of Salisbury will be admitted

Performances

Mainpiece Title: The Distressd Mother

Afterpiece Title: Cross Purposes

Dance: End Tragedy: The Frolick, as17741214

Event Comment: Under the direction of Dr Arne. Being desired again by several persons of Quality. Tickets delivered out for 27 April by Miss Donadieu and Mrs Farrel will be taken

Performances

Mainpiece Title: The Sot

Song: Catches and Glees-; Cymon and Iphigenia-a Gentleman; a Capital Trumpet Song-Miss Jameson

Event Comment: Last time of Performing the afterpiece this season. Tickets delivered by Cushing, Holloway, Leoni, Miss Bassan, Redman and Walters will be admitted

Performances

Mainpiece Title: The Rivals

Afterpiece Title: The Druids

Dance: III: A Double Hornpipe-Leoni, Miss Bassan; IV: An Allemande-Holloway, Sga Daguville

Event Comment: Benefit for Fawcett and Wheeler. Tickets delivered for The Grecian Daughter will be taken. Receipts: #233 12s. 6d. Charges: #66 5s. 6d. Profits to Fawcett & Wheeler #167 7s. (Treasurer's Book)

Performances

Mainpiece Title: The Recruiting Officer

Afterpiece Title: Tom Thumb

Dance: II: The Pirates, as17750422

Event Comment: Benefit for Messrs Tomlinson, Mortimer, Walton and Carlton Senr. Tickets delivered by Page will be taken. Paid Tabor & Pipe 5 nights (9th inst. incl.) #2 12s. 6d.; Mr Wrighten on note #42. Receipts: #239 16s. Charges: #84. Profits to beneficiaries: #155 16s. (Treasurer's Book)

Performances

Mainpiece Title: Twelfth Night

Afterpiece Title: High Life below Stairs

Dance: V: The Pirates, as17750422

Event Comment: Benefit for Condell, Evans and Wilkinson (Box-keepers). Tickets sold at Doors not admitted. Doors open half past 5. To begin at half past 6 o'clock

Performances

Mainpiece Title: She Stoops To Conquer

Afterpiece Title: The Country Madcap

Song: II: (By Desire) Kate of Aberdeen-DuBellamy

Dance: End: The Pilgrim, as17750503

Event Comment: Benefit for Green, Ansell (Box-keepers). Tickets sold at Doors not admitted. Doors open half past 5. To begin half past 6 o'clock

Performances

Mainpiece Title: The West Indian

Afterpiece Title: The Englishman in Paris

Dance: End: The Enchantress, as17750201

Event Comment: Benefit for Theatrical Fund. Pit and boxes laid together. Send servants by 4 o'clock. Play to begin half past 6 o'clock. Tickets delivered for Thursday the 18th inst. will be taken. Expenses for Fund Night: Renters #4; Supernumeraries & Kettle Drum 19s.; Soldiers 14s.; Printer #2 6s. 6d.; Extra constables &c. #1 10s. 6d.; Candles, Oyl & Lampmen #3 18s., 6d.; Salary to Mr Simonet, Sg Como, Sga Crespi & Mrs Hartle #1 10s.; Carpenters extra #1 7s. Total #16 6s. 4d. Receipts: #309 10s. 6d. Charges: #16 6s. 4d. Profits to Fund #293 4s. 2d. (Treasurer's Book)

Performances

Mainpiece Title: The Wonder

Afterpiece Title: The Rival Candidates

Dance: Slingsby, Sga Hidou [title of dance not specified]

Event Comment: Benefit for Carlton Jr, Berrisford and Kaygill. Tickets delivered by Burroughs, The Widow Veal, and for King Richard III, will be taken. Receipts: #211 16s. Charges: #84. Profits to beneficiaries: #127 16s. (Treasurer's Book)

Performances

Mainpiece Title: Twelfth Night

Afterpiece Title: The Lying Valet

Dance: V: The Pirates, as17750422

Performances

Mainpiece Title: Matilda

Afterpiece Title: Bon Ton

Event Comment: Benefit for Curteen, Roberts, Shuter. Tickets delivered by Miller, Walker, Reed, Colley, Robinson, Brandon, Booth, Flight, Mrs Paddick, Mr Watson will be taken. Doors open half past 5. To begin half past 6 o'clock

Performances

Mainpiece Title: The Maid Of The Mill

Afterpiece Title: Cross Purposes

Dance: End: The Pilgrim, as17750503

Event Comment: Benefit for Macklin. Last time of performing this season. Doors open half past 5. To Begin at half past 6 o'clock. Tickets to be had of Macklin, James St., Covent Garden, and of Mr Sarjant at the stage Door where places for the Boxes may be taken

Performances

Mainpiece Title: King Richard Iii

Afterpiece Title: St Patricks Day

Dance: End: The Irish Lilt, as17741202

Event Comment: At the Foundling Hospital. To begin at 12:00 noon. Tickets half a Guinea. No collection. The Chapel will be matted, and every attention paid the same shall be warm

Performances

Mainpiece Title: The Messiah

Music: First Violin, Concerto-Hay; Organ-Stanley

Event Comment: By Command of their Majesties. Tickets to be had and places for the Boxes to be taken of Mr Fosbrooke at the Stage Door of the Theatre, at Half a guinea each. Pit 5s. First Gallery 3s. 6d. Second Gallery 2s. Doors to be opened at Half past Five. To begin at Half past Six. N.B. Those ladies who have had boxes for the Oratorios and who intend continuing them are humbly requested to give notice to Mr Fosbrooke at the Stage Door. Rec'd Stoppages #1 1s. (Treasurer's Book). [The Westminster Magazine, Feb., p. 75, contained an article on the "Origin of Oratorios," followed by one on the Musical Powers of Handel, particularly relating to his Oratorios. The Morning Chronicle for 24 Feb. commented as follows on Miss Linley's performance in Acis and Galatea: "Miss Linley...gave every delight that the ear, the heart, or understanding could receive from Music...Miss Linley's manner of delivering Recitative is peculiarly distinct and sensible; a circumstance of infinite importance in a performance of this nature. Her voice is clear and melodious, and capable of truest expression as was peculiarly evident in the song of 'Must I my Acis still bemoan?'...Their Majesties' presence and apparent satisfaction lead us to hope that the Royal countenance and encouragement will never again be withdrawn to grace the innovations of foreigners on the only musical ground which is left for English genius to take root and flourish"( (Quoted in Hampden, Journal).]

Performances

Mainpiece Title: Acis And Galatea With Drydens ode

Music: Concerto on Organ-Stanley

Event Comment: Benefit for Smith. Mr Lacy play'd Cyrus. Spoke too Low and wanted Spirit. Was receiv'd with Applause (Hopkins Diary). [MacMillan's note from Kemble differs slightly.] Tickets delivered for Siege of Damascus, for that night, will be taken. The Bill For establishing a Fund for Decayed Actors of dl Theatre has passed the House of Lords (Winston MS 11). Receipts: #134 19s. Charges: #67 7s. 6d. Profits to Smith: #67 11s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Cyrus

Afterpiece Title: A Peep behind the Curtain

Entertainment: End: (for the last time) Comic Paraphrase on Shakespeare's Seven Ages-King

Dance: End Entertainment: The Irish Fair, as17751003

Event Comment: At the Foundling Hospital. Under the Direction of Mr Stanley. At Noon. Tickets Half a Guinea. There will be no Collection

Performances

Mainpiece Title: The Messiah

Music: First Violin, Concerto-Linley Jr

Event Comment: An Oratorio set by Giardini. Benefit for the Lock Hospital. Tickets half a Guinea. Twelve Noon. At the Lock Hospital

Performances

Mainpiece Title: Ruth

Music: First Violin, Concerto-Giardini

Event Comment: Benefit for Reinhold. Tickets delivered for An Opera will be taken. Books of the Entertainment [i.e., afterpiece] to be had at the theatre. Afterpiece: A Musical Entertainment by D. J. Piguenit. 8vo 1774, played this one night only (Biographia Dramatica). [It had been played as a Burletta at Marybone Gardens according to the Westminster Magazine for April, and though some of its music was good, the Burletta writer had taken great liberty with his original.

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Don Quixote

Entertainment: Interlude.End: True Blue, as17760409

Event Comment: Benefit for LaMash, Griffith, Blurton, and Cubitt. Paid salary list #621 16s. 6d. (Treasurer's Book). Tickets delivered by Miss Berkley will be taken. Mainpiece: Nor acted these two years. [See 8 April 1774.] Receipts: #57 11s. 6d. Charges: #71 9s. Deficit to La Mash, Griffith, Blutton, and Cubitt: #13 17s. 6d. (Treausrer's Book)

Performances

Mainpiece Title: The Rehearsal

Afterpiece Title: The Election

Afterpiece Title: The Irish Widow

Dance: I: The Irish Fair, as17751003; II: The Sailors Revels, as17751220

Event Comment: The People flock'd about the doors by Two o'clock. there never was a greater Overflow-Mr G. was never happier in Lear -the Applause was beyond description 3 or 4 loud Claps Succeeding one another at all his exits and many Cry'd out Garrick for Ever &c., &c. House (Hopkins Diary). [Kemble's note differs slightly.] Paid Mr Short, Chorus Singer #1 10s. (Treasurer's Book). Hannah More wrote to Mrs Gwatkin: The eagerness of the people to see Garrick is beyond anything you can have an idea of. You will see half a dozen duchesses and countesses a night in the upper boxes: for the fear of not seeing him at all, has humbled those who used to go, not for the purpose of seeing but being seen; and they now courtsy to the ground for the worst places in the house" (Hampden, Journal). [Letter to David Garrick, Esq on his appearance in Lear last night 13 May: The correspondent who signs himself Stock Fish and who claims to have been one of the survivors of the Black Hole of Calcutta, and who took a young lady from the country to see Garrick's last performance, blames him for endangering the lives of his majesties subjects for not providing proper bars, lanes, and queue lines to handle the crowds: "I went with intention to get into the Pit as the most eligible Part of the House (for your Boxes are always engag'd) and we got to the Door in Vinegaryard about five o'clock. Here the Passage to the first Door was too full for me to entertain any Hopes of getting in that Way, we therefore made for Catharine-street but the Multitudes of People waiting for the Opening of the Gallery-doors, rendered it impossible for us to get along through the Court; we therefore made a Circuit, and at length arrived opposite the Door in Catharine-street, where it was with Difficulty we could keep our Stands on a Foot Pavement....You will be absolutely inexcusable, if after this Warning you neglect to adopt some Method for the Security of the Lives of his Majesties Subjects on similar Occasions.--What think you of the following Scheme, viz. To keep the outer Doors next the Street shut, till the inner ones are opened ; and then, by a Proper bar, to prevent more than one at a Time entering, who shall there pay Entrance-money, and receive the Tickets of Admission through the inner Doors' (Public Advertiser 18 May).] Receipts: #308 1s. (Treasurer's Book)

Performances

Mainpiece Title: King Lear

Afterpiece Title: The Spleen

Event Comment: Benefit for Mrs Love, Mrs Cross, and Mrs Millidge. Last time of performing both pieces this season. Afterpiece: By Desire. Tickets delivered for Macbeth, on Monday the 13th, and by Garland, Walker, L'Englois, and Mas. Pulley will be taken. This Benefit was fix'd and advertised for Macbeth on Tuesday the 21st but as Mr G., wanted that day to play himself he gave them the above Play and Farce as a Recompense for their coming later they had a very great House (Hopkins Diary). Rec'd stopages #9 9s. Receipts: #105 6d. Charges: #84. Profits to Mrs Love, Mrs Cross, and Mrs Millidge: #21 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Runaway

Afterpiece Title: The Jubilee

Dance: A Hornpipe-Walker

Event Comment: Benefit for Miss Taylor. Mainpiece: Written by Hugh Kelly Esq. Tickets to be had of Miss Taylor at Sergeant's, Paradise-street. Boxes 3s. Pit 2s. Gallery 1s. The Doors to be opened at 5:00. To begin precisely at 6:00

Performances

Mainpiece Title: The School For Wives

Afterpiece Title: Midas

Song: End: Moderation and Alteration; or a Touch on the Times-Massey

Entertainment: Monologue. Preceding: the celebrated Satyric Lecture on Hearts and Dissertation on Noses, illustrated by Hearts of different colours and Noses of various sizes,-Comerford; End III: Imitations-Master Russell

Event Comment: Benefit for Massey. Tickets to be had of Massey, the Bell and Dragon, near Princes stairs

Performances

Mainpiece Title: A Bold Stroke For A Wife Or The Quakers Wedding

Afterpiece Title: The Devil to Pay

Song: As17760925

Entertainment: Imitations-Master Russell

Event Comment: Benefit for Mrs Wilks. Tickets to be had of Mrs Wilks, at Jones's, Upper Queen-street

Performances

Mainpiece Title: Oroonoko Or The Royal Slave

Related Works
Related Work: Oroonoko Author(s): Thomas Southerne

Afterpiece Title: A Trip to Scotland

Song: As17760925

Entertainment: Monologue.Before: Bucks have at ye all-Master Russell; Imitations, as17760930

Event Comment: By Authority of the Lord Chamberlain. Benefit for Walker. Afterpiece [1st time; F 2]: by a Gentleman from Edinburgh [unidentified. Larpent MS 433; not published. Authors of Prologues unknown. Mrs Moss is identified on playbill of 22 Apr. 1777]. Boxes 5s. Pit 3s. 1st Gallery 2s. Upper Gallery 1s. The Doors to be opened at 5:00. To begin at 6:00. Tickets to be had of Walker, No. 4, New Round-court, Strand; of McIntosh, the King's Head, near Marybone-street; at the St. Andrew, Wapping; at the Mount-street Coffee-house, Grosvenor-square

Performances

Mainpiece Title: The Gentle Shepherd

Afterpiece Title: The Prejudice of Fashion

Song: End: The Birks of Invermay-the Lady who performs Peggy