SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Costollo Tickets deliverd out by "/1) | (@(roleclean,performerclean) "Costollo Tickets deliverd out by ")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 6320 matches on Event Comments, 250 matches on Performance Comments, 2 matches on Performance Title, 0 matches on Author, and 0 matches on Roles/Actors.
Event Comment: Boxes 5s. Pit 4s. First Gallery 3s. Upper Gallery 2s. Tickets and places for Boxes to be taken of Mr Sarjeant (only) at the Stage Door. Books of the performance sold at the Theatre. Doors to be opened at Five o'clock. To begin exactly at Half past Six

Performances

Mainpiece Title: Judas Macchabeus

Music: End Part I: A Solo-; End Part II: A Concerto on Violin-Sga Lombardini Sirmen

Event Comment: Benefit for Barry. Barry did not act Doubtless ill (Winston MS 10). Tickets delivered for All for Love will be taken. On Account of the extraordinary demand for places, most part of the Pit will be laid into the Boxes. Send servants by half past 4 o'clock

Performances

Mainpiece Title: The Constant Couple

Afterpiece Title: A Peep behind the Curtain

Dance: V: Comic Dance, as17700922

Event Comment: Benefit for Aickin. Tickets for Cato will be taken. Mainpiece: By Particular Desire. Afterpiece: By Desire

Performances

Mainpiece Title: The Gamester

Afterpiece Title: The Reprisals

Dance: V: The Cunning Love, as17710204

Event Comment: By Permission and Particular Desire. Benefit for Mrs Weichsel. Tickets Boxes 5s. Pit 4s. Gallery 3s. Upper Gallery 2s. To begin at 6:30 p.m

Performances

Mainpiece Title: Judas Maccabeus

Music: I: Solo on Violincello-Duport; II: Concerto on Violin-Fisher; in Course of the performance will be introduc'd a new Song-Mrs Weichsel (set by Hook); with Solo accompaniments for the Piano Forte-Hook; Hautboy-Parke; Bassoon-Baumgarten

Event Comment: The Last Night. By Authority and By Desire of Several Persons of Quality. Benefit for Lalauze. Tickets delivered for 11 March will not be admitted

Performances

Mainpiece Title: Athelwold

Afterpiece Title: Cupids Friendship

Dance: As17710311 Dancing in demi@character-Von, his first appearance in England

Event Comment: Oratorio set to music by Giardini. Benefit for the Charity at the Lock Hospital Chapel. To begin precisely at 11:30 a.m. Tickets for the Gallery 10s. 6d. Bottom of the Chapel 5s

Performances

Mainpiece Title: Ruth

Music: First Violin-Giardini; After Part II: a Concerto Violin-Sga Sirmen

Event Comment: Benefit for Theatrical Fund. Afterpiece: By Desire. Pit and Boxes together. Play begins half past six. Benedick, Mr Garrick (Cross Diary). No admittance into Pit or Boxes but with tickets. Ladies urged to come early to get to their places with greater Conveniency

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Padlock

Dance: At End of the Country Dance: an Allemande-Daigville, Sga Vidini

Event Comment: Benefit for Bannister. Tickets 3s

Performances

Mainpiece Title: La Serva Padrona

Entertainment: Singing-Miss Thomas, Miss Harper, Miss Esser, who will accompany her songs on a Violin; For that night only Singing by Mrs Baddeley; Musical Imitations, a favourite Song O What a Charming Thing's a Battle-Bannister; By Particular desire With Horns and With Hounds-Mrs Thompson

Event Comment: Benefit for Richards and Reeves. Price 3s. Miss Esser's tickets will be taken

Performances

Mainpiece Title: La Serva Padrona

Entertainment: Vocal parts-Miss Harper, Miss Catley, Miss Esser; who will accompany her songs and play a Solo on the violin-Miss Esser; Musical Imitations-Bannister; Solo on Violin (Giardini)-a Pupil of Mr Reeves, only ten years old, his first appearance in public

Event Comment: The Farce altered form Ben Johnson, by the author of The Tobacconist. By Authority for one Night only. Benefit Vandermere. Tickets delivered by Fearon, Collett, Mrs Granger, Dancer, Mrs Didier will be admitted. [Hissed (Whitehall Evening Post).

Performances

Mainpiece Title: Love In A Village

Afterpiece Title: The Coxcombs

Dance: I: Statue Dance-; End Opera: Dance-the Characters; End Dance: Hornpipe-Lepper

Event Comment: The favourite comic opera. Music by Guglielmi. Pit and Boxes to be put together, and no person to be admitted without Tickets, which will be delivered this day at Half a Guinea each. First Gallery 5s. Second Gallery 3s. The Galleries, Pit and Boxes to be opened at Five. To begin at six precisely. By their Majesties Command, no Persons whatsoever can be admitted behind the Scenes or into the Orchestra

Performances

Mainpiece Title: I Viaggiatori

Dance: Mt Lepie, other new dancers will make their first appearance

Event Comment: Timanthes and the Citizen oblig'd to be deferr'd on account of Indisposition of Mrs Yates and Mrs Mattocks. Benefit for the increase of a Fund, for the support of such actors and their families who through age or infirmity are oblig'd to retire from the stage (playbill). Charges #70 12s. 6d. Profit to the Fund #68 1s. 6d. plus [apparently] #10 from sale of 40 Box Tickets (Account Book). Receipts: #138 14s. (Account Book)

Performances

Mainpiece Title: Romeo And Juliet

Afterpiece Title: Catherine and Petruchio

Monologue: Entertainment True Blue. As 14 Dec

Event Comment: Benefit for General-Lying-In Hospital, Oxford Road (playbill). Charges #87 17s. Profit to Hospital #11 15s. plus #152 4s. from tickets (Box 511; Pit 115; Gallery 72). Receipts: #99 12s. (Account Book)

Performances

Mainpiece Title: Oroonoko

Related Works
Related Work: Oroonoko Author(s): Thomas Southerne

Afterpiece Title: The Padlock

Dance: End: The Corsican Sailor's Punch House, as17711011

Event Comment: [Mainpiece seems, according to the Public Advertiser, to have had in it entertainments of dancing.] Benefit for Westminster New Lying-In-Hospital near Westminster Bridge (playbill). Charges #86 18s. 6d. Profit to Hospital #19 10s. 6d., plus #79 7s. from tickets (Box 172; Pit 161; Gallery 122) (Account Book). Receipts: #106 9s. (Account Book)

Performances

Mainpiece Title: Othello

Afterpiece Title: The Author

Dance: End: The Reel-Miss Valois, Sga Manesiere, Aldridge. As17711030

Event Comment: Author's night. Afterpiece: Not acted in 2 years. [See 16 May 1769.] Theatrical Review, 29 Feb.: A tolerable representation of the ceremony of drawing the tickets, at Guildhall, is introduc'd, and the whole together is rendered a very diverting performance. Rec'd Stopages, #11 6d.; Paid salary list #500 18s. 6d.; Mrs Abington's cloaths acct, #2; Mr S. French 6 days #1 10s. (Treasurer's Book). This day publish'd (From the Subscription Quarto, a neat pocket edition) Dramatic Genius, in Five Books...Printed for T. Becket. Receipts: #252 11s.; Charges: #73 10s.; Profit to Murphy: #179 1s. (Treasuer's Book)

Performances

Mainpiece Title: The Grecian Daughter

Afterpiece Title: The Lottery

Event Comment: Words from Holy Writ...Music so admirable designed by Handel as to Beggar all description (Theatrical Review). Mr Ponta is Musician to his Serene Highness the Elector of Mentz. Tickets and places for boxes to be taken of Mr Sarjeant at the Stage Door. Box 5s. Pit 4s. First Gallery 3s. Upper Gallery 2s. Books of the performance sold at the Theatre. Doors to be opened at Five o'clock. To begin at half past Six (Account Book). [Messrs Toms and Arnold were putting on the Oratorios at Covent Garden this season.] Charges: #35 (Account Book)

Performances

Mainpiece Title: The Messiah

Music: Part I: Concerto on French Horn-Mr Ponta; End Part II: Concerto on Violin-Sga Lombardini Sirmen (Theatrical Review, 214)

Event Comment: By Command of Their Majesties. Tickets and places to be taken of Mr Johnston at the Stage Door of the Theatre at Half a Guinea. Pit 5s. First Gallery 3s. 6d. Second Gallery 2s. Doors to be opened at Five o'clock. To begin at Half past Six. Theatrical Review (London, 1772), appendix, pp. 207-8: The Oratorios performed at this House were conducted by Messrs. Stanley and Smith, for their own emolument; the Managers of the theatre having had no Share of the profit arising from these performances, nor any advantage, except a premium for the use of the house. Mr Stanley's musical abilities are well known. Mr Smith, was, if we are not mistaken, a pupil of the celebrated Mr Handel's; and, we believe, that Gentleman left Mr Smith the greatest part of his music, if not his whole library; so that Mr Smith may with great propriety claim the right of succeeding Mr Handel in the exhibition and conduct of his Oratorios, which he has undertaken (in conjunction with Mr Stanley) every since Mr Handel's death. Their band was composed of some of the most capital performers in this kingdom, and was led by Mr Ximenes. The vocal performers (exclusive of Chorus singers) were Mr Norris, well known to all lovers of Music, for his taste and delicacy of execution. Mr Parry (a Bass voice) from the Cathedral Church of Salisbury. This gentleman, though very young, has an extensive compass, and a great power of voice, and acquits himself with considerable reputation. Mrs Weichsel and Mrs Scott, of whom it would be superfluous and unnecessary to say anything, since their abilities are generally known. And lastly Signora Grassi, a performer of great merit. Theatrical Review, 6 March: This is Mr Dryden's celebrated Ode on St Cecelia's Day, and not an Oratorio, but performed as such...It contains many beauties and such as are worthy of Mr Handel's genius...Being much shorter than the usual length of oratorios, Mr Handel's celebrated Coronation Anthems were added in order to make the evening's entertainment of a proper length. Also a Solo on the Violincello by Mr Janson...lately arrived from Paris, said to have been a pupil of Mr Duport's but, though his taste and excution is very astonishing, we cannot give him the preference of his master. [See 13 April 1773.Charge seems to have been #28 per night plus expenses for oil, candles &c.

Performances

Mainpiece Title: Alexanders Feast With Coronation Anthems

Music: First Violin-Mr Ximene; with a Solo on the Violincello-Mr Janson, lately arrived from Paris, (Who has never performed in Public in England)

Event Comment: Paid Mr Dibdin's draft on Managers, #50; Mrs Weston 4 nights in the Garter in full, 10s. (Treasurer's Book). Mr Daigueville, First Dancer and Ballet Master at Drury Lane House, gives notice to the Nobility and Gentry, that he has an elegant dancing room, No. 38 Cow Lane, Snowhill; where he continues to teach every day the Dauphin's Minuet and others...Teaches abroad also when required; and at the request of his scholars, he will give a Ball on the 10th instant. The Gentlemen are desired to call at his house for the tickets 10s. 6d. each, to admit one Gentleman and a Lady. If any Gentleman wants the Ballroom for private assembly or concert they may have it for one or two nights in the week. Receipts: #159 6s. (Treasurer Book)

Performances

Mainpiece Title: The Fashionable Lover

Afterpiece Title: The Witches

Event Comment: Benefit for Mrs Yates. Mainpiece: Altered from Corneille [by Colley Cibber?]. Never Performed There. Pit and Boxes laid together (playbill). Charges #66 7s. 6d. Profit to Mrs Yates #39 7s. 6d., plus #179 from tickets (Box and Pit 716). Paid Younger a Bill for writing parts #5 19s. 9d. Paid John Smith for a Blue cloth suit lac'd with gold #9 9s. (Account Book). Receipts: #105 15s. (Account Book)

Performances

Mainpiece Title: Ximena Or The Heroic Daughter

Afterpiece Title: Man and Wife

Dance: End: The Whim, as17720312 End II Farce: A Comic Dance, as17711031

Event Comment: Benefit for Woodward. With alterations and two additional scenes from Harlequin Skeleton and Mother Shipton. Mainpiece: Reviv'd. [See 1 May 1767.] Charges #66 8s. 6d. Profit to Woodward #137 12s. 6d., plus #56 5s. from tickets (Boxes 225). Paid 1!2 year's water rent due Xmas last #2 (Account Book). Receipts: #204 1s. (Account Book)

Performances

Mainpiece Title: The Suspicious Husband

Afterpiece Title: Harlequin Dr Faustus

Dance: II: The Reel-Aldridge, Sga Manesiere,Miss Valois, as17711030

Event Comment: Benefit for Smith. Mainpiece: Not acted these 10 years. [See 15 May 1765.] Afterpiece: Not acted these 2 years. [See 6 April 1771.] Part of Pit will be laid into the Boxes. Ladies send servants by 4 o'clock. Charges #67 6s. 6d. Profit to Smith #51 9s. 6d. plus #153 2s. from tickets (Box 427; Pit 205; Gallery 106) (Account Book). Receipts: #118 16s. (Account Book)

Performances

Mainpiece Title: The Siege Of Damascus

Afterpiece Title: The Citizen

Dance: End: The Whim, as17720312

Event Comment: Benefit for Shuter (playbill). Charges #67 10s. Profit to ShUter #100 15s. 6d., plus #84 10s. from tickets (Boxes 203; Pit 225). Paid Pattinson (tallow chandler) #21 7s. (Account Book). Receipts: #168 5s. 6d. (Account Book)

Performances

Mainpiece Title: The Busy Body

Afterpiece Title: Midas

Entertainment: After: The Cries of London-Shuter; The Whim-Sga Manesiere, Aldridge as17720312

Event Comment: Benefit for Yates. Part of Pit laid into Boxes (playbill). Charges #64 5s. Profit to Yates #82 3s. 6d., plus #102 11s. from tickets: (Box 367; Pit 72). Paid half year's Poor's rate for the theatre due Ladyday last #20 8s. 4d.; and for House in Bow Passage 14s. 7d. (Account Book). Receipts: #146 8s. 6d. (Account Book)

Performances

Mainpiece Title: Isabella Or The Fatal Marriage

Related Works
Related Work: The Fatal Marriage; or, The Innocent Adultery Author(s): Thomas Southerne

Afterpiece Title: The Choice or Merit before Mnney

Dance: End: The Lilt, as17720326

Event Comment: Benefit for Mrs Mattocks. Mainpiece: Never Acted There. Afterpiece (music by Dr Arne): Not acted this season (playbill). Charges #64 5s. Profit to Mrs Mattocks #89 2s. 6d., plus #57 11s. from tickets (Box 211; Pit 32). Rec'd from Condell for Fruit Rent this season #20 (Account Book). Receipts: #153 7s. 6d. (Account Book)

Performances

Mainpiece Title: Twelfth Night

Afterpiece Title: The Country Madcap

Dance: End: The Old ground Young=, as17711030

Event Comment: Benefit for Dyer. Charges #64 10s. Profit to Dyer #24 8s. 6d., plus #110 4s. from tickets (Box 250; Pit 190; Gallery 172). Paid Cooper (printer) #40 11s. (Account Book). Receipts: #88 18s. 6d. (Account Book)

Performances

Mainpiece Title: The Way Of The World

Afterpiece Title: The Padlock

Dance: End: The Old ground Young, as17711030