SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Cosmo Prince of Tuscany"/1) | (@(roleclean,performerclean) "Cosmo Prince of Tuscany")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 880 matches on Event Comments, 710 matches on Performance Comments, 508 matches on Performance Title, 418 matches on Author, and 0 matches on Roles/Actors.

Performances

Mainpiece Title: Edward The Black Prince

Afterpiece Title: The Citizen

Dance: As17831020

Performances

Mainpiece Title: Edward The Black Prince

Afterpiece Title: The Gentle Shepherd

Performances

Mainpiece Title: Edward The Black Prince

Afterpiece Title: Whos the Dupe

Dance: As17831020

Performances

Mainpiece Title: Edward The Black Prince

Afterpiece Title: Fortunatus

Performances

Mainpiece Title: Edward The Black Prince

Afterpiece Title: All the Worlds a Stage

Dance: As17831020

Performances

Mainpiece Title: Edward The Black Prince

Afterpiece Title: Harlequin Junior

Performances

Mainpiece Title: Hamlet Prince Of Denmark

Afterpiece Title: Taste or The Diversions of the Morning

Afterpiece Title: Catherine and Petruchio or The Taming of a Shrew

Performances

Mainpiece Title: The Messiah Preceded By god Save The Kingcoronation Anthems

Music: End II: concerto on the violin-Master Bridgtower, Son to the African Prince

Performances

Mainpiece Title: The Czar

Afterpiece Title: Three Weeks after Marriage

Song: III: The Prince unable to conceal his Pain, from Alexander's Feast-Mrs Billington. [This was included, as here assigned, in all subsequent performances.

Performances

Mainpiece Title: Il Burbero Di Bu0n Cuore

Dance: End of Act I New Divertisement, as17940311End of Act II a new Ballet Dramatic Pantomime, composed by D'Egville, Le Bon Prince; ou, Les Infortunes Vertueux, by Favre Guiardele, Gentili, Aumer, Master Menage, D'Egville, Mlle Hilligsberg, Mlle Guiardele, Mme Del Caro

Performances

Mainpiece Title: The Follies Of A Day

Afterpiece Title: The Irish Widow

Afterpiece Title: A Masque In Honor of the Nuptials of His Royal Highness the Prince of Wales with Caroline Princess of Brunswick on 8 April 1795

Afterpiece Title: The Poor Soldier

Dance: In 3rd piece: a Grand Dance-Byrn, Holland, Mlle St.Amand, Mme Rossi

Song: End I 2nd piece: The Richmond Primrose Girl (Music by Spofforth-Poetry by William Pearce, Esq.) sung in character-Mrs Clendining

Performances

Mainpiece Title: Hamlet Prince Of Denmark

Afterpiece Title: The Purse or Benevolent Tar

Afterpiece Title: The Agreeable Surprise

Cast
Role: Prince of Wales Actor: Miss Menage

Performances

Mainpiece Title: Hamlet Prince Of Denmark

Afterpiece Title: The Son in Law

Song: End: a song-Bannister

Performances

Mainpiece Title: The Purse

Afterpiece Title: Hamlet Prince of Denmark

Afterpiece Title: Cross Purposes

Performances

Mainpiece Title: False And True

Afterpiece Title: The Son in Law

Afterpiece Title: The Paradox or Maid Wife and Widow

Dance: III: a Characteristic Dance and Masquerade as at the Venetian Carnival-

Song: In course Evening: a new Sea Ballad, composed for his Royal Highness the Prince of Wales, Tomorrow[; or, the Mars, Capt. Connor (the words by the Author of the Castle Spectre [Matthew Gregory Lewis]; the music by Kelly)-Incledon; A Touch at old Times-Munden; In my Father's Mud Cabin-Johnstone

Performances

Mainpiece Title: Twelfth Night

Afterpiece Title: A Pasticcio

Afterpiece Title: Duke and No Duke

Performance Comment: Trappolin (an Usurper transformed by Magic to the Duke of Florence)-Palmer; Brunetto (Prince of Savoy)-R. Palmer; Barbarino and Alberto (Lords and Counsellors to the Duke)-Wilson and Phillimore; Officer-Spencer; Captain of the Guards-Alfred; Count Gulcardi (under the Character of Magosa Magician)-Wrighten; Puritan-Suett; Mason-Fawcett; Whip (the Coachman)-Chaplin; Jailer-Kenny; Supernatural Agents, Attendants upon Trappolin: Eo-Master Whitty; Meo-Master Purser; and Little Fred-Master J. Whitty; Lavinio (the Grand Duke of Tuscany)-Staunton; Officer's Widow-Mrs Love; Old Woman-Mrs Booth; Flametta (Mistress to Trappolin)-Miss Barnes; Prudentia (sister to the Duke)-Miss Tidswell; Isabella (Duchess of Tuscany)-Mrs Hedges .

Performances

Mainpiece Title: The Double Gallant Or A Sick Ladys Cure

Afterpiece Title: Duke and No Duke or Trapolins Vagaries

Performance Comment: Trapolin (for that night only)-Lewis (1st appearance in that character); Duke of Tuscany-Macready; Alberto-Thompson; Barbarino-Powel; Brunetto-Claremont; Mago-Davenport; Puritan-Simmons; Three Young Devils-Masters Standen, Goodwin, Griffiths; Flametta-Miss Logan; Prudentia-Mrs Watts; Rogera-Mrs Platt; Algera-Miss Leserve; Duchess of Tuscany-Mrs Follett.

Afterpiece Title: Oscar and Malvina

Performances

Mainpiece Title: The Traytor

Performance Comment: Edition of 1692: Duke of Florence-Hodgson; Lorenzo-Kynaston; Sciarrha-Williams; Pisano-Cibber; Cosmo-Harris; Florio-Alexander [Verbruggen]; Depazzi-Haynes; Frederico-Mich. Lee; Alonzo-Bright; Petruchio-Freeman; Rogero-Tommy Kent; Amidea-Mrs Bracegirdle; Oriana-Mrs Lassells; Morossa-Mrs Cory.
Cast
Role: Cosmo Actor: Harris

Performances

Mainpiece Title: The Patriot Or The Italian Conspiracy

Performance Comment: Edition of 1703 lists: Cosmo de Medici-Mills; Julio-Wilks; Lorenzo-Husbands; Uberto-Sympson; Donato-Kent; Rimini-Griffin; Castruccio-Boise; Teraminta-Mrs Rogers; Honoria-Mrs Kent; Prologue written by Dennis-Mills; Epilogue-Mr Mills comes forward and makes an Apology for want of an Epilogue; then, Mr Penkethman enters dress'd like a Beau, and says he has one by a Friend, Mr Farquhar. then, Mr Penkethman enters dress'd like a Beau, and says he has one by a Friend, Mr Farquhar.
Cast
Role: Cosmo de Medici Actor: Mills

Performances

Mainpiece Title: The Traytor

Performance Comment: Edition of 1718 lists: Duke-J. Leigh; Lorenzo-Quin; Sciarrah-Ryan; Florio-Egleton; Cosmo-Ch. Bullock; Pisano-Smith; Alonzo-Diggs; Petruchio-Ogden; Depazzi-Bullock Sr; Sancho-Spiller; Amidea-Mrs Bullock; Oriana-Mrs Seymour; Oriana's Mother-Mrs Kent.
Cast
Role: Cosmo Actor: Ch. Bullock

Dance: A new Dance proper to the Play by Moreau-Moreau, Mrs Moreau

Song: Singing In Italian and English-Mrs Barbier

Performances

Mainpiece Title: The Traytor

Performance Comment: Duke-Leigh; Lorenzo-Quin; Schiarrah-Ryan; Florio-Egleton; Cosmo-C. Bullock; Pisano-Smith; Alonzo-Diggs; Petruchio-Ogden; Depazzi-Bullock Sr; Sancho-Spiller; Frederico-Boheme; Amidea-Mrs Bullock.
Cast
Role: Cosmo Actor: C. Bullock

Dance:

Performances

Mainpiece Title: The Traytor

Performance Comment: As17200211, but Florio-_; Cosmo-_; Pisano-_; Petruchio-_; Frederico-_; Oriana-Mrs Seymour.
Cast
Role: Cosmo Actor: C. Bullock

Afterpiece Title: The Jealous Doctor

Dance: As17200120

Performances

Mainpiece Title: The Traytor

Performance Comment: Traytor-Quin; Sciarha-Ryan; Duke-Leigh; Cosmo-C. Bullock; Depazzi-Bullock Sr; Sancho-Spiller; Amedia-Mrs Bullock; Oriana-Mrs Seymour.
Cast
Role: Cosmo Actor: C. Bullock

Performances

Mainpiece Title: Disinterested Love

Performance Comment: Hortensio-read by Johnston; Gonzaga (Duke of Mantua)-Murray; Uberti (Prince of Parma)-Toms; Alonzo-Whitfield; Bellario-Clarke; Octavio-Hull; Manfroy-Davenport; Ambassador-Powel; Alberto-Claremont; Bernardo-Thompson; Lorenzo (Duke of Tuscany)-Holman; Ascanio-Mrs Litchfield; Beatrice-Mrs Platt; Gentlewoman-Miss Leserve; Matilda (Princess of Mantua)-Mrs Pope.

Afterpiece Title: Starboard Watch

Afterpiece Title: The Highland Reel

Entertainment: Monologue.Preceding 1st piece: a new Occasional Prologue-Holman

Event Comment: The Travels of Cosmo the Third (Thursday 25 April 1669 NS; Thursday 15 April OS): After dinner, he recommenced his visits to the ladies; going towards evening to the King's Theatre, to hear the comedy, in his majesty's box. This theatre is nearly of a circular form, surrounded, in the inside, by boxes separated from each other, and divided into several rows of seats, for the greater accommodation of the ladies and gentlemen, who, in conformity with the freedom of the country, sit together indiscriminately; a large space being left on the ground-flobr for the rest of the audience. The scenery is very light, capable of a great many changes, and embellished with beautiful landscapes. Before the comedy begins, that the audience may not be tired with waiting, the most delightful symphonies are played; on which account many persons come early to enjoy this agreeable amusement. The comedies which are acted, are in prose; but their plots are confused, neither unity nor regularity being observed; the authors having in view, rather than any thing else, to describe accurately the passions of the mind, the virtues and the vices; and they succeed the better, the more the players themselves, who are excellent, assist them with action, and with the enunciation of their language, which is very adapted for the purpose, as being a variation, but very much confined and curtailed, of the Teutonic idiom; and enriched with many phrases and words of the most beautiful and expressive description, taken both from ancient and modern languages (London, 1821, pp. 190-91)

Performances