Event Comment: The play is not known, but Powell spoke a Prologue there on this date: The Prologue Spoken by Mr Powel at Oxford, July the Tenth. 1682. Luttrell's copy (Huntington Library) bears his acquisition date of 3 Aug. 1682. The Prologue is reprinted in Wiley, Rare Prologues and Epilogues, pp. 126-27

Event Comment: The United Company. There is uncertainty concerning this date; it appears on Luttrell's copy (Huntington Library) of the separately printed Prologue and Epilogue, and the date may represent the time of his purchase rather than a date of performance. The Prologue and Epilogue are reprinted in Wiley, Rare Prologues and Epilogues, pp. 141-45. Downes (Roscius Anglicanus, pp. 39-40): All the preceding Plays, being the chief that were Acted in Dorset-Garden, from November 1671, to the Year 1682; at which time the Patentees of each Company United Patents; and by so Incorporating the Duke's Company were made the King's Company, and immediately remov'd to the Theatre Royal in Drury-Lane. Upon this Union, Mr Hart being the Heart of the Company under Mr Killigrew's Patent never Acted more, by reason of his Malady; being Afflicted with the Stone and Gravel, of which he Dy'd some time after: Having a Sallary of 40 Shillings a Week to the Day of his Death. But the Remnant of that Company; as, Major Mohun, Mr Cartwright, Mr Kynaston, Mr Griffin, Mr Goodman, Mr Duke Watson, Mr Powel, Sr, Mr Wiltshire, Mrs Corey, Mrs Bowtell, Mrs Cook, Mrs Montfort. [Joined the new company]. Note, now Mr Monfort and Mr Carlile, were grown to the Maturity of good Actors. The mixt Company then Reviv'd the several old and Modern Plays, that were the Propriety of Mr Killigrew, as Rule a Wife, and have a Wife: Mr Betterton Acting Michael Perez; Don Leon, Mr Smith, Cacofogo, Mr Cartwright: Margaretta, Mrs Barry: Estiphania, Mrs Cook. Next, @The Scornful Lady.@The Plain Dealer.@The Mock Astrologer.@The Jovial Crew.@The Beggars Bush.@Bartholomew-Fair.@The Moor of Venice.@Rollo.@The Humorous Lieutenant.@The Double Marriage.@ With divers others. George Powell, Preface to The Treacherous Brothers (1690): The Time was, upon the uniting of the Two Theatres, that the Reviveing of the old stock of Plays, so ingrost the study of the House, that the Poets lay dorment; and a new Play cou'd hardly get admittance, amongst the more precious pieces of Antiquity, that then waited to walk the Stage. Cibber, Apology, ed. Lowe, I, 95-96): I shall content myself with telling you that Mohun and Hart now growing old [for, above thirty Years before this Time, they had severally born the King's Commission of Major and Captain in the Civil Wars), and the younger Actors, as Goodman, Clark, and others, being impatient to get into their Parts, and growing intractable, the Audiences too of both Houses then falling off, the Patentees of each, by the King's Advice, which perhaps amounted to a Command, united their Interests and both Companies into one, exclusive of all others in the Year 1682. This Union was, however, so much in favour of the Duke's Company, that Hart left the Stage upon it, and Mohun survived not long after

Event Comment: Rich's Company. The date of the first performance is not known, for the play was apparently not printed until 1704. Nevertheless, some details indicate a performance early in the early in the season of 1696-97. In the first place, the presence of Verbruggen in the cast indicates that it must have been acted before 1 Jan. 1696@7, when Verbruggen was permitted to act at Lincoln's Inn Fields. The play also parodies the works of Mrs Manley, whose The Royal Mischief had been staged (probably) in April 1696, and it is likely that the company would emphasize the pertinence of the parody by presenting it soon after the appearance of the original. Although The Female Wits may not have been acted until later in the autumn, it seems likely that it was acted first in the late summer or early autumn. Preface, Edition of 1704: [The] Success of this Play has been such...having been Acted six Days running without intermission....Among the rest, Mr Powel and his Wife excell'd in the Characters they represented, as did Mrs Verbruggen, who play'd the Chief Character....The Lady whose Play is rehears'd, personated one Mrs M-ly [Manley]

Event Comment: Benefit Widow and 7 Children of Mr Charles Powel, late Servant to his Majesty and his late Highness the Duke of Gloucester. At the desire of several Persons of Quality. At 8 p.m

Event Comment: At Powel and Yates' Tiled Booth

Event Comment: Benefit Mines and Powel, Boxkeepers. Tickets for Verhuyck and Nalor also taken

Event Comment: Receipts: #130 (Cross); #131 19s. (Powel)

Event Comment: WWinston MS: Mrs Green married during June 1747. She play'd as Miss Hippisley at Covent Garden 29 May 1747. Receipts: #140 (Cross); #121 8s. 6d. (Powel)

Event Comment: PPrologue omitted. Garrick ill [Genest, IV, 232). We hear the Celebrated Old Comedy call'd Abumazar [sic] from which Johnson is suppos'd to have taken his Alchymist, is now reviving at Drury Lane Theatre, and will be acted some day next week (General Advertiser). Receipts: #160 (Cross); #146 3s. 6d. (Powel)

Event Comment: To the Author of the General Advertiser: Sir: Several Parodies on the favourite Soliloquy in Hamlet having appear'd lately, and all of the serious and grave Kind; the following Attempt in Burlesque, if you think it will be agreeable to the Publick, is at their and your Service: Yours, Rigdum Funnidos. @To drink, or not to Drink? that is the Question--@Whether 'tis easier for a Man, to suffer@The Pangs and Horrors of Outrageous Thirst;@Or boldly venture on a Sea of Liquor.... Receipts: #140 (Cross); #111 19s. 6d. (Powel)

Event Comment: Receipts: #160 (Cross); #114 1s. (Powel)

Event Comment: Mainpiece: By Particular Desire. Receipts: #110 (Cross); #101 10s. (Powel)

Event Comment: [This dance had been introduced in Act IV of The Refusal on 29 Sept.] Receipts: #100 (Cross); #102 6s. (Powel)

Event Comment: Mainpiece Never Acted there before. The Characters to be New Dress'd after the Manner of the Old English Comedy. And the Pieces of Music before the Play, and between the Acts, will be selected from the Old English Masters. Cross: The play went off with 'toll: success. [See contemporary comments in D@@ry L@@ne P@@yh@@se Broke Open. In a letter to Mr G@@@@(London, 1748) pp. 17-18.] Receipts: #150 (Cross); #152 19s. 6d. (Powel)

Event Comment: Receipts; #140 (Cross); #121 19s. 6d. (Powel); #121 17s. 6d. (Clay MS)

Event Comment: MMr Garrick being disabled by illness from speaking the Prologue when it was demanded, hopes this publication will be consider'd as a proof of his desire to compensate the disappointment (Daily Advertiser). Receipts: #120 (Cross); #113 0s. 6d. (Powel)

Event Comment: Receipts: #100 (Cross); #92 19s. 6d. (Powel)

Event Comment: GGarrick play'd (Cross). Afterpiece: By Desire. Receipts: #190 (Cross) #188 2s. 6. (Powel)

Event Comment: CCross: (Pam: publish'd). Play dislik'd. Hiss'd much. [The pamphlet referred to was "Mr Garrick's Conduct as Manager of TRDL considered in a Letter Addressed to him," by E. F. 18 Oct.: As a manager, Sir, it is your business not only to prepare the Evening's Entertainment, but to prepare it in the best manner you are able; and the manager who does otherwise uses his customers ill." The burden of the author's complaints was: (1) the theatre has been operating for a month yet Garrick has appeared in only one character; (2) that he should buy himself off with speaking a prologue only, then sell that to the public at 6d. shows vanity, avarice, and lack of managerial responsibility; (3) that plays such as Albumazar (simple and poorly cast) and Scornful Lady, (with irreligious and atheistical parts) should not have been passed off on the public, whose expectations were raised high at the thought of Garrick's management. Macklin even had to apologize to the audience as he played the part of Sir Roger in the latter play. E. F. closed by urging: "Get up the best of our English Tragedies and Comedies; encourage the rising Wits and be under no apprehesion of the want of success." If you use common sense in casting your actors, as your former managers did (with all their other faults) in casting you, you will not yourself have to play every night. Above all remember your responsibility to the public.] Receipts: #100 (Cross); #127 4s. 6d. (Powel)