SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Company of Merchant Taylors"/1) | (@(roleclean,performerclean) "Company of Merchant Taylors")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

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We found 2056 matches on Event Comments, 852 matches on Performance Title, 568 matches on Performance Comments, 10 matches on Author, and 2 matches on Roles/Actors.
Event Comment: Paid Buxton & Enderby (oyl merchants) #126 16s. Receipts: #167 8s. (Account Book)

Performances

Mainpiece Title: King Henry Ii

Afterpiece Title: The Sylphs

Event Comment: The Fifteenth Night. For the Author. Charges #64 5s. Profit to Hull #51 9s., plus #68 15s. from tickets (Box 151; Pit 134; Gallery 109). Paid Holme & Cooper (timber merchants) #69 8s.; Paid Evans (sawyer) #3 1s. Receipts: #115 14s. (Account Book)

Performances

Mainpiece Title: King Henry Ii

Afterpiece Title: The Englishman in Paris

Dance: End: The Frolick, as17740416

Event Comment: Benefit for Mrs Baker. The Citizen oblig'd to be deferr'd, on account of the Indisposition of Woodward. Charges #66 6s. 6d. Profit to Mrs Baker #21 12s., plus #112 11s. from tickets (Box 172; Pit 359; Gallery 157). Paid Buxton & Enderby (oyl merchants) #238 1s.; Bellamy & Settree (mercers) #36 10s. Receipts: #87 18s. 6d. (Account Book)

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Commissary

Monologue: Interlude.True Blue. As 12 April

Event Comment: Benefit for Sarjant (Box-book and House-keeper). Charges #83 16s. Deficit to Sarjant #24 19s., cover'd by income from tickets, #168 14s. (Box 467; Pit 293; Gallery 80). Paid Cooper (printer) #40 15s. and Huddy (rope merchant) #2 11s. Receipts: #58 17s. (Account Book)

Performances

Mainpiece Title: Jane Shore

Afterpiece Title: Mother Shipton

Event Comment: The composition of the drama with the characters of the King, Prince of Wales, Hotspur, and Falstaff will be particularly illustrated. [This is Kenrick's School of Shakespeare; repeated 9, 16, 20 (Falstaff's Wedding and Merchant of Venice), 29 (Cozeners and Falstaff's Wedding).

Performances

Mainpiece Title: Lecture On King Henry Iv Part I

Song: To keep my gentle Jessy-DuBellamy; Where the Bee sucks-Miss Wewitzer

Event Comment: Paid Mrs Chitty (coal merchant) #90. Receipts: #242 11s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: Much Ado About Nothing

Afterpiece Title: The Note of Hand

Event Comment: Benefit for Mrs Barry. Mainpiece: A Tragedy altered from Thomson [by Thomas Hull] never perform'd. Part of Pit laid into the Boxes. Servants who are to keep places are desired to be at the stage door by 4 o'clock, and those Ladies and Gentlemen who have taken seats in the Pit are requested to come early to prevent confusion in getting to their places. Epilogue by Sheridan. [This play had been refused a license on 26 March 1739, While Walpole was still Prime Minister, probably because of such speeches as: @Is there a cure on Humankind so fell@So pestilent, to Prince and People,@As the base servile vermin of a court;@Corrupt, Corrupting ministers and favourites?@How oft have such eat up the widow's morsel,@The Peasant's toil, the Merchant's far-sought gain,@And wantoned to the ruin of a nation!-Larpent MS, op. p. 65.@ Also the play equalizes Christianity and Mohammedanism before God, and gives a slight edge to the latter (Act IV, scene ii), suggesting the part politics play in Christian churches. An account of the alterations made for the present performance is given in the Westminster Magazine for March. The review concludes: The Play was got up altogether well, and reputedly acted, and is in its present state what the Ladies call "a very pretty tragedy."

Performances

Mainpiece Title: Edward And Eleonora

Afterpiece Title: The Padlock

Dance: End Epilogue: The Vintage Festival, as17741007

Event Comment: Afterpiece: By Particular Desire. House. So Ends the Season 56 different Plays 37 different Farces 188 Nights in all (Hopkins Diary). Paid Mr J. French on acct #5 5s.; Subscription to Chas Standen #1 1s.; Returned Mr J. Palmer part of his Benefit Balance #30; Sga Hidou in full of 500 Guineas for this season #27 5s. Receipts: #118 14s. 6d. (Treasurer's Book). After season receipts and expenses (Treasurers's Book). Receipts: 29 May: Stopages #6 1s.; Watson & Mortimer #25 returned from cash advanced at beginning of season; Mrs Smith in full of debt #14. 2 June: Mr Heath's rent 1 yr to Xmas last #10; Mr Brereton's salary stopt & Benefit after money 3rd May #17 11s. 6d.; Ditto for Reddish #10; Ditto for Dibdin #24 12s. 24 June: Public Advertiser this season #50; Ditto for Gazetter #50; Mr Pope one yrs rent to Lady Day last (#1 10s. land tax deducted) #28 10s.; Harrison's rent ditto (#8 15s. deducted) #34 18s. 4d.; also deducted #2 6s. 8d. sewer's tax; Mr Parsonage 1 yrs ditto (#5 land tax and 15s. Repairs deducted) #42 5s.; Late Mr Banks 1 yrs ditto #3; Their Majesties account #80. 30 June: Mr Burges, 1 yrs rent to Xmas last (#4 4s. land tax deducted) #16 16s.; Discount on #362 1s. 3d. amount of tallow chandler's 10 Bills this season at 8%-#28 19s. 2d.; Remainder of Sinking Fund, #159 12s.; Mr Reddish's Benefit Acct #78 16s. 6d. 15 July: Sundry salary forfeits taken up by Evans #144 18s. 4d.; Music forfeits #18 4s. 6d. B. Richards forfeits #6 12s. Expenditures: 29 May: Salary List #510 6s.; Davies on note #9 9s.; Slingsby in full of #350 for this season #3 1s. 8d.; Mrs Yates ditto of #800 this season 11s. 8d.; Mr Courtney Chorus 27 nights at 5s. per night in full #6 15s.; Advanced to Everard to compleat his ticket acct #1 5s. 6d.; Mr Page on note #5 5s.; Mr Page in full of #25 this season #1 12s. 6d. 3 June: Miss Berkley on note #5 5s.; King in full of #500 salary #32 10s.; Mrs Moffat, dresser, per order D. Garrick #5 5s.; Lamash on note #6 15s.; One yrs watch & rector's rate to Lady Day last (Cov. Garden) #1 10s. 24 June: Repaid Mr Bannister his Bt balance #35 16s. 6d.; Lent Mr Baddeley per order Mr D. Garrick #20; Mr G. Garrick in full of #400, #50; Mr Smart, attending practices of Dances #10 10s.; Mr Pope's bill for Wigs #17 7s. 6d., and his bill for 64 extra nights for dressing #6 8s.; Mr D. Richards 31 weeks 1 day extra salary #31 3s. 4d.; Chaise to Hampton, Mr Evans & Becket 19s. 8d.; J. French on acct #7 7s. 30 June: Mr Vernon's balance of Acct in full #18 9s. 6d.; Mrs Chitty for coals #77; Barrow & Co. for Oil #187 6s. 6d.; Burges (bricklayer) #134 11s.; Tallow chandler's 10th and last bill #28 4s. 10d.; Chettell (timber merchant) #76 12s. 6d.; R. Palmer Jr 47 nights in Maid of Oaks and Harlequin's Jacket #4 14s.; Loss on sale of 75 Guineas & half light cash of Sinking Fund #3 9s. 6d. 5 July: Bibb (sword cutler) #3 6s.; Scott (copper laceman) #100 3s.; Powney (stationer) #5 16s.; Mrs Jones (worsted lace) &c. #8 2s.; Hopkins & Co. (ironmongers) #33 3s. 6d.; Blakes (hatter) #10 4s.; Jennings (glover & furrier) #23 7s. 6d.; Mrs Lowe@and@Co. (glaziers) #2 16s.; Mr Hadley (engine maker) #13; Thomson (smith) #14 9s.; Carter (scowrer) #9 4s.; Cubitt (tinman) #4 8s. 6d.; Hewetson & Co. (laceman) #17 2s. 6d.; Gardner (shoemaker) #3 19s. 7 July: Waller & Co. (hosiers) #24 4s. 6d.; Carpue (silk dyer) #8 10s. 6d.; Cropley (linen draper) #13 9s. 6d.; Mr Knyvett (harpsichord performer) 14 nights #5 5s.; Mrs Vaughan (haberdasher) #13 12s.; J. French on Acct #8 8s.; Cole (turner) #35 5s. 6d. 12 July: Mr Stafford (glassman) per Mr Johnston #29 5s. 6d.; Mr King & Co. for Women's cloaths, per Mr Johnston #10; Mrs Garwood (laundress) per Mr Johnston #15 15s.; Mr Palmer for Spermacetti Candles, per Mr Johnston, #172 4s. 15 July: J. French on Acct #15 15s.; J. Johnston's Music Bill, #12 11s. 10d.; Repaid Mr Reddish's Benefit Acct to Mr Burns for his creditors, #78 16s. 6d. 19 July: Lent to Miss Berkley on note #5 5s.; Mr Victor's Gratuity #30, and two weeks' extra salary #5; Mr Evans in lieu of Benefit #42 and two week's extra salary #3. Books closed and balanced paid. VIZ. Total income #33,614 16s. 6d. Total profit #389 5s. 7d. Total expense #29,719 10s. 11d. Paid Patentees #2840. To Clutterbuck #1000. Left in Victor's hands carried to next season 55 5s. 7d

Performances

Mainpiece Title: Matilda

Afterpiece Title: Bon Ton

Event Comment: House (Hopkins Diary). The new Comedy of The Runaway is unavoidably oblig'd to be deferred till Saturday. Rec'd Mr Stanley's Oratorio Account, 11 nights, #327 5s. Paid Lawrence (paper hanger) #13 7s.; Renters (for 11 Oratorio nights) #88; Cubit (tinman) #7 14s. 6d.; Gardner (shoemaker) #25; Chettle (timber merchant) #22 14s. 6d.; Mist andCo. (brazier) #10 8s.; Thomson (smith) #5 16s. 6d. Barrow andCo. (oil) #106 5s.; Tallow Chandler's 8th Bill #26 12s.; Palmer's Bill of Bath for Spermacetti Candles #162 10s. (Treasurer's Book). [MacMillan quotes from Kemble's note on the playbill, a Garrick interpolation in Drugger 's last speech (IV, vii): "Abel: Did you never see me play the Fool? Face: Yes. Abel: But the wise ones say I have played the Fool long enough; So I am going to leave it off and grow melancholy." [This note does not appear in the Hopkins Diary in the Folger Library.] Receipts: #265 17s. 6d. (Treasurer's Book)

Performances

Mainpiece Title: The Alchymist

Afterpiece Title: The Spleen

Dance: V: The Irish Fair, as17751003

Event Comment: Mainpiece: Never Performed There. On account of the Additional Airs, contracted into 3 Acts. [Public Advertiser, 30 Dec., notes that the principal omission was the conspiracy of Alonzo, Antonio, &c., and that the Masque in Act IV was removed to the concluding scene of the play.] With New Dresses, Scenery and Decorations. The Music by Purcell, John Christopher? Smith, Dr Arne and Fisher. [In afterpiece the playbill retains Delpini as Pierrot, but "[Hull] made an apology for the illness of Delpini, telling the audience that the Signor had hurt himself so much the preceding evening in performing the part of Pierrot that he could not come out of his room; the managers therefore hoped that the audience would accept of Wewitzer in the character" (Morning Chronicle, 28 Dec.). The playbill also adds Wewitzer as the Gardener; this part was perhaps omitted.] Paid Enderby, Oil Merchant, #258 17s. Receipts: #245 18s. (244.15; 1.3)

Performances

Mainpiece Title: The Tempest

Afterpiece Title: Harlequins Frolicks

Dance: In: Aldridge, Miss Valois, others [the dance was composed by Aldridge (Morning Chronicle, 26 Nov. 1779), and danced, as here assigned, in all subsequent performances]; In afterpiece: as17761226

Event Comment: Paid Waller & Co., Hosiers, #14 18s.; Gardner, Shoemaker, #22 18s. 6d.; Smith & Co., Coal Merchants, #82 8s.; Blakes, Hatter, #7 16s. Receipts: #263 6s. 6d. (251.11.0; 11.5.6; 0.10.0)

Performances

Mainpiece Title: The School For Scandal

Afterpiece Title: The Quaker

Event Comment: [The playbill retains Mrs Baddeley as Polly, but she "being indisposed Miss Walpole played the part of Polly on Tuesday night' (London Chronicle, 12 Nov.).] Paid Chettell, timber merchant, #286 13s. Receipts: #135 15s. 6d. (118.10.0; 16.18.6; 0.7.0)

Performances

Mainpiece Title: The Beggars Opera

Afterpiece Title: The Elopement

Dance: End II: The Minuet de la Cour, as17771107, but Master _Holland, Henry

Event Comment: Benefit for Reinhold. Morning Post, 6 Apr.: Tickets to be had of Reinhold, No. 90, Charlotte-street, Rathbone-Place. Tickets delivered for The Merchant of Venice will be taken. Receipts: #184 18s. (85.16; tickets: 99.2) (charge #69 15s. 6d.)

Performances

Mainpiece Title: All In The Wrong

Afterpiece Title: True Blue

Afterpiece Title: Poor Vulcan

Dance: End II: The Poney Races-Dagueville, Sga Tinte

Event Comment: Macklin being taken ill, The Merchant of Venice and Love a-la-Mode [both announced on playbill of 23 Feb.] are obliged to be postponed

Performances

Mainpiece Title: The Duenna

Afterpiece Title: The Liverpool Prize

Dance: End: The Humours of Leixlip-Aldridge, Master Jackson, Miss Besford

Event Comment: The Merchant Of Venice and Love a-la-Mode [both announced on playbill of 26 Nov.] are obliged to be deferred on account of Macklin's Indisposition. Receipts: #57 8s. (55.7; 2.1)

Performances

Mainpiece Title: She Stoops To Conquer

Afterpiece Title: William And Nanny

Dance: As17791123

Event Comment: Benefit for Mattocks. [Mrs Sage is identified in Morning Chronicle, 27 Apr.] On account of Miss Catley's Indisposition Comus [announced on playbill of 26 Apr.] is obliged to be deferred. Paid Atkins, coal merchant, #33 12s. 6d. Public Advertiser, 7 Apr.: Tickets to be had of Mattocks, Great Russel Street, Covent Garden. Receipts: #193 5s. 6d. (153.13.6; tickets: 39.12.0) (charge: #105)

Performances

Mainpiece Title: The Wives Revenged

Afterpiece Title: Macbeth

Afterpiece Title: The Siege Of Gibraltar

Song: As17791018Vocal Parts-Reinhold, Doyle, J. Wilson, Baker, Miss Valois, Mrs Morton, Mrs Willems

Event Comment: The last Time of performing this Season. [This was Mrs Hartley's last appearance on the tstage.] Account-Book, 29 May: Paid Foulis for writing Music #101 17s.; 31 May: Received of Their Majesties for this Season #60, of Prince of Wales #30; 16 June: Paid Pattinson, tallow chandler, #332 8s. Paid Cooper, printer, #335 11s. Paid Harris, manager, #500. Paid Enderby, oil merchant, #1,061 17s. Paid Hull, salary as Acting Manager #150. Paid Mrs Hartley in lieu of a Benefit #105; 6 July: Received Stage Forfeits this season #42 3s. 6d. Receipts: #63 8s. (61.14.6; 1.13.6)

Performances

Mainpiece Title: The Belles Stratagem

Afterpiece Title: The Siege of Gibraltar

Dance: As17800417

Event Comment: The last Night of the Company's performing this Season. Receipts: #180 12s. (after-money not listed). Account-Book, 18 June: Paid Harris for his trouble in superintending the Business of the Theatre #500; Garton in full for salary this season #230; Hull for salary as acting manager #150; Mrs Yates in lieu of cloathes this season #200; Cooper, printer, #347 9s.; Carver, painter, #245 18s.; Hodgins, painter, #141 15s.; Received of Their Majesties this season #100; of the Prince of Wales #65. 27 June: Paid Hull in lieu of a benefit #100, Mrs Lessingham #70, Mrs Morton #21. 17 July: Paid one year's Land Tax #122 10s.; Macklin in full for season #217 10s.; Received Stage Forfeits #35 4s. 6d. 23 July: Paid Hawkes, coal merchant, #173 5s. 28 Aug.: Paid Hawkes, tallow chandler, #331 10s. 4 Sept.: Paid Barrett, wax chandler, #426 9s

Performances

Mainpiece Title: The Man Of The World

Afterpiece Title: Harlequin Free Mason

Performances

Mainpiece Title: The School Of Shakespeare Or Humours And Passions

Performance Comment: [Given in a regular Representation of several of his most favourite and capital Scenes. With Dresses and Scenery suited to the Characters and their Situations. The inimitable Scenes of the Poet, selected for the Purpose, and digested into Five Acts, will exemplify, in the strongest Colours of our immortal Bard, Vanity, Parental Tenderness, Cruelty, Filial Piety, and Ambition. ACT I. Vanity, in the First Part of Henry IV parts of II. i and iv]. Sir John Falstaff-Digges; Francis-Edwin; Poins-R. Palmer; Peto-Painter; Bardolph-Massey; Gadshill-Ledger [Public Advertiser: Kenny]; Carriers-Stevens, Barrett; Prince of Wales-Palmer; Hostess-Mrs Love; [ACT II. Parental Tenderness, in the Second Part of Henry IV [parts of IV. iv and v, and parts of v. ii]. King Henry-Bensley; Clarence-Miss Wood; Prince John-Miss Francis; Gloster-Miss Painter; Chief Justice-Gardner; Westmoreland-Davis; Attendant-Painter; Prince of Wales-Palmer; [ACT III. Cruelty, in The Merchant of Venice [IV. i]. Shylock-Digges; Antonio-Gardner; Bassanio-Staunton; Duke-Usher; Gratiano-Lamash; Salanio-Davis; Nerissa-Mrs Wilson; Portia-Mrs Massey; [ACT IV. Filial Piety, in the Closet Scene in Hamlet [III. iii and iv]. Hamlet-Bannister Jun.; King-Gardner; Polonius-Wilson; Ghost-Staunton; Queen-Miss Sherry; [ACT V. Ambition, in Henry VIII [III. ii]. Cardinal Wolsey-Digges; Surry-Aickin; Suffolk-Lamash; Lord Chamberlain-Egan; Norfolk-Davis; Cromwell-R. Palmer; King Henry-Usher.

Afterpiece Title: The Waterman or The First of August

Dance: As17810620

Entertainment: Before the Curtain draws up: the celebrated Cento (written by Richard? Berenger, in honor of Shakespeare)-Bannister Jun

Event Comment: [2nd piece in place of The English Merchant; 3rd piece of The Agreeable Surprise, both announced on playbill of 31 Aug.

Performances

Mainpiece Title: A Preludio

Afterpiece Title: The Beggars Opera

Afterpiece Title: Medea and Jason

Event Comment: Paid Home & Co., Coal Merchants #166 18s. Receipts: #244 4s. (218/8/0; 24/16/0; 0/7/6; tickets not come in: 0/12/6)

Performances

Mainpiece Title: The Gamester

Afterpiece Title: Whos the Dupe

Dance: As17831213

Event Comment: By Command of Their Majesties. [Mainpiece in place of The Merchant of Venice; afterpiece of Love a-la-Mode, both announced on playbill of 2 Nov. In afterpiece the playbill assigns Young Wilding to Bonnor, but on the Kemble playbill a MS annotation substitutes Palmer.]

Performances

Mainpiece Title: The Duenna

Afterpiece Title: The Lyar

Dance: As17841022

Event Comment: [By Permission of the Lord Chamberlain (but this notice does not appear on the playbill)]. Benefit for Miss Llewellin. The Doors to be opened at 6:00. To begin at 7:00. Tickets delivered for Monday the 24th, and Thursday the 7th of April will be admitted. Miss Llewellin is the daughter of a late eminent and respectable Merchant in one of our neighbouring islands, whose family have been great sufferers by the late war, and is left with two sisters, orphans. She solicits the patronage of a generous publick for that night only. Tickets to be had of Miss Llewellin, No. 204, Piccadilly

Performances

Mainpiece Title: Cleone

Afterpiece Title: The Apprentice

Event Comment: Paid Enderby, Oil Merchant, #142 12s. Receipts: #167 4s. (163/16/6; 3/7/6)

Performances

Mainpiece Title: The Provokd Husband

Afterpiece Title: The Country Wife

Event Comment: Benefit for Mrs Abington. Pit and Boxes will be laid together. Ladies and Gentlemen are most earnestly requested to come early, to prevent Inconvenience in getting to their Places, and to send their Servants to keep them by Four o'clock. "At the close of the entertainment Mrs Abington came forward, and delivered a short poetical address to her fashionable auditory [written by Maurice Morgann (Monthly Mirror, Nov. 1797, p. 263)], apposite to her feelings on the present occasion" (Morning Herald, 11 Feb.). "The character [of Scrub] throughout was well conceived, and executed with a sprightliness and degree of humour that kept the house in a continual roar of laughter" (Public Advertiser, 11 Feb.) "Mrs Abington's voice was in its usual tone; her manners and deportment were inattentive and torpid, rather than active and interesting" (Morning Post, 11 Feb.). "With all her endeavours to give new points to the character, she entirely failed. Her appearance en culottes, so preposterously padded, exceeded nature. Her gestures to look comical could not get the least hold of the audience, though they had seen her before in men's clothes, when playing Portia in The Merchant of Venice, where her figure, dressed as a lawyer in his gown, gave effect to her excellent delivery on mercy, and the audience had been always delighted. But this leu de benefice, comparatively speaking, was disgusting and absurd as she dressed the character ... However, I have heard it originated in a bet she had previously made" (Henry Angelo, Reminiscenes, 11, 281-82). Receipts: #406 13s. 6d. (249/9/6; 1/9/0; tickets: 155/15/0) (charge: free)

Performances

Mainpiece Title: The Beaux Stratagem

Afterpiece Title: Three Weeks after Marriage

Dance: As17851007