SELECT * FROM london_stages WHERE MATCH('(@(authnameclean,perftitleclean,commentcclean,commentpclean) "Company of Merchant Taylors"/1) | (@(roleclean,performerclean) "Company of Merchant Taylors")') GROUP BY eventid ORDER BY weight() desc, eventdate asc OPTION field_weights=(perftitleclean=100, commentpclean=75, commentcclean=75, roleclean=100, performerclean=100, authnameclean=100), ranker=sph04

Result Options

Download:
JSON XML CSV

Search Filters

Event

Date Range
Start
End

Performance

?
Filter by Performance Type










Cast

?

Keyword

?
We found 2056 matches on Event Comments, 852 matches on Performance Title, 568 matches on Performance Comments, 10 matches on Author, and 2 matches on Roles/Actors.

Performances

Mainpiece Title: The Comedy Of Errors

Performance Comment: Antipholis of Syracuse-Lewis; Antipholis of Ephesus-Whitfield; Duke-L'Estrange; Angelo-Fearon; Balthazar-Egan; Dr Pinch-Wewitzer; AEgeon-Hull; Officer-Jones; Merchants-Robson, Thompson; Dromio of Syracuse-Brunsdon; Dromio of Ephesus-Quick; Adriana-Mrs Jackson; Luciana-Mrs Lessingham; Lesbia-Miss Platt; Abbess-Mrs Hartley.
Cast
Role: Merchants Actor: Robson, Thompson

Afterpiece Title: The Touchstone

Song: III: song in character-Mrs Farrell

Performances

Mainpiece Title: The East Indian

Afterpiece Title: Harlequin Teague or The Giants Causeway

Performance Comment: Harlequin Teague-Egan; Teague Harlequin-Spencer; Italian Merchant-Massey; Pierrot (his Man)-Delpini; Old Woman and Dr Caterpillar-Wewitzer; Mr Dripping-Webb; Mrs Dripping-Mrs Webb; Lieutenant of Press Gang (with Fal de ral tit)-Edwin; Farmer Furrow-Gardner; Dame Furrow-Miss Hale; Landlord of the Horns at Highgate-Wilson; Catcall-Wood; Sailor-R. Palmer; Man with two Heads (with a solo duet in character)-Bannister; Giant of the Causeway-Master Brett; Genius of Ireland-Brett; Various other Characters by Stevens, Usher, Swords, Painter, Davis, Barrett, Kenny, Darley, J. Bates, Mrs Love, Mrs Lefevre, Miss Francis, &c; Anchor Smiths (with Smiths are good Fellows)-Darley, Dorion, Burton, Brett; Colombine-Miss Morris. With a Ranelagh Masquerade. Characters out of character: Fighting Quakers-Barrett, Kenny; Disinterested Lawyer-Gardner; Humane Scalper-R. Palmer; Harlequin with one Leg-Spencer; Fainting Butcher-Painter; Reviving Death-Collins .
Cast
Role: Italian Merchant Actor: Massey

Dance: Afterpiece to conclude with a Grand Ballet, in Spanish Characters, by Giorgi, Byrn, Miss Byrn, Sga Vidini, and others

Performances

Mainpiece Title: Fatal Curiosity

Afterpiece Title: Harlequin Teague or The Giants Causeway

Performance Comment: Harlequin Teague-Egan; Teague Harlequin-Spencer; Italian Merchant-Massey; Pierrot (his Man)-Delpini; Dr Caterpillar-Wewitzer; Mr Dripping-Usher; Mrs Dripping-Mrs Webb; Sailor (with Fal de ral tit)-Edwin; Farmer Furrow-Gardner; Dame Furrow-Miss Hale; Landlord of the Horns at Highgate-Wilson; Catcall-Wood; Sailor-R. Palmer; Giant of the Causeway-Miss Painter; Genius of Ireland-Wood [i.e. doubled Catcall]; Various other Characters-Stevens, Usher, Swords, Ledger, Painter, Davis, Barrett, Kenny, J. Bates, Mrs Love, Miss Francis, &c; Anchor Smiths (with Smiths are good Fellows)-Brett, Burton, Steele, Oldfield; Columbine-Miss Morris. With a Ranelagh Masquerade. Characters out of Character: Fighting Quakers-Barrett, Kenny; Disinterested Lawyer-Gardner; Humane Scalper-R. Palmer; Harlequin with one Leg-Spencer; Fainting Butcher-Painter; Reviving Death-Freeman .
Cast
Role: Italian Merchant Actor: Massey

Dance: Afterpiece to conclude with a Grand Ballet in Spanish Characters by Giorgi, Byrn, Miss Byrn, Sga Dagueville and others. [This was danced, as here assigned, at all subsequent performances.]

Song: In Act I of mainpiece a song in character by Miss Hooke

Performances

Mainpiece Title: Hamlet

Afterpiece Title: Harlequin Teague or The Giants Causeway

Performance Comment: Harlequin Teague-R. Palmer; Teague Harlequin-Milbourn; Italian Merchant-Burton; Pierrot (his Man)-Delpini; Dr Caterpillar-Wewitzer; Sailor (with Fal de ral tit)-Edwin; Landlord of the Horns at Highgate-Booth; Giant of the Causeway-Master Simmons; Genius of Ireland-Brett; Anchor Smiths (with Smiths are good Fellows)-Brett, Sands, Clarke, Oldfield; Colombine-Mrs Goodwin. With a Ranelagh Masquerade. Characters out of Character: Fighting Quakers-Barrett, Lyons; Disinterested Lawyer-Gardner; Humane Scalper-Nicolini; Harlequin with one Leg-Milbourn; Fainting Butcher-Painter; Reviving Death-Freeman .
Cast
Role: Italian Merchant Actor: Burton

Dance: Afterpiece: To conclude with a Grand Ballet by Byrne and the two Miss Simonets, &c. [This was danced, as here assigned, in all subsequent performances.]

Performances

Mainpiece Title: Ill Tell You What

Afterpiece Title: Harlequin Teague or The Giants Causeway

Performance Comment: Harlequin Teague-R. Palmer; Teague Harlequin-Milbourn; Italian Merchant-Swords; Clown-Grimaldi; Sailor (with Fal de ral tit)-Edwin; Landlord of the Horns at Highgate-Booth; Giant of the Causeway-Master Simmons; Genius of Ireland-Brett; Bird Catcher-Meadows; Genius of the Mine-Miss Painter .
Cast
Role: Italian Merchant Actor: Swords

Dance: In afterpiece, by Byrn, the two Miss Simonets, Master Degville, Miss De Camp

Event Comment: [As mainpiece the playbill announces The Merchant of Venice, but "On Account of Macklin's sudden Indisposition, The Merchant of Venice cannot be performed; and this Evening will be presented...The Nunnery, with...The Child of Nature, [and] The Farmer" (printed slip on BM playbill, cg, Vol. VI).] Receipts: #214 6s. 6d. (206.4.0; 8.2.6)

Performances

Mainpiece Title: The Nunnery

Afterpiece Title: The Child of Nature

Afterpiece Title: The Farmer

Performances

Mainpiece Title: The Comedy Of Errors

Performance Comment: Antipholis of Syracuse-Pope; Antipholis of Ephesus-Holman; Duke-Davies; Angelo-Powel; Dr Pinch-Cubitt; AEgeon-Hull; Dromio of Syracuse-Munden; Dromio of Ephesus-Quick; Luciana-Mrs Esten; Abbess-Miss Chapman; Adriana-Mrs Mattocks; Edition of 1793 (J. Bell) adds: Merchants-Thompson, Evatt; Lesbia-Mrs Platt.
Cast
Role: Merchants Actor: Thompson, Evatt

Afterpiece Title: The School for Arrogance

Song: In III: a song (in character)-Mrs Clendining

Entertainment: As17931004

Event Comment: Possibly on this day, Davenant and Killigrew, with a united company, began acting at this theatre. In L. C. 5@137, p. 332 (6 Oct. 1660) is a list of His Majesty's Comedians: Burt, Hart, Mohun, Robert Shatterell, Lacy, Wintershell, Clunne, Cartwright, Edward Shatterell, Baxter, Loveday, Kynaston, Betterton. (See Nicoll, Restoration Drama, p. 294; Hotson, Commonwealth and Restoration Stage, p. 204.) Hotson, p. 205, states that the company acted daily from 8 to 16 Oct. 1660

Performances

Event Comment: See Herbert, Dramatic Records, p. 116. The King's Company. It is surprising to see a Davenant play acted by the King's Company. Edward Gower to Sir R. Leveson, 20 Nov. 1660: Yesternight at the Fleece Tavern...The gentlemen were discussing the play which they then came from, by name The Unfortunate Lover; at the latter end of the play there was a duel upon the stage; which, they, discounting upon, drew their swords in jest to show wherein they failed (HMC, 5th Report, 1876, p. 200)

Performances

Mainpiece Title: The Unfortunate Lovers

Event Comment: See Herbert, Dramatic Records, p. 117. The King's Company. Pepys, Diary: To the Theatre, and there sat in the pit among the company of fine ladys, &c.; and the house was exceeding full, to see Argalus and Parthenia, the first time that it hath been acted: and indeed it is good, though wronged by my over great expectations, as all things else are

Performances

Mainpiece Title: Argalus And Parthenia

Event Comment: The King's Company. An edition appearing in 1661 lists no cast, no prologue, no epilogue. Pepys, Diary: To the Theatre, where I saw The Virgin Martyr, a good but too sober a play for the company

Performances

Mainpiece Title: Virgin Martyr

Event Comment: The date of the first performance is not certainly known, but Pepys, on 2 July, saw Part II, stating that 2 July was the premiere of Part I and the opening of the Duke's Company's new theatre in Lincoln's Inn Fields. Downes (Roscius Anglicanus, pp. 20-21): His [Davenant's] Company Rehears'd the First and Second Part of the Siege of Rhodes...at Pothecaries-Hall: And in Spring 1662 [1661], Open'd his House with the said Plays, having new Scenes and Decorations, being the first that e're were Introduc'd in England....All Parts being Justly and Excellently Perform'd; it continu'd Acting 12 Days without Interruption with great Applause. Downes, p. 34: I must not forget my self, being Listed for an Acotr in Sir William Davenant's Company in Lincolns-Inn-Fields: The very first Day of opening the House there, with the Siege of Rhodes, being to Act Haly; (The King, Duke of York, and all the Nobility in the House, and the first time the King was in a Publick Theatre). The sight of that August presence, spoil'd me for an Actor too. HMC, 10th Report, Appendix, Part IV, p. 21: @For the Siege of Rhodes all say@It is an everlasting play@Though they wonder now Roxalana is gon@What shift it makes to hold out so long@For when the second part took, butt for Bully@The first did not satisfie so fully.@ [Presumably this verse was written after Mrs Davenport left the stage, in 1662(?).

Performances

Mainpiece Title: The Siege Of Rhodes Part I

Event Comment: The Duke's Company. Pepys, Diary: Against my judgment and conscience (which God forgive, for my very heart knows that I offend God in breaking my vows therein) to the Opera, which is now newly begun to act again, after some alteracion of their scene, which do make it very much worse; but the play, Love and Honour, being the first time of their acting it, is a very good plot, and well done. Downes (pp. 21-22): This Play was Richly Cloath'd; The King giving Mr Betterton his Coronation Suit;...The Duke of York giving Mr Harris his...and my Lord of Oxford gave Mr Joseph Price his...and all the other Parts being very well done: The Play having a great run, Produc'd to the Company great Gain and Estimation from the Town

Performances

Mainpiece Title: Love And Honour

Event Comment: It is uncertain at which theatre this play was performed, but it has been assigned to the King's Company because Pepys saw that company act it on the following day, 27 Nov. Evelyn, Diary: I saw Hamlet Pr. of Denmark played: but now the old playe began to disgust this refined age; since his Majestie being so long abroad

Performances

Mainpiece Title: Hamlet Prince Of Denmark

Event Comment: The King's Company. Pepys, Diary: Seeing that the Spanish Curate was acted to-day, I...home again and sent to young Mr Pen and his sister to go anon with my wife and I to the Theatre...we went by coach to the play, and there saw it well acted, and a good play it is, only Diego the Sexton did overdo his part too much. [Sir Edward Browne seems to connect this play with the Duke's Company. See Introdutcion to 1661-1662.

Performances

Mainpiece Title: The Spanish Curate

Event Comment: Boswell, (Restoration Court Stage, p. 280) lists this as by the King's Company, which had given it on 23 July 1662. Pepys, Diary: Hearing that there was a play at the Cockpit (and my Lord Sandwich, who came to town last night, at it), I do go thither, and by very great fortune did follow four or five gentlemen who were carried to a little private door in a wall, and so crept through a narrow place and come into one of the boxes next the King's, but so as I could not see the King or Queene, but many of the fine ladies, who yet are really not so handsome generally as I used to take them to be, but that they are finely dressed. Here we saw The Cardinall, a tragedy I had never seen before, nor is there any great matter in it. The company that came in with me into the box, were all Frenchmen that could speak no English, but Lord! what sport they made to ask a pretty lady that they got among them that understood both French and English to make her tell them what the actors said

Performances

Mainpiece Title: The Cardinal

Event Comment: The Duke's Company. Pepys, Diary: To the Duke's house, and there was the house full of company. but whether it was in over-expecting or what, I know not, but I was never less pleased with a play in my life. Though there was good singing and dancing, yet no fancy in the play, but something that made it less contenting was my conscience that I ought not to have gone by my vow, and, besides, my business commanded me elsewhere

Performances

Mainpiece Title: The Villain

Event Comment: See Boswell (Restoration Court Stage, p. 280), who identifies the company as the King's Company. Evelyn, Diary: Saw the Young Admiral acted coram Rege &c

Performances

Mainpiece Title: The Young Admiral

Event Comment: The Duke's Company. Pepys, Diary: After dinner with my wife to the Duke's Theatre, and saw the second part of Rhodes, done with the new Roxalana; which do it rather better in all respects for person, voice, and judgment, than the first Roxalana [Mrs Davenport]. Home with great content with my wife, not so well pleased with the company at the house to-day, which was full of citizens, there hardly being a gentleman or woman in the house; a couple of pretty ladies by us that made sport in it, being jostled and crowded by prentices

Performances

Mainpiece Title: The Villain

Event Comment: The King's Company. Pepys, Diary: To the King's Playhouse, where we saw but part of Witt without mony, which I do not like much, but coming late put me out of tune, and it costing me four half-crowns for myself and company

Performances

Mainpiece Title: Wit Without Money

Event Comment: The King's Company. This marks the opening of the new Theatre Royal in Bridges Street, Drury Lane, to which Killigrew moved his company from Vere Street. Downes erroneously gives the opening date as 8 April, a fact which led to the creation of the famous spurious playbill for Bridges Street, Thursday, 8 April 1663. See Montague Summers, The Restoration Theater (London, 1934), p. 15. Pepys, Diary: This day the new Theatre Royal begins to act with scenes the Humorous Lieutenant, but I have not time to see it, nor could stay to see my Lady Jemimah lately come to town, and who was here in the house. Downes (p. 3): Note, this Comedy was Acted Twelve Days Successively

Performances

Mainpiece Title: The Humorous Lieutenant

Event Comment: The Duke's Company. Pepys, Diary: With Creed, my wife, and Mercer to a play at the Duke's, of my Lord Orrery's, called Mustapha, which being not good, made Betterton's part and Ianthe's but ordinary too, so that we were not contented with it at all...All the pleasure of the play was, the King and my Lady Castlemayne wer there; and pretty witty Nell Gwin?, at the King's house, and the younger Rebecca? Marshall sat next us; which pleased me mightily. Downes (p. 26): All the Parts being new Cloath's with new Scenes, Sir William's great Care of having it perfect and exactly perform'd, it produc'd to himself and Company vast Profit

Performances

Mainpiece Title: Mustapha The Son Of Solyman The Magnificent

Event Comment: The Duke's Company. This performance is on His Majesty's bill at the Duke's Company, L. C. 5@139, p. 125: Worse & Worse at court. See also Nicoll, Restoration Drama, p. 346

Performances

Mainpiece Title: Worse And Worse

Event Comment: The Duke's Company. This play should not be confused with Heraclius Emperour of the East by Lodowick Carlell. Pepys, Diary: My wife and I out to the Duke's playhouse, and there saw Heraclius, an excellent play, to my extraordinary content; and the more from the house being very full, anand great company; among others, Mrs Steward, very fine, with her locks done up with puffs, as my wife calls them: and several other great ladies had their hair so, though I do not like it; but my wife do mightily--but it is only because she sees it is the fashion. Here I saw my Lord Rochester and his lady, Mrs Mallet, who hath after all this ado married him; and, as I hear some say in the pit, it is a great act of charity; for he hath no estate. But it was pleasant to see how everybody rose up then my Lord John Butler, the Duke of Ormond's son, come into the pit towards the end of the play, who was a servant to Mrs Mallet, and now smiled upon her, and she on him. I had sitting next to me a woman, the likest my Lady Castlemayne that ever I saw anybody like another; but she is a whore, I believe, for she is acquainted with every fine fellow, and called them by their name, Jacke, and Tom, and before the end of the play frisked to another place. Mightily pleased with the play

Performances

Mainpiece Title: Heraclius