Event Comment: [Miss Brown is identified by MS annotation on Kemble playbill. "Notwithstanding the bills...[she acted] the summer before last, on the boards of the Richmond theatre" (Monthly Mirror, Nov. 1798, p. 308). In afterpiece the playbill retains Mrs Roffey as Nelly, but she "who usually performed the part of the Servant Maid, [was] suddenly taken ill; her substitute [was] Miss Tidswell" (Morning Herald, 12 Nov.).] Account-Book: Received of Hammersley & Co., lent to pay the Company #500; paid Lowndes, printer, #10; Chorus #6; Rablus, tallow candles, #10. Receipts: #203 12s. (126.3.6; 76.7.6; 1.1.0)

Event Comment: "Mr T. has performed in the Norwich Company. [He] did not appear to us to possess a single requisite for the profession of an actor...We observed that the characters of Lenox and Rosse were doubled [i.e. combined]-a resource, at all times, disreputable to the theatre and to the manager" (Monthly Mirror, Dec. 1798, pp. 369-70). Receipts: #299 15s. 6d. (293.8.6; 6.7.0)

Event Comment: The Subscribers are most respectfully intreated to observe that in consequence of the frequent abuses practised in their names, it has become absolutely requisite to recur to the original custom of requiring the Subscribers themselves to produce their Tickets at the Doors, and the Public are intreated to observe that in future particular Ladies resorting to the Pit of the Opera will be required to give their names and places of residence at the Doors, as they go in, in order to ascertain and finally exclude improper Company from that part of the Theatre

Event Comment: On account of the length of the new Ballet the Opera will begin at seven o'clock precisely [see 2 Apr.], and the Company are most earnestly entreated not to remain upon the Stage during the representation of the Ballet, on account of the dangers attending the changes in the Machinery and Scenery

Event Comment: Benefit for Knight. 2nd piece [1st time; F 1, by Thomas John Dibdin. Larpent MS 1252; not published]. 3rd piec : Not acted these 9 years. [Miss A. DeCamp had appeared as a dancer with the dl Company at king's in the season of 1792-93.] Morning Chronicle, 22 Apr.: Tickets to be had of Knight, No. 38, King-street, Covent Garden. Receipts: #392 3s. (185.12.6; 3.18.0; tickets: 202.12.6)

Event Comment: Benefit for Mrs Trevor [who had 1st appeared at this theatre, as a chorus singer, on 16 Jan. 1800]. "A settled, preconcerted plan was evidently laid to injure the lady who came forward in double capacity, not merely as a candidate for public favour, but in the responsible situation of a performer taking a benefit...The moment the lady made her appearance on the boards, before she even opened her mouth, before a single note furnished an opportunished an opportunity of appreciating her abilities, opposition began to manifest itself in all the various forms which malice on such occcsions is wont to resort to. The Hisses grew louder and louder,...the theatre absolutely assumed the appearance of a riot, rather than that of a civilized company, assembled for the purpose of amusement" (Dramatic Censor, II, 212-13). Morning Chronicle, 19 May: Tickets to be had of Mrs Trevor, sister to Mr Kelly of Drury-lane Theatre, No. 31, Bedford-street, Covent Garden. Receipts: #268 12s. (124.13; 4.8; tickets: 139.11)

Event Comment: The Public are most respectfully informed that the performance on Saturday evening having been interrupted by the unusual concourse of company behind the scenes, it has become absolutely necessary to shut up the communications from the audience part of the Theatre to the stage, upon the nights when Alessandro e Timoteo is perfomed